Saturn’s Daughters Author Jim Pinnells Interview: On Russia, Pussy Riots And The Birth Of Terrorism

 Saturn’s Daughters Author Jim Pinnells Interview: On Russia, Pussy Riots And The Birth Of Terrorism, terrorism, Jim Pinnells, pussy riots, Frost is very excited to interview Jim Pinnells. Jim has lead a fascinating life and he has written a great book called Saturn’s Daughters: The Birth of Terrorism. Grab yourself a copy.

You have led a fascinating life which has included working with the UN, on Chernobyl aftermath projects and being in Egypt during the Arab Spring.  Do you have a particular period that you felt most influenced your life and spurred you to research and write Saturn’s Daughters?

The first version of Saturn’s Daughters was written in the 1960’s when flower power and revolution were in the air. A book by David Footman, Red Prelude, got me hooked on the Russian revolutionaries of the 1880’s. With a bit of history, a natural streak of rebellion and an over-vivid imagination, I dreamed up a revolutionary romance about a terrorist called Viktor Pelin. His shadow survives in Saturn’s Daughters. An American agent pointed out that the female characters in the book were far more interesting than the male and suggested a rewrite. So Countess Anna moved centre-stage – though it took her thirty years to do so. Then I saw that Anna herself wasn’t really the key, but a whole cluster of women centred on Sofya Perovskaya. Her dedication, her idealism, her ruthlessness fascinated me. And this book is the result, almost half a century after the first draft. In a way, the many versions of Saturn’s Daughters are a measure of how far one can travel in a lifetime.

Where did the inspiration for the book come from?

From David Footman, from the Aldermaston marches, from an awareness as a young infantryman defending the River Weser that we were nothing but cannon fodder, from the Atlee government that gave me a scholarship to Cambridge but not the cash to cross the great social divide, from the farmers’ kids I taught in deepest Devon – from everything that ever happened to me really.
How did you undertake your research for the book?

Saturn’s Daughters is a historical novel. One thing I try to do is to get the history more or less right. That obviously means reading a stack of history books and biographies. Once that’s out of the way, there’s another kind of reading altogether – reading what the characters in the story would have read: magazines, newspapers, posters, adverts – every kind of ephemera. What music would they have listened to? What would they have stepped in when they were walking down the street? How would they have taken off their underclothes? And then topography. An earlier novel of mine, The Causeway, is set in a convent in the Bay of Naples. It wasn’t until I visited the convent (now a hotel) and paced the corridors from the cell of the Mother Superior to the punishment cells, found the terrace where the nuns would have seen Nelson evacuating Emma Hamilton from the quayside in Naples, dug my fingers into the soil of the nun’s kitchen garden – only then did the story come to life.

What is your writing routine?

I wish I had one. I’ve never had time to develop any kind routine. I take jobs that sound interesting wherever and whenever they come up. Vietnam, Venezuela, Russia, South Africa the Indonesian jungle or the Saudi desert. Some of my work involves report writing and that always kills real writing. I write fiction when I have time: on planes, on trains, during dead evenings when there’s nothing to do but chat with the locals in a bar somewhere. But then, to finalize a book, you have to sit down, lock the door, and work on it all the hours God made. If you don’t want a character to have blue eyes on page 12 and brown eyes on page 212, you have to (or at least I have to) rewrite the whole book in one intense anti-social bash.

Your book is about the first female terrorist. Do you think there are now less female terrorists, and if so, why?

Quantitatively there are probably as many terrorist movements in the world now as there were individual terrorists in the nineteenth century. Qualitatively it’s hard to say – I’m not quite sure how you’d measure the quality of female terrorists. Tons of debris per pound of explosive? As to the ability of women terrorists to attract public attention, I don’t think much has changed. Terror groups like to use young women as suicide bombers because a shattered female body harvests more news coverage. I think it’s always been a bit like that. But one thing has definitely changed. The romance has evaporated. A huge terrorist trial is going on at the moment in Germany. Beate Zschäpe is accused of murder (10 counts), attempted murder, arson, bank robbery and membership of a terrorist organization. (A charge of possessing child pornography has been dropped.) Zschäpe’s political beliefs – as far as the court has established them – are neo-nazi. Is she in fact a terrorist? That remains to be proved. But one thing both she and her cause certainly lack is any shimmer of romantic appeal. A neo-nazi terror cell that guns down Turkish street vendors disgusts most people and attracts only a handful of sympathizers. Chechen immigrants who blow up spectators at the Boston Marathon are in the same boat. A group of young idealists seeking to overthrow a repressive empire – that’s entirely different. They’ll always have a following. I think what has changed most are the ideologies. The methods, the relative number of women involved – those have stayed much the same.

What do you think breeds terrorism?

