Tag Archives: dc comics

Man of Steel {Film Review}

Posted on by

*WARNING – MAY CONTAIN SPOILERS!*

 

This week is Warner Bros./DC Comics turn to bring up the heat for summer blockbuster season. It has been seven years since we had Superman on our screens with Superman Returns and the results were incredibly underwhelming (considering we had Batman Begins the year before, which was a critical and financial success). So a reboot was green-lit and Zack Snyder takes the helm to deliver Superman with watchful eyes from Christopher Nolan (serving as co-writer and producer). The end result is not as soaring as one would hope but flies rather valiantly.

 

Superman’s origin story remains the same; Kal-El (Henry Cavill) is one of the last remaining beings from the planet Krypton. Both his parents, Jor-El (Russell Crowe) and Lara Lor-Van (Ayelet Zurer), sent him off on a spacecraft as the planet was becoming unstable and would soon lead to its imminent destruction. His spacecraft crash lands in Smallville, Kansas and is raised by Jonathan and Martha Kent (Kevin Coster and Diane Lane). Though the interesting aspect that writers David S. Goyer and Christopher Nolan decided to focus on this Superman movie is asking; how would we react to a super-being? Would we welcome it with open arms or would we feel threatened? It’s certainly interesting to the fact none of the previous

ANSIN-MANOFSTEEL-R-PRESS

movie iterations even remotely decided to focus on that aspect. Although the story can feel a bit too cold for a Superman film and comes to no surprise it mostly has Chris Nolan’s stamp all over it. It was understandable for his Dark Knight trilogy to contain such a grim tone and featuring such dark themes. Superman really is a Moses story through and through but really delves into his alien heritage. There are amusing one-liners here and there but the cinematography all felt bleak with shades of blue and grey (with exception of scenes in Krypton).

 

Henry Cavill dons the suit really well, and he also brings the character quite a bit of charm but also some weight to the character. He brings such emotions as isolation and frustration, trying to blend in but there’s always a reminder that he will never be one of them. Although one scene that I felt was too forced on the religious symbolism is when he confesses to a priest in a church (whilst sitting in-front of a window with Jesus on it, subtle movie!) and he tells Kal-El to take a leap of faith. Amy Adams makes Lois Lane an active character this time round, rather than just solely being the damsel-in-distress that has Superman saving often. The chemistry between Superman and Lois is a bit weak but hopefully will expand in future sequels. Both Kevin Costner and Diane Lane play their characters really well, though there’s not much to work on as Jonathan is along with the many motivational parent/guardians to our heroes (Aunt May in Spider-Man and Alfred in Batman). Though the spot-light is Michael Shannon as General Zod, a great character actor but he completely chews the scenery and yet makes him quite intimidating which brings the fun to this film. You really believe this is a man motivated and dedicated to his genetic upbringing as a military leader.

 

As expected from Zack Snyder, he really delivers the spectacle and makes you believe a man can fly again! You feel the ferocity when Superman is flying for the first time, the sense of wonder from Superman’s reaction on roaring through the clouds. We finally get to see super-beings beat the living daylights out of each other. The scale and action sequences is spectacular, raising the bar to the extreme on what Superman has to handle. Zod’s soldiers really do put up a fight and you feel every blow they make is a devastating one! Though it does concern me that Zack Snyder causes this much destruction more on looking cool than taking into consideration the death toll would be extremely high (not to mention the amount of damage and lasting impact would leave upon Metropolis’s citizens). I was genuinely enthralled by WETA Digital’s creation of Krypton, clearly the filmmakers made sure they distanced themselves from Richard Donner’s Krypton. You feel that everything had a purpose and the planet felt alive with its inhabitants (I especially liked the silver projections when Lara is giving birth and Jor-El is giving Kal-El a history lesson about Krypton). Hans Zimmer’s score really captures the awe and wonder of Superman but also the menacing threat from the villains. There’s a lot to live up to than being under the shadow of John Williams’ iconic theme tune but Zimmer completely makes it his own.

 

Overall; a great stab on the Superman icon and really succeeds to make its own than trying to be a copy with what has been already established. Henry Cavill and Amy Adams play their respective characters faithfully and supported by a terrific cast. I really am looking forward to seeing more of this Superman series.

 

4 out 5

Man of Steel teaser trailer

Posted on by

Man of Steel was a huge hit at Comic-Con, even made a fanboy cry! So it would be no surprise that a teaser trailer for the film would be shown in-front of The Dark Knight Rises, as Nolan co-wrote the story of Steel but is also serving as the producer. So when I saw Warner Bros., Legendary Pictures and DC Comics logo shown in-front, my heart was beating that I finally get to see footage of the upcoming Superman movie.

