Tag Archives: Jackie Baldwin

SISTER SCRIBES: JANE CABLE CATCHES UP WITH TAKE FOUR WRITERS’ JACKIE AND CLAIRE

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Everyone loved our Take Four Writers’ articles last year so I thought it would be really interesting to catch up with them. Writers lives have ups and downs, and in 2018 we shared them all. Here’s what Jackie Baldwin and Claire Dyer have been up to since – news from Lucy and Angela tomorrow.

Jackie:

Hello everyone,

This year, a big thrill has been seeing copies of ‘Perfect Dead’ in The Works shops. It never gets old going seeing my book in the wild. I stroll past ‘casually’ whilst giving it an intense stare.

2019 has been dominated by writing my third DI Farrell book, ‘Avenge the Dead.’ This is the first time I’ve had a book published with the title I originally chose! I finished the first draft in seven months this time so I’m getting quicker with each book. The plot revolves around the Criminal Bar in Dumfries where I used to practice as a solicitor so I’m drawing on personal experience in some respects but the plot and characters are wholly fictional. Honestly!

In addition to writing and the day job I’m also in the process of moving closer to Edinburgh. We’ve found a house but it needs quite a bit doing to it so trying to organise all that has been a challenge. Hopefully, we’ll be installed before my first grandchild arrives in October!

I’ve completed my structural edit for Avenge the Dead. This is probably the stage that I most enjoy where you can fix errant plot lines and even insert new characters or subplots if the mood takes you. Currently I’m working on the Line Edit which is a complete nightmare. For example, you mention the word out three times on one page and need to change two of them.

Recently, I’ve realised that writing books is a lot like having babies. You have your baby and fall madly in love, forgetting the pain. You think it would be a great idea to have another baby. You get into the labour ward and yell, ‘WHAT was I thinking?’ And repeat…

Claire:

It’s a well-known fact that the writing life is not a simple one, and it’s easy to lose hope and/or struggle with doubt and this year I’ve been battling with both these things!

However, with the help of my amazing writer support network I am back on track. I have completed a rewrite, edited another novel and started a new one.

I’ve also celebrated my son’s wedding, am working on the draft manuscript of a poetry collection due for publication in 2021 and am planning a holiday to the ever-wonderful Kalkan in Turkey.

I also have my husband’s wise words to fall back on when things get tough. He’s not a writer, and has learnt from living with one that he has to tread carefully, and part of this is to remind me gently now and again that it all depends on the lens.

Yes, writing and getting published is a challenge, BUT I have had three novels and two poetry books published, with another on the way; I have a wonderful group of writer friends, I curate a monthly poetry night in Reading and I spend my days doing what I love. Moreover, my son’s wedding went well (see picture) and I still have writer-hope; it’s small and fragile but, using the right lens I can see it sitting next to my laptop, its bright eyes shining.

 

BUSINESS OF BOOKS: TAKE FOUR WRITERS – BALANCING, SHINING, HURDLING, REFLECTING

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The final word from our four writers and a heartfelt thank you to them all for sharing their writing years. Ladies – you’re an inspiration.

JACKIE BALDWIN: BALANCING

This month for me has been all about trying to balance the competing demands on my time between the day job, writing the first draft of my third crime novel and getting sorted for Christmas. My heart says write but my head says shop, clean and do the ironing! I have never been good at splitting my focus.

Tis the season to be jolly! I am a member of a wonderful crime writing community called Crime and Publishment in Gretna. Some of us are published whilst others are working on a first draft or at the submission stage.  After our Christmas meal we went round the table celebrating everyone’s writing wins, both big and small. It was heartening to hear how far we have come since our first year in 2014.

For me this time of year is always a time for reflection. To remember those people and animals who are no longer with us but lit up our lives, to be grateful for those who are still here and to think about where I want to direct my energies in the brand new shiny year to come.

It has been a pleasure to share my writing journey with you all this year. Wishing you all a very merry Christmas and a happy New Year.

ANGELA PETCH: SHINING

December Frost:  sparkly, ice-cold, sharp, and a fitting way to skate away from a year of monthly reports. I shall miss them: it’s been a way of focussing during quite a year.

December 1st, I launched my self-published “Mavis and Dot”, and, promoted by a Blog Tour, it’s going well. My shiny new banner helped pull in interested readers. On the following Saturday, I manned a successful book stall outside Arundel Cancer Research Shop. All profits from M and D are destined for this charity.  A sequel has been requested; I’m thinking up scenarios for the two ladies.

