Heart and Hustle by Patricia Bright Giveaway

Frost is all about aspiration and becoming who we want to be, so we’re delighted to have five copies of Heart and Hustle by Patricia Bright to giveaway. A brilliant book on how to control your own future. Comment below or RT the Tweet of the competition on our Twitter @frostmag, or our editors @balavage. Good luck!

I’m going to show you how to hustle like I do, using your head and heart. All it takes is three steps…

YOUR BRAND: how you can use who you are to smash it online

YOUR BUSINESS: how to run your side hustle like a total boss

YOUR BELIEFS: ditch the thinking that s holding you back

From the early lessons she learned growing up in South London, to the moment she gave up the 9 to 5 to do what she loved, Patricia Bright s story will revolutionise how you think about work, life, and what it means to succeed.

Packed with her trademark attitude, style and sense of fun, Heart & Hustle is an inspirational guide to taking control of your own future.

Joan Hessayon Award winner Melissa Oliver triumphs with debut novel

Joan Hessayon Award winner Melissa Oliver

triumphs with debut novel

The Rebel Heiress and the Knight

Author Melissa Oliver has triumphed with her debut novel The Rebel Heiress and the Knight, published by Mills and Boon Historical, for which she has been awarded The Romantic Novelists’ Association’s (RNA) prestigious Joan Hessayon Award for new writers. Melissa, from New Malden, Surrey, will also receive a cheque for £1,000.

The Joan Hessayon Award is generously sponsored by gardening expert Dr David Hessayon OBE, in honour of his late wife, Joan, who was a longstanding member of the RNA and a great supporter of its New Writers’ Scheme.

The judges for the award, which included RNA Chair Alison May, Vice Chair Imogen Howson, Rhoda Baxter, author of contemporary romance and Chair of Authors North, and Thorne Ryan, Commissioning Editor for Hodder and Stoughton, were unanimous in their decision to crown The Rebel Heiress and the Knight the winner. They praised the novel’s ‘very real characters’ and enjoyed how ‘the history was beautifully woven into the story’, calling it ‘an excellent example of its genre’ and ‘a very strong debut’.

The book was selected from a list of 21 contenders, all authors whose debut novels have been accepted for publication after passing through the Romantic Novelists’ Association New Writers’ Scheme. Each year 300 places are offered to unpublished writers in the romantic fiction genre. As part of the scheme, they can submit a complete manuscript for critique by one of the Association’s published authors as well as attend RNA events which offer opportunities to meet and network with publishers, agents and other published authors.

This year’s debuts show the wide range of stories encompassed by the romance genre, from the ever-popular romantic comedies, to fairy tale romance, romantic suspense, historical stories and paranormal thrills. From the house just down the street to the sun-soaked beaches of Italy and that different world that is the past, these books deal with themes we all recognise and hold close to our hearts.

Melissa Oliver wanted to write a medieval romance set against a backdrop of real historical events, and the bitter divisions between King John and the Barons in 1215 provided the perfect element of intrigue, adventure and excitement. There’s also a nod to the legend of Robin Hood, which some historians believe took inspiration from the real-life story of Fulk FitzWarin III.

In The Rebel Heiress and the Knight, widow Eleanor of Tallany Castle knows her people are broken by the taxes demanded by King John. So when she’s ordered to marry Hugh de Villiers, a knight loyal to the king, she’s furious—even if he is handsome. As gallant Hugh begins to heal the scars of Eleanor’s abusive first marriage, she’s even more determined to keep her secret: she is the outlaw the king wants to send to the gallows.

RNA Chair, Alison May, commented, ‘The Rebel Heiress and the Knight is a fantastic debut, combining action, intrigue and engaging emotion. In an incredibly strong year for the Joan Hessayon Award, with an unprecedented number of contenders, choosing a winner was a real challenge, but Melissa Oliver’s debut blew us away with the quality of the writing and the emotional depth of the romance depicted’.

