Tag Archives: fashionista.

Olga Roh For Rohmir Review | Fashion

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Olga Roh’s Autumn/ Winter’ 13 collection ‘Mountain High” for ROHMIR, offered a
range of classy monochrome jumpsuits, cotton-fringed jackets and detailed leather
skinnies. Models in sophisticate suits with cinched in waists and multi colored sheer
evening gowns glided down the catwalk to a soundtrack of rapid percussion. The
collection showcased a variety of colors mirroring the landscape of an Alpine retreat;
a sea of navy, a branch of crème with a light sprinkle of monochrome (which has been
seen a lot on the catwalk this season by Marc Jacobs).

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The collection had a variety from casual, business wear ending in the eye-catching
eveningwear. Any fashionista would kill for Olga’s breath-taking multi colored body con
maxi; it’s back is low cut which oozes just the right amount of sex appeal. Another stand
out was the forest green feathered coat chinced with a leather corset belt- this will give
every lady the illusion of an hourglass figure. Olga said,

“My clothes express reality… “I
wanted the collection to have a holiday feel, that’s why it’s called ‘Mountain High.’
“All models were different, not every model was the standard skinny model your
accustomed to seeing on catwalks, not all were young either; a famous German actress
wore my dress to show that my collection is suitable for difference, size, heights and
ages.”

There was a theatrical effect to Olga’s catwalk, it radiated energy with evidence of Swan
Lake inspirations; feathered coats, smoky eyes and neatly plated backcombed hair.
Velvet dresses with low drop waist sequined dresses had a 20s feel with a modern day
edge.

Floor-length gowns with plunging necklines in sumptuous fabrics were accompanied
with embellished lace and scintillating metallics. Silk patterned dress with fringes, one
shouldered dresses and shoulder pads reminisced on the early days of the 90s. The
romantic allure of the fairy-tale inspired eveningwear is balanced with androgynous
silhouettes and contemporary twangs. Each piece detailed to perfection offered a
balance between luxury and the wearable.

 

Article written by Joanna Zambas
Photography by Vanessa Isabel Lanzoni

Ashley Isham’s AW12 collection | London Fashion Week

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In keeping with his signature style of soft draping fabrics ebbing with a touch of couture, Ashley Isham’s AW12 collection contemporises both the bold monotone and bright floral prints seen from his last catwalk showcase.

With embellished detail to his floor-sweeping Grecian dresses and the shorter pleated skirts, Isham’s latest designs punctuate the feminine frame, nipping in flowing fabric around the waist, below the breast and lower back, creating an elegant silhouette.

The Singaporean designer’s contribution to London Fashion Week with his ‘My Beautiful Fashion’ set saw the revival of a metallic theme, with clouded sequined strapless dresses to rich bronze tones sweeping the stage.

The models were styled with slicked back hair curled underneath the ends and the make-up unified the metallic undertones of the evening.

Against the shimmering floor-length assymetrical designs, Isham infused a chatter of green floral and fish-scale prints, adding a fresh outset to the collection but re-enforcing his preference for pretty soft-flowing styles.

And it seemed, he was uninterested in hiding the seam within his creations, instead thick zips trailed along the models back, or seduced the eye towards the lacey top-half of his dresses.

A memorable look from the Saturday 18th February show was a full cream-coloured lace ensemble, which delicately wrapped the head yet gripped the body to the waist, before retreating away from the legs towards the floor.

Simple yet stylish, it infused Isham’s trademark Western look with an Arabesque layer, perhaps a subtle digression for future runways.

But, what I have come to respect Isham for is his high-street friendly designs, with the style and cut of his collection fit for the catwalk yet which also easily translate to the wardrobe favourites for the average fashionista.

Despite a power-cut at the start of the show which meant the music was off for a couple of minutes, Isham should be proud of his 2012 achievement, rather than humbly welcoming the applause before quickly sliding out back stage.

By Paloma Kubiak