 

The music is taken from The Lord of the Rings: The Fellowship of the Ring by Howard Shore (as Hans Zimmer hasn’t started composing music for the film yet), already setting the mood that the film may take with the new Superman movie. It shows Henry Cavill not as Superman but as Clark Kent, sporting a scruffy beard and looking to be traveling the world.* Though we do see shots of Kent farm, though as if this was a Terrence Malick film. We have a voice-over by Jonathan Kent (Kevin Costner)**, implying to be talking to Clark by saying what you’d expect he would say; that he would grow up to do great things. We see shots of a young Clark Kent running around in backyard, wearing a red cape that foreshadows on what will lead to the inevitable. We of course get the title cards, reading ‘From Zack Snyder – Director of Watchmen and 300‘ (luckily they didn’t list Sucker Punch and hope they continue to do so) and ‘And Producer Christopher Nolan – Director of The Dark Knight Trilogy‘. Finally, the last shot we all been waiting for; Superman himself. Though starts off with an aerial view of an unspecified location, then we see a small figure flying up to the sky. The camera zooms in and get a glimpse of Superman as he flies in an unimaginable speed!

 

That’s all that really is to say about the trailer, it really is the meaning of a teaser. I am interested where this Superman film will go but honestly, Superman is the complete opposite in tone to Batman. I am all for different approaches to characters, rather go to the same route to be safe but Christopher Nolan’s influence (for better or worse) is a bit much. I do hope it’s all part of starting really grim and eventually grows to being bright and uplifting as the story develops. We’ll just have to wait and see when it is released on 14th June, 2013.

 

* – It was nice to see a shot of Clark Kent trying to hitch a ride and the road was leading up to Whistler in British Columbia, Canada (probably a different location in the film but still cool nonetheless).

 

** – I have now just found out that there are two versions of the teaser trailer, same footage but two voice-overs. One I saw in front of Rises was with Jonathan Kent and the other is Jor-El’s voice (Russell Crowe) which you can see on Apple website (http://trailers.apple.com/trailers/wb/manofsteel/)

Green Lantern {Film Review}

Posted on by

*WARNING! MAY CONTAIN SPOILERS!*

Marvel has been long releasing their most cherished superheroes – X-Men, Spider-Man, Blade, Punisher, Fantastic Four, Iron Man and recently, Thor. Most have been successful and spawned many sequels (unlike Daredevil, which wasn’t well-received by critics and audiences, but led to the Elektra spin-off,  which did worse). So it was about time Warner Bros./DC Comics finally brought a superhero of theirs to the big screen who wasn’t Batman or Superman. Enter Green Lantern.

Created by Bill Finger and Martin Nodell in 1940, there have been many Green Lanterns, most notably the first, Alan Scott (1940) and John Stewart (1972). But it’s 1959’s fan-favourite Hal Jordan who makes the Emerald Crusader’s live-action movie debut.

The movie begins with an expositional monologue by Tomar-Re (voiced by Geoffrey Rush), explaining about the planet Oa, the Green Lantern Corps, the ring they wear that harnesses the power of will and how they are spread out among 3,600 sectors in the universe.

He explains that one of their warriors, Abin Sur (Temuera Morrison) fought against Parallax (voiced by Clancy Brown) – an enemy who absorbs and uses the power of fear from living beings – and defeated him. Parallax is imprisoned in the Lost Sector (Sector 666. . . . foreshadowing much?), but it all goes downhill when an alien spacecraft crash-lands where Parallax is kept and he escapes (shouldn’t they have made that sector a no fly zone if they had the most dangerous being in the universe?).

Six months later, Parrallax attacks Abin Sur and mortally wounds him. Abin Sur luckily escapes, crashes on Earth and commands his ring to find a successor. Enter Ryan Reynolds playing our main protagonist, Hal Jordan.

Jordan is a cocky fighter pilot who just happens to have daddy issues (father died in a fighter jet accident) and thus causes his fear. Unfortunately, since Reynolds is known for comedy roles, it’s hard to take him seriously when he tries to bring dramatic weight in a scene. It’s not terrible by any means, but it doesn’t feel convincing enough. Most of the time he’s smiling at the camera and joking around (which really makes the tone of this film go off at times).

Blake Lively plays Jordan’s childhood friend/love interest, Carol Ferris. She works for her father’s company and is also a fighter pilot. Despite apparently having the chops to fly aircraft, she is still shamefully used as the damsel in distress at times. But it is amusing when she quickly realises Hal Jordan is Green Lantern (thereby trashing the ridiculous notions of heroes using a small mask to conceal their identity).