Edits for Bookouture are 99% done for the first Tuscan novel commissioned for Spring 2019, (no title yet), and I’ve written a couple of chapters for the second. The rest is in my head. This year I will pin to paper.

Thanks so much to Jane and my trio of friendly authors. New friendships made, new goals formed. Good luck to us all, happy Christmas and 2019.

 

CLAIRE DYER: HURDLING

So, another year has gone by and I’m definitely a year older, but no wiser I fear!

Some highlights have been (in no particular order): my kids are doing OK; Mr Dyer is well and busy; my cats are still my friends; my novel The Last Day was published and I’ve been working on another two books since which has been both a challenge and a joy; it looks like there may be a new poetry collection in 2021.

Some lowlights have been (in no particular order): my mother’s dementia; the state of the nation; I don’t seem to be ageing like Dame Judi Dench, more like Ena Sharples; Hollywood still hasn’t called to offer to make my book into a movie!

And, as ever, there have been hurdles as is the case of the writer’s life. No sooner are we over one, then another appears. Sometimes they trip us up; sometimes we sail over them, landing gracefully on the other side a bit like a gazelle. And, as ever, there’s no saying which the next one will be as I sit here at the year’s end with the echo of the starting pistol and the crowd’s roar in my ear.

LUCY COLEMAN: REFLECTING

As the year draws to a close it’s a time when I reflect upon the highlights and low points of my working year. But more importantly it’s when I set new goals for the year ahead.

It has been my second most successful year as an author to date, for which I’m incredibly grateful. Hitting the no. 5 spot in the UK Kindle chart with ‘Snowflakes Over Holly Cove’, my second novel writing as Lucy Coleman, was beyond any dream I ever had. The goals I set are never about the results, but about the work required to keep honing my skills.

My goal for 2018 was to write four new books. Tick. And the first novella in a new little project with a new pen name. Tick.

My goal for 2019? Four new books and the second novella.

I write because it’s my passion and I write from the heart. The happiness and fulfilment is in the creation, because it is a little like the lottery. In this case fate is in the hands of the legion of wonderful reviewers and readers who choose your book. And that’s humbling.

Wishing everyone a 2019 filled with happiness, love and good health. And to the incredible Jane Cable and my fellow writers, you are all an inspiration!

 

BUSINESS OF BOOKS: TAKE FOUR WRITERS – DIVIDING, EDITING, DREAMING AND TOURING

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CLAIRE DYER: DIVIDING

This month I’d like to talk about my ‘other’ life. I see myself as both a poet and a novelist and people often ask which I prefer being. My answer is always that I like them both the same. However, there are big differences in the way poetry and fiction are published and so this does inevitably alter things.

For a start a poem is a constantly changing thing. Even when it’s been in print, a poet can change elements of his/her poem when it’s republished or collated in a collection. Secondly, putting together a collection takes YEARS! Novelists think it takes an age to get a book published, but collections of poetry can take mini-lifetimes. My last one, ‘Interference Effects’ kindly published by the very wonderful Two Rivers Press took five years from being a spark in my eye to a book in my hand.

The collection I’m working on at the moment contains poems first written in 2014, the manuscript is due to be delivered to the very wonderful Two Rivers Press in June 2020 and it will be a further year or so before possible publication. And this is fine because it takes patience, love and a whole heap of courage to be a poet. However, all this fades to nothing when a line comes that sets your hairline fizzing or you stand in front of an audience and read something that makes them laugh, gasp or (even better) weep.

Poetry books may be slim, time-consuming, delicate and easily lost in the noise of mass paperback sales, but they are things of beauty nonetheless.

 

LUCY COLEMAN: COUNTING

Finally welcoming in the good news this month, as a loved one is out of intensive care. It feels like a dark shadow has been lifted and the sun can shine again. Miracles can happen!

I’ve hardly moved from my desk with line edits and a cover reveal for A Greek Affair, in preparation for its release on the 28 December 2018 by Harper Impulse. And copy edits for The Writing Retreat on the Italian Lake, due for release on 5 February 2018 by Aria Fiction.

And my first audio book, for The French Adventure, is due out on 29 November 2018.

The good news keeps on coming and there’s even more, but authors get used to sitting on things for a while. So, my lips are sealed. But after the darkest of Octobers, I feel that Christmas has come early and I’m truly counting my blessings!

 

ANGELA PETCH: DREAMING

What about a monthly report starting with:  I’ve been dozing in my hammock on the island of Zanzibar, wondering what to do next. Ha ha! More like – I’ve been wondering how on earth to tackle my to-do list.