The full list of contenders for the RNA’s 2020 Joan Hessayon Award:
Zoe Allison, Impervious, Totally Bound

Jan Baynham, Her Mother’s Secret, Ruby Fiction

Laura Bambrey, The Beginner’s Guide to Loneliness, Simon & Schuster

Victoria Garland, Finding Prince Charming, DC Thompson

Rosemary Goodacre, Until We Meet Again, Hera

Annette Hannah, Wedding Bells at the Signal Box Cafe, Orion Dash

Stephanie Harte, Risking It All, Aria

Stefania Hartley, Sun, Stars and Limoncello, Totally Bound

Kirsten Hesketh, Another Us, Canelo

Sharon Ibbotson, The Marked Lord, Choc Lit

Emma Jackson, A Mistletoe Miracle, Orion Dash

Lynn Johnson, The Girl from the Workhouse, Hera

Nina Kaye, The Gin Lover’s Guide to Dating, Orion Dash

Lucy Keeling, Make it up to you, Choc Lit

Ruth Kvarnström-Jones, Halleholm – Lovisas Choice, Printz Publishing

Mairibeth MacMillan, The Viking’s Cursed Bride, Tirgearr

Melissa Oliver, The Rebel Heiress and the Knight, Mills and Boon Historical

Maggie Richell-Davies, The Servant, Sharpe Books

Jacqueline Rohen, How to Marry Your Husband, Arrow

Kathleen Whyman, Wife Support System, Hera

Fiona Woodifield, The Jane Austen Dating Agency, Bloodhound Books

 

The New Writers’ Scheme has been run by the RNA since 1962 and is unique among professional writing associations. It aims to encourage fresh talent in the writing of romantic novels that reflect all aspects of love and life, contemporary or historical.

Manuscripts submitted under the scheme are from unpublished authors and are read by an experienced writer or editor who provides invaluable feedback. Any manuscript that is subsequently published as a debut novel is eligible for the Joan Hessayon Award. All eligible books are judged by a panel of experienced RNA members who are already published authors, and this year the final round judges were Rhoda Baxter, author of contemporary romance and Chair of Authors North, and Thorne Ryan, Commissioning Editor for Hodder and Stoughton.

 

Pale Green Dot Fruit & Veg Box Review | Win A Fantastic Food Box

pale green dot, fruit and veg box, fruit, veg, vegetables, box, food, London, We reviewed a fruit and veg box from Pale Green Dot and we loved it so much that we are now running a competition for one lucky reader to win one of their own. All you have do is follow us on Twitter and then tweet at us, or follow us on Facebook and leave a message to let you know you have entered the competition. The closing date is the end of June and you have to live in London, Surrey, Sussex or Kent.

The fruit and veg box is definitely the best fruit and veg box I have tried. The spring onion is sublime: so unlike the ones you get in a supermarket. It has lettuce still attached to its roots and Sussex chard. The tomatoes are ripe and juicy. It even has asparagus and delicious aubergine. The box is filled to the brim with healthy deliciousness. We love. Pale Green Dot have more food boxes now including a BBQ one. Have a look below.

pale green dot – even more food boxes now available for home delivery across London and the South East

 

Pale green dot, sustainable suppliers of home delivered fine quality fresh, seasonal and local produce, dairy basics, meat and cheese, are now launching an even more extensive range of boxes.  Becoming quite the ‘one stop shop’ the pale green dot home delivery website features a new premium vegetable box, a fruit box, beer box, wine box, Italian box, and coming soon, a curry box.

 

Previously operating in the hospitality sector, pale green dot has managed an incredible turnaround in order to ensure that those living in London and the South East are able order online and enjoy fresh produce delivered to their homes.

 

Response to the boxes has been so positive, the company will be delivering to homes post lockdown to customers who have come to enjoy the quality, convenience and variety of what they are receiving.

The new premium vegetable box at £25.00 contains a greater choice and twice the amount of seasonal fresh produce than the company’s standard box, including ingredients such as new season Cornish mid potatoes, Sussex chard and Bobby beans from Jersey.

The fruit box at £15.00 is full of fresh and colourful fruits. Perfect to eat, drink and preserve it usually includes mango, pineapple, pomegranate, melon and kiwis as well as apples, grapes, oranges and blueberries.

The BBQ box contains meat and poultry sourced predominantly from small farms rearing free-range native breeds. All items are vac packed and can be frozen. The box includes steaks, burgers, sausages, marinated chicken legs and lamb koftas.

 

The Italian box  has everything you need to make flavour-packed pasta without having to leave the house. It includes pasta (wholemeal and white), pesto, fresh garlic, herbs, olive oil, parmesan cheese and passata and tomatoes at £25.00.

 

Two Tribes have partnered with pale green dot to supply their beers for beer boxes from £13.50.

