SISTER SCRIBES’ BOOKS OF THE YEAR 2019

 

Kitty: I knew when I was reading it that Circe would be a book that stayed with me for a long time and I’m happy to call it my book of the year. I’m already itching to re-read it, an absolutely wonderful read. 

I finished Circe by Madeline Miller this month and I cannot do justice to how much I loved it. The story of Circe, a woman locked in by her divinity whilst also dealing with the very female roles of mother, daughter, sister and lover. This retelling made Circe much more accessible and empathetic than the male-centric version that I grew up with. Full of self-discovery, courage and empowerment it turns the myth of vicious witch into a story of a true heroine. I loved it so much that having read it once I am going to store it, like a secret treasure, for a re-read in a few months so I can wallow in it slowly and feel the magic again.

Susanna:  I love Carol’s 20th century sagas, but this year she wrote her first Victorian story, which happens to be my favourite historical setting. Carol Rivers + Victorian = one very happy reader!

One of the things I love and admire about books by Carol Rivers is that, while some authors get a bit stale and produce books that feel samey, Carol always writes something fresh, using new ideas, at the same time as remaining true to the drama and strong sense of personal relationships that characterise her books. Christmas Child is a story for any time of year, not just for the festive season. An emotional and enthralling tale, it follows Ettie as she faces up to life’s dangers and challenges and learns the hard way that not everyone deserves to be trusted. I love stories set in Victorian times and I’m delighted that Carol Rivers has, for this book, left behind her customary 20th century setting and moved into the 19th century. I hope there will be more Victorian stories to come from this wonderful writer.

Cass: A hilarious yet poignant story of self discovery, where you are laughing out loud one moment and holding back tears the next.

“Everyone should be adopted, that way you can meet your birth parents when you’re old enough to cope with them.” So says Pippa Dunn, the eponymous heroine of Alison Larkin’s debut novel, The English American (which has its roots in her autobiographical one-woman comedy show of the same name). Adopted as an infant and raised terribly British (attending a posh boarding school, able to make a proper cup of tea and in the ‘love’ camp for Marmite on toast), Pippa – now 28 – discovers her birth parents are American. Finally, she begins to understand why she’s so different from everyone she knows. Pippa sets off for America, soon meeting her creative birth mother and her charismatic birth father. Moving to New York to be nearer to them, Pippa believes she’s found her ‘self’ and everything she thought she wanted. Or has she? This is a hilarious yet poignant story where you are laughing out loud one moment and holding back tears the next. Pippa’s journey is very funny, yet deeply moving, and I highly recommend The English American to anyone who loves to finish a book with a smile on their face and a warm feeling in their heart.

Jane: Elizabeth Buchan’s The Museum of Broken Promises is, like her other books, a slow starter. I have learnt to be patient while she creates a tapestry of detail so rich and wonderful, holding my breath until to story tips into second, third and fourth gears and becomes unputdownable.

The book is set in Paris in the present day and in Prague in the 1980s. The end of the Cold War was in touching distance, yet nobody knew it, and this adds an additional poignancy to the narrative. Laure, a young woman coming to terms with the death of her father is an au pair to a businessman and party insider, and while trying to make some sense of life behind the Iron Curtain, meets a dissident musician who steals her heart and soul. Years later in France, she sets up the Museum of Broken Promises, full of artefacts people donate in attempt to avenge or assuage the pain of betrayal – and some of them belong to her own past. Slowly the book teases out truths from a long ago Czechoslovakian summer. One moment achingly beautiful, the other shocking in its violence, the whole fits together like a handmade glove. It stayed with me, too – and it’s only now I’m writing this review I finally understand the most important promise. And who broke it. A must read. Honestly.

Kirsten: Beautifully written and no matter how grim the present times feel, at least we are not living in a plague village in 17th century Derbyshire!

