Vogue Says Women Are Allowed To Have Breasts This Season

Women of the world rejoice! Vogue says we are allowed to have breasts! Yes, you got it, breasts are in this season. What we are supposed to do next season is anyones guess but lets not be ungrateful. A man can have a penis all year but breasts are, y’know, inconvenient. Just ask Fashion Designer Marios Schwab who told Tatler “I’m not a big fan of breasts. They’re a challenging constructional point.” Well, Mario, how about not designing for women then, because you know who don’t have breasts? Men.

Catherine Balavage

Vogue says in this article titled Return of The Bosom: “So if boobs are not yet an out-and-out fashion trend, they are becoming a frequent exception to the rule.” Should someone make fashion know that women’s breasts aren’t detachable? Maybe a post-it note or something? This piece clearly shows that Kate Upton is a feminist icon. Yes, you can model and be a female role model. She was deemed “too obvious” for fashion. Now some fashionistas grind their teeth every time she is featured on the cover of Vogue, as she is this month.

Vogue goes on to say: ‘Men love boobs – that’s a well-documented story we needn’t explore here. But for women, as is true for fashion, the relationship is more complicated. In short, breasts are difficult to dress. During couture week, Jourdan Dunn exclaimed on Twitter, “Ahahahahahahha I just got cancelled from Dior because of my boobs!” But, she reasoned, “I’m normally told I’m cancelled because I’m ‘coloured’ so being cancelled because of my boobs is a minor : )”‘

 

Wow. Breasts may be difficult to dress, but only because designers are so bad at accommodating them. I mean, what’s next? Hips, arms, thighs? If you can’t make women’s clothes with breasts in mind, you are clearly an untalented idiot. Something Sarah Millican wrote an amazing essay on after being trolled after the BAFTA awards.

 

In my other life as an actor, my breasts have lead to the most amusing moments in my career. I didn’t develop breasts until I was in my twenties but when they came they didn’t hold back:  my size now is 32DD. Which makes costume designers hate you. When I was a UK size 4/6 (I am now a size 8), wardrobe loved me, but when I developed breasts I would stand in the middle of the room while various costume people asked each other, ‘What are we supposed to do with those?’ The answer was usually gaffa tape them down. I am so thankful I am a strong person and that was done to me rather than someone else. I can look at it with amusement, other, emotionally fragile or vulnerable, women could possibly have developed an eating disorder. I have spent a lot of time being dressed up like a boy for parts. I have no idea why. Just hire a fricking boy if that’s what you want.

 

In fact I am rather sick of fashion expecting women to make their bodies fit the dress, rather than the other way around. Even the thinnest woman has curves, only boys are drawn in a truly straight line. We are not ornaments or hangers. In what other aspect of our lives do we pay money for something that isn’t made to suit us and our lifestyles? Instead we are expected to diet our entire lives just for the joy of wearing clothes designed by people who obviously hate the female form, and don’t even lie about it. Yet, still we punish ourselves.

 

Of course not all designers are like this. Valentino clearly loves women. As does Roberto Cavalli. Dolce & Gabbana say in the same Vogue article: “We always try to create clothes that enhance a woman’s curves. We like to think that a Dolce & Gabbana girl wants to be very feminine, sensual, strong and fierce of her body.” So let’s take a stance in the only way that really gets things done: with our money. Any designer who hates women’s bodies should not have a penny of a women’s money.

Whilst researching this piece I came across this article Hadley Freeman wrote on this subject. Check it out here and this website, a body gallery of how women really look, was interesting too.

 

What do you think?

 

 

Christmas Gift Guide For The Fashion Junkie

Here are some top presents for the fashion junkie in your life.

 

We love these ASOS.com Knicker Shorts in Jewel Sequins: £45.00
asos christmas

Nothing adds style like a good coat. Who even cares what you are wearing underneath. Karen Millen Tweed Coat: £275 from Selfridges

Karen Millen tweed coat

This beautiful Mint Velvet Cable Knit Jumper from John Lewis is perfect for Christmas and beyond. £59

000973230

The matchesfashion.com sale continues! Shop part two now with up to 50% off the best international designers including Chloé, Givenchy, Valentino, Stella McCartney and Dolce & Gabbana. We love this Peter Pilotto dress was £756 Now £529 Save 30%
 Peter Pilotto Eva panelled-print dress

fashion fashion

French Connection have 50% off. We love this Belle Boucle Wool Coat £140.