 

There are three wine boxes, red, white and mixed, the boxes contain a curated selection of six bottles, familiar and new, old world and new world from £56.00 each.

 

All the boxes are available to order online at https://www.palegreendot.co.uk/home-deliveries and can be set up for regular deliveries, or one-off orders. Pale green dot aims to deliver boxes by the next working day.

 

To keep minds at ease, pale green dot are implementing the highest safety and hygiene standards across the board when it comes to both packaging and delivering in order to prevent the spread of the virus.

 

Orders can be made via this link –  https://www.palegreendot.co.uk/home-deliveries

 

www.palegreendot.co.uk

 

Amazon’s Kindle Storyteller Award celebrates independent writing talent with £20,000 prize

An exciting new writing competition is here!

Kindle Storyteller Award returns to the UK for third year, recognising the best talent
in independent publishing

Amazon today announced that the Kindle Storyteller Award, recognising outstanding work by independent authors with a £20,000 cash prize, will return for its third year in 2019. The award is open to all authors who publish their book through Kindle Direct Publishing on Amazon.co.uk from 1st May 2019 to 31st August 2019.

The prize will be awarded to the work that garners praise not just from the judging panel of book and publishing industry experts, but also from readers. The shortlist will be compiled on the basis of a number of factors, including reviews, sales and pages read in Kindle Unlimited.

The winner will be announced at a ceremony in London this Autumn, and awarded the cash prize of £20,000, a marketing campaign to support the book on Amazon.co.uk, and the opportunity to have their book translated for readers around the world.

The award has been won previously by contemporary fiction author Hannah Lynn and action thriller writer David Leadbeater. Since winning the Prize, Leadbeater has sold more than 165,000 books, and Lynn has gone on to publish three further novels.

Other Kindle Direct Publishing success stories include LJ Ross, who has had seven Kindle number one bestsellers and five books go to number one on pre-orders alone, and Rachel Abbott, who has sold over three million books to date.

Alessio Santarelli, Director, Kindle Content said: “Following the enthusiasm and huge number of entries in 2018, we are delighted to bring the Kindle Storyteller Award back for its third year. The encouragement and support of aspiring authors is an endeavour we continue to champion at Amazon. Publishing a book has never been easier and we are proud to provide a service that allows for a breadth of diverse stories to be told.”

Hannah Lynn, winner of the 2018 UK Kindle Storyteller Award said: “Hearing my name called out last October for The Afterlife of Walter Augustus was incredible. To receive such recognition for only my second book was such a fantastic confidence boost that has made me all the more determined to keep writing. I wish the best of luck to the 2019 entrants and urge any writers who are on the fence to enter – you never know what might happen!”

The Kindle Storyteller Award will be open to submissions of new books in the English language, published using Kindle Direct Publishing. Titles must be previously unpublished, with a minimum of 24 pages in paperback. Readers can access all titles entered into the prize in print or on the Kindle store on any device with the free Kindle app for iPhone, iPad, Android phones and tablets, PC and Mac, and on Kindle e-readers and Fire Tablets.

The Kindle Storyteller Award 2019 opens for entries on 1st May 2019, and titles must be enrolled in KDP Select while they are in the competition. For further information, authors can visit www.amazon.co.uk/storyteller.

The Sleighmaker: A Christmas Story That’s Never Been Told By Ian Shepherd

A novel that could well become a seasonal classic, this traditional Christmas tale is sure to win the hearts of children and adults alike.

Set just before the turn of the 20th century, The Sleighmaker is an unapologetic homage to the traditional children’s stories of the Victorian era, and is a richly rewarding tale of the importance of companionship and hope overcoming loss.

It is the debut of author Ian Shepherd, but you wouldn’t think it is his first book with the mastery of description, characterisation, plot and pacing that make it such a pleasure to read.

It’s aimed predominantly at children aged seven and up and, while it might be a little challenging for seven-year-olds to read by themselves, grown-ups are sure to enjoy reading along.

The story’s central character is Drummond, a master craftsman and gentle giant once known far and wide as the most talented sleighmaker around.

However, after a personal tragedy he shuns his trade and the company of the others.

Eventually, he is persuaded to work on the estate of Lord and Lady Harrington and is enjoying the solitude of his new work until a cheerful little boy named William appears.

