Tag Archives: Drive

Top Best and Worst Films of 2011

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We all had our fair share on films that made us smile and made us frown. To celebrate my recent Writer of the Year award and a step to a new year, I will reveal my list of best of worst films of 2011. I, however, did not get the luxury to see some of the films I would have liked to have seen (Tinker Tailor Soldier Spy, The Artist, Melancholia etc.) and this will be a mix of UK and North American release dates.

*BEST*

1) Drive – Nicolas Winding-Refn crafts an artistically pulpy film noir that delivers heart-stopping tension but also brings some humanity to the story. Ryan Gosling is compelling as the nameless driver but it is Albert Brooks that steals the spot-light as the menacing Bernie Ross. The car chases (especially the pre-credits sequence) are brilliantly shot and the editing is fluid. The cinematography brings the darkness to the Los Angeles glamour that we all have been acquainted to from many films set in the City of Angels.

2) The Girl With The Dragon Tattoo – The thought on making an English version of the novel when there’s already a Swedish TV/Movie made two years ago made us all cry in outrage. Then David Fincher came along and proved the nay-sayers wrong! Even if you’ve already read the novel or seen the 2009 foreign film, Fincher still delivers a dark and intense thriller. Rooney Mara makes a career-making turn as Lisbeth Salander and I honestly prefer her take on the character than Noomi Rapace’s (not saying Rapace’s was bad, just prefered Mara’s a bit more)

3) Black Swan – It is essentially Darren Aronofsky’s Swan Lake, though it’s about a ballerina (Natalie Portman) who gets chosen to play the lead of the new version of Swan Lake. The sense of paranoia from the cinematography, visual effects and even from Portman’s Oscar-winning performance is executed brilliantly. You really feel you are descending into madness, blurring the fine line between reality and fantasy. It’s also a body horror film, as Portman’s character slowly becomes the Black Swan. It was seriously a dark start for 2011 but it got me hooked till its perfect finale.

4) War Horse – Spielberg never ceases to amaze with his filmmaking skills (okay, Kingdom of the Crystal Skull aside). The trailer for this film came off (for me anyways) as a parody, so it’s incredible that a filmmaker like Spielberg was able to make that work! The ensemble British cast is astounding, from the likes of David Thewlis, Benedict Cumberbatch, Tom Hiddleston, Emily Watson, Paul Mullan and Liam Cunningham. The score by John Williams is one of the best he’s done since Munich and the cinematography by Janusz Kaminski (Schindler’s List and Saving Private Ryan) is breathtaking.

5) The Tree of Life – The biggest Marmite movie you’ll come across; you’ll either love it or you hate it! I, however, loved it and found it incredibly intriguing and ambitious. The film’s story is driven thematically and visually, being an expressionistic piece of work. Brad Pitt delivers one of his best performances in his career (along with Moneyball and The Assassination of Jesse James). A personal film that asks universal questions and it is such a beautiful and majestic piece of filmmaking.

*Honourable mention; Hugo*

*WORST*

1) Transformers: Dark of the Moon – Second highest grossing film of 2011 (behind Harry Potter and the Deathly Hallows Part 2) but it comes up to my list as the most unbearable film to watch of 2011. The human characters are ungodly annoying, Shia LaBeouf has nothing we could relate to and constantly screams more in this film than the two previous films combined! The new girl in the block, Rosie Huntington-Whiteley, is completely emotionless and nothing more to show than her looks. The action sequences are better executed this time around but the Transformers gets shoved aside in favour for the human characters. The film is also way too long, the rest of the film is just filled with filler and characters that don’t need to be in the film (i.e. Sam’s parents). Michael Bay said he didn’t care for Transformers before he made the first film and it still shows he’s not suited for this film.

