Tag Archives: Film

Gone Girl {Film Review}

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This particular movie was built on the marketing that you had to see this movie (or read the book) to understand why you had to go see it yourself. The trailers were reminiscent to when Alfred Hitchcock gave away little to nothing about the plot, only snippets here and there. Our curiosity only grew and grew from movie posters designed as ‘Missing Person’ posters and word of mouth. David Fincher had our curiosity and now has our attention. That is the power Fincher has used to full use and the film itself doesn’t disappoint.

 

The movie is based on the best-selling novel of the same name by Gillian Flynn (who also wrote the screenplay). The story revolves around Nick Dunne (Ben Affleck), who one morning on his wedding anniversary finds his wife Amy Dunne (Rosamund Pike) missing. The police investigate the crime scene, finding no evidence to suspect a kidnapping. Eventually, everyone starts pointing fingers at

gone_girl_ver2_xlgNick, from police, neighbours and even talk show hosts. Though as the story progresses, we cut back to diary entries from Amy herself. Giving two completely different perspectives and asking ourselves; who is telling the truth?

 

This movie is the definition of edge-on-your-seat. Fincher is the master of mystery/thriller filmmaking (as evidenced in Se7en, The Game and Zodiac). His eye to detail is so immaculate, with the production design to the bleak but beautiful cinematography by Jeff Cronenweth. Every clue is never left unnoticed. The score by Trent Reznor and Atticus Ross is discomforting but also hypnotic (as Fincher said when giving direction for the score “Think about the really terrible music you hear in massage parlors. The way that it artificially tries to make you feel like everything’s OK. And then imagine that sound starting to curdle and unravel.“). That direction to the music is certainly what is felt through-out the entire duration of the movie. The more we find out Nick and Amy’s marriage, the more we realise it is not what we perceived from the start. This movie satarises the media, forcing us to rethink how we look at the stories that are laid in front of us. Even when answers are not met or answered, we’re so eager to accuse anyone to have some sort of resolution (just like Robert Graysmith in Zodiac). Even when one talk show host (played by Missi Pyle) flat out accuses Nick to not only be Amy’s killer but also accuses him to have a incestuous relationship with his sister.

 

Ben Affleck is continuing to mature as an actor. Fincher cast him the part as Nick Dunne because Affleck himself has been through hell in the eyes of the media and public. You can certainly see the weight that has been brought down on his shoulders. The supporting cast members were equally terrific, especially the surprise performance from Tyler Perry (probably given the most hilarious line in the entire movie, and one that summarises the Dunne’s; “You two are the most fucked up people I’ve ever met and I deal with fucked up people for a living.“) Though the stand-out performance has to be Rosamund Pike as Amy Dunne. She is unbelievably outstanding and one I would vote to get a Best Actress nomination. As mentioned earlier, talking more about her role would reveal a lot of the twists. Suffice to say, it is a performance everyone will be talking about the rest of the year (especially the ending may make couples feel uncomfortable or at least awkward).

 

Overall; David Fincher delivers an intense, no holds barred thriller. It is expertly crafted from everyone in the production. Stellar performances and award-worthy performance from Rosamund Pike. Easily one of the best movies of this year and highly recommended.

4 out of 5

Olivia Colman Calls For More Diversity In The Film Industry

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Olivia ColmanThe amazing British actress Olivia Colman has said that diversity is not just about race and that there must be more opportunities for all in the film and TV industries. Colman told her views as she was appointed as a judge for the TriForce Short Film Festival. She said that it was important that a wide range of people had a chance to tell their stories.

Colman said: “This is not just about race, it’s about diversity in all its forms. TV and films are fundamentally about storytelling and it is important that as many voices as possible have the opportunity to tell their stories.”

The TriForce Short Film Festival will be held at BAFTA on November 22nd. TriForce is a networking firm which has been set up to raise diversity in the industry. Colman said it has been working for years to improve opportunities for people from “truly diverse” backgrounds. Which can only be a good thing. We see the same people over and over again on the TV.  We should also hear more different accents. I have been told many times to pretend I am not Scottish to help my career. I understand changing my accent for a role but denying I am who I am? It is just not right. So lets hope for more people from all walks of life.

What do you think?

 

If you are an actor then check out my book How To Be a Successful Actor: Becoming an Actorpreneur. It is available in print and in all eBook formats on both Smashwords and Amazon.