William possesses unusual calming abilities with both people and animals alike and demonstrated his gift by preventing a nasty accident involving Henry, the Harrington’s young son, and his father’s horse, Jonty, after it becomes spooked by a wild boar during a ride.

Taken into the household, William becomes an apprentice to Drummond. At first, the craftsman wonders how he can be of any use, but quickly falls for William’s innocent charm and finds himself opening up emotionally for the first time since the tragedy.

One room in Drummond’s workshop had always been out of bounds, but William finds a way in and discovers a broken sleigh. With the emotional support and encouragement of his apprentice and a young kitchen maid called Marny, he is persuaded to restore the wrecked sleigh back to its original splendour.

Along with William, he calls on his old friend, the French artist Auguste, and together they create a magnificent sleigh for the winter parade.

Towards the close of the book there is a special twist that I don’t want to spoil, but it’s OK to say that the sleigh goes on a festive ride like no other and Drummond is finally able to move on and look to the future once more.

Author Ian Shepherd comes from a large family where Christmas has always been an extra-special occasion. In The Sleighmaker, he has succeeded admirably in crafting a timeless tale celebrating the true spirit of the season.

It might not have the whistles and bells of modern Christmas gifts, but that’s really the point. It’s a perfectly-wrapped present in itself, aimed at taking kids away from electronic screens if only for a little while.

With its snowy setting and rich descriptions, characters you care for and fair share of mysteries to uncover, this novel will appeal to children and parents who yearn for a simple, magical story packed with more yuletide spirit than a Christmas pud.

The Sleighmaker by Ian Shepherd is out now through Raj Joshi Publishing and priced £11.99 in hardback, £6.99 paperback and £4.60 as a Kindle eBook. It is available on Amazon UK

The Sleighmaker by Ian Shepherd is available here

 

Win a copy of The Sleighmaker by Ian Shepherd

We have three paperback copies of The Sleighmaker by Ian Shepherd, usually priced £6.99,to give away. To be in with a chance of winning, just email frostmagazine@gmail.com with your name and address.

The three lucky winners will be notified by 1st of December and will receive their prizes shortly
thereafter.

 

Cornish Writing Challenge 2017 Winner: Christopher Joyce

So The Cornish Writing Challenge 2017 is done and Frost wants to thank Vikki Patis for including us. Frost’s own Jane Cable and Catherine Balavage were two of the judges. Along with Vikki- of course, and Cornish author Angela Britnell. We are now proud to publish the winner: Christopher Joyce.

 

Christopher Joyce from Chichester in West Sussex has been a teacher, waiter, once made Venetian blinds and has worked in a steel works. He is best known for his series of children’s books, ‘The Creatures of Chichester’, where the city’s animals solve the problems created by the Twolegs living there. See www.creaturesofchichester.com for more information.

Read his excellent winning entry below.

 

Mama’s Gonna Float The Gypsum

 

“Hello, what service do you require?”

“All of them. Police, ambulance; there’s someone trapped in the car. Maybe fire brigade. I dunno – send them all!”

I slammed down the phone after giving my directions and threw up in the phone box. I was amazed it was still working as locals had turned it into a mini library. Thank God I was able to get through.

The stench of petrol filled the air mixing with the musty smell of autumn. They’d be here soon.

Breathe, relax.

It had started out quite a normal sort of day. I’d had a delicious lunch at the Waterside restaurant in Flushing, opting for the catch of the day as always. The plan was then to go for a walk along Trefusis Point. We had a lot to talk about.

Kelly was late. She was always bloody late. It drove me mad. After university we’d moved down to Cornwall to run a small pub. It failed miserably in the recession of 2017, but if I’m honest it would have failed anyway. We just didn’t want the same thing anymore. We tried running a mobile coffee shop that toured the festivals, which just drove us even further apart. Being with Kelly twenty-four hours a day was not the answer to resolve our differences.

I checked my watch. 2:35, Where the hell was she? The waiter brought me the dessert menu for the fifth time and I once again pushed it aside. He looked offended. Well, tough. Get over it. I’ve got more to worry about than your tip pal. He muttered to his manager and I wanted to go over and punch him in the face there and then. I counted to ten. Breathe, relax. That’s what the anger management person had taught me. She was as useful as a chocolate teapot. Kelly loved her of course. In fact it was Kelly’s idea. Typical of her new found, hippy-dressing, cosmic-ordering sort of view on life.

