Tag Archives: Judith Barrow

JANE CABLE REVIEWS…

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Three books read for pleasure and another for research… My book of the month for January is the brand new family drama from Judith Barrow, Sisters, which was published by Honno last week.

Sisters by Judith Barrow

This novel about how childhood lies spiral into adulthood had me gripped from the very first chapter. One sister causes a dreadful accident and the other is blamed. The set up sounds simple enough – one moment changes both their lives. But it is the complex and realistic emotions involved that made this book as we follow Angie and Lisa from the estrangement of their teenage years into their twenties and beyond.

Judith Barrow is such a skilled storyteller I was completely immersed in the narrative, living alongside the characters as the plot played seamlessly out. It is hard to say too much about the story itself without including spoilers, but take it from me, Sisters is a first class read.

 

The Thursday Murder Club by Richard Osman

I’m not sure why I didn’t expect to enjoy this book; perhaps it was the style of the prologue and first few pages that put me off, but once I got into the story I forgot all about it.

I have to say that happened very quickly. Such brilliant characters, I think I could have forgiven them anything, and there were plenty of things to giggle at too, which I didn’t really expect. As for the mystery I enjoyed the ride and the red herrings very much, but I wasn’t completely convinced by the final outcome. It just didn’t seem as well embedded as the rest of the plot, which was a bit of a shame.

 

A Christmas Miracle for the Railway Girls by Maisie Thomas

I can hardly believe that this is the sixth Railway Girls saga; I have enjoyed them all so much and the stories still feel fresh. Of course the characters are familiar and this book focuses on Cordelia, Mabel and the return of Colette. I had a hunch that would happen, but how it came about, and how this important strand of the story was hold surprised me.

The tension attached to this storyline had such emotional power I was so invested at one point I had to put the book down. I couldn’t bear to carry on reading, and yet I had to know what happened. Always an excellent writer, think is Maisie Thomas hitting a new high. Challenging, uncomfortable, and it made me angry.

But the book ends at Christmas and of course miracles do happen. And the gentler counterpoint of Cordelia’s story was perfect foil to Colette’s making it a brilliantly rounded read.

 

The Four Swans by Winston Graham

I love a Poldark novel; they are fast becoming a go-to comfort read, although in this case I read the next in the series to immerse myself in the era in Cornwall. Although I am writing some fifteen years later I was delighted to discover that the family inspiring me, the Bassets of Tehidy, had more than walk on parts in The Four Swans.

The swans are the four women in Ross’s life and although I loved the full richness of the tapestry drawn, the thread that drew me most was Demelza’s and Hugh Armitage’s pursuit of her. As ever the whole novel was superbly written and brilliantly researched. These are not modern classics for nothing.

 

 

CARIADS’ CHOICE: JUNE BOOK REVIEWS, PART ONE

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Audrey Davis’ Lost in Translation, reviewed by Jessie Cahalin

A clever twist on the romantic comedy genre. It was wonderful to meet Charlotte and follow her new life in Switzerland with her husband and children. I adored the way the character found her voice and her identity and slowly changed. This story had me hooked from the outset because I feared the worse and wanted Charlotte to triumph. Perfect escape to Switzerland for me, and I read it very quickly. The writing style is fun and engaging – so entertaining to get inside of Charlotte’s head and hear what she thinks. There are some fantastic moments in this novel. This is an uplifting feel-good book with a satisfying ending. I loved it!

 

Natalie Kleinman’s The Reluctant Bride, reviewed by Jane Cable

In the notes to the reader at this end of the book, Natalie Kleinman mentions Georgette Heyer as an inspiration, and if you love the classic Regency romances by the doyenne of the genre, you are going to enjoy this book too. Widowed after just six weeks of her arranged marriage, Charlotte emerges from mourning with no intention of letting her newfound freedoms go. But she is young, beautiful and spirited, so of course she attracts admirers.

I read this book in a day and so enjoyed being transported to a different world. A world of Almack’s, riding out in Hyde Park, shopping (not to mention taking the horrible waters) in Bath, and picnics under the trees in the park of great country houses. The central characters are beautifully drawn and I enjoyed finding out how many of them achieved their happy ever afters. Recommended!