2) Sucker Punch – This is an unfortunate case where you give too much money and creative freedom to a film director that’s all about style and no substance. The problem is, it tries to bring a message and empower women but there’s nothing to it to get and the women are no way represented in a positive note by wearing corsets and fish nets. The film is completely incoherent (both in story and style), the action sequences have no purpose but to be there and non of our heroines have any characteristics to make them any different from another. It is a complete mess of a film and hopefully Man of Steel will bring Snyder’s reputation back.

3) Green Lantern – Talk about being hugely disappointing. The marketing for this film was far superior than the final product (I have seen an Extended Cut version was released but heard it barely made any improvements). This really could’ve set a new movie franchise for Warner Bros./DC Comics; you had a director that’s competent in action and drama (both GoldenEye and Casino Royale are proof of that) and Ryan Reynolds being the likable cocky hero. This could’ve been as exciting and epic like Star Wars but the script and creative decisions got lost in the abyss. The film looks and feels so lifeless and artificial, you cannot help but feel underwhelmed this could’ve been a great film if more time and effort was put into it. The ending teased with a sequel baiting scene but this bombed at the box-office (even though Warner Bros. were convinced it would be a success that they green-lit a sequel. . . . Beware Green Lantern’s light? I think he should beware of our expectations).

*Dishonourable mention; Cowboys & Aliens*

*BEST BLOCKBUSTER*

X-Men: First Class – The X-Men franchise nearly had the last nail to its coffin, after the dull X-Men: The Last Stand and the terrible X-Men Origins: Wolverine. Matthew Vaughn, after his huge success with Kick-Ass, comes along and tells the story of the complicated friendship between Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) and the origins of X-Men. The film is the best of the series, creating a huge sense of fun but not having the spectacle get in the way of character development (especially between the two leads). Both McAvoy and Fassbender are incredibly engaging from the start, though the project started on being another origin story but solely about Lensherr’s past and eventually becoming Magneto. Although the thing that brings the film down is January Jones as Emma Frost (strong contender for Razzie nomination) but that didn’t stop me from enjoying the hell out of this film.

*BEST TRAILER*

There was some huge decision making for which trailer would win this particular award, so it wasn’t easy to choose from previews of what is about to come in 2012. As much as the latest trailers for The Dark Knight Rises, The Avengers The Hobbit: An Unexpected Journey were hugely exciting but I would go for Ridley Scott’s, Prometheus. All to do with Ridley Scott returning to the genre that got him on the Hollywood map (Alien and Blade Runner) and the fact it looks spectacular. Being an Alien prequel but not featuring any xenomorphs that we all know an love. Though it does show snippets of the origins of the derelict ship featured in the first film (and second film if you watch Special Edition version of Aliens). Also the cast looks fantastic, ranging from Noomi Rapace, Charlize Theron, Michael Fassbender, Guy Pearce and Idris Elba. The trailer even pays homage to the trailer of Alien (the title slowly fading in and the eerie sound effect that rings through-out the trailer).

Top Five Films Of 2011

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Well okay, maybe that title is somewhat inaccurate. These are my top five films of the year; the ones that moved me, thrilled me, chilled me and left me bowled over by the endless power of the movies. Obviously I didn’t get a chance to see everything that came out though I like to think I gave as much effort as I could to see stuff from across the spectrum of releases. I don’t expect everyone to agree with my choices; one of them I know has incensed arguably more people than it has awed. But like I say it is my humble opinion. Agree or disagree to your content…

1) THE TREE OF LIFE

Terrance Malick’s fifth and most ambitious feature to date, feels like something that we may never see again; a $30 million mainstream film that unashamedly confronts the meaning of life, the cruelty of death, the absence of faith and belief in the divine. Audiences today are so used to having narrative drip thread to them that the astonishingly loose and flowing construction of The Tree Of Life led to outright hostility from many critics and audience members. Despite my initial bewilderment at it through, it stayed with me through the months and on repeat viewings has grown into a profound and deeply moving work. Brad Pitt and Jessica Chastain are extraordinary as a married couple bestowing their differing views on life to their children. What follows is overwhelming vision of the minutia of family life compared with nothing less than the birth of life itself. For me The Tree Of Life does what cinema should do; it takes the most intimate, recognisable aspects we understand and contrasts them against something unfeasibly epic, powerful and ultimately incredibly moving.