I love historical fiction and I was late to the party with  Year of Wonders by Geraldine Brooks. It was published in 2002 and was recommended to me several times before I finally grabbed myself a copy. The book is set in 1666 and it’s based on a true event. The Great Plague has reaches the quiet Derbyshire village of Eyam through a contaminated piece of cloth that has been sent to a tailor from London. It’s the only place in the region that’s been affected and the villagers make the extraordinary decision to isolate themselves totally so that the plague cannot spread further – so no one allowed in or out until the plague has run its course or everyone has died. This story is told through the eyes of 18-year-old Anna Frith as she confronts ‘the loss of her family, the disintegration of her community and the lure of a dangerous and illicit love’. I loved it. It’s sad and interesting and touching and fascinating and I had no idea that anything like this had happened. I wonder how we’d have reacted in the same situation.

SISTER SCRIBES’ READING ROUND UP: SEPTEMBER

Jane:

Sometimes I catch sight of a new book I just have to read as soon as possible. It doesn’t happen often and it’s always a leap of faith; will a favourite author dash my expectation of brilliance – or will they, once again, triumph.

Elizabeth Buchan’s The Museum of Broken Promises is, like her other books, a slow starter. I have learnt to be patient while she creates a tapestry of detail so rich and wonderful, holding my breath until to story tips into second, third and fourth gears and becomes unputdownable.

The book is set in Paris in the present day and in Prague in the 1980s. The end of the Cold War was in touching distance, yet nobody knew it, and this adds an additional poignancy to the narrative. Laure, a young woman coming to terms with the death of her father is an au pair to a businessman and party insider, and while trying to make some sense of life behind the Iron Curtain, meets a dissident musician who steals her heart and soul. Years later in France, she sets up the Museum of Broken Promises, full of artefacts people donate in attempt to avenge or assuage the pain of betrayal – and some of them belong to her own past.

Slowly the book teases out truths from a long ago Czechoslovakian summer. One moment achingly beautiful, the other shocking in its violence, the whole fits together like a handmade glove. It stayed with me, too – and it’s only now I’m writing this review I finally understand the most important promise. And who broke it. A must read. Honestly.

 

Kitty:

This month I have been racing through the romcoms. I have just finished Lindsey’s Kelk’s One in a Million and absolutely loved it. She writes with such quick-fire wit that every page had me giggling and a little bit in awe. I enjoyed myself so much, I read it over two days, that I have gone and bought lots more of her books and am looking forward to laughing my way through autumn.

I also devoured The Man Who Didn’t Call by Rosie Walsh. I was immediately drawn into this novel. It tells the story of Sarah and Eddie and how they fall deeply and desperately in love over the course of a week, the reader is in no doubt that these two are bound to be together, that anything else would be ridiculous. Then Eddie goes on holiday and Sarah never hears from him again. This provides a thriller-like element to the story, where is he? Why has he not called? What on earth has happened? This is combined with their romance, the angst of the waiting for a phone-call, a connection that you know was special, that simply can’t peter out. I won’t give anything away and reviews show this is a little bit of a marmite book, but I absolutely adored it and suffered that sad book hangover feeling you have when a story you have loved has come to an end. Highly recommended.

I’ve just started Evie Dunmore’s Bringing Down the Duke and as a life-long fan of Julia Quinn I am over the moon to find another writer who can deliver such well-written historical comedy gold, this time set in Victorian Oxford rather than the Regency period. With whip smart dialogue and a fabulous premise, a bluestocking gathering support for The Women’s Suffrage movement, how can I not fall in love?

The New Mrs Clifton by Elizabeth Buchan

the-_new_mrs-_clifton_elizabeth_buchan

It’s so nice to be able to breathe out again. Talk about tension.

The New Mrs Clifton had me gripped from the off. I had eagerly anticipated its arrival and was not disappointed. I am still haunted by the characters of Elizabeth Buchan’s previous novel, I Can’t Begin to Tell You and now I can add Gus and Krista Clifton to the cast list that has taken residence in my head.

As the Second World War draws to a close, Intelligence Officer Gus Clifton surprises his sisters at their London home. But an even greater shock is the woman he brings with him, Krista – the German wife whom he has secretly married in Berlin.

