Adam Stafford, Taser Revelations | Music Profile

Adam Stafford Taser Revelations Adam Stafford returns with his first album in nearly three years following the widely acclaimed Imaginary Walls Collapse in 2013. 

Format: 12″ vinyl (with download), CD and digital
Lead Tracks: Atheist Money, Phantom Billions
Label/cat number: Song, by Toad Records SbTR-A-049

Taser Revelations was recorded at The Happiness Hotel, Song by Toad’s newly aquired warehouse recording space. Utilising the warehouse’s natural room reverb to great effect, the album features producer and multi-instrumentalist Robbie Lesiuk performing a variety of instruments including steel drums, organ and piano. Greggor Douglas plays the Roland Juno/omnichord and ex-Maple Leaves Anna Miles provides harmony vocals.

Continuing Stafford’s trajectory into electrified alternative pop, Taser Revelations begins with some of the most melodically catchy songs he has ever written, before taking a swerve down a dark alley midway through the album, venturing into industrial syncopation, samurai-guitar attacks and some unsettling, vivid imagery.

Praise for ‘Imaginary Walls Collapse’
Nominated for a Scottish Album of the Year Award in May 2014
Albums of The Year in Goldflakepaint
Featured in Frightened Rabbit’s Albums of The Year in Drowned in Sound
#1 Album of The Year in Jockrock
#1 Album of The Year in Glasgow Podcart
#1 Album of The Year in Manic Pop Thrills and #1 in MPT’s Poll of Polls
#3 Album of The Year from Last Year’s Girl
#3 Album of The Year from Scottish Fiction
#4 Scottish Albums of The Year in The Herald on Sunday
#4 Albums of The Year in When You Motor Away
#5 Album of The Year in Is This Music?
#33 Albums of The Year in The Skinny
Vic Galloway’s Albums of The Year
Albums of The Year in Sonic Reverie
#20 Albums of The Year in The Tidal Wave of Indifference

Tracklisting:
All songs PRS registered, written by Adam Stafford.

Side A
1. Let a Little Love Inside
2. Phantom Billions
3. Atheist Money
4. Black Lung Applications

5. Unknown Swimmers
Side B
1. Railway Trespassers
2. Taser Revelations
3. Bracelet Dream of the Shadow
4. The Penumbr

HMV’s slow digital response to blame for demise – Musicmetric chief

HMV’s slow digital response was its undoing, says leading digital music expert

HMV confirmed the end of its three-year nose-dive into administration last night with the appointment of accountancy giant Deloitte. But its fate was sealed long ago by its slow response to the digital revolution, according to a leading digital expert.

The firm, which employs more than 4,000 people, ceased trading shares and issued a statement which said: “The board regrets to announce that it has been unable to reach a position where it feels able to continue to trade outside of insolvency protection, and in the circumstances therefore intends to file notice to appoint administrators to the company and certain of its subsidiaries with immediate effect. The directors of the company understand that it is the intention of the administrators, once appointed, to continue to trade whilst they seek a purchaser for the business.”

Gregory Mead, CEO of Musicmetric, the global music analysts, said:

“It’s a sad but inevitable fate for a much-loved stalwart of the music industry. But where retailers like John Lewis have embraced the internet – building customers through its Click and Collect service – HMV simply failed to adapt to the changing tastes of music fans and the seismic shift we’ve seen as everything has gone digital.

“While figures from the 2012 Digital Music Index showed file-sharing to be rife right across the UK, the upshot of this is that there are millions of fans accessing music each day. The challenge for retailers like HMV has been to find ways to tap into this – but you’d be hard pressed to be able to walk into an HMV store and buy songs directly on to your iPod.

“The changing face of music, and that digital technology has overhauled the way we interact with records, means that artists can engage directly with fans, meaning physical retailers have needed to evolve as well. While previously it was all about CD releases and the Sunday chart show, now the most important thing is knowing where your fanbase is and what drives them so you can market to them directly and maximise revenues from a myriad of sources.”