2) DRIVE

Roaring out of Cannes like the greatest Michael Mann film that Michael Mann never made, Nicolas Winding Refn’s sleek, blood splattered romantic fairytale captured the hearts of minds of critic and audiences alike. Ryan Gosling truly cements his star status with a near mute role as a stunt driver by day and getaway driver by night who goes up against the LA underworld (personified by a spectacular and unexpected villainous turn by Albert Brooks) when he falls for troubled Carey Mulligan. The two worlds of the story smack head into each other in a spectacular climactic scene in an elevator. The scenes of extreme violence could have been too alienating yet Refn directs with such flair and panache that nearly every scene makes you hairs stand on end. Throw in the best soundtrack of the year hands down and you have an instant cult classic. I walked out of it like i was walking on air.

3) MELANCHOLIA

It could have been overshadowed by director Lars Von Trier’s poor taste in humour at this year’s Cannes Film Festival but thankfully his intimate apocalyptic drama is strong enough to stand on its own feet as an astonishing singular vision of brilliance. Kirsten Dunst and Charlotte Gainsbourg are terrific as two frigid sisters both thrown together by a disastrous wedding and then the arrival of a rogue planet on a collision course with Earth. Filmed in a woozy, dream like palette with very deliberate framing and hauntingly beautiful compositions it takes the difficult subject of depression and manages extraordinarily to turn into a transcendent and oddly uplifting experience.

4) WE NEED TO TALK ABOUT KEVIN

Arguably the boldest novel adaptation of the year, British director Lynne Ramsey makes a stunning return to screens with a disorientating and devastating tale of a women living in the shadow of her monstrous son and terrible crime he has committed. Tilda Swinton is reliably brilliant conveying both the mother’s dawning horror at steadily disturbing events and the guilt that she feels for not showing the love she should have for the child. It’s a role that most actresses would have balked at yet Swinton plays it with such mesmerising confidence. As good as she is though the film arguably belongs to Ezra Miller as the teenage Kevin who beneath a seemingly innocent, sweet veneer chills to the very bone. Hopefully we won’t have to wait so long for Ramsey to release her next work.

5) CAVE OF FORGOTTEN DREAMS

Having dragged a steamer over a mountain, travelled to the furthest reaches of the Amazon and Antarctica acclaimed German filmmaker Werner Herzog goes into the depths of the Chauvet Cave in southern France to document not only it’s astounding geographical presence but also the oldest cave paintings known to man, perhaps they are the beginning of art itself. Shown in 3D at cinemas, I caught up with the film in 2D and was still floored by the beauty and skill with which Herzog examines these paintings as well as the brilliantly dry wit in his unmistakeable Bavarian drawl as he spends time with the familial team of scientists living in the shadow of the caves and simple yet deeply profound musings on the passing of time and the origins of these extraordinary drawings. When it comes to the vision of nature itself, Herzog is rarely topped.

Frost's Review of 2011

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2011 was an eventful political year, with the Arab Spring, phone Hacking and the death of more than one tyrant. On the flip side, it was also a year of wedding fever, Prince William finally made an honest women of Kate Middleton on April 29. Kate Moss and Jamie Hince, Lily Allen and Sam Cooper (she also announced her pregnancy), Rachel Weisz and Daniel Craig, Prince Albert and Charlotte, Zara Phillips and Mark Tindall and Paul McCartney and Nancy Shevell all tied the knot. Kim Kardashian got married too, but so briefly it is barely worth mentioning.

There was tragedy when Japan was struck by an record 9.0-magnitude earthquake and a tsunami. Followed by nuclear disaster at Fukushima, which is still being cleared up by brave workers, at serious risk to their own health.