 

Belle-Boucle-Wool-Coat

House of Fraser has up to 40% off including 15% off Beauty. We love these Jane Norman Metallic Contrast Heel Sandals. £35

 Jane Norman Metalic contrast heel sandals

Great wool gilet by Josh & Nicol

great wool gilet by Josh & Nicol

Shibumi for dressing down and relaxing, we love this decadent cashmere dressing gown. What a perfect way to spend Christmas day. Available in five colourways – Wedgewood, Imperial Red, Eau de Nil, Crimson Red and Verdigris, the dressing gown is £225 and comes in small, medium and large. Gowns are normally £225 but are currently on a special Christmas price of £180.

fashion

Designer and owner Ruth Guise says “I want to provide women with pieces that look and feel fantastic – and last beyond a trend. ” Born into a family of creatives and tailors. Her grandmother was a couture dressmaker, and Ruth spent her childhood watching and learning how to create a chic dress from a simple piece of fabric.

A fully bespoke service is also available.

Shibumi is available online at www.shibumistyle.com and at shows and events across the UK.

 

Firetrap shredded Shoulder Biker Jacket (£119) www.firetrap.com
shreddedjacket
Scandale Sirene The Dress (£60) Amazon.com
scandale dress
Dior houndstooth skirt (£99) www.enamoda.com

e&adior

 

What do you think?

Over 1 in 5 UK adults openly admit to buying counterfeit fashion

22% of people have knowingly bought counterfeit fashion items, with a further 10% saying they may have bought a fake item but can’t be sure. Only 34% of people say they know for sure they have never purchased fake fashion. The results were taken from an online survey of over 2,000 UK adults commissioned by luxury fashion resale site VestiaireCollective.com and YouGov* to ascertain the nation’s attitudes towards counterfeit fashion.  According to ECCIA (European Cultural and Creative Industries Alliance) counterfeiting in Europe has grown by 5% in 2011, totalling losses of over 14 million euros.

 

The most popular counterfeit items those surveyed admitted to buying were ‘designer’ handbags, with 31% of respondents who had bought fake items saying they had picked up some replica designer arm candy. The second most frequently purchased fashion items were fake designer sunglasses and watches (24% respectively).

 

The most common reasons why UK adults buy fake fashion were to avoid paying designer prices (20%), and when they unknowingly purchased items online which appeared to be genuine but were actually fake (17%). Only 2% said they would buy fake fashion to emulate the style of a celebrity or someone they admire.

 

Younger people in the 25-34 age group were the most likely to knowingly buy fakes, with 24% saying they had bought counterfeit items. Perhaps unsurprisingly, the 55+ age group were the least likely to shop for fakes, with only 13% saying they had bought something they knew was not genuine. Men and women were just as likely to be culprits (18% vs. 17% respectively).

 

Sarah Bush, UK Marketing Director of Vestiaire Collective said: “Some people are complacent about buying ‘fake fashion’, seeing it as a chance to get an expensive look at a cheap price. But fake items can’t match the real deal for quality and craftsmanship – with a designer item you are investing in something which will look great and last for years to come“

 

She continued: “Instead of buying fake items, we encourage anyone who is set on picking up a designer item to buy authenticated pre-owned fashion. Pre-owned is an affordable way to experience real luxury items, and you can even resell items at a later date. We have over 8000 designer handbags for sale at Vestiaire Collective, with average prices ranging from 50-70% off RRP.”

 

In February 2012 Vestiaire Collective signed a charter against the sale of counterfeit goods with luxury brands including Céline, YSL, Dior, Louis Vuitton, Chanel, and Hermès. Vestiaire Collective employs a team of counterfeit experts at their Paris headquarters who verify each and every fashion item bought and sold on the site, working closely with designer fashion brands to analyse the correct stitching, materials etc.

 

How to Spot a Fake Fashion Item – Top Tips from Vestiaire Collective’s Counterfeit Spotting Team:

 

1.       Only look at reputable websites. Shop at recognisable sites – all of your well-known favourites – for straight discounts. Don’t be tempted to shop sites you are unfamiliar with, especially those with ‘discount’ or ‘cheap’ in the URL.

 

2.       Familiarise yourself with your favourite brands. Don’t be shy to check out items at a brand’s shop or concession in a department store. Inspect the item carefully and you’ll have better instincts as to what may not be right with a product.

 

3.       Look at the hardware. On items such as handbags, the zipper should move smoothly and the pull should be heavy in feel. All other hardware should be similarly heavy and not hollow. There shouldn’t be any discolouring or signs of the metal flaking off.