“Mavis and Dot” are on a blog tour and I’m relieved my two ladies/babies are appealing to readers. When you read comments from complete strangers like: “I could really see this gem of a book as a fantastic movie…”; “A must read…”; “This book was a total joy from beginning to end…” your heart has to sing. It justifies hours of sitting hunched over a pc. This month has been a mine-field of formatting issues but lovely authors have helped.

But I’m a hybrid and have just come off the phone from a chat with my editor at Bookouture. No peace for the wicked: I have major edits to carry out on my re-write of “Tuscan Roots”.

Where’s that hammock?

 

JACKIE BALDWIN: TOURING

November has been fairly busy as I have been on a Deadly Intent tour around some of the many libraries in Dumfries and Galloway with my partner in crime, Lucy Cameron. It’s been a lot of fun getting out and about to meet readers and some of the libraries have totally spoiled us. In Wigtown, for example, we were all treated to freshly baked scones with jam and cream!

As part of Book Week Scotland, we’re reading along with some other authors at a gin/rum night at The Selkirk Arms in Kirkcudbright, which, coincidentally, is where my second novel, Perfect Dead, is set.

On 29th November, I’ll be on a wee jaunt to Edinburgh for Noir at the Bar which is always a fun night and a chance to discover some great new crime authors.

Finally, I’m pleased to report that my third novel is firmly back on track after all the thrashing about with it last month. I’ve now nailed down the plot which nearly got the better of me and I’m pushing on through the first draft.

See you next month!

 

 

 

BUSINESS OF BOOKS: TAKE FOUR WRITERS – CONNECTING, SIGNING, RETREATING

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LUCY COLEMAN… CONNECTING

My second novel writing as Lucy Coleman for Aria Fiction is now staring back at me from my bookshelf. And I will admit that it’s still a huge thrill for me, even though it’s my thirteenth.

Snowflakes Over Holly Cove begins and ends at Christmas, but the year in between is an emotional rollercoaster.

The first reviews are in and one reviewer said it brought tears to her eyes. Why? Because of the mention of eggnog in one emotional scene.

In real life it’s the little memories that often attach themselves to the silliest of things. In this story, for the character Tia, it reminds her of her mother… and the sentiment and connection touched that reviewer’s heart, too.

An author can’t ask for any more than that. I’m feeling truly blessed and reminded why I write. And that is reader power. Reviews touch authors’ hearts, too!

 

ANGELA PETCH… SIGNING

Whoops! It’s been quite a month and I almost missed my Frost deadline. (Visions of ed, visor pulled down to cover glower, tapping fingers on her desk…sorry!)

I’m now officially a hybrid author. I can’t explain how happy I feel to have signed a two-book deal with the Bookouture “family”, as they describe their publishing team. My first novel is to be edited and reissued June 2019 and a new Tuscan novel, released April 2020. They have been understanding about deadlines. How lucky am I?

I’m exchanging ideas with my cover designer for “Mavis and Dot”, but as soon as I self-publish and launch on December 1st, then it is action stations with Bookouture. I’m so excited.

Other news: a successful first “Write Away in Tuscany” ended five days ago – exhausting but exhilarating. Eight writers travelled to our corner of Tuscany and we shared scrumptious Italian food and writing sessions. We are running it next year with modified content. Bring on 2019…

 

CLAIRE DYER… RETREATING

Last month I went on a writing retreat at Tŷ Newydd in North Wales (http://www.literaturewales.org/our-projects/ty-newydd/). It was the sixth time I’d spent time there, having previously attended both poetry and prose tutored workshops. This one was slightly different in that there was no formal element to the week. Our facilitator, Julia Forester, gently guided us, provided the chance to have one-on-one chats with her and ran a couple of sessions on submitting work and managing our time. The rest of the week was spent blissfully either working on our current projects, walking the footpath down to the beach, visiting local places of interest, chatting to one another over cups of tea or swimming in the sea. The food and company were both delicious.

My aim in going was to work on some poems I hope will form the basis of a new collection. The subject matter was hard and painful. In addition, my home life, rather than retreating to a safe distance and leaving me alone, intruded when both of my children had issues they wanted mum-input on and, seeing that being a mum is my main job and being a writer is my second job, I had to respond.

And what did this prove? We may go on retreat but we take our real lives with us. The writer’s life means we have to fit our writing in around other stuff and that this other stuff informs our writing. An ivory tower might sound a nice idea, but I think one would be both impractical and uninspiring!