Short answer: perceived repression. When a group has strong views but has no power to enforce them, it tends to see itself as the victim of repression. In some societies there are “democratic” ways of handling this problem. Collecting money, starting a blog, forming a political party and then seeking election. But how many people have the time, the know-how or even the wish to work in the “democratic” way? The obvious short-cut, at least since the People’s Will showed the way (and this is the subject of Saturn’s Daughters), is terrorism. Not terrorism as a coherent system of action based on the assumption that even if you destroy the building, others will decide after you’re gone what will be built in its place. But terror as short-term, violent protest. A scream of frustration. A brief orgy of self-advertisement. So: perceived repression, despair, and the availability the weapons of the terrorist – fast transport, fast communications and the ability to make a big bang.

What do you think of modern-day groups like Al-Qaeda and the Taleban?

I sometimes think that if al-Qaeda didn’t exist, big government would have to invented it. But of course it does exist, simultaneously on the brink of extermination (because after all huge sums have been spent on the means of extermination) but yet able to unleash global mayhem at the drop of a hat (because large sums will be needed for future extermination exercises). Not that I’m trying to trivialize the problem. Al-Qaeda, the Taleban, the Imarat Kavkaz, Boko Haram, and countless similar organization all exist. They all pose a clear and present danger to the existing social order – especially in countries where they have their roots and which are vulnerable to their methods. In the “West” our real vulnerabilities lie elsewhere – a cyber-attack on the banking system, for example, or denial of commodities (especially oil). The West will not collapse in the face of aircraft with full fuel tanks hi-jacked by fanatics, and Russia will not collapse in the face of bombs in the Moscow Metro. Big regimes are more or less invulnerable. On the other hand, I’m sure regime change will be instigated by terrorist organizations in quite a few smaller, less stable countries. If these organizations remain in power after the regime change, then they may rule by means of terror. That, however, will be terror from above – the terror of a Stalin or a Robespierre – not terror from below as practiced by the People’s Will in the nineteenth century or by Al Qaeda today.
What change do you believe the world needs most right now?

Some years ago the Finnish aid agency PRODEC decided to channel more of its resources and direct more of African programmes toward women. I played a small part in that switch. The theory was this: menfolk may look more important like cocks on dunghills but really it’s the women who run things – so help them. Educate them and many good things will follow. Recently in Saudi Arabia, the government has completed a University City just outside Riyadh. It will house the 40,000 women of the Princess Noura Bint Abdulrahman University for Women. It hasn’t been built as a beacon of revolution, but it may function as one. Time will tell. Whatever the outcome in Saudi Arabia, women’s education seems to me the absolute social, commercial and political priority almost everywhere in the world.

What’s next for you?

Two new novels are on the launching pad. The first, Ilona Lost, is set in the First World War. The leading lady (you don’t see the word “heroine” so much these days) is an English nurse who serves with the Russian army on the eastern front and who goes home to Northampton to take over the family firm and build ambulances. The second, Reflections, concerns blood farms where Thai children (especially those with rare blood groups) are herded and milked for their blood which is then sold to the West. And, of course, work. I’m sure I shall give up work one day, but only “when the telephone stops ringing.”
Thank you Jim.

My Woshin Mashin | Music Profile

3387774792-1Band: My Woshin Mashin
Location: Russia/Germany
Styles: Eclectic Electronic, Crossover, Rock, Dance, Punk
Similar to: The Knife, Moby, The Prodigy, Bloodhound Gang, KMFDM
CD: EVIL MUST DIE
Record Label: Tame Corbie Records

My Woshin Mashin (that’s right – My Woshin Mashin) was created by 3 friends from Russia and Germany. It happened in 2010 when Bibi Tulin and Hugo Simons left their previous bands and decided to make something new and different. Together with Wolfgang Scherman (their German friend who lives in Berlin and wears a crocodile mask) they gave a strange name to the project – My Woshin Mashin.

Later, under the influence of German dance tunes, Mike Patton’s work, English metal bands and old school music these three released their first demo-tape “Amazing Demo”, extended play “We Came in Peace” and their first long-play “Mawama” which was called “amazing (9/10)” in Brutal Resonance E-Zine, “funkelnden Kitsch” in Zillo Magazine and “better than amphetamine” in Russian Billboard.

Musically, My Woshin Mashin is eclectic and intense, but not without humor. Visually, the group’s music videos have earned them recognition on MTV, in art schools (their “Twenty One” video has been shown in multiple art schools as an example), and even surrealistic trash movies such as “The Smell Of Love”, which sold out on DVD.

My Woshin Mashin’s new full-length album is appropriately titled “EVIL MUST DIE”, and out now.