 

Jessie Cahalin’s You Can’t Go It Alone, reviewed by Judith Barrow

I really liked You Can’t Go It Alone. The characters are well drawn and multi layered and there are so many familiar ‘human life’ threads running throughout all the relationships. All thought provoking.

The dialogue is exceptional; the personalities of the characters were instantly revealed, through both the internal and the spoken speech.

It’s the Olive Tree Café where most of the action occurs and there is a strong sense of the cafe’s ambience. Indeed, all of the settings have a good sense of place and it’s almost as if the Delfryn itself is personified as a character in the story, with the interweaving, individual lives it holds at its centre.

Initially, the story appears to be a light-hearted look at life in a Welsh village, but actually, it’s a story that explores the contrasting mindsets and distinct possibilities between different generations of women.  Jessie Cahalin’s debut novel, You Can’t Go It Alone, is an interesting and thoughtful story.

 

Sue Moorcroft’s Under The Italian Sun, reviewed by Morton S Gray

I think this is one of my favourite Sue Moorcroft books to date. The hero Piero is fanciable just from Sue’s words on the page. Zia has a lot going on with her complex family dynamics and the fact her ex-boyfriend is best buddies with her best friend’s husband. Add into this an interesting and complex plotline spanning across England and Italy and there is plenty to keep you guessing. Can’t wait for the next novel already!

 

 

CARIADS’ CHOICE: MAY BOOK REVIEWS

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Jan Baynham’s Her Mother’s Secret, reviewed by Judith Barrow

Her Mother’s Secret is set against the background of the Greek island of Péfka during different eras; 1969 and 2011. Two time frames linked by the two main characters, Alexandra and her mother, Elin; connected through time, by the diary that Alexandra finds after her mother’s death.

Elin and Alexandra are complex, well-rounded characters; very much of their time. Although never together in any scenes, the love they have for each other is threaded throughout the story. And the author has ensured that the reader becomes engrossed in these characters by intertwining their stories with a cast of believable minor characters.

The portrayals of the settings give an evocative sense of place.

There are many themes: of love, relationships, mystery, crime, secrets and friendships, woven to give a good balance of romance with a believable darker side of life.

Her Mother’s Secret is a novel I recommend to readers who enjoys a story grounded in the Romance genre but reveals itself to be so much more.

 

Angela Petch’s The Tuscan House, reviewed by Jessie Cahalin

A story about the extraordinary lives of ordinary people during World War Two. The colours and culture of Italy are scarred with the horrors of war, and I was transported to war torn Italy by this clever, sensory writer.

Fosca’s resilience and resourcefulness impressed me.  She recounts the bravery of women resistance fighters (partigiani) who took unthinkable risks, but never boasts about her own wonderful courage. Petch creates wonderfully real characters who involve you in their emotional journeys and you witness them change.  Fosca shares the wisdom she had learned throughout.

Tuscan House is also crammed with action sequences and a wonderful secret. This complex world is presented effortlessly and explores love, motherhood, friendship and courage.

Another gripping novel from this writer. This novel is so much more than another story of a Tuscan house and I highly recommend it. I can’t wait to read the next book.

 

Kate Field’s Finding Home, reviewed by Morton Gray

Loved this book and the concept that a chance encounter can lead to a whole new way of life. I related to Mim and her wounded soul. The story made me long to be at the seaside again and to find out more about fossil hunting. The characters are well drawn and the hero, Corin very attractive on the page. I even worried about the dog! I’ve loved all of Kate Field’s books and this was no exception. More please …

 

Suzanne Fortin’s The Forgotten Life of Arthur Pettinger, reviewed by Carol Thomas

When I saw this book’s gorgeous front cover I knew I wanted to read it. From the very start, I was drawn into Arthur Pettinger’s life, a man in his nineties struggling with his memory as dementia is increasingly taking hold.

I adored Arthur, who has led an incredible life, including his SOE role in the war. His granddaughter, Maddy, and great-granddaughter, Esther, were lovely, supportive characters. Their warmth towards Arthur, compassion and understanding was touching.

The dual timeline that runs through the book, revealing snippets of Arthur’s life and love in WWII occupied France, had me turning the pages, as did the present-day search for Maryse (his past love).