In the blue corner, Peter Sarsgaard plays our antagonist, Dr. Hector Hammond. You can see he is having fun playing the role, but comes across as hammy and chewing the scenery. Instead, the most impressive performance in the film is from Mark Strong as Sinestro (it was the 50s, having unimaginative evil names made it straight-forward). He gives much more emotion and conviction but unfortunately, doesn’t get enough development or screen-time.

What about the rest of the cast, you say? Tim Robbins? Angela Bassett? Michael Clark Duncan as Kilowog? Barely get enough screen-time to make them memorable or worth caring about. The problem with this film is that it goes at such a quick pace, there’s not enough time to take it all in. Bassett’s character vanishes near the end of the second act never to be mentioned again! Even the main characters are barely developed, so new information springs out of nowhere, such as Hal, Carol and Hector all apparently knowing each other as kids.

Ah, now. The visual effects. I have never seen a comic book movie that looked so fake and artificial since Fantastic Four in 2005. I was desperately optimistic about the CGI Green Lantern suit, but whenever Hal Jordan’s touring Oa, I couldn’t help but see Ryan Reynolds’ head just floating in a sea of digital imagery, which became really distracting. Even the sets on Earth looked cheap, especially the scenes between Hal and Carol.

The climactic battle was severely lacking entertainment. Yeah, the sequences where Hal springs a fuel truck in the air and then forms an AA gun to blow it up in front of Parallax was creative, but there was no excitement, jeopardy and no feeling about the possibility of Hal dying.

Overall; hugely disappointing! Martin Campbell has done some seriously good films in the past (GoldenEye, The Mask of Zorro and Casino Royale) but here, it seems he has absolutely no idea what to do with the character. It is upsetting that Warner Bros./DC Comics only have this film this year, when Marvel has Thor, X-Men: First Class (both really good films, worth watching) and still have Captain America: The First Avenger waiting in the wings. I guess DC fans will have to wait for their old favourites in The Dark Knight Rises and Man of Steel next year.

Worst comic book hero film in 2011 summer blockbuster season.

2 out of 5

RED {Film Review}

Posted on by

Like perhaps many of you, I had seen the posters that have seemed to spring up almost overnight. The four vibrant faces of Bruce Willis, Helen Mirren, Morgan Freeman, and John Malkovich. The three big emblazoned letters RED, just inspires thoughts of an action movie that the entire world was waiting for. Encouraging you to think what a dynamic cocktail these actors could make.

Little wonder then that I entered the Cinema not quite sure what to expect. Sure I knew the history; RED is based on the three-issue comic book published by DC Comics and created by Warren Ellis and Cully Hamner. If you have seen comic book to movie conversions though you know as well as I do that it is very much a hit and miss affair how good or bad these movies end up.

“Red”, is derived from the stamp on agent Frank Moses’ (Bruce Willis) file, meaning “Retired, Extremely Dangerous” Frank Moses is a former black-ops CIA agent, now living a quiet life in retirement. However, lonely with retirement he strikes up a slightly somewhat odd relationship with a customer service worker at Frank’s pension office in Kansas City. However, the path of love is never smooth his quiet life of retirement is brought to an abrupt end when he is attacked by a hit squad in the middle of the night.

Frank takes on his assailants and, knowing whoever is after him would have tapped his phone, makes his way to Kansas City to both protect Sarah and also find out who is now after him.

So how does it all play out? Well in my opinion whilst enjoyable the film was a bit of a mixed bag for me. The problem is the genre has been played out so many times before and often with the same actors that I found it hard to get into the movie. To their credit the actors play their part admirably but to my taste I noticed a hint of laziness on more than a couple of occasions. The storyline does permit for some interesting twists with the characters – Helen Mirren as a hit woman turned lady of luxury, John Malkovich as an ex-agent who is now paranoid and always thinks that someone is watching him are great examples of character depth and do produce a chuckle here and a chuckle there. But it is hard to ignore that these are well established actors in their own right and you can’t help feeling that they are capable of doing so much more especially if they were allowed to explore their characters more.

However these might be viewed as minor criticisms as what this movie does well it does extremely well. Adapted for the big screen by brothers Erich and Jon Hoeber (who also wrote the adaptations of Whiteout and Alice) where they did manage to succeed is in the dry, witty humour and quick fire action. I also found the idea of an older operative who is set in his ways having to contend with younger and fit agents as well as new techniques and modern technology quite refreshing. Although, it must be said I saw Bruce Willis in this role in Die Hard 4.0 and it was much a similar vein and did so with more success.

So – my final verdict? If you get the opportunity and are stuck for a movie to go and see you could do worse, however don’t make this the top of your hit list.

By Junior Smart