Tag Archives: Imperial War Museums

Women and Industry in the First World War At IWM North

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New Photographic Display Outside IWM North
Launching the 2014 First World War Centenary programme at IWM North
From 18 January 2014 – Free Entry; Donations Welcome

Exploring how the First World War changed the society we live in today, a new external photographic display at IWM North, part of Imperial War Museums, in Manchester, reveals images of women working in industry during the conflict.

 

As IWM builds towards a major programme of events and displays commemorating the First World War Centenary, six images by official First World War photographer G P Lewis are being unveiled in huge, 5 metre high frames, outside IWM North, on the Quays in Manchester.

George Parham Lewis, an official photographer of the home front, specialised in documenting heavy industry and photographed women workers in the glass, vehicle and food industries.

The images in the free IWM North display document women’s vital contribution to the war effort in factories across the North West of England almost 100 years ago.

 

Taken from IWM’s renowned Photographic Archive, the images were jointly commissioned by IWM and the Ministry of Information, demonstrating the wide range of roles performed by women during the First World War.

Visitors are invited to contact IWM North on Twitter @I_W_M #IWMNorth or Facebook.com/iwm.north if they recognise family members in any of GP Lewis’ photographs on display.

Graham Boxer, Director of IWM North, said: ‘The First World War was a major turning point that shaped the world we live in today, including the roles of women in society. These six powerful images depict women at work during an extraordinary time. It is a fitting start towards a major programme of exhibitions, displays and events marking the First World War Centenary at IWM North.  Later this year we will open the largest exhibition ever created exploring the role of the North West of England during the First World War.’

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The Women and Industry display opens on 18 January, while IWM North’s major exhibition marking the centenary, From Street To Trench: A War that Shaped a Region, will open on 5 April. For more information, visit www.iwm.org.uk

GP Lewis’ photographs depict the following scenes of woman and industry in the North West during the First World War:

  • Women workers in an Oil and Cake factory having tea, Lancashire, 1918. Oil cakes were used to feed cattle
  • Female worker in Charles Macintosh and Sons’ Ltd rubber factory, Manchester, 1918
  • Female glass worker carrying a tube of rolled glass at Pilkington Glass Ltd., St Helen’s, 1918. The company still exists today
  • Women workers stacking oil cakes at an Oil and Cake factory, Lancashire, 1918
  • Women working in an asbestos factory, Lancashire, 1918. Asbestos, now recognised as a dangerous material, was used in many different ways such as in buildings and enginesWomen workers operating a grain elevator at the mills of Messrs. Rank & Sons in Birkenhead, 1918

Why war still inspires art – Major IWM exhibition | Events

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Catalyst: Contemporary Art and War
Major New Exhibition
12 October 2013 – 23 February 2014, IWM North Special Exhibitions Gallery
Free Entry, Donations Welcome

Imperial War Museums

IWM holds an unrivalled collection of twentieth and twenty-first century British art. Now, IWM North, part of Imperial War Museums, in Manchester is presenting the first major exhibition of IWM’s collection of contemporary art produced since the First Gulf War – placing more than 20 years of work by over 40 artists in this national collection on public display together for the first time.

The exhibition includes Steve McQueen’s Queen and Country, an installation of facsimile stamp sheets bearing photographic portraits of British service personnel killed in Iraq, and Photo Op, kennardphillipps’ very different comment on the war in Iraq, showing Tony Blair taking a ‘selfie’ in front of an explosion. This large-scale, free exhibition features responses to conflict since the First Gulf War by some of the most significant artists exploring war and conflict today – such as Langlands and Bell, Miroslaw Balka, Willie Doherty, Paul Seawright, Ori Gersht, Jananne Al Ani and Edmund Clark.

Catalyst : Contemporary Art and War reveals how war has been crucial subject matter for contemporary artists in the last two decades. Visitors will explore the rich, varied and moving artistic response to conflict in a media age. Hear from the artists themselves and discover what motivates people to create art about conflict. Explore the ways in which art can prompt us to think more deeply about current events, their immediate impact and their long-term implications.

Through more than 70 works, the exhibition will show the broad range of approaches artists use to explore this vast and complex subject. The exhibition showcases installations, photography, film, sculpture, oil paintings, prints and book works; varying from the highly moving to the humorous, philosophical or outraged.

In recent years the media has become an acknowledged weapon of battle. At a time when our understanding of war is increasingly shaped by the media and the internet, discover how art can prompt us to consider the way the media not only influences our current perceptions of conflict, but how it shapes the way history is written. Rasheed Araeen’s White Stallion explores the role of the media by questioning the nature of propaganda during the First Gulf War, while Paul Seawright seeks an alternative way of photographing war through his images of empty, but lethal minefields in Afghanistan.

Artists are often driven by their own experiences, political views or a desire to protest. Taysir Batniji’s series of estate agent details for destroyed homes in Gaza is a tongue-in-cheek comment on the situation in Palestine. Some artists aim to counter common opinions, while others explore the legacy of their own family history, or the long-term impact of conflict. Willie Doherty’s photograph Unapproved Road, showing a rural makeshift roadblock, suggests a violent past event and reminds us of the significance of land and territory in Northern Ireland during the Troubles.

Langlands and Bell’s interactive installation, The House of Osama bin Laden, where visitors perform an inconclusive search for bin Laden, or Edmund Clark’s photographs of Guantanamo, both reflect on points in time where the traditional boundaries and ethics of conflict are called into question.

Accompanying the work on display there will be a series of new interviews, specially commissioned by IWM, with artists whose work is on display, including Langlands and Bell, kennardphillipps and Paul Seawright.

Catalyst: Contemporary Art and War presents a unique opportunity to view new and recent acquisitions to IWM’s Collections, including works by Taysir Batniji, and Edmund Clark, films by Kerry Tribe and Ori Gersht, and a print series by Miroslaw Balka. The exhibition presents some of IWM’s official commissions: Queen and Country, Steve McQueen’s response to the war in Iraq; Paul Seawright’s photographs of Afghanistan and Langland and Bell’s unnerving interactive installation: The House of Osama Bin Laden.

IWM North itself – designed by world renowned architect Daniel Libeskind to represent a globe shattered by conflict – is a contemporary response to war. A major season of events will accompany the exhibition.

Coinciding with this major exhibition at IWM North, IWM London are hosting IWM Contemporary in autumn 2013 – a new programme of free contemporary art and photography exhibitions and public events.

Connect with IWM North and share your thoughts on Twitter via @I_W_M #SeeArtHere or on Facebook at Facebook.com/iwm.north

Catalyst: Contemporary Art and War is supported by The Little Green Paint Company.

Graham Boxer, IWM North Director, said: ‘IWM North is a venue for challenging exhibitions; a place for visitors to discuss big questions relating to war and conflict and our lives today. Catalyst: Contemporary Art and War contains some of the most important artworks on this theme of the past 25 years – on display together for the first time – and explores why war has inspired such creativity.’