Of the new album, the band says “Our first album was about the characters we love (leutenant Columbo, Robocop, Godzilla etc). Hard beats, funny lyrics, dance tunes…you know, a very funny album. But when we were working on “Evil Must Die” we decided to concentrate on things from the “real” world – degradation of the television, money as a modern god, animal rights, really bad people we know and their behaviour, the loneliness of true heroes etc. By this album we’re trying to say that people must be more intelligent and simple, they must to try to change themselves into a better way and try to find the real values of life. It’s not about the money, a good job, democracy, power, expensive stuff, social networks or television. But it’s about the inner God who can be described simply – Love.”

Members/Instruments:
Bibi Tulin – voice, lyrics, music, piano, melodica, keyboards
Hugo Simons – voice, lyrics, music, gutar, bass, keyboards, noises, beat-box, mixing
Wolfgang Scherman – keyboards, lyrics, sampling, mixing, mastering

 

Rooftop Runners | Music Profiles

Artist: Rooftop Runners
From: Berlin, Germany
Album: We Are Here EP
Style: Alternative / Indie / Trip pop
Members: Benedikt & Tobias MacIsaac
Production: Angela Seserman
Tracklisting: Streets, Energize, Bang Bang, She Devil
Website: www.rooftoprunners.com, www.facebook.com/rooftoprunners
Highlights: 2012 European tour successfully completed, performed at Club NME
Music Video for “Streets”: http://vimeo.com/34965015, http://www.youtube.com/watch?v=Ay3ZfvwKCJc
“Streets” electronic remix:http://soundcloud.com/eltrain05/streets-el-train-ndoth-remix
Sounds Like: Jeff Buckley, James Blake, Radiohead, Massive Attack
Bio: “Crippled in my youth, crippled in my youth, crippled in my youth and I’m trying to breathe”

The music of Rooftop Runners ripples positively original pop waves through far darker lyrics than you’d expect from your typical indie fair: a seething concoction of trippy electro beats and spine-shattering bass lines is equalized by soulful falsetto vocals and folksy, dissonant guitars, making for a sobering but enjoyable listen.

Forging a mix of menacing mood and moving melody out of their adopted city of Berlin, Germany, RTR are Canadian singer-songwriter brother duo Benedikt and Tobias MacIsaac. An internationally accomplished choreographer and dancer respectively, the brothers are no strangers to performing-arts success, having toured and performed extensively with world class troupes in Europe.

Rooftop Runners’ new 4 song EP “We Are Here” will be released April 3, 2012, and it’s meant as both an affirmation and a promise that “RTR has arrived and they are here to stay.” With fervent response from local music media and a rapidly growing fan-base, a European Tour completed and an eagerly-anticipated full length debut album also due in 2012, the siblings seem set to drop their pioneer strand of Trip-Pop at us from rooftops the world over before long. The EP “We Are Here” is just an introduction.

The Greatest Movie Ever Sold, New Frontiers in film financing.

The Greatest Movie Ever Sold directed by Morgan Spurlock.

Where and When: Thursday 29th September at BFI Southbank

On Thursday I saw Morgan Spurlock’s new documentary about branding, advertising and product placement, which is entirely funded by branding, advertising and product placement.

Afterward, a panel of experts from film and advertising discussed how producers can create new synergies and forms of production finance without losing their artistic integrity. The panel included; Pippa Cross, Producer of Chalet Girl, Duncan Forrester, Head of Public Affairs, Volvo, Darryl Collis, Director of Seesaw Media, Pete Buckingham, Head of Distribution and Exhibition at the BFI

“Nothing like a cold call to let you know how little power you have.” Morgan Spurlock.

What I learned:

1) The Greatest Movie Ever Sold was the first film to be in profit before it hit theatres

2) Spurlock ‘didn’t negotiate for success’ so the brands didn’t have to pay him any more money when the movie became a runaway success.

3) In the first few months, The Greatest Movie Ever Sold had over 900 million media impressions.

4) Spurlock called over 100 ad agencies and 650 companies to contribute to the documentary, only 15 companies said yes. A success rate of only 2%.

5) Pom juice is 40% as effective as Viagra for helping a man sustain an erection.

6) Volvo did not pay to be in Twilight, the filmmakers stayed true to the fact that Edward drives a Volvo in the book. But they have people come in and buy the car Edward drives after seeing the movies, even though it’s a £35-50,000 investment.

7) A big champagne company turned down the opportunity to be in The King’s Speech because they ‘didn’t do period films’.

8) Morgan Spurlock could not legally disparage the entire country of Germany in or around the Mini that he was given for the film. Most of the contracts had a non-disparagement clause.

9) Spurlock said all of the brands asked for ROI (return on investment) but not of them got it.

10) Ditto for the final cut, Spurlock says: ‘Retain final cut or it’s not your film”. However, if your film costs more than $40-50 million, you will not get final cut.