 

4.       Check the handles and look inside. The stitching should be in a straight line and the thread should be strong and not frayed or pulled. The leather should be smooth and match the bag in the way it does on the product you saw in the store. The same is true inside; if the fabric looks strange or exceedingly cheap, it’s likely a fake.

 

5.       Logo. If the logo on a handbag, shoe or garment is upside down, sideways, cut off or somehow not right, again, you are likely looking at a fraudulent product.

Vogue On Designers | Book Review

VOGUE ON

Elsa Schiaparelli, Coco Chanel, Christian Dior, and Alexander McQueen

Out Now, £15 each, hardback

 

 Sometimes I love my job, and the opportunity to review these books was one of those times. These books are as beautiful, elegant and enjoyable as the designers the books are about. I love the layout of the books and each one has great quotes from the designer.

Vogue on: Coco Chanel, by Bronwyn Cosgrave. Vogue on Chanel may be a short book but it is incredibly comprehensive. The book is full of pictures and quotes. It is hard to read the story of Coco Chanel’s life and not be inspired by what an amazing business women she was. To Vogue’s credit it does not brush over the rumours about Nazi collaboration (Chanel had an affair with a German officer during World War II) and the book is well-researched and beautifully written. The Vogue archive pictures are to-die-for and I learnt a lot from reading this book. Coco Chanel managed to leave her mark, not just fashion, but also the world. An excellent businesswomen she built an entire empire by creating a signature look.

Coco Chanel’s private life was as interesting as her business. She dated the Duke of Westminster and traveled in high society. She was backed by Kitty De Rothschild who stated, “I shan’t buy a thing without showing her. That child’s got more taste than the rest put together.” After this stamp of approval the elite of the day bought her clothes in droves, and still do.

I loved this book. It is a triumph for Bronwyn Cosgrave. A perfect gift for Christmas and beyond.

 

Vogue on: Alexander McQueen,  by Chloe Fox. This book is different from the others as I actually remember Alexander McQueen, and was very upset when he tragically took his own life. He is the most modern of the fashion designers and I remember some of the collections. For 15 years the mouthy, East-End, working-class boy-did-good, McQueen was deliberately controversial.

Talented beyond belief, McQueen was also arrogant, likable and visionary. He knew how to be quotable and work the press as much as he knew how to design beautiful, wearable clothes. This book has a ting of sadness as both McQueen and Isabella Blow committed suicide. Blow had ovarian cancer and McQueen killed himself not long after Blow, and then his mother died

McQueen’s label lasts and the mantle has been handed to Sarah Burton, who designed the wedding dress of Kate Middleton. Burton talks fondly of her former boss in this book.Burton says, “He was my inspiration everyday. Everything I know, I learnt from him.”  In fact, the book has access to all of the main players in McQueens life. A must have for fashion lovers and McQueen fans.

In this book Plum Sykes says, “The fact was, Alexander created a new silhouette for a generation. When you look back at the history of fashion, the only designers with any longevity – from Balenciaga to Dior to Yves Saint Laurent – are the ones who created their own iconic shape.” This quote is what you learn from Vogue’s series of books on designers: they all created their own shape.I really hope there will be more books in this series.

 

Vogue on: Christian Dior, by Charlotte Sinclair. Dior was such a visionary that he completely changed how women dressed. The ‘New Look’ he invented stunned the fashion world and had a cataclysmic effect. The truth is, Dior did more than create a look, he created a revolution. When Dior showcased his new range so many people would come that even the staircases would be filled. There is a wonderful picture of Marlene Dietrich in this book, clutching her ticket as a child would hang onto candy. This book, and indeed all of the others, is not just a book on fashion, but a book on history. Vogue on Christian Dior is a fascinating read, I could barely put it down. I could also stare at the pictures for hours.

All of Diors couture clients had their own mannequin that was made to their own measurements. Upon reading this I rather longed to be incredibly rich and that Christian Dior was still alive, as it sounded so romantic and wonderful. One of the reasons Dior was so successful was because he gave women what they wanted. “I brought back the neglected art of people pleasing.” He said.

Of course, all of the designers these books are about are dead now. An era ended. Even Alexander McQueen, sadly gone too soon. I hope Vogue do more books in this series. Yves Saint Laurent would be an obvious, and much deserved, subject.

Vogue on: Elsa Schiaparelli, by Judith Watt. Like the rest of the books in the series, Vogue on Elsa Schiaparelli is well illustrated, picture perfect and wonderfully written. Schiaparelli may not be as well known to the wider public as the other designers but she remains influential.