The story is one of emotional highs and lows, love and loss. The ending is beautifully written, albeit that it had me sobbing. I loved this emotional, heartfelt read as much as I did Arthur, but I would advise having tissues at the ready.

 

 

 

 

 

 

 

 

WELSH WRITING WEDNESDAYS: JUDITH BARROW ON HONNO PRESS

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“Great Women, Great Writing, Great Stories”

Honno Press was set up in 1986 with four core aims: to provide a feminist perspective, to give Welsh women writers an opportunity to see their work published, to get earlier important, but neglected, writing by Welsh women back into print and to provide employment in publishing for women in Wales.

At the time, none of the publishing houses in Wales were particularly interested in promoting Women’s literature or writers, especially not in English.  There was a practice of publishing Welsh-language material by winners of competitions in the National Eisteddfod by the traditional presses, who would then pursue those particular authors. But the thought of going out to look for new female talent and female voices was not a priority

The establishment of Honno, their active search for women writers in both languages in Wales widened opportunities for women and saw all the Welsh publishers take women’s writing and the subjects women write about more seriously.

When asked why there is such a great variety in the books published by Honno, Janet Thomas, former editor of Honno and now on the committee, says, “I think a key reason for the vitality of Honno’s list that we are run as a group, with a variety of tastes, enthusiasms and expertise.  Honno tries to be open to all the broad range of writing that Welsh women want to write, looking for talent as widely as possible, Welsh and English, in all different kinds of fiction and non-fiction. As long as the skill is there, whatever the genre, style or subject matter, Honno will consider publishing their work.”

The commitment to provide opportunities for women in Wales in the publishing world is still at the heart of Honno. As well as the experienced staff, who appreciate the chance to work in publishing in mid-Wales, over the years there have been many volunteers in the Honno office, allowing them to gain practical experience and an insight into how publishing works. Volunteers generally take part in marketing activities, read manuscripts, help with general office procedure, and work on other projects as required. Gaining experience at Honno has helped many to go on to work in various areas of publishing.  (Of course, at the time of writing, due to the pandemic, this is on hold.)

Throughout the years the Press and its titles have garnered many awards including Wales Book of the Year. Even so, as Caroline Oakley, Editor for Honno says, “For independent presses to survive and compete against the big publishers they need strong customer support and to build a community of enthusiastic readers – a lot of which recent tech advances enable. Social media is vital to creating a groundswell of interest in any new title from a small press with ‘word of mouth’ (or more likely ‘tweet’) becoming an essential viral marketing tool.”

Finally, when asked to sum up what Honno have done, Janet says, “It’s hard not to see all we haven’t done – the writers we want to find, the histories we want to tell. I have a note my late father once wrote out for me, a quote from Ecclesiastes: ‘And of the making of books there is no end.’ I think he gave it to me as a comfort when I was feeling overwhelmed by one project or another, but it’s also optimistic. We keep going. Books matter. They last. The books we haven’t published yet are, with luck, the books we will publish next year. For Honno to have survived thirty-five years is a great achievement and a testimony to all the women who’ve been part of it.  It’s also, hopefully, just the beginning.”

https://www.honno.co.uk/

 

 

WELSH WRITING WEDNESDAYS: INTRODUCING JUDITH BARROW

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As a child and into my teens I wrote voraciously. I wrote for competitions, wrote for the school magazine, wrote for the sheer joy of making images through words.

Then I entered the workplace; the Civil Service – where words meant facts, policies, rules – and I met my future husband.

We were young and infatuated with one another – we married – writing flew out of the window; there was no time to live in the imaginary world; we had the real world to explore, to live.

Seven years later, with three children under five, an old cottage half renovated, and my husband’s small business that took up a lot of time, we decided to get off the treadmill. At least for a fortnight.

Pre children, cottage and business, we holidayed abroad. Too expensive, too ambitious with three children we decided to go to Wales. David’s grandfather originated from Four Crosses, near Welshpool; we’d call there on our way to Pembrokeshire. Though, in nineteen seventy-eight, there was no easy route from the North of England to West Wales, it was still easier than going abroad.

And it was to change our lives.