11) Spurlock’s advice to filmmakers when negotiating with brands and advertisers is: Always know what you are willing to give up. Integrity is valuable.

12) Fed ex did not pay to be in Castaway.

13) The film uses all of the things it criticise in the beginning to sell the film to you later

14) Old Navy gave Spurlock a cheque for £200,000 after seeing the documentary at the Sundance Premiere.

15) The brands have bigger lawyer than you.

16) Pippa Cross had to spend 2K on CGI to get ride of a beer bottle on Shooting Dogs because the beer brand did not want to be associated with the genocide.

17) The Social Network has Mark Zuckerberg and the rest of the cast using Sony laptops, but, factually, the real people the film is based on would have been using Apple Macs.

18) Pippa Cross got Tesco vouchers for Chalet Girl, and the best Ski brands on board.

19) Morgan Spurlock made a deal with a tri-state pet discount store; you could get a goldfish and after the first one died, use a voucher to get another one. Like Spurlock does in the film.

20) Spurlock tried to get a gun company onboard, but they all said no.

21) The lawyer Morgan interviews in his documentary tells of of the term ‘Faction’. Where fact and fiction meet, and what advertisers use to confuse you and integrate their products into your favourite TV shows and Films.

The documentary is essential viewing for anyone interested in film, or raising finance.

David Beckham World Cup interview. Exclusive to Yahoo! and Frost.

Frost Magazine, in association with Yahoo! gets the inside scoop from David Beckham on England’s disappointing World Cup campaign and tells us which players have impressed him in South Africa.

What was your assessment of England at the World Cup?

We didn’t play at the level we knew that we were capable of. Over the four matches we weren’t good enough and regardless of the goal that never was, Germany played better than we did over the 90 minutes and deserved to go through. Having seen the lads in training, the spirit was good, everyone trained at a really high level, it was just disappointing we couldn’t transfer that onto the pitch. As a team, we have to learn from everything that’s happened, come back stronger and play to our potential.

What was the experience of watching from the bench like?

It was different and at times I wanted to get out onto the pitch and play! It was frustrating at times, but purely because I know what the players out on the pitch are capable of. I have to say the fans were unbelievable, like they always are. It must have been really tough, having spent the time and money they did and the team were so desperate to give them the success their support deserved.

Have your experiences in South Africa and the success of Diego Maradona given you the urge to take up coaching?

While I am flattered to be talked about as a coach and am always available for my country, whenever I am needed, I still see myself as a player and remain supportive of the manager. Diego has done a great job so far though and I wish him well.

Who do you think is in with a shout of winning the World Cup?

It’s a tough one, there are a few teams who are very closely matched and will be there or thereabouts. Argentina looked strong in qualifying from their group with three wins from three and are a potent attacking force with the likes of Messi, Tevez and Higuain. The Germans have such pedigree at World Cups and seem to get better as each tournament progresses. Brazil are Brazil, so you’d expect them to do well and maybe go on to the final. I love watching them play football, all the players are so relaxed and comfortable on the ball. I was lucky enough to play with a few in my career and they are without doubt some of the most skillful athletes.

My other two picks would be Netherlands and Spain. The Dutch have pace throughout their side and with Van Persie, Sneijder and Robben, they have potential match-winners. Spain, despite their shock defeat at the hands of Switzerland, are unbelievably strong all over the pitch. Villa is on red-hot form at the moment and if Torres starts scoring, they are going to be a handful for anyone. That’s before you consider Xavi, Iniesta, Silva, Alonso, Fabregas, need I go on?

Which players have impressed you at the tournament so far?

With all the pressure on Messi, prior to the tournament, he’s been a star-performer so far for me. He’s been brilliant on the ball and an important link man for Argentina and instrumental in their four wins so far. Sneijder has been in fine form for the Dutch and scored some vital goals. I’ve also been impressed with Chile as a team and Sanchez, bags of pace and trickery. Diego Forlan for Uruguay has scored goals but also worked hard for the team, the same can be said for Ozil for Germany. I’d heard a bit about him before the tournament and he hasn’t disappointed, at the centre of many German attacks. David Villa has been Spain’s standout performer. He has scored goals, created chances and worked his socks off for his team and looks a good bet to be the top scorer at the World Cup.

How will the performance of Team USA affect the development of football in the US?

It can only be positive. I thought USA played well in the tournament and it will stand them in good stead for future tournaments. I know TV viewing figures were considerably more in the US compared to the World Cup four years ago. The MLS is getting stronger all the time and the increase in the number of youth leagues will all help in the development of football in the US.

Got something you’d like to ask David Beckham? Then head over to Yahoo! Answers. The football legend and global superstar will be answering the best of your questions in a unique video interview on Wednesday 14 July, with live video link-ups to 18 countries – shown exclusively on Yahoo!. So get thinking and submit a question today.