Amanda Knox and Raffaele Sollecito were acquitted of the murder of Meredith Kercher.

In August London burned as riots spread all over England, people died, lost their homes and taxpayers were left with a bill of over 100 million.

The Arab Spring started when 26-year-old vegetable seller Mohamed Bouazizi. set himself on fire in protest in a Tunisian marketplace on December 17th 2010. It lead to leaders all over the Arab world standing down including Hosni Mubarak (Egypt), Tunisia’s Zine El Abidine Ben Ali, and the death of Gaddafi in October.

Silvio Berlusconi also finally stepped down.

Osama Bin Laden was killed ten years after 9/11.

The press went mad over Pippa Middleton’s bottom. As did PR companies.

Super Injunctions were the buzzword of the year, but the name of the footballer came out after he was named by multiple people on Twitter. The film star who slept with the same prostitute as Wayne Rooney, however, got away with it. Our article on it was one of our most popular of the year, getting over 14,000 hits in a matter of hours

Borders book store closed down, as did the Space Shuttle Programme and Harry Potter ended after a decade.

The Iraqi war ended in December. A date set by the Bush administration.

Liam Fox lost his job.

The Phone Hacking scandal ran and ran.

Charlie Sheen lost it, but bounced back.

Aung San Suu Kyi was finally released from house arrest.

Frost’s Politician of the year is the people of Libya.

Anders Behring Breivik went on an murderous rampage in Norway on the Island of Utoya, leaving over 80 people dead and many more injured. Prime Minister Jens Stoltenberg called the attack a “national tragedy” and the worst atrocity in Norway since World War II. Stoltenberg further vowed that the attack would not hurt Norwegian democracy, and said the proper answer to the violence was “more democracy, more openness, but not naivety”. In his speech at the memorial service on 24 July 2011, he said what a proper reaction would be: “No one has said it better than the AUF girl who was interviewed by CNN: ‘If one man can show so much hate, think how much love we could show, standing together.’

The end of Harry Potter.

Frost started a campaign to end Prescription charges in England, the only place in the so called ‘United’ Kingdom still paying them.

Jessie J had a breakthrough year and confessed to being bisexual.

David Walliams swam the Thames. He raised £1 million for Sports relief.

Demi Moore and Ashton Kutcher split.

As did J-Lo and Marc Anthony

Ryan Gosling had a brilliant year and was in the brilliant Drive. http://frostmagazine.com/2011/09/drive-film-review/

Sir David Attenborough dazzled again with Frozen Planet.

Frost Women of the year: Kate Middleton. After ten years and two break-ups, Catherine Elizabeth Middleton finally married her Prince Charming. Their wedding was watched by more people than 20 million people and the new Duchess of Cambridge has been wowing press and public alike with her style, charm and poise.

Man of the year: Steve Jobs. Steve Jobs died too young, aged 56, after a long battle with cancer. He changed the world with his vision and business acumen and when he died the outpouring of grief would rival that of Princess Diana. A true loss of a visionary man.

Most inspirational person: Eva Schloss. Eva survived the holocaust. She lost her father and her brother, her mother also survived and went on to marry Otto Frank and Eva became Anne Frank’s step-sister. She is truly the most inspirational women I have ever met. If you don’t believe me, read her books. The Promise: The Moving Story of a Family in the Holocaust
or Eva’s Story: A Survivor’s Tale by the Step-Sister of Anne Frank
[Full disclosure: I was in the West End Production of the play of Eva’s life; And Then They Came For Me.]

Kim Jong-il, Lucien Freud, Christopher Hitchens, Liz Taylor, Amy Winehouse and Vaclav Havel all died in 2011.

Adele and Katy Perry released the albums of the year.

Kristen Wiig co-wrote and starred in the hilarious Bridesmaids, which proved women could be funny.

Unemployment was high and economical troubles rumbled throughout the year. The US lost their triple AAA credit rating.