Krista is still suffering from her experiences at the hands of the British and their allies as Berlin fell; she is all but broken by the horrors she cannot share. But Gus’s sisters can only see the enemy their brother has brought under their roof. And their friend, Nella, Gus’s beautiful, loyal fiancée, cannot understand what made Gus change his mind about her. Bewildered, they cannot fathom the hold  Krista has over their honourable Gus. How can the three women get her out of their home, their future, their England?

The stifling atmosphere  of the house oozes from every page, the  suffocating tension between the women pervades each chapter.

We learn of the consequences of Krista’s arrival in the first two pages, so the reader is in no doubt as to what the end will be but the who, and the why and the how keep you hooked until the end.

An absolute eye opener to post-war England for anyone who is under the impression that once war was over it was a series of hope and happy endings. I couldn’t help but think  of the war in Syria and the people of Aleppo as I turned the pages, drawing parallels, thinking about the future they face when war is eventually over. Let us hope that is sooner rather than later.

It is a story of deprivation and resolution, and what it takes to survive when the future is bleak. What choices we are left with.

A fabulous read from start to finish.

 

Elizabeth Buchan’s previous novels include the prizewinning Consider the Lily, Revenge of the Middle-Aged Woman and I Can’t Begin to Tell You. Her short stories have been broadcast on Radio 4 and published in a range of magazines. Elizabeth is patron of the Guildford Book Festival and of the National Academy of Writing. She has been a judge for the Costa Novel Award and sits on the authors’  committee for the Reading Agency

The New Mrs Clifton is published by Penguin

www.elizabethbuchan.com

www.penguin.co.uk

The life of a Second Wife by Margaret Graham

Frost is so pleased to see Elizabeth Buchan’s novel, The Second Wife picked out by Daisy Goodwin in her feature in the Daily Mail: Second Marriages – key novels to help you through the trickier times in life.

The life of a Second Wife elizabethbuchan
Daisy Goodwin discusses Rebecca by Daphne Du Maurier, Before She Met Me by John Barnes, and Sunday Times No 1 bestselling author, and patron of Words for the Wounded, Elizabeth Buchan, and her novel The Second Wife.

The life of a Second Wife lizybuchan
The Second Wife explores the world of the mistress who becomes the wife – overtones of Sir James Goldsmith who did just that, and thereby created a vacancy. Ouch.
According to Buchan the second marriage is a world that can be less than appealing, full of pitfalls and  of course,  baggage. Elizabeth Buchan, who spoke recently at the Words for the Wounded LitFest at Downley, High Wycombe, (Frost’s editor, Catherine Balavage spoke later in the day) examines Minty’s experiences of a second marriage sympathetically, but with her usual incisive wit and elegance. It is a compelling and heart-warming novel, as are her others,  the most recent being the thought provoking and excellent I Can’t Begin to Tell You set in Denmark during the 2nd World War.

I can't begin to tell you
It’s great to see The Second Wife having another outing. Go on, give yourself a treat – it is very well worth reading.

Elizabeth Buchan’s latest book The New Mrs Clifton will be out in August 1016. Frost is looking forward to reviewing it.

 

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The Second Wife                   published by Penguin
I Can’t Begin to Tell you        published by Penguin
The New Mrs Clifton             published by Penguin  August 2016

 

Do you know any small packages that contain some real treats | Litfest 2016

three-grannies-words-for-the-wounded-literary-festival

Well, I do. On Saturday was a case in point. In Downley, High Wycombe on 16th April I was speaking at the Words for the Wounded Literary Festival and what a fabulous day it was – yet again. I attended the event last year and was amazed at the quality of the speakers on offer. This year, small continued to be most definitely perfect.

It’s all very well going to these huge week long events on offer throughout the year but your chances of getting up close and personal with authors and agents is severely limited.  At the Words for the Wounded LitFest you won’t have to compete with hordes of people waving their hands to attract the attention of the speaker when it is time for questions. There is time enough for everyone here and you obtain one to one advice that you wouldn’t receive at other festivals. And it’s such fun, and so informal.

