The Dark Knight Rises {Film Review}

*WARNING! MAY CONTAIN SPOILERS!*

 

Since 2005, Christopher Nolan rebooted the Caped Crusader as we all thought he was long gone with Batman Begins. No one had expectations when the director of Memento was on-board but he delivered one of the biggest surprises and created a film that many other comic book hero films will try to imitate. Then he raised the expectations even higher with the announcement of a sequel and he delivered The Dark Knight in 2008. Continuing to bring maturity and intellectual story-telling but also made an impact to many filmmakers. Now Batman has risen from the darkness and finally has a new challenge, not only from new villains but also Christopher Nolan announcing it will be the conclusion to The Dark Knight Trilogy. Many argue there hasn’t yet been a great comic book hero trilogy and the third in the series always tends to not live up to its predecessors (X-Men, Spider-Man etc.) I can safely say this isn’t that case and will say early that this is the best comic book hero trilogy to date!

 

The story is set eight years after the events of The Dark Knight, Bruce Wayne hanging up his mantle as Batman and keeping away from the spot-light since. Until the terrorist known as Bane enters the stage and plans to bring destruction and chaos to Gotham City. Meanwhile, Bruce interacts with Selina Kyle (aka Catwoman, though never referenced by that name), a cat-burglar but an anti-hero who only helps her own (survival of the fittest). Bruce sees this as an opportunity to go back as the dark knight and come face-to-face with Bane but things go worse than expected (A LOT worse!).

There’s only so much I can reveal the story but it is better to experience it on the big screen. Wally Pfister’s cinematography and Nathan Crowely’s production design really amps the scale, you feel the anarchy Bane delivers from the many set-pieces this film delivers (if you thought the hallway fight scene in Inception was mind-blowing, Nolan really tops that from the opening sequence which could mistake it as a Bond opening). Hans Zimmer’s music is a more bombastic score, further bringing the thundering emotion of Bane’s menacing speeches and actions. Everything about the production in this film is top-notch, do you expect anything less with a Christopher Nolan film? I will say the film is bold and daring to go to places most filmmakers would not even think twice on going, all credit goes to not only Chris Nolan but co-writers David S. Goyer and Jonathan Nolan. Though people will find obvious references to Occupy Wall Street, especially Bane’s motivation on punishing the wealthy and supporting the people (even releasing the prisoners of Gotham to have the city to their own will). The story really does come to full-circle, whatever happened in Begins or Knight comes to full affect in Rises. With all the gloom and doom in this film, Nolan doesn’t forget to bring some humour into this film as he had done from his previous films. The story’s events comes from these three Batman comic book story arcs; The Dark Knight Returns, Knightfall and No Man’s Land.

 

Christian Bale really does shine as he delves deeper to his emotional struggles in this movie, you can feel the suffering and pain he has to go through. Which makes his journey to rise from the ground and come out soaring! Like his father says to him in Batman Begins “why do we fall, Bruce? So that we can learn to pick ourselves up!”, a line that runs through his motivation to save the city and its citizens. Tom Hardy brings a brute menace to Bane and finally brings justice to the character that was ruined in Batman & Robin. He may have the muscles and brawn to show but it’s his tactical thinking that makes him even more threatening. He may lack the sinister edge of Heath Ledger’s Joker but that doesn’t detract the type of villainy he delivers. You honestly worry about Batman, as Bane just brushes off everything Batman throws at him from fists to various techs from his utility belt. Anne Hathaway is terrific as Selina Kyle / Catwoman, she has her own code which is she looks for her own self and doesn’t get involved with anyone else. Though the chemistry between Bruce and Selina is quite electric, both exchanging quips and sassy comebacks but it evolves to something more intimate. Seeing the both of them work together is probably my favourite scenes from the whole film and I honestly think (controversy incoming) Hathaway does portray Catwoman more faithfully than Michelle Pfeiffer did in Batman Returns. The rest of the supporting cast continue to bring the best of their characters; Michael Caine makes an emotionally strong performance as Alfred, fearing the loss of Bruce and not wanting to go through the pain again as he lost Bruce’s parents (a powerful scene where Alfred confesses to Bruce that he wished he never came back). Gary Oldman continues to be the best Jim Gordon, growing to stand being a strong character and is actually exciting he can take care of himself despite his age. Morgan Freeman is the ever charming Lucius Fox, he too continues to grow such a strong supporting character.

 

Is it perfect? No but neither was The Avengers and I enjoyed the hell out of it. The surprise twists won’t surprise most comic book fans but I also blame the media on releasing a few images online that really should have been left offline. Bruce’s reason on exiling himself from the world for such a long time because of the death of Rachel Dawes is a bit hard to swallow but is a minor nit-pick that doesn’t affect the overall film. Zimmer’s score is great to listen to and gets your adrenaline going but it is a bit too thundering at places (and sometimes partially hard to listen when characters are talking). I think many people (including the YouTube community) will start to make fun of Bane’s voice, though I never had a problem understanding him from trailers and didn’t have a problem understanding him in the film. The ending may split opinions, as some may find it being something really bold and broad but then leads to something completely different. Also a reference towards the character of John Blake felt a bit forced and didn’t work in my opinion.

 

As much I really do enjoy this Batman series immensely, I am glad Christopher Nolan has finished with the series and will be moving forward to make more films in the same vein as Memento or Inception where his strengths as a story-teller really does show! Though for now, he’ll be producing Zack Snyder’s Man of Steel in 2013 with Henry Cavill as Kal-El / Clark Kent / Superman.