 

 

Actresses Deserve Much More Than Being ‘The Girl’ And a Naked One At That

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film characters - anna paquinIn my other life as an actress I have noticed a worrying trend. Well, I say ‘trend’ but actually it has been going on for years: female parts in films were the character has no name and is called ‘The girl’. The girl is usually the only female part in the film and will also have at least one nude scene. Just because it is not humiliating enough to be offered a script where all of the men have names and you don’t, you also have to get your tits out. Nameless and objectified: actresses deserve better than this. WOMEN KIND deserves better than this.

It is hard to describe just how depressing it is to work in an industry where women are reduced constantly to the sum of their parts and not even named. the worrying thing is that this is a common practice. Upon complaining about this on my Facebook, prominent film maker and casting director Rory O’Donnell said: “This is incredibly common. I made fun of it when I wrote The Landlady and gave all the female characters first, last and nicknames and called the only male character ‘The Boyfriend’….but he did get a name during shooting.” If only there were more people like Rory. 

But what is to be done? Well we need more female filmmakers for a start. Here are some highlights from an amazing survey done by Stephen Follows on his must-read blog.

 

  • Between 2009-13, women made up 26.2% of crew members on British films.
  • This compares favourably with top US films over the same period (22.2%)
  • Of all the departments, the Transportation department is the most male, with only 7.7% women.
  • The only departments to have a majority of women are Make-up, Casting, Costume and Production.
  • Visual Effects is the largest department on most major movies and yet only has 16.5% women.
  • 6.4% of composers on UK films were women.
  • 14% of UK films had a female director, compared with 3% of top US films.
  • The percentage of women on British films has barely changed in the past five years.

 

Read more about his survey here. It was in all of the papers so Stephen is truly doing his part for equality.  I often get asked why I don’t leave the industry. The truth is I did take a little break. Of course if my agent had called during that period I would have not said no, but it was a quiet period and I took the moment to reflect on my chosen path. One of them anyway. I often think that if I did not have this magazine and did not make my own projects I might go slightly mad. Luckily I do and I can fight instead. I made Prose & Cons which had a strong female cast and I am making more films with my filmmaking partner Steve McAleavy. The way forward is not to quit the industry, not to let these men give our breasts the starring role while our actual talent is just a nameless supporting character: the key is to raise awareness and FIGHT. Get men to join the battle and equal the playing field. Women deserve more and we won’t stop until we get it. The fightback starts here.

 

Catherine Balavage is a writer, film director, actress and the owner and editor of this magazine. She is also a published author and wrote the book How To Be a Successful Actor: Becoming an Actorpreneur which has received rave reviews and is a must for actors everywhere.

 

 

How To Be A Successful Actor: Become A Triple Threat

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Acting is a hard business. Don’t get me wrong, doing the actual job isn’t hard, it is a brilliant career, but the industry is a tough one and many actors remain out of work and in poverty. That is why I wrote my book, How To Be a Successful Actor: Becoming an Actorpreneur. It is possible to have a good career, get your name out there and tell the stories that you want: you just have to become one of the new triple threats.

Back in the day a triple threat was someone who could sing, dance and act. These skills will still help your career but not as much as being a new triple threat, and that is someone who acts, writes and directs. I have written a lot about this in my book and included tips and advice as I am one of the new triple threats myself and I love the freedom it gives my career. Why wait for someone else to hire you when you can write the stories you want? I have interviewed two of the most promising new triple threats in the UK today, Vanessa Bailey, a wonderful actress who’s film Three Days is going to be a corker, and Jason Croot who I have worked with many times. He is an outstandingly talented actor, writer and director. His IMDB speaks volumes about his amazing talent and I really cannot wait to see Le Fear, Le Sequel on the big screen and not just because I am in it. Read on and learn….

acting, acting advice, how to be an actor, how to be a successful actor, hollywood, castings, auditions, casting directors.

Vanessa Bailey

Tell us about your films

This is my first public foray into writing and my first stab at pulling together a short film. It’s not my film at all – it’s much more down to the talent of the other people involved that it’s as good as it is. The story concept was my idea, but the final script has been co-written by myself and Richard Perryman. It’s our script, not mine. In fact the whole film is very collaboprative – a lot of the comedy and the details in the dialogued teasers are from our director Darren and our DOP Huw. They took it by the scruff of the neck and stamped their personality on it. I love that.

So, Richard and I wrote it and I got the team together in partnership with our Executive
Producer Suzie. Suzie is responsible for encouraging me to make the film and has been part of the film from the very first moment the story popped into my head. But Gareth Gatrell our stills and behind-the-scenes guy found our Director for us! He recommended Darren after seeing the script and said he’d be perfect. He was right. One of the film’s strongest elements is the chemistry between the team. We’re like family when we work together.
You produce, write and act. What do you think of the new triple threats? Is it possible to just do one thing now?