The spotty chinned waiter returned again. This time with a piece of paper folded in half. “There’s a message for you, sir,’ he said. I didn’t like the way he stressed the word sir, but I let it go. Another whinging apology from Kelly, no doubt. I opened it and read:

Mama’s gonna float the gypsum.

What sort of bollocks was that? I turned it over and even held it up to the light, half expecting to see a message from Kelly written on the other side, but that’s all it said. Mama’s gonna float the gypsum. Was she playing stupid games? We’d arranged this meeting weeks ago, after endless blocked text messages and unanswered calls she’d agreed to stroll around the headland to talk things through. I bet one of her trendy therapists had put her up to this. I could hear them whispering in her ear. Challenge him. Surprise him. They made me sick.

I didn’t have time for these stupid games. I had to get back to the garden centre. It’s not that I was the boss or anything, but since the break up I’d found some peace amongst the clematis and hydrangeas. I seem to remember that gypsum was a plant food of some sort. It was supposed to improve acid soil. Was she trying to make a reference to my work? That would be typical. She never wanted me to be successful. Ever since I got a first at uni and she got a Desmond. She hated me referring to her 2:2 like that. Yes, she’d studied soil sciences. I bet it’s something to do with that.

Or maybe it’s an anagram? When we first met we’d spend hours in bed going through the puzzle page in the local paper. I rummaged through my backpack for a pencil. There were so many zipped pockets. Why was it always the last one you looked in? I checked my mobile phone in vain. Still no sign of life. I shoved the half eaten peppermints and loose change back into the bag and drew a circle on the piece of paper. I arranged the letters in a random order around the circle. It’s just the sort of thing Kelly used to do. Oh God, I’ll be worshipping bloody crystals next.

After ten minutes of scratching my head. Nothing. Not a Scooby. I stormed out of the restaurant and headed for the woods. It was only when I was half way to the beach that I realised I hadn’t paid my bill. Well, sod him. He shouldn’t have brought me her ridiculous note in the first place.

I pulled up the collar of my down jacket as the ferry from Falmouth spewed out the last remaining emmets with their selfie sticks and iPads already in their hands. I strode on into Kilnquay Woods kicking up the beech mast and relaxing a little as the smell of pine needles and salty sea air filled my lungs. Before long I was clambering along the rocks on the shore line towards the cave where Kelly and I had frolicked in better days. My shoulders relaxed and I undid my jacket. The beach always had this effect on me. I felt at home. I pulled out the scrap of paper from my jacket and read the message again. Mama’s gonna float the gypsum. Was it an old folk song? I vaguely remember a school trip to a gypsum mine in Redruth. Were there once shanty songs sung by full-bosomed lasses as they loaded the gypsum on to boats bound for distant lands? I doubted it.

The sun was dipping below the horizon when I left the shore. The views of Falmouth across the crystal clear water and the sight of kids searching the rock pools for crabs had lifted my spirits. I didn’t care what the note was supposed to mean. I had to admit that although she drove me mad at times I still could not get her out of my head. I decided to stroll back into town and have a long cold pint of Gold Cyder at the Seven Stars.

The cold, golden liquid cleared my mind and I felt the happiest I’d been in months. It was time to put the past behind us and start again. I was on my second, or maybe third pint when I heard the screech of brakes followed by the unmistakeable thud of metal crushing bones. I leapt to my feet knocking the table and half finished cider on to the floor.

‘For God’s sake call an ambulance,’ I screamed at the top of my voice. Nobody moved. The red-headed barmaid continued to flirt with the young men at the bar. The family of four by the door carried on ignoring each other with their eyes glued to their mobile phones. The guys playing darts chalked up another score.

I ran out into the street alone. A woman’s body was crushed in the front seat of the mangled Fiesta. Just her legs with torn tights covered in blood were visible though the smashed windscreen. Another body was slumped beside her, a male in his late twenties, clearly dead at the scene. A young girl pushed her bike down the street as a lady in her later years nervously crossed the road hugging an ugly pug to her chest.