 

Overall; this film is fantastic, a satisfying conclusion to The Dark Knight Trilogy. Despite the minor faults this movie has, it still delivers an epic blockbuster not only just from the scale but also in emotion. Thank you Mr. Nolan, you made an honourable farewell to one of the greatest iconic heroes of our time.

 

4 out of 5

CANNES 2012 PREVIEW


The most prestigious and coveted film festival on the planet is upon us as filmmakers, stars and journalists descend on the southern French seaside resort to view and critique some of the most anticipated films of the year. Of course I cannot be going myself; the rigour of the festival is said to drive even the most dedicated of film journalists to the edge let alone a beginner. But I can definitely cast my eye over the selection and pick ten of them that have caught my and other cinefiles eyes. Some of these have confirmed UK release dates, others do not. Either way the calibre of these titles should see them generating plenty of buzz before their arrival on these shores.

MOONRISE KINGDOM

The seventh feature from the king of idiosyncratic American indie cinema Wes Anderson is a period piece set in the mid sixties following two runaway teenagers in love and the haphazard search party that sets out after them. Anderson stalwarts Bill Murray and Jason Schwartzman are joined by newcomers Bruce Willis, Edward Norton and Frances McDormand to name a few. Anderson’s exceptionally detailed, designed and witty directorial style may not be to all tastes but for fans of his work this is set to tick all the boxes.

LOVE

Austrian master of discomfort Michael Haneke returns to France for a tale of a couple who must care for the wife’s elderly parents. French acting legend Isabelle Huppert appears alongside William Shimmel of the magnificent Certified Copy in what would appear to be a more gentle approach for Haneke. Those familiar with his work however, will be prepared for terrible things to happen.

KILLING THEM SOFTLY

The Assassination of Jesse James was one of the most criminally underrated films of recent years so hopes are high for director Andrew Dominik and star Brad Pitt’s reunion in this gritty crime thriller about an underworld investigation into a card game heist co starring Sam Shepard, Richard Jenkins, James Gandolfini and Ray Liotta. Pitt appeared in last year’s big Cannes winner The Tree Of Life. Can he make it two in a row?

COSMOPOLIS

Robert Pattinson has the hearts of millions of Twilight fans and now we find out if he can win critical acclaim in Canadian maestro David Cronenberg’s twisted thriller about a young elitist yuppie travelling across New York City for a designer haircut and getting caught up in a dystopian, cultural revolution. Imagine a science-fiction take on American Psycho.

GRANDMASTERS

Wong Kar- wai has had glory at Cannes before with his visually lush and unconventional takes on traditional genre features with In The Mood For Love and Chungking Express. Now he turns his fine eye to a classic martial arts tale (based on the Ip Man series) with Asian superstar Tony Leung pulling all the moves.

RUST AND BONE

Jacques Audiard is known for his poetic yet brutal dramas such as A Prophet and The Beat My Heart Skipped. Hopes are high for this dramatic tale of a marine park worker crippled in an accident who finds solace with an immigrant bouncer. The magnificent Marion Cotillard plays the lead and after being sadly relegated in recent American roles she may have to clear space next to her first Oscar for La Vie En Rose…

LIKE SOMEONE IN LOVE

Abbas Kiarostami is a master of blurring the line between fiction and cinematic construct and recently had glory at Cannes with Certified Copy. Here he heads to Japan, focusing on the relationship between an aging academic and a student side-lining as a prostitute. Whatever the context of their relationship the director’s previous work dictates that appearances can be deceiving.

ON THE ROAD

Jack Kerouac’s seminal road journey novel has been rolling around studios for years and now Walter Salles of the excellent road movie The Motorcycle Diaries turns his attention to the tale of two young men making their way across fifties America. Sam Riley of the the brilliant Control appears alongside Kirsten Stewart, Kirsten Dunst, Viggo Mortensen, Elisabeth Moss and Steve Buscemi. For the cast alone this is a must see.

LAWLESS

Reminiscent of his gritty western The Proposition, Australian director John Hillcot’s latest is another tale of outlaw brothers (here in prohibition era America) whose familial bonds are pushed to the limit by the pursuing lawmen and each other. Again this is a stellar cast; Tom Hardy, Guy Pearce, Jessica Chastain and Gary Oldman to name just a few.

THE ANGEL’S SHARE

Britain’s poet of the people Ken Loach is another Cannes stalwart and this appears to balance the mix between gentle humour and gritty realism of his previous work and concerns a young tearaway who finds a chance at redemption and success in the surprisingly sophisticated world of whisky brewing and selling.

The Cannes Film Festival runs from 16 May to 27 May.

Tom Felton thought his 'Harry Potter' co-star Gary Oldman was giving set tours when he first met him.

 

The blonde actor – who has portrayed villainous Draco Malfoy in all of the films based on the novels by J.K. Rowling – admits he did not know who half of the cast of the movie were when he first signed up, even meeting legendary actor Gary twice before he understood he was playing Sirius Black.

He said: “I didn’t know who Gary Oldman or Michael Gambon were. I think I actually met Gary Oldman two times before realising that he’s an actor.

“I thought he was taking people on studio tours.”

However, Gary’s career was not the only thing Tom was surprised at when on the film – he also didn’t realise how big the series would become.

He added: “I was head over heels when I got the part of Draco, but I never imagined in a million years we’d be here 11 years later still talking about it.

“At that age, you don’t really grasp what you’re getting yourself in to!”