Normally waiting your turn is a game of chance – your turn may not come. Not so with Words for the Wounded.

elizabeth-buchan-margaret-graham

This year’s programme kicked off with the wonderful No 1 Sunday Times bestseller Elizabeth Buchan in conversation with bestselling author, Margaret Graham, who is administrator and founder of WforW. Paul Vates, professional actor, read excerpts from the works of the speakers throughout the day, and chose the first few pages of I Can’t Begin to Tell You. These two old friends talked about this novel, which is Elizabeth’s latest. If you haven’t read  I Can’t Begin to Tell You do seek out a copy, it’s absolutely gripping. Elizabeth Buchan talked of her inspiration for the story, of meeting with Noreen Riols of the SOE, and why she came to set her book in Denmark. She chatted about the writing process: getting to grips with the spine of the story, drafting and redrafting – and moving on to the next idea. Elizabeth signed books during the break and had time for a word with everyone.

jemima-hunt-penny-deacon

Penny Deacon interviewed Jemima Hunt, Writer, Editor and Agent at The Writers’ Practice. Jemima explained what a good editor can do for your book. Jemima is particularly interested in memoir and brought along a few of her authors’ books. She gave an overview of their initial approach and how she worked with them to bring the story to a better shape. She works with fiction and non-fiction and guides her writers towards the best platform to develop their writing career. You can find out more at www.thewriterspractice.com

By this time we were ready for lunch, accompanied by lashings of wine (all part of the ticket price), as was copious amounts of tea, coffee, cake and biscuits throughout the day. I cannot overstate what fantastic value it was.

tracy-baines

I kicked off the afternoon session with a talk on how to write short stories for competitions and magazines. Paul read aloud one of my stories and it was great to hear the audience reaction – positive I’m pleased to say. I sell my stories, I see them published but I’ve never known what the audience thinks of them and it was a superb confidence booster. The audience were a delight and asked lots of great questions that thankfully, I was able to answer.

catherinebalavageandmargaretgraham

The day was rounded off by the amazingly talented Catherine Balavage, proprietor of Frost Magazine. Catherine gave an insight to the trajectory of her career from actor, theatre critic and from there, establishing the magazine. She gave an overview of the pros and cons but also the relentless hard work that goes into creating a magazine in the digital age. It certainly gave me food for thought as I drove home that evening.

Margaret’s stalwart family were, as usual, beavering away in the background making sure that the event sailed along without a bump.

The grannies, led by Margaret Graham, provided us with yet another fascinating event and the lovely thing was, that while we were sat on our bottoms, drinking wine and having fun we were helping raise money for wounded troops. Now that’s my kind of fundraising.

www.wordsforthewounded.co.uk

www.elizabethbuchan.com

www.thewriterspractice.com

www.margaret-graham.com

www.tracybaines.co.uk 

www.frostmagazine.com

 

Words for the Wounded Host Their Annual LitFest Literary Festival

Words for the Wounded Host Their Annual LitFest Literary Festivallogo

Great excitement – Words for the Wounded which raises funds for wounded troops and veterans by creating  opportunities for aspiring writers and readers is holding its annual LitFest again on April 16th.

The WforW LitFest Day will be held as always at the lovely Downley Community Centre, School Close, Downley, High Wycombe HP13 5TR
10.00am to 5.00pm.

As everyone knows by now, the three grannies, Margaret Graham,  Jan Speedie (both Frost Magazine writers) and Penny Deacon absorb all the costs of the charity and therefore 100% of everything they raise goes to where it should.

Words for the Wounded Host Their Annual LitFest Literary Festival

The speakers this year are:  Sunday Times No 1 bestselling author and a patron of WforW –  Elizabeth Buchan talking about her work.