Schiaparelli was also a rare thing, even today: a female fashion designer. She had a lasting rivalry with Coco Chanel who was dismissive of her. Schiaparelli was born into high society but lost all of her money after her husband spent her dowry and then left her and her young daughter. She went to work and managed to open her own label. She said: ‘Poverty forced me to work, Paris gave me a liking for it.” Schiaparelli  not only managed to design her own “look”, she also made designs for different types of women, no matter what their body shape or personality. She was also an artist, collaborating with Salvador Dali and Man Ray,

This book is a brilliant story of flair, tenaciousness and perseverance. A wonderful book.

“Life on the dotted line was of no possible interest.” Elsa Schiaparelli

 

Vogue On is an influential and covetable series of short books from the fashion bible Vogue, celebrating the defining fashion designers of the last century.  The first four books in the series illuminate the significance of Elsa Schiaparelli, Coco Chanel, Christian Dior and Alexander McQueen, each pioneers of their time, and draw extensively on the Vogue archive, the definition of portraiture and fashion illustration. 

 

Alexandra Shulman, Editor of British Vogue, comments “Vogue On offers an authoritative overview of the work of the 20th century’s most influential designers. Unique access to the treasures of the Vogue library combined with concise, elegant and informed writing ensures that this series is an unmissable addition to any student or enthusiast of fashion’s library.”

 

Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. No magazine is better positioned to present a library on the most influential fashion designers of the modern age.

 


 

 

Dior still searching for perfect Galliano successor


Dior without John Galliano has been compared to an orchestra without a conductor.

The troubled designer was fired as the label’s creative director in March after a video showed him apparently drunk, telling a woman in a cafe he “loved Hitler” and while the company is coping without a successor for now, LVMH chairman Bernard Arnault, who also runs Dior, believes they need to appoint someone new soon.

He said: “I think we have the equivalent of the Vienna Philharmonic. From time to time, the Vienna Philharmonic could play without a conductor because they are so good. But that cannot last forever. We want to [make] the best choice for the house and find the best conductor.”

CEO Sidney Toledano revealed the company is looking for a replacement but want to ensure they make the perfect choice although he did praise the label’s “technical people” for their hard work.

He said: “A lot of schools produce designers but the technical people – this is what we have to protect. They work very hard here, and they live outside of Paris. They are not living like the designer. They are simple people. Some of them have a difficult life. They have their feet on the ground. They’re sustaining the house.”

Stars Shine At Met Costume Ball.

GINNIFER GOODWIN, DIANE KRUGER, LIV TYLER, ASHLEY OLSEN, MARY-KATE OLSEN, GISELE B?NDCHEN, DU JUAN WEAR VAN CLEEF & ARPELS AT THE MET COSTUME BALL.

The fashion event of the season held on the May 2, 2011 in New York for the Costume Institute Gala at The Metropolitan Museum of Art included fabulous jewels provided by the famed French jewelry House Van Cleef & Arpels. Those wearing Van Cleef & Arpels included the following:

Ginnifer Goodwin was down to earth in TopShop wearing:

* “Art Deco Zip” necklace featuring turquoise, chrysoprase, chloromelanite and diamonds set in white gold
* 1964 “Estate” turquoise and pearl ring set in yellow gold

Diane Kruger in Jason Wu wearing:

* “A Cheval” diamond earrings set in yellow gold
* “Pont Neuf” mystery set ruby ring set in yellow gold

* 1957 Estate “Feuilles Croisses ruby and yellow gold ring.

Liv Tyler in Givenchy Couture wearing:

* “Organdi” large diamond bracelet set in white gold
* “Organdi” small diamond bracelet set in white gold

* Diamond earstuds set in white gold

Ashley Olsen in Vintage Dior Couture wearing:

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* “Conversation” ring featuring a pear shaped orange and white diamond set in white gold
* “Puces” diamond ear studs set in white gold
* Diamond solitaire ring totaling 7.83 carats set in platinum

Gisele Bundchen in Alexander McQueen wearing:

Gisele Bundchen at Met costume gala

* “Lotus” diamond earrings set in white gold

Ginnifer Goodwin – Van Cleef & Arpels ©Photo by Stephen Lovekin/Getty Images

Diane Kruger- Van Cleef & Arpels ©Photo by Kevin Mazur/Getty Images

Liv Tyler- Van Cleef & Arpels ©Photo by Kevin Mazur /Getty Images

Ashley Olsen – Van Cleef & Arpels ©Photo by Dimitrios Kambouris/Getty Images

Gisele Bundchen – Van Cleef & Arpels ©Photo by Dimitrios Kambouris/Getty Images