 

JACKIE BALDWIN… DRAFTING

Hello again! Another busy month. I’ve been getting on with the first draft of book 3 in my DI Frank Farrell series. It always takes me a while to get into the rhythm of writing a new book but I’ve settled into it now and at the exciting stage where I don’t yet quite know what’s going to happen!

On 5th September, I was up in Edinburgh to read an extract from my work at’ Noir at the Bar.’ It was a criminally good night with a great variety of crime writers both published and unpublished.

This weekend I was at ‘Bloody Scotland’ in Stirling. It provides a great opportunity to catch up with old friends and make some new ones in the crime writing and crime reading fraternities. A particular highlight was the Pitch Perfect Session where eight writers have exactly three minutes to convince a panel of agents and publishers that they must read their book.

See you next month!

BUSINESS OF BOOKS: TAKE FOUR WRITERS – EVENTING, TALKING, PLAYING, UPLIFTING

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JACKIE BALDWIN… EVENTING

Hello, again! This month has been super busy as my son got married on the 11th August. The week before I was so stressed I thought I might spontaneously combust but the day itself was utterly magical! I am now trying to keep the peace between my son’s cat and our two dogs who are not his biggest fans.

On the writing front, the paperback of Perfect Dead will be released on Thursday 23rd August. I am not having a launch as the day before that I am doing an event in Waterstones, Dumfries, with the fabulous Lin Anderson, who is ‘Tartan Noir’ royalty. The event has only recently been confirmed, so imagine my shock when I was meandering along the High Street in Dumfries and came face to face with a large poster of myself and Lin Anderson out on the pavement!

After that, it will be time to knuckle down and get on with the next book in the series.

Have a great month!

 

CLAIRE DYER… TALKING

This month I want to talk about talking. I don’t mean chatting to our friends over coffee or a nice cool glass of Chablis but talking about our books on our hind legs in front of other people.

It’s a very odd thing to do. After all, most writers are notoriously private people and so, to be exposed to actual readers and other writers is odd. Well I find it so anyway.

Why should this be so? Well, I’ve grown used to my books. They are incredibly special but it’s kind of embarrassing to talk about something so familiar, it’s like describing an old pair of jeans, you wonder whether anyone else will really be interested.

After all, by the time a book is published, its author has read it about a million times (OK, I might be exaggerating, but it feels like it), it has been pulled apart, put back together, tweaked, cajoled, buffed and polished to within an inch of its life and therefore, when asked, ‘What’s your book about?’ or ‘How did you think up your main character?’ or ‘Why did you end the book that way?’, it is, strangely, sometimes hard to find the right words.

 

ANGELA PETCH… PLAYING

This month, after the excitement of RNA Conference, I moved south to the Sussex Downs to stay with our eldest daughter, waiting for the birth of her third child. The heat was comparable to our hot weather in Tuscany but the surroundings very different. I had no time for writing, immersed as I was in the world of two and four-year old toddlers. Lego, cars, story reading, bottom wiping, cooking and washing filled my time. We played pretend games, which is not a million miles from being a writer, and all the while, I stored snippets in my head for future stories. It was a privilege to be in England when baby Finn arrived on August 1st.

Instead of creative writing, I’ve managed to squeeze in admin for the first Write Away in Tuscany that takes place at our Tuscan home from September 11th – 18th. I’m back in Italy now, finalising details. Mavis and Dot are being honed in the meantime and Cancer Research is supporting my campaign for funds for the launch of these two ladies.

 

LUCY COLEMAN… UPLIFTING

The arrival of the school holidays means coping with weekly sleepovers, then frenetically trying to catch up with a growing ‘to do’ list. But it’s important to me to grab as much quality family time as possible.

Writers spend a lot of their time living in a world they’ve created. I’m lucky in that I write about life, relationships and the pursuit of a happy ending. I set the mood by playing soft music and having an essential oil diffuser wafting out rose geranium and lavender. It’s uplifting.

This month has been all about preparing for the release of Lucy Coleman’s ‘Snowflakes Over Holly Cove’ on the 18 September 2018. But it’s also a nervous time for an author.

It’s a story about loss and finding love, and as cosy as a mug of hot chocolate! Set in Caswell Bay on the stunningly rugged Gower Coast, it’s one of my favourite places to walk…

 

TAKE FOUR WRITERS: TEACHING, THANKING, VENTURING, BOPPING

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CLAIRE DYER… TEACHING

This month I want to talk about what teaching teaches me. Like many other authors I don’t actually spend ALL my time sitting in splendid isolation in a writing garret. In fact, I spend precious little time actually writing, as life tends to get in the way!