Words for the Wounded Host Their Annual LitFest Literary Festivalelizabeth buchanan

Jemima Hunt, editor and literary agent, and director of The Writers’ Practice with advice on editing your work and attracting an agent.
Tracy Baines, successful women’s magazine  short story writer with tips about getting published.

Catherine_Balavage_023
Further excitement as Catherine Balavage, blogger and editor of Frost Magazine will be joining the day to talk about blogging, running a magazine, and her various successful books.

Paul Vates, the brilliant actor, and friend of Words for the Wounded, will be reading from the work of our speakers.

Sharon Bennett will be displaying her art.

Cost £35 (which includes lunch with wine, morning coffee and afternoon tea)

For Tickets, send a cheque or postal order to: (cheques payable to Words for the Wounded)
Words for the Wounded
12 Woodcote Green, Downley, High Wycombe, HP13 5UN
Please include a SAE

Trains from London are frequent, and there are taxis for the 10 minute journey.

www.wordsforthewounded.co.uk

Naming The Day: Jane Cable On Organising a Charity Litfest

Author and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfestAuthor and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfest

“This is fabulous” said my fellow Chindi author Christopher Joyce, reading about the Words for the Wounded grannies’ latest exploit. “Let’s do something to support them.”
I was so pleased. “Perhaps an event?” I suggested.
“Yes – we’ll have a litfest.”
Nothing if not ambitious, is Mr Joyce.

First, let me explain about Chindi; we are group of indie authors from the Chichester area who work together to share information on best practice in publishing and to promote our books. Christopher Joyce, a children’s author, is one of our founders, our chairman and all round powerhouse. And when he sees a great cause like Words for the Wounded, he can’t help himself but get stuck in.

When we put the idea of holding an event to raise funds for the charity to one of our monthly meetings most people supported it so we agreed to go ahead. But our calendar was already crowded with a series of Saturday morning workshops over the spring and summer and two events as part of the Festival of Chichester in June, so it had to be in the autumn. Plenty of time to arrange things then.

gardenAuthor and Frost contributor Jane Cable shares the first in a series of blogs about organising a charity litfest chris

The only person I know with more energy than Chris is Words for the Wounded chief grannie and Frost contributing editor, Margaret Graham. I sometimes worry about what will happen when we get them in the same room. But for the litfest, even Margaret exercised words of caution; Chris was planning a whole weekend – she thought perhaps a day would be fine.

We sketched out ideas of a structure and in the end compromised on a full day on the Saturday and a Sunday breakfast. Margaret would give a morning talk, then lunch with a keynote speaker, a family bookish treasure hunt in the afternoon and an informal fundraiser in a pub in the evening. Rounded off by a book-swap breakfast to nurse our hangovers.

For a while we suffered from chicken and egg syndrome; we had the ‘what’ and the ‘why’ – but should we now focus on the ‘who’, the ‘when’ or the ‘where’? Realistically it had to be when so we narrowed it down to a couple of dates when Margaret and her right hand woman Jan could make it.

Next was who: – we had Margaret, of course, but really wanted another writer as a keynote speaker. Once again we turned to Margaret – having read Words for the Wounded’s impressive list of literary patrons – and she suggested Elizabeth Buchan. I have to admit I was nervous emailing such a superstar of the writing world but I received an almost immediate reply – she would be honoured to help out, but she could only make one of the dates – 17th October.

So there you have it… save the day if you’re anywhere near the Chichester area – 17th & 18th October, Chindi’s Words for the Wounded Litfest.

But have we left ourselves too much to organise in too little time? Find out, dear reader, next month.

Learn more about…
Words for the Wounded: www.wordsforthewounded.co.uk
Chindi Authors: www.chindi-authors.co.uk
Margaret Graham: www.margaret-graham.com
Elizabeth Buchan: www.elizabethbuchan.com
Christopher Joyce: www.creaturesofchichester.com
Jane Cable: www.janecable.com

 

 

The Words for the Wounded Litfest – Review by Pat Heath

What a brilliant day at Downley Community Centre, 18th April 2015.