Again, I feel very much under-qualified to comment as this is my first film and it’s not even finished yet! Acting is my first love – I come alive when I’m acting. It’s in my blood, I simply can’t imagine not doing it. I think my stories stem from the same emotional heartbeat. The production side – well, that’s pretty chaotic. Just ask any of the other Three Days team!
As far as being a triple threat – if this is the only story I ever tell that will be fine. I’d rather tell one well than a hundred badly. But I think as an actor it’s important to seek out opportunities and if you can’t find them then create them. This may well mean stepping outside of your perceived skillset and trying something new. This part was never going to come to me. I had to bring Sophie to life. No one else was writing her. And if they had I certainly wouldn’t have got to play her!

But know your limitations – surround yourself with people who are far more talented than you – people who have skills you don’t have. Use them, let them work their magic. Watch and learn from them. Having someone with amazing gifts bring them to your film is an incredible thing.

What kind of stories do you like telling?

The ones that gnaw at my heart. If they don’t stop me sleeping at night until they’re told then they’re not worth bothering with.

What made you get into the film industry?

It started with acting. I’m obsessed with acting. Completely obsessed. I have no training and was told I’d never make it. But it was chewing away at me and wouldn’t go away. So I just had to make it happen. The day I was directed by Sean Durkin on the set of Southcliffe in a dialogued scene with three named TV actors (one of whom I’d had a crush on as a teenager!) was a real moment of personal triumph. And now it’s the same with the film process generally. It beguiles me – it’s like a lover. It makes my heart skip a beat. If I’m not on set orfiddling with a script I spend my time pining to be with it again.

What do you think of the British Film industry?

Jury’s out ;) I need more time to make friends with it. I would love to see cinema rejuvenated and less films with unnecessarily massive budgets when there are filmmakers trying to get amazing projects off the ground with absolutely no funding. It’s hard. There’s a lot of untapped talent out there. And not just in the younger age bracket. Think beyond that – there are some of us who only find our feet after we’ve paddled around in the wrong puddle for a while.

Do you think it is more of a democracy now?

No, probably not.

How do people make a living in the industry?

People make a living?! I have absolutely no idea. As an actor I earn my money doing commercials and fairly undemanding stuff. The good stuff, the stuff that grows me. That all costs money – it never pays. This is a contentious issue for many very, very good reasons. Personally, I’d rather work unpaid on one fabulous project which grows me as an actor and brings joy than work for £20 a day on some awful film that means nothing and doesn’t develop me in any way. But then I do need the commercials to pay the bills!

How do people make it in the industry?

It depends how you define “make it”. We all know there are lots of people out there working regularly and you just throw your hands up and say “Why?!”

If you want to keep going, to survive, to be able to continue to chase your dream it has to come from restless passion. The need to create, the need to be with other people who create. To produce work of integrity it can’t be for the pursuit of fame (hideous) or the love of money (fat chance). And it’s too painful a process for it to be something you could actually walk away from. If you feel you can walk away from the film industry I would recommend you do. You have to be addicted to it. Or at least, that’s how it seems to me.

Favourite film

Before Sunrise

Favourite actors/directors

Tilda Swinton. Anthony Perkins (huge crush since seeing Psycho). Kate Winslet. Emma Thompson.

I’m rubbish with directors – I’ll be like “Oh I remember – I REALLY like them” later on!
What and who inspires you?

People who are unselfish to work with. People who draw you in and draw you out and help you produce your best work. People who laugh and cry and are honest. People with passion.
I absolutely love the Three Days team because I see those qualities in all the people involved. I love that our director Darren stepped out of his comfort zone to direct his first romantic film. He does it brilliantly. I love that Richard was so open to co-writing with me. Taking risks coupled with passion – now that’s a journey waiting to happen!

What’s next?

Fundraising to be able to complete the Three Days shoot. We have an ongoing crowdfund on our website. This is really key! Then the shoot, then festival entry.

And then, well – there’s more story developing in my head, but I think I need to get the short finished first! I certainly hope it won’t be the last time we all work together. Let’s just put it like that.

And probably a commercial.

 

Jason Croot

Tell us about your films.

I have made 5 feature films, all improvised, only one has been released: Le Fear, a horror comedy film which I made a sequel to named Le Fear 2: Le Sequel. This film has become my main focus because I believe it is my strongest film yet, It has a lot going for it comedy, horror, sci- fi, spoof and a very good cast. My other 3 films are all joint productions and I will tackle then one at a time then hopefully move on to my new stuff.