And, one such distraction is teaching Creative Writing at Bracknell & Wokingham College. Whilst I relish the chance to encourage and inform my students, what is of perhaps greater benefit to me is the chance to practise what I preach. In my Beginners’ classes we cover the basics tools of writing and in my Improvers and Advanced classes, we take this up a notch. And what I find is that in teaching these topics I get a timely reminder to apply the techniques we cover to my own writing.

I also give my students examples of my early work to critique and this shows me how awful some of the stuff I used to produce actually was! A salutary reminder to keep the writing muscle flexed and working and mark my own writing much as a teacher would: 6 out 10 Claire, could do better. See me after class!

 

LUCY COLEMAN…. THANKING

It’s been a month in which to be very grateful and to say thanks, by running a series of competitions for my amazing readers.

With Lucy Coleman’s ‘The French Adventure’ wearing best seller flags in the Holiday Romance charts in Australia and Canada, hitting #53 in the main UK Kindle chart, and #1 in the iBooks Romance chart, I did celebrate.

One glass of wine, toasted by my other half, then straight back to work because it’s been a month of non-stop writing.

Next up? 4th September 2018 Lucy’s second novel will be released. Still no cover and the excitement builds… but I can share the title for the FIRST time: ‘Snowflakes Over Holly Cove’.

My Christmas stories are never solely about Christmas, but this one has a dusting of snow and a lot of heart. And it was written last summer, but it wasn’t quite as hot as this July!

 

ANGELA PETCH… VENTURING

Writers live within their heads most of the time, amongst imagined scenes and characters. In Italy, far from distractions, I have plenty of time to dream up plots and conflicts. But sometimes, like a tortoise, I need to pop my head out of my carapace and venture into the real world.

So, last week I boarded a plane from Bologna for Leeds and my first RNA Conference. All apprehensions were swept away as soon as I entered Leeds Trinity University and was warmly welcomed. It was a buzzing weekend, packed with interesting and sometimes hilarious talks (how to write sex scenes foremost), food and wine a-plenty and many new friendships. How good it was to talk writing without the fear of boring non-writers. I pitched to three different publishers and came away from Bookouture and Harper Collins with encouraging advice.

Back in Sussex, I joined self-published fellow CHINDI authors as we held our ghost tour around the fascinating seaside town of Littlehampton.

This tortoise is almost ready to retreat again. But first of all, I have granny duties. Our fifth grandchild is due any day now. I feel a children’s story coming on.

 

JACKIE BALDWIN… BOPPING

Hello again! The first half of this month I spent in Greece hiking, swimming and reading books, which was a welcome change. A few days after I returned it was time to go to Harrogate Crime Festival! I was also lucky enough to be invited to read at Noir at the Bar on the Thursday evening along with some amazing authors. The venue at The Blues Bar was packed with readers, writers and bloggers so the audience was amazing!

Highlights of the festival for me included hearing John Grisham interviewed by Lee Child and bopping away to ‘Fun Lovin’ Crime Writers,’ including Val McDermid and Mark Billingham, I also loved the New Blood panel. I shall be sneaking new books into the house the way other women sneak in shoes!

I had such a great time that I have already paid a deposit for next year!

 

 

 

 

REVIEWING THE PERFECT CRIME

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Jane Cable reviews the latest novel by one of Frost’s four writers

As regular readers of this column will know, to my shame I don’t read many books. The problem being that when I’m in my own characters’ heads I don’t want to be in anyone else’s. And with a good book I like to totally immerse myself in the world that the author has gone to so much effort to create.

It speaks volumes for Jackie Baldwin’s Perfect Dead, set in a freezing Scottish winter, that I actually felt cold reading it during a Cornish heatwave. I saw the ice on DI Farrell’s windscreen, experienced the damp chill of the remote cottage where the murder victim, artist Monro Stevenson, is found. The setting was brought so vividly to life that I was actually walking through the streets of the little coastal village, the salt tang of the sea in my hair, and driving down twisting lanes to remote country houses.

I have to admit that crime fiction is not my usual genre these days, although I do rather love watching re-runs of Midsomer Murders (I won’t call it a guilty pleasure because I fundamentally refuse to accept that any pleasure should be guilty). Cosy crime. Count the murders, find out who did it, save the last potential victim in a dramatic crisis then all go home for a cup of cocoa. Perfect. But not Perfect Dead.

