Frost Interview | Novelist Hannah Fielding

We were very excited to interview The Echoes of Love: A Story of Secrets, Tragedy and Haunting Love in Venice
author Hannah Fielding. Hannah is a great writer and is very well travelled. Read on for her thoughts on her novel, getting published, her writing routine and her favourite places. Portrait of Hannah Fielding and photos of where she writes.

Tell us about your novel

Seduction, passion and the chance for new love is at the heart of The Echoes of Love.

Set in the romantic and mysterious city of Venice, the beautiful landscape of Tuscany and the wild maquis of Sardinia, The Echoes of Love is a touching love story that unfolds at the turn of the new millennium.

What is your writing routine?

I have a very rigid routine which has served me well. Having researched my facts thoroughly, I plan my novel down to the smallest detail. Planning ahead, I have found, makes the writing so much easier and therefore so much more enjoyable. Then, when I am ready to begin writing, I settle into a regular routine – writing each morning andediting the previous day’s work, taking a break for lunch, writing a little more and then going for a walk somewhere inspirational, like the woods or the beach.

How hard was it to get published?

This only gets more difficult. As readers move from paperback to ebooks, publishers are developing new business models and nothing stays the same. My new publisher resulted from the very positive reception of my first book, Burning Embers, which was published by Omnific in the USA. Working with a London publisher and a younger team is very different, but just as enjoyable.

Why did you choose Venice as a setting for your novel?

I first visited Venice as a young child. Then, as now, I was wide-eyed and enchanted by the beauty of the city. I distinctly remember standing in the main square, the Piazza St Marco, gazing up at the stunning architecture of Saint Mark’s Basilica, and feeling I had somehow entered another world – a fairytale world. Then I looked down, at the square itself, which was overrun by hordes of pigeons. There was nothing beautiful about those birds. They were quite spoiling the place. And it struck me then that Venice is a city of two faces: that which the tourists flock to admire, that makes the city the capital of romance, that breathes new life into the imagination and leaves a permanent, inspirational impression. And the other side, the darker side, that which is concealed in what Erica Jong called ‘the city of mirrors, the city of mirages’.

When I returned to the city as an adult, I became quite fascinated by the concept of Venice – what it means to be Venetian; what the city really is beneath the layers of history and grandeur and legend. Frida Giannini wrote, ‘Venice never quite seemsreal, but rather an ornate film set suspended on the water.’ I understand this quote – there is something fairytale about the place, and with that comes some reluctance, perhaps, to see the realism beyond.

Venice so captured my imagination that I knew some day I would write a romance novel set in this most elegant and fascinating of cities. But it had to be the right story to fit the place. For me, that meant a story that reflected the two faces of Venice – the mask she wears, and the true form beneath.

Tell us about your characters

Venetia Aston-Montagu is a young architect in her mid-twenties who has already suffered heartbreak and loss. Brought up by a despotic father and a weak mother who always deferred to her husband, she can’t wait to leave home and work in Venicein her Italian godmother’s architectural practice. Her past experience has left her reserved and wary of men, but deep down she is a romantic who dreams of meeting the man of her dreams.

Paolo Barone is a millionaire Italian entrepreneur in his mid-thirties who has also had his share of suffering, which makes him at times taciturn. The affinity he feels for Venetia is instant. To start off with, like Venetia, he is afraid of the power of the emotions. Still, Paolo’s past and present are filled with secrets that he jealously keeps locked up in his heart, even from Venetia.

Is Venice the most romantic city?

Italy, for me, is the most romantic country in the world, and Venice is the best of its many ancient and beautiful cities. That is why time and again it tops the polls as the most romantic city in the world.

There are so many reasons I can give for this: the stunning architecture, the sense of history all around, the romantic music, the sublime cuisine, the colours of the buildings and their reflections in the water, the Casanova connection, the passionate

Venetians and their beautiful language, the dreamy drift of the lagoon, the blend of hubbub and calming serenity, the exciting Carnival, the gondolas that bear you around the city in such a timeless, gliding fashion…

You were born in Egypt and have travelled a lot. Where are your favourite

places?

1. Aswan, Egypt

One my favourite places in the world is the Old Cataract Hotel in Aswan in southern

Egypt. Built on a granite promontory in the Nubian Desert on the banks of the Nile,

the dark pink edifice, in the style of Belle Époque villas of the 19th century, has

retained all the beauty and splendour of yester-years.

 

2. The Rift Valley, Kenya

I set my debut novel, Burning Embers, in Kenya because after visiting the country

as a young woman I was captivated by the scenery and the people. The Rift Valley,

in particular, took my breath away, and I could not resist writing a balloon ride into

Burning Embers to allow my heroine, Coral, to take in the magnificent landscape.