We found a lovely big house that needed TLC – or so husband decided. We could afford it – or so husband thought. And with Pembrokeshire’s wonderful beaches for the children, how could we not put in a bid?

One cold, wet, miserable November, we moved from England to Wales.

Years passed, Husband started a new business, it flourished, the children had many hobbies, in the spirit of giving something back I was on every committee (usually as the secretary). We had two aunts living with us in the flat attached to the house (both of whom eventually developed dementia). We did a stint at B&B.

But I realised I was yearning to write again.

I hadn’t been allowed to stay on for the sixth form in school so, in my forties by now, I took my A level in English Literature, completed various creative writing courses, took a script writing/drama course at Swansea University, and started a BA degree course with the Open University. This took longer than I expected due to contracting breast cancer halfway through the course.

During those years I had short stories and poems published, a play performed at the Dylan Thomas Centre in Swansea and one play filmed.

Eventually I gained a MA degree at what was then, Trinity College, in Carmarthen.

Shortly afterwards I was asked if I would tutor some creative writing classes for Pembrokeshire County Council, under an adult Lifelong Learning Scheme. Something I’m still doing. I will be so glad to get back to the classrooms once we can carry on in ‘real’ life.

I write family sagas which crosses various genres, and, over the last twelve years, I have been published by Honno, the longest-standing independent women’s press in the UK.

I made many friends in the writing world. One of those was Jan Baynham. Although she lives some miles away, we managed to meet up to ‘talk writing’. She is one of the original members of the Cardiff Chapter, now renamed the Cariad Chapter. I became a member of the RNA. Unfortunately, I was unable to go to the meetings as they were held at the same time as I was teaching, Still, I kept in touch with all the news.

The lockdown brought many problems, one of which was keeping in touch online. Eventually I bought a new laptop to replace my ancient PC which enabled me to be on Zoom and join in with RNA and Cariad Chapter meetings, and the courses and workshops.

And who knows, one of these days I’ll be able to attend one of the Romantic Novelists’ Association conferences. Certainly something to look forward to.

 

 

 

 

 

 

CARIADS’ CHOICE: APRIL BOOK REVIEWS

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Natalie Meg Evans’ Into the Burning Dawn, reviewed by Jill Barry

This sweeping novel is a step away from the world of Parisian haute couture for Natalie Meg Evans, whose books often feature heroines involved in fashion. A successful author of historical fiction, Evans mixes intricate details of a family business with an absorbing plot.  If you enjoy plenty of conflict in a love story, this novel will delight you. Set in Italy, descriptions of the sparkling sea, the scent of ripening lemons and the undercurrent of wartime passions all combine to make this World War Two romance an absorbing read. Heroine Imogen, faced with tough choices, is forced to decide which path to take. And her personal safety and determination to remain in her job are doubly important as she seeks to provide love and stability for the children in her charge.

Judith Barrow’s The Heart Stone, reviewed by Jessie Cahalin

It is 1914 and war is declared. Childhood friends, Jessie and Arthur, declare their love for each other on the day he set to join the army and consummate the relationship. Jessie falls pregnant and her life becomes a series of trials and conflict, but she fights and fights. She is a well-drawn character with a distinct voice during a time when women did not have a voice. The enthralling narrative is fraught with conflict and heartbreak, but there are powerful moments of kindness and tenderness. Thank goodness for the warmth of the maternal role models in Jessie’s life – what an inspiration! This love story remained with me long after I had turned the first page.

I adore all of Judith Barrow’s novels as her writing breathes life into history through her characters; she is not afraid to deal with hardship and horrible people.

Sophie Nicholls’ The Dress, reviewed by Angela Petch

I’d listened to Sophie Nicholls talking about writing. Lines from The Dress were discussed and caught my attention: “The best words are chosen. They choose themselves while working on the garment… Let the words find you.”  In this novel, Fabia is a dressmaker, a salvager of vintage clothes, who sews mindful words into seams and hems of garments she creates. A heading for a different item kicks off each chapter.

This is “the story of Mamma and me,” her daughter Ella tells us and “a story that belongs to all of us, if it belongs to anyone.”

Mother and daughter (who have a particular gift of sixth sense) are continually on the move to city to escape the mother’s secret. But Ella, at fifteen, wants to settle and has made friends: Billy and Katrina. Nicholls is good at teenagers; I loved these cameos.