What I am never sure about is whether it’s a good or a bad thing to be able to guess the perpetrator. Writing mysteries myself, I know only too well how hard it is to seed the story with just the right number of red herrings and clues. And Baldwin has a superb red herring in Perfect Dead – one I didn’t see coming until right at the last moment and which adds an extra layer of emotion to what is already an intense and gripping story.

This is a book where the characters’ internal journeys are as much an incentive to read on as solving the crime. Not just DI Farrell, working with the pull of the Catholic church in and around him, but the issues in the lives of his various colleagues are beautifully drawn and you find yourself caring as much about how these work out as you do about having the murderer brought to justice.

Perfect Dead is the second book in the DI Frank Farrell series so the characters’ lives are bound to pan out over time. This, and the quality of Baldwin’s writing, would in itself be enough to bring readers back for book three and my one argument with the Perfect Dead is that a major strand is left hanging, and far from being intrigued it left me feeling frustrated and a little short changed.

There’s something else I’ve discovered about crime books during this process – it is almost impossible to write a review of any length without giving away spoilers. So I won’t. Read the book for yourself and find out what happens. I promise you it’s worth it.

 

TAKE FOUR WRITERS: CELEBRATING, RESEARCHING, WEEDING, WAITING

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JACKIE BALDWIN… CELEBRATING

A very exciting month! Publication Day of Perfect Dead came and went in a blur. I embarked on a blog tour organised by the fabulous Love Books Group. I’d already submitted the guest posts and extracts in advance so all that remained was trying to keep up with all the posts on social media. I also managed to trip over a boulder and smash up my face again, leaving me looking like I had taken up cage fighting!

I have to say, though, that publication day was not even close to being the highlight of my month. My proudest moment by far was watching my lovely daughter graduate in zoology from Aberdeen University. It was such a special day for all of us. I’m now home catching up on my blog tour before escaping to a Greek island on Friday to try and calm down!

 

LUCY COLEMAN… RESEARCHING

I’m a Gemini, so when asked what I wanted for my birthday I said ‘A trip to Versailles’ because I have an idea for a contemporary love story. I’ve been there twice before but I needed to soak up the ambience again – and grab photographs!

The final proof read of my next book, due to be released by Aria Fiction on 4 September 2018, arrived the day before I left for my holiday. But authors take their work with them, anyway, so after foot-wearying days my bedtime reading was sorted.

The palace at Versailles is enchanting, opulent and the stuff that dreams are made of – I fell in love with it all over again. Coming home I had to hit the ground running. New graphics to produce, two work-in-progresses on the go and a contract to sign … exciting times! But now I want to write about Versailles …

 

ANGELA PETCH… WEEDING

Suddenly, the writing road ahead is a flat path through wild flower meadows instead of a craggy climb. I always find calm in Tuscany where we live for six months each summer. After an initial panic over the edits needed for “Mavis and Dot”, I went for a long walk to untangle my thoughts and to face reality. I’m now acting on comments from my editor and Beta readers and rewriting sections. I’ve got my trowel out and I’m digging out the weeds, rearranging the beds. And I want “Mavis and Dot” to be as perfect as I can manage.

My husband helped devise a spread sheet for my illustrator. Her main job is busy editor of a Sussex based Arts Magazine called Ingenue, so she was pleased to work to a schedule. She hit the bullseye with two illustrations she subsequently sent and produced smiles of delight and relief.

 

CLAIRE DYER… WAITING

This month I want to talk about waiting. As a poet and an author I, like many others in the same fields, do a lot of it!

Consider this: I submitted some poems to a well-known literary journal in March of 2017. They accepted one of those poems in February: that’s eleven months of waiting. Also, I sent my agent a manuscript last September and waited for her valued and considered feedback which I got in December and it was well worth the wait! That manuscript then went on journeys out and about into the big wide world and there was more waiting and, as I write this, I still don’t know where its future might lie.

There are many more examples. In answer to the usual, ‘Where are you at the moment?’ the standard writer’s reply is ‘I’m waiting for my agent/editor/publicist/’ and/or, ‘I’m waiting to see the cover/get my first reviews/hear about a TV deal.’

Then there’s the fictional world of say, ‘The Truth about the Harry Quebert Affair’ by Joël Dicker where the fictional author is hounded by his fictional agent who calls constantly asking, ‘Where is the manuscript you promised me?’

I’m not sure how one goes from the one who waits to the one who is awaited, but there’s something tantalising about imagining this. Just think, one day I may get an email which says, ‘Dear Claire, We were wondering if your new book is ready as we have the perfect cover for it.’