You direct, write and act. What do you think of the new triple threats? Is it possible to just do one thing now?

There are many talented people out there. A lot of undiscovered actors, but lets face it; as an actor having small parts on TV and feature films or lead roles on low budget feature films won’t make you an household name, only constant big roles in big budgets will do that, the same is said with writing and directing but it’s a long journey. As long as you are creating something you never know.

I believe where people fail is by not continuing to create. If you are a good actor then find some work even if it’s not a lead role in Hollywood, then you are still doing, with writing you can always do this generally with solitude and directing you can always create stuff whilst waiting for your next gig. If you believe you’ve got talent use, it don’t waste it. In a nutshell: some well known actors can carve out a career in one field and the same is said with writing and directing. Some do all plus more like Vincent Gallo, a very talented dude and there are many more like him really doing it such as Larry David and hats off to the elite 1% for the 99% the rest of us we must keep on batting and creating in the hope that one day it all clicks. If it doesn’t, so what? What would you prefer to do? Work in an office or act, write and direct? You know where I’ll be!

What kind of stories do you like telling?

I’m not really a great screen writer but believe my strengths lay in creating plots and scenes without words since all my films are improvised but that’s not the only reason I love improv, I don’t believe you can create the same magic from the script that you can from improvisation, I like to tell stories about filmmaking and the film industry like my films Le Fear 1,2 and Roberto. I know this is not the best genre to get known but I love doing it and some people like it so it’s not a lost cause

What made you get into the film industry?

My love of acting I guess, filmmaking came many years afterwards
What do you think of the British Film industry?

There is some very talented folk out there but very few can make a good living in Britain. It’s really tough but it’s not the toughest place in the world and there are a lot of people supporting others and that’s really cool. Why not? We are all trying to climb that mountain but won’t get there alone, I don’t want to get into politics but no government will really spend money in the film industry nor will they support young people trying to break into it, so it is down to people with experience to give these new guys support and guidance

Do you think it is more of a democracy now?

I believe in the past 15 years there are many more actors, writers and directors out there and everyone can make a career out of what they are doing but this won’t happen over night and there is no guarantee it will happen at all, but I believe there is less snobbery now and with the indie films becoming evermore closer to the big budget ones filmmakers can make a greater impact i.e getting there films on the same platforms, for example: Netflix, Amazon and iTunes etc. So yes, I would say it is much more democratic these days.

How do people make a living in the industry?

In England as an actor, unless you’re a regular on a soap, you may struggle but it’s possible generally people have daytime jobs and go to castings and hopefully land a few roles. The casting directors I meet are all really nice folk and want you to do well but it is difficult. You have to zone in on yourself and spend 5 hours or more a day 365 days trying to find work and have a agent batting for you as well.

How to people make it in the industry?

A lot of hard work, time, effort and energy. There are still no guarantees, but I guess it’s an individuals take on making it that can be anything, if you’d have asked me 10 years ago that I’d have acted and directed in over 100 productions I’d have said from were I was with one acting diploma and one VHS copy of a short film and not knowing anyone in London at the time: I’ve made it, but the next 10 years have to be greater so I guess, keep pushing ,never give in and keep smiling through thick and thin. Most importantly, respect rejection. the minute you make it your enemy is the minute you fail.

Favourite film

Too many to list but if I was to pick one it would be the classic French Film within a film Day For Night
Favourite actors/directors

I have a few but really rate Larry Charles and Jim Jarmusch

What and who inspires you?

Watching a great film inspires me. alongside stories I read of actors who struggled like De Niro, Pacino and Nicholson. Three of the greatest film actors all really battled to get there.

What’s next?

I’ve been under the weather for a while but hopefully on the mend now, so on the filmmaking sides of things, once my films are out of post production I have 3 more films I want to make: Le Fear 3 is one and the other 2 are top secret for now, I’m always open to direct other peoples films too, on the acting front I have 3 films by Lorenzo Raveggi filming on location in Italy, I’m looking forward to acting in and I have a few other films in the pipeline but nothing set in stone. Once again, I’m always open to offers so I’ll keep batting away and hopefully create some good cinema this year.

What do you think?

 

How To Be a Successful Actor: Becoming an Actorpreneur is out now.

Follow Catherine Balavage on Twitter: www.twitter.com/Balavage

 

 

Editor Catherine Balavage’s Radio Interview With Orla Barry

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Frost editor Catherine Balavage was interviewed on The Green Room with Orla Barry. Catherine was talking about her new book How To Be a Successful Actor: Becoming an Actorpreneur. The interview is below and has lots of great acting advice. Have a listen and let us know what you think.