I would award 5 stars for the dreamy, magical prose but have to subtract half because of a guessable twist.

Lucy Diamond’s Something to Tell You, reviewed by Carol Thomas

Something to Tell You is a light, family-based read that tells the Mortimer family’s story as they come to terms with secrets that threaten their stability. It is a book of two halves. The earlier chapters include an attention-grabbing hook, while the later chapters, with their slower pace and happy resolutions, lead the reader by the hand to the story’s conclusion.

There were many characters to keep track of, each with their own issues, so the book required focus. The majority of the characters were likeable and optimistic. The author touched on some harder-hitting issues in their pasts but not in great depth. Because of that, it remained an easy-going read (as I had hoped). The resolutions felt a little easily won, but as I was looking for a book with little angst, it didn’t detract from the reading pleasure.

 

 

 

INTRODUCING WELSH WRITING WEDNESDAYS

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Although it isn’t often mentioned in Frost, I am very proud of my Welsh heritage. I was born in Cardiff and my father was an Anglo-Welsh poet and literary critic, so it is inevitable I have an affinity with other writers with connections to the principality. So much so, I am a member of the Cariad chapter of the Romantic Novelists’ Association, and it is to these wonderful women I looked first when I was considering Welsh Writing Wednesdays.

The idea is simple; on the second and fourth Wednesdays of each month one of us will bring you an article about writing in Wales. And replacing the ever-popular Sister Scribes’ Reading Round Up on the last Monday will be Cariads’ Choice.

So here are some of the wonderful authors you will be meeting through Frost this year.

Judith Barrow

Originally from Saddleworth, a group of villages on the edge of the Pennines, Judith has lived in Pembrokeshire, Wales, for over forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, BA (Hons) in Literature with the Open University, and a Diploma in Drama from Swansea University. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

Jill Barry

Jill began her writing career with short stories for magazines and anthologies, winning prizes and being both long-listed and short-listed. She is a multi-published romantic novelist who also writes Pocket Novels for D C Thomson and who draws on her varied career and her travels for inspiration. She has also written one psychological suspense novel which is published by Headline Accent. A member of the Romantic Novelists’ Association and the Society of Authors, Jill enjoys mentoring new writers and is convinced she will never stop learning.

Jan Baynham

Originally from mid-Wales, Jan lives in Cardiff. As well as short stories and flash fiction, she writes full-length novels that deal with family secrets and explore the bond between mothers and daughters. Her debut novel, Her Mother’s Secret, was published by Ruby Fiction in April 2020. This was followed by Her Sister’s Secret in September 2020 and book three will be out next July.

A member of the Romantic Novelists Association, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get-togethers. She is co-organiser of Cariad, her local RNA Chapter.

Jessie Cahalin

Jessie is a Yorkshire author living in Wales. Wales and words have a special place in her heart, and she wants everyone to meet the characters who’ve been hassling her for years. Penning women’s fiction is Jessie’s dream job, but she also writes travel articles and features for her blog and magazines.

You Can’t Go It Alone, her debut novel, was a bestseller in the UK and Canada. For Jessie, a good natter with other authors and readers is a special treat as she usually lives in her tiny writing room with Paddington Bear and a collection of handbags.

Alexandra Walsh

Alexandra is the author of The Catherine Howard Conspiracy, The Elizabeth Tudor Conspiracy and The Arbella Stuart Conspiracy, known collectively as The Marquess House Trilogy. A series of a dual timeline Tudor conspiracy thrillers, published by Sapere Books, the novels explore a secret hidden within history and the potential havoc its revelation could wreak. Her new book with Sapere, The Windchime, is due out in 2021. Another dual timeline story, set in present day and late Victorian times, it explores mental health issues, grief and rebuilding lives after the worst has happened.

Evonne Wareham

Evonne is an award winning Welsh author of romantic suspense – more crime and dead bodies than your average romance. She likes to set her book in her native Wales, or for a touch of glamorous escapism, in favourite holiday destinations in Europe. She is a Doctor of Philosophy and an historian, and a member of both the Romantic Novelists’ Association and the Crime Writers’ Association.