For Christ’s sake what’s wrong with these people. I dashed to the phone box hoping beyond hope that it was still working. It was piled high with books; there was a laminated note stuck to the wall.
This phone box was decommissioned in 2014. Please help yourself to these books dedicated to Kelly and Simon Edgerton, dear to this village. New books are added on a regular basis. This month:

Mama’s Misbehaving (not suitable for children) J Stone
Gonna Make You Mine (young adult) Kay Littleham
Float Fishing for Pike. S B Carter
The Gypsum Mines in the UK Andy McNarble

 

 

GAWP: New Writing Prize Launched

FLIPSIDE LAUNCHES GREEN ALPHABET WRITING COMPETITION
The deadline is July 31

writing-competitionFlipSide, East Anglia’s leading literary and arts festival, has launched an enviromentally-themed competition aimed at writers of all ages and for which entries are now open.

The competition, which carries cash prizes, will be judged by leading authors Jackie Kay, the Scots Makar (poet laureate), Blake Morrison, writer and Professor of Creative and Life Writing at Goldsmiths College and Jon Canter, novelist and playwright.

“We are looking for inspirational writing about the environment,” says Liz Calder, co-founder of FlipSide. “We hope to encourage writers to think creatively about their surroundings and how to care for them.”

Submissions must take any letter of the alphabet and use it in a piece of writing on a green theme – poetry, fiction or non-fiction. Prose entries should be no more than 500 words and poems no more than 40 lines. Entries could include some visual art. The deadline is 31st July, 2017. All entries will be considered for inclusion in a forthcoming anthology.

The competition is split into adults (First prize: £500) and under 16s (First prize: £200). The deadline is July 31.

Full competition details and instructions on how to enter can be found on the FlipSide website : www.flipsidefestival.org

The Business of Books: Ready, Steady – Write!

the-business-of-books-interviewswithjanecableJane Cable on writing competitively

Writing is not generally a competitive pastime; in fact, as I was saying in my last column, it’s a mutually supportive one. Yet writing competitions are forever popular and it’s probably the one time that pencils are sharpened into threatening points as we pit our wonderful words against those of our peers.

Doing well in competitions has shaped my writing life. Being a finalist in the Alan Titchmarsh Show’s search for a People’s Novelist gave me the confidence I needed to pursue my career as an author. Winning Words for the Wounded’s Independent Novel of the Year in 2015 led to representation by an agent and my first publishing deal.

There is no doubt that having a competition win on your CV helps get you noticed in all sorts of ways. Not only by agents and readers, but by sites like Bookbub and Ereader News who are impressively picky about the books they take for promotion. And as with everything else, practice makes perfect.

The Business of Books- Ready, steady – write!

Many competitions have an entry fee which funds not only the prizes but the running costs. Some, like the Words for the Wounded prize, exist to raise money for charity. Others help to fund literary festivals, but there is no doubt that entering enough of them to become really good at it can cost a small fortune.

This is one of the reasons that Frost editor Catherine Balavage and I are delighted to support a new free to enter competition, The Cornish Writing Challenge. Organised by short story writer Vikki Patis, the competition is open to writers everywhere but the entries must be either set in Cornwall or have a Cornish main character. There are four photographs for inspiration and full details can be found on Vikki’s The Bandwagon blog here: https://dracarya.wordpress.com/2017/04/04/cornish-reading-challenge-cornish-writing-challenge/

The judges are Vikki, Cornish author Angela Britnell, Catherine and me. The winning entry will be published in Frost and the writer interviewed on The Bandwagon. Highly commended entries will be published on The Bandwagon too.

So, how should you go about winning such great prizes and adding an impressive line to your writing CV? First and foremost, follow the rules. Don’t send 1,600 words when the maximum is 1,500. Make sure your entry is submitted before 27th May. The basics, really.

Choose your photographic prompt and use it – either literally or figuratively, but don’t half forget about it and slip it in at the end. It will show. But you are allowed to think outside the box and use the image as creatively as you wish.

Think your story through before you start to write. With a novel you can afford to ramble on a bit in a first draft, but a short story needs to move swiftly and smoothly from beginning to middle to end. It’s so much easier to do this when you know where you’re going from the outset.

Once your draft is down, edit it so that every single word counts. They don’t have to be long, difficult or showy words – in fact it’s often better if they’re not. But each one needs to have its place and contribute to the story. And don’t forget spelling and grammar because nothing grates on a judge more than sloppy writing.

Most of all, enjoy the journey and when you have a story you’d be proud to see in print, upload it to The Bandwagon website. Vikki, Angela, Catherine and I can’t wait to read it.