Finally, a great article.

http://frostmagazine.com/2011/10/top-10-common-faults-with-human-thought/

Life of a Super Sports Blogger

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—Independent bloggers drive sports industry—Fortune 500 companies engage with the citizen journalists —

It’s the ultimate dream for many a football fan. Swapping the nine to five for a career spent posting on a blog about the sport you adore. No editorial limits, no suit, no boss. For Alan Spurgeon and his blog Footy-Boots.com, that dream is reality.

What started as a series of niche articles in 2006, Alan’s blog which focuses primarily on reviews of football apparel now reaches four million people worldwide, three hundred thousand of whom read his words on average every other day. It’s the sort of platform any of the major football brands would pay serious sums to control, but Footy-Boots.com remains independent, relying upon a small team of mostly volunteer staff and freely available publishing technology to engage the fans.

In a year which has seen every major sports brand jump on the social media bandwagon, Alan’s seen a shift in attitude when it comes to dealing with the marketing departments representing the kit he reviews—

“Our job is to review everything we can get hold of and when a product comes with an already established online fan-base that can explain the benefits in our terms, an invitation to meet the people who produce the product and a willingness to engage in feedback, there’s an obvious advantage. For years we struggled away ordering products as soon as we could get hold of them, crawling through the maze of PR departments to get comment or information and then taking the stuff to the field to run it through the paces before posting our opinion online. These days it’s a little different. Whilst we’re still just a couple of lads operating from their laptop, it’s not unusual for us to be invited to meet the people who produce the kit or to go down to the pitch to chat to the premiership players who are wearing it. The biggest names in the world like Nike, adidas and Puma have got used to the fact that if you want to sell your boots to a digital generation, it’s not just the print media and broadcasters you need to engage with celebrity endorsement, it’s the little guys like us. We need data and it’s in their interests to make sure we have it.”

Whilst the manufacturers are falling over themselves to accommodate the ‘super-bloggers’, some team brands have been better than others at adjusting to the social media era. Manchester United and Arsenal rule Facebook with 20million and 7million fans respectively. Arsenal in particular have embraced the digital revolution, recently hosting web chats for up to 2.5million international fans at a time. The players themselves are thrust into this world, somewhat dazed, to play their part. In May this year Rio Ferdinand posted on Twitter “Yesterday I’m signing a few autographs + a guy pulls out his phone + says ‘can you follow me’! A follow is the new autograph!”.

So what does it feel like being taken from your backroom office to the glorious highs of sports stardom? According to Alan, whose site is successful enough to “pay the bills”, some things will never change. “We are now considered de facto I guess in our niche, particularly for the Football Boot Awards we run every year where the public come to us to vote for the product of the year. That’s great and it’s astonishing of course to get to meet your heroes through your work as we have done when premiership players are lined up to take part in things like the awards sessions, but other things remain the same. We’ve not yet been able to get to some of the international product launches, not because of the cost, but because we’re a simple set up, a couple of guys and a few computers, we just wouldn’t be able to take the time for a long flight which would mean being offline for 9 or 12 or 24 hours. We miss out on that sort of stuff. We’re still geeks attached to our umbilical tech.” When asked if they would accept a private flight sponsored by a major sports brand, their reaction is typical of the new generation of citizen journalists— “No way, the fans of the blog would slaughter us. Our greatest asset is being unbiased. You can’t buy our opinion.”

Nobody at Footy-Boots.com has made a dot com million, but the site owners need an income. The key to success might be seen in the addition of sponsors and affiliates on the boy’s website which help to bring in stable financial support whilst they focus on reviewing kit and steering conversation in the forums. “We’re not salesmen, we never have been, never could be. We’re not good at going out there to find sponsors. I’m sure there are plenty of ways the site could make more money, but it’s never been about the money for us so we’re happy to just let a couple of sports shops link through the site as long as we get positive feedback about them. It’s a happy compromise between running a basic blog and being a commercial website.”