This inaugural one-day opportunity for new and established writers, and for readers, did what it said on the packet. We laughed with, learned from, and mingled amongst, experts in the world of writing at the Words for the Wounded (WforW) LitFest. It was organised by the ‘Writing Grannies’ who run the charity.

The Words for the Wounded Litfest  -  Review by Pat Heath

To open the day, Matt Pain, Trustee, reminded us that the average age of wounded soldiers is 25 years old, which proved thought provoking.

The Words for the Wounded Litfest  -  Review by Pat Heathwelcome

Margaret Graham (‘writing grannie’) and Katie Fforde (WforW patron) opened the day with conversazione. These two bestselling authors covered key aspects of fiction writing, including sub-plots, the need to inhabit your characters and how to deal with a ‘soggy middle’. Something that troubles many of us – writers or not.

A massive amount of invaluable information was delivered with quick fire wit, during this hilarious and valuable session. Meg Cannell presented chocolates to Katie.

The Words for the Wounded Litfest  -  Review by Pat Heathkatiemegmg

After book signing and coffee it was time for some murder and mayhem, with two ‘Midsomer Murders’ TV writers, Rachel Cuperman and Sally Griffiths. Rachel and Sally explained the practical aspects of TV play-writing, punctuated with their own amusing anecdotes.

The Words for the Wounded Litfest  -  Review by Pat Heathrachelsally

Lunch followed, with wine and coffee, organised by Jan Speedie (‘writing grannie’), Margaret’s family and Josh Edwards. It was partially sponsored by Tesco, Morrison’s and Starbucks. A feast, it must be said, and the team did a fantastic job. Seamless.

Many authors choose the Independent Author publishing route and successful ‘Indie’ writers, Amanda Hatter and Catriona Troth, chaired by Penny Deacon, (writing grannie) described how to produce a high-quality self-published book,. This time Penny Deacon (writing grannie) chaired the session as Amanda gave many useful marketing tips, including how to penetrate large chains such as Waterstones, and Catriona explained the advantages of working as part of a writers’ collective, such as Triskele Books.

The Words for the Wounded Litfest  -  Review by Pat Heathcallum The Words for the Wounded Litfest  -  Review by Pat Heathtriskele

Felicity Trew, from Caroline Sheldon Literary Agency was introduced by Penny Deacon and gave a power-point presentation in which she explained the role of literary agents: negotiating publishing deals, making sure the contract protects current and future income opportunities, and chasing payments/royalties.

The Words for the Wounded Litfest  -  Review by Pat Heathpdprojector

She also advised on how writers should approach agents, using amusing spoof emails to illustrate her points, and she reminded the audience to check agent’s submission instructions. Her agency’s website has a useful list of ‘pet hates’ including applicants omitting the requested information and obvious ‘carpet bombing’ applications.

Felicity was at the LitFest all day, and was enormously generous with her time.

Finally, Jan Speedie introduced Penny Deacon who talked about why she ‘turned her back on romance and took to murder’. She compared her experiences of writing Mills and Boon to that of crime fiction. This was a relaxed and amusing end to an inspirational, funny, information-packed day.

The Words for the Wounded Litfest  -  Review by Pat Heathjan=pd

Prizes, donated by artist Sharon Bennett, Tesco, (Bollinger champagne) The Wellington, and Katie Fforde were raffled for WforW. Speakers were given boxes of chocolates, partially funded by Thornton’s and delegates were given books donated by Random House. Penny Gerrard made biscuits from heaven and Susan Atkins’ chocolate cake was seriously good.

One clever touch was the notepads and biros on every seat, for invaluable notetaking. Everything was so carefully thought out. It makes a difference.

Next year’s LitFest line up of speakers will include Elizabeth Buchan, bestselling author (patron of WforW) Jemima Hunt, Literary Agent, Catherine Balavage, e-magazine owner (Frost Magazine), and Tracy Baines, successful genre short story writer.

A total of £1,500 was raised by the inaugural LitFest for the rehabilitation of the wounded.

http://www.wordsforthewounded.co.uk