 

 

Are you an actor? If you have any acting questions then comment below and Catherine will answer them.

 

How To Be a Successful Actor: Becoming an Actorpreneur is out now and available here.

 

 

Frost Editor Catherine Balavage To Be Interviewed By Orla Barry On The Green Room

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Frost Magazine’s editor, Catherine Balavage, will be interviewed about her new book by Orla Barry on The Green Room this Saturday between 9-11pm. The interview will air on Newstalk 106-108FM (Winner-PPI Radio Station of the Year 2013). Irish readers can catch the interview live while a link to the podcast will be posted for non-Irish residents. 

acting, acting advice, how to be an actor, how to be a successful actor, hollywood, castings, auditions, casting directors.

Orla Barry is a BBC World Service Broadcast Journalist, Broadcaster of The Green Room Culture Show on Newstalk 106-108FM, Columnist and Documentary Maker.

Catherine will be taking about her new book, How To Be a Successful Actor: Becoming an Actorpreneur, which has been selling well and getting rave reviews. Grab a copy if you are an actor or want to be.

Other guests Orla has interviewed include actors George Clooney, Harrison Ford, Salma Hayek, Alan Rickman, John Hurt, Colin Firth, Jessica Chastain. Comedians Ricky Gervais, Phil Jupitus, Ruby Wax, Bill Bailey and Monty Python’s Terry Jones.  Film Directors Mike Leigh, Jim Sheridan, Neil Jordan, Kathryn Bigelow, Guillaume Canet, Morgan Spurlock and Michael Apted.  Authors, Joyce Carol Oates, Man Booker winner Howard Jacobson, Hanif Kureishi, John Banville, Jo Nesbo, Michael Palin and Garrison Keillor. Photographers Greg Marinovich, Steve McCurry, Giles Duley and performers Kristen Hersh,  Neil Hannon, Emmy-Lou Harris, Seun Kuti, Lisa Hannigan and Stevie Nicks.

So our editor is in good company!

 

 

Angelina Jolie On Meeting Louis Zamperini & Unbroken Trailer

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One of the films we are most excited about is Angelina Jolie’s second directorial film, Unbroken. The film is about the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II. Angelina told Australia’s TV Week Magazine about meeting Zamperini just before he died.

“I brought him the film on my laptop in the hospital and it was amazing seeing someone at the end of their life watching their life unfold again, at the same time their body was shutting down,

He wanted me to make the movie to show something hopeful about the strength of the human spirit that can pull us through. He reminded me to have my surgery in the year that I did and he reminded me to appreciate every day of my life.”

Watch the trailer and let us know what you think.

unbroken__2014_ Angelina Jolie

Watch The Gentleman’s Wager: New Short Film Starring Jude Law

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Our wonderful writer, Corinne, went to the screening of The Gentleman’s Wager and had a ball. Now our readers can watch it too. It is directed by Jake Scott. Take a look and let us know what you think.

JOHNNIE WALKER BLUE LABEL, the leading luxury Blended Scotch Whisky, as per IWSR 2013, today launches on global release a short film starring actors Jude Law and Giancarlo

Directed by British director Jake Scott, the film tells the story of a wager between two men striving for personal progress through the quest for a truly rare experience. ‘The Gentleman’s Wager’ sees Law in the role of a man who, despite having it all, challenges himself to strive for something he wants that money can’t buy.

the gentleman's wager

Shot in The British Virgin Islands, Caribbean and London respectively, the story begins with Law and Giannini sipping JOHNNIE WALKER BLUE LABEL whisky on a truly unique hand-crafted boat as they look out across a stunning ocean seascape. We hear Law’s character state that he wants to buy the boat, but it is not for sale and the only way he can get it, is by putting on a truly unique performance. The wager begins.

Commenting on his role and involvement in the film, Law says: “The film is about improvement and progress and this is something I try to do in my work and life. I had to learn new skills through the shooting of this film and that combined with the places we visited and shot in, alongside working with Jake and Giancarlo too, made it a truly rare experience.”

James Thompson, Managing Director, Diageo Reserve says: “We are delighted to be launching
‘The Gentleman’s Wager’ film today. To us, Jude embodies the progressive spirit that the JOHNNIE WALKER BLUE LABEL brand identifies with and celebrates, so we’re thrilled he has taken on the lead role of the film and we’re looking forward to continuing to work with him in the future.”