 

3. St Paul de Vence

A beautiful hilltop village in Provence, and one of the oldest – founded in the ninth

century. It is known as Le Bijou de la Côte d’Azur (The Jewel of the Côte d’Azur).

The French painter Marc Chagaechoesoflovehannahfieldingll made the village his home for 20 years, and here he

painted wonderfully warm pictures that pay homage to love, some of which can be

viewed at La Fondation Maeght , 623 Chemin des Gardettes.

Your first novel was published last year. Was this one harder to write?

Yes. Because Burning Embers had such a good response, I found The Echoes of

Love a much more challenging experience because I wanted to live up to my readers’ expectations.

 

What next?

I have written a trilogy set in Andalucía, Spain, spanning three generations of a

Spanish/English family, from 1950 to the present day.

Greece is also on the map for a new Hannah Fielding romance novel. I am now in the process of researching and planning a very dramatic love story that takes place on one of the many Greek Islands. I chose Greece because I know that captivating country and its people well – I have good Greek friends. I bought my wedding dress in Athens and my husband and I honeymooned on Rhodes Island. Greek mythology was part of the literature course I read at university and Greece is not far from Alexandria, where I grew up.

Carolyn Schulz On Making Good Jewellery. {Frost Interview}

When did you start making jewellery?
When I had my son, 25 years ago, I wanted be a stay-at-home-mum but needed to work, so I worked from home representing an American bead manufacturer by looking after their key accounts, in particular, giving support with training and education. I was trained in jewellery techniques as well as how to teach and train others. Teaching and sharing my love of beading is what I enjoy most!

How did you get into designing jewellery?
I think I fell in to it accidentally! Once I had learned the various techniques, I found myself looking at the jewellery other people were wearing or what I saw in the shops. I would mentally take them apart to work out how they were made and then I would go home and try them out with my own beads. I like to mix techniques and I enjoy making jewellery to go with specific outfits that I wear. Sometimes I want something to compliment what I am wearing. Occasionally I want something to draw attention to my jewellery – not my clothes! But when I am designing jewellery to inspire others to create jewellery, I take into account the current fashions in style, beads, colour, textures and fashion accessories in general.

Where do you get your inspiration from?
I love to travel and I spend a lot of time looking at both the components available and the styles and trends of people in other countries. I love the flamboyancy of the Italians. I love the simple use of natural elements that I found in the Hawaiian Islands. I love the rich combination of colours that I found in Mexico and South America. Wherever I travel, I try to visit bead shops and if possible I take a class or two. I learn so much by making friends with the shop assistants and teachers. What are their hot sellers, what do the locals like, what do the tourists like, etc.

Tell me about your show on QVC
My Creative Jewellery Show on QVC UK gives the creative jewellery maker, whether a beginner or experienced, lots of opportunity to use their initiative and creativity but with lots of support with good technique demonstration and a wide range of finished samples to inspire. We offer very few complete kits. By that I mean, we don’t have many kits that make a specific piece of jewellery. Mostly we sell bundles of product, whether beads, tools or findings. For example, we will have bundles of beads and bundles of everything you need when using a specific technique. Some of our best selling bundles include our assortments of real turquoise (large and chunky or small and dainty), basic findings and tools such as the spinning seed bead threader and the Thing a ma Jig! I think the success of the shows is the excellent value for money and variety in addition to the technique support and design inspiration.

Do you prefer designing or teaching?
I don’t think I could have one without the other – but I get the most satisfaction from teaching. I love to share what I learn and I get the biggest kick out of seeing a student create something fabulous – often, much better than mine!

You have a book out soon, tell us about it.
This is my 4th book and it is aimed at women between 18 and 35 with limited experience of beads and beading. It will include more than 25 beading projects with an Asian element. Six of the chapters each has a different technique with a number of variations using that technique. I am already half way through completing the projects. Each chapter keeps growing because when I start designing – I find it hard to stop!

What are your tips for making good jewellery?

* Firstly, attitude – give it a chance!! It is like most things, it take a little practice to learn and perfect techniques.
* Secondly – start with simple techniques. With 25 years of learning and then teaching, I have developed my own fool proof way of learning, where one technique builds upon another.
* Thirdly – be observant! Notice the jewellery other people wear, that you see in the shops, or in books and magazines. Question what it is that you like. When you see things you don’t like, work out what it is you don’t like. You will soon start to build up some personalised design criteria.
* Finally – enjoy it!

You are an American in Britain, what do you love about the UK?
I love British culture. I love the British countryside. I love British history. I even love the British weather!!

What’s next for you?
I want to carry on as I am now – mixing it all up with writing books, travelling, time with my family (I have 3 gorgeous granddaughters!), travelling, presenting on QVC, travelling, teaching, travelling, travelling, travelling.