As someone who has tested every major boot released since 2006, Alan has a few pointers for those wanting to be on the Christmas list this year and next. “The best boot in the world is only good for one man. Reading our forums (especially the “ask geeks” channel), you know every player has their own strength, speed, accuracy, strength, ability and confidence to take risks on the pitch. No one cleat is going to fit them all. Just like social media has opened up a million different varieties of opinion, the manufacturers of the product are going to have to follow too. Bespoke might be the way to go. I’m sure the technology will exist to let players pick every aspect of their kit through an app very soon.” Which raises an interesting question- what will be the value of celebrity if and when every boot is customised not to the famous foot, but to every man or women on the pitch? There will be bigwigs in PR breathing a sigh of relief in some cases— we all know Football and Twitter don’t always a happy marriage make. Alan has a list of social media disasters on his site to tell that story.

So where next for Alan and his happy team of sports bloggers? “2011 was a great year, we saw some astonishing products hit the pitch and through our relationships with the brands, we felt like we were pretty much front row. We’ll continue to offer a space where your opinion matters and we’ll be bringing that to a climax with this year’s awards which launch online December 5th and we’re expecting tens of thousands of votes again.”

The one difference between this year and last for Footy-Boots.com, a 1765% rise in the number of visits originating from mobile phones. Let’s hope that Nike and co have their iPhone apps in order when voting kicks in.

Drive {Film Review}

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There is nothing quite like a film by Nicolas Winding Refn to be compared with! The strange eerie blur of reality and surrealism, often combined together to make a bizarre and ever-lasting experience. Drive, which is based on the novel of the same name by James Sallis, was an experience like you take a scenic route in the calm areas and then get assaulted with its throttled engine when speeding up the highway. If there’s anything these type of movies that get it right, it’s from the writing and directing. I can also say it was a damn good experience to watch!

The story is about a nameless person, only goes by the name of ‘Driver’ (Ryan Gosling); during the day, he’s a part-time stunt performer and mechanic at an auto-repair shop (owned by Shannon, played by ‘Breaking Bad”s Bryan Cranston) but by night, he serves as a getaway driver for heists. Meanwhile, he slowly gets to know Irene (Carey Mulligan) and her son Benicio. The ‘Driver’ gets involved into another job but it, unfortunately, goes horribly wrong.

Ryan Gosling delivers a subtle performance as the man with no name, you can sense there is something much deeper in him than you may think. He is motivated on the simple things in life, never regrets anything and keeps on going on living. The interactions between Gosling and Mulligan may have little to no dialogue but it is sweet and gentle. It doesn’t resort to conventional smutlzy romance we’re all accustomed to, it comes off something natural and Mulligan brings the heart to the film. Though the scene-stealer is from Albert Brooks, who plays the brutally honest Bernie Rose. He’s not the stereotypical mobster, he’s the type of man who’d kill someone if he had to but would do it as a last resort. The rest of the supporting cast are all superb in their own right, have little screen-time but all have their own importance to the story.

Newton Thomas Sigel’s cinematography is absolutely gorgeous to look at, from the various night shots of L.A. to the car chases (only two of them through-out the duration). There are moments where you are transfixed to its beauty and you are also tensed when it comes to the chases. The editing is very put together, not too fast paced so we get a clear idea on what’s going on within the scene. It all makes homages to the classic 60s/70s car chases of ‘Bullitt’ etc. It all just puts the ‘Fast and the Furious’ franchise into shame and Refn just shows how it’s all done. The soundtrack is equally as superb, capturing the essence of its pulpy story-line but also delivering this dreamy quality that maybe represents the ‘Driver’s’ psyche.

Overall; easily one of the best movies of 2011 and such a unique film that serves as both art-house and pulp cinema! Refn is one of the best living filmmakers to date and should get recognised for his direction in this film. It doesn’t rely on the spectacle, it relies on the craft of the writing and performances.

4 out of 5