Tag Archives: Kirsten Hesketh

SISTER SCRIBES GUEST: KIRSTEN INTERVIEWS WRITER AND TUTOR CHRIS MANBY

Posted on by

Today I ask the questions of Chris Manby.  Chris was the tutor on my very first retreat and we have since become good friends. Over to you, Chris.

  • First off the blocks. Plotter or pantser?

Definitely a plotter! I used to be a pantser but a series of short deadlines meant I had to get a strategy. I use screenplay principles to work out what needs to happen when though of course I often stray from my plan

  • How do you organise your work?

I’m a real geek.  When I get my deadline, I work out a timetable with daily word count based on the average length of a novel.  I make sure I allow myself weekends off (though rarely take them).  Then I just get writing.  I don’t stick to rigid hours but I do stick to daily word counts.

  • What is the hardest part of writing?

Getting through the mid-section of a book without losing pace and enthusiasm. Plotting helps as it means I can write something from the end instead and often that will inform what needs to happen in the middle.

  • And what is the most rewarding?

Most rewarding is returning to a manuscript after a week or so away from it and thinking “that’s actually not so bad”.

  • How has your writing style developed over time?

Photo credit: Michael Pilkington

I’m not sure my style has developed much at all!  I still think the first short story I had published –when I was fourteen – is one of the most elegant things I’ve ever written.  But I do now avoid swearing in my books. American readers in particular don’t like it.

  • What do you see as the greatest success of your writing career?

In the noughties, I had a few top ten bestsellers. That was wonderful.  But what felt like real success was when my sister said she loved one of my novels! It was The Worst Case Scenario Cookery Club.

  • And what was the deepest disappointment?

Any book that doesn’t sell is a disappointment but after twenty years I’m learning not to equate sales figures with a book’s intrinsic merits. I know my best-selling books are far from my best work!

  • Talk us through how you develop your characters.

In the same way we get to know a new friend.  The more time you spend with them, the better you know their quirks, their hopes and their dreams. Sometimes characters surprise me.

  • Sister Scribes is all about women writers supporting each other. Do you have a ‘go to’ bunch of fellow female writers you value and rely on?

I met a wonderful bunch of women in 2000 when, together with Fiona Walker and Jessica Adams, I edited an anthology called Girls’ Night In for War Child. Lucy Dillon and Alexandra Potter are two great friends from those days.  They’re always up for a glass of fizz and a chinwag.  More recently, through the Place To Write I’ve made some fantastic new friends, who are always ready with a word of encouragement. I don’t often show writer friends my work in progress though. I’m easily discouraged by faint praise. Better not to risk it.

  • Can you tell us anything about your next project(s)

I’ve just finished a ghost-writing project and now have three months to write a novel.  Fortunately, it’s already planned to the “nth” degree.  It’s called “What the Heart Sees” and the hero is… well, he’s small, dark and very, very hairy.

 

 

SISTER SCRIBES: KIRSTEN HESKETH ON DEVELOPING AN UNHEALTHY AMAZON OBSESSION

Posted on by

I’m way behind the rest of the Sister Scribes in this publishing lark and my debut novel has just gone up for pre-order. Another Us isn’t being published until May 14th – indeed, it hasn’t even got a cover yet – and yet there it is, sitting pretty on Amazon with one of those big smiley faces where the cover illustration should be.

No one told me it was up there.

In fact, I would have been blissfully ignorant of all this, had a lovely lady in America not tweeted me to let me know she had just pre-ordered my book and how much she was looking forward to reading it.

Well, if she could only know what that has set in motion!

All I can say if that it was a good thing that my publishers didn’t let me know as soon as Another Us went up on Amazon because that would have meant I started the obsessive, frenzied, ridiculous checking of sales rankings even earlier. Does anyone else do this? Several times a day? First thing in the morning? Last thing at night? Or am I am just really, really weird?

But there is so much to check and it is all so really, really exciting (and nerve-wracking and depressing and thrilling depending on what I find.)

  • There’s the overall sales ranking itself – and a helpful little graph of how it changes over time. (My graph resembles a yo-yo on speed and probably correlates neatly with my blood pressure and heart rate.)
  • Then there are the sub-categories. Someone has put my book into the parenting and family humour, parenting and family relationship categories, which I would say is fairly spot on. For one heady moment, presumably when all my friends and family were busy pre-ordering Another Us, my book made it into top ten of a couple of these categories and my squeals of excitement could be heard from here to Timbuktu to be followed by groans of despair when it subsequently went into freefall.
  • As if the above wasn’t enough, within each category there is a ‘hot new release’ section. Doesn’t that sound brilliant – ‘hot new release’?  Another Us – currently the only one without a cover and looking a bit sorry for itself – has featured in the top ten there too and sent me skipping round the kitchen – which meant that when it invariably plummeted, I was handily placed to scoff a couple of soothing Curly Wurlies.
  • And don’t get me started on Amazon USA! That, of course, has all the same categories, which merely serves to double the joy – or pain (delete as appropriate).. Another Us in the ‘motherhood’ category over there as well, and I did have a little chuckle when I discovered it was a ‘hot new release’ – right next to ‘How to have a mindful epidural’! Fun, fun, fun …

Hubbie fails to share my enthusiasm about all this. When I told him I thought I was close to cracking Amazon’s algorithm, I swear I heard him mutter ‘obsessed’ and ‘addicted’ into his pinot noir. In fact, there may well have been ‘words’ after that and I might have told him I that I didn’t want to hear anything about his Fitbit and his 10k personal best ever again!

Marital harmony has since been restored and, my obsession with Amazon has subsequently waned. But heaven help us all when the book is launched!

 

Kirsten Hesketh’s debut novel. Another Us, will be published by Canelo on May 14th and is now available for pre-order.

 

SISTER SCRIBES GUEST: JANE WENHAM-JONES ON THE BIG FIVE O

Posted on by

Following on from the RNA article in Frost last week I’m delighted to welcome Jane Wenham-Jones – novelist, columnist and presenter  – to Sister Scribes today. Thank you, Jane, for answering our many and varied questions.

 

First off the blocks. Plotter or pantser? Or does it vary by what you are writing (short story, novel, ‘how to’ book etc)?  

I started off as a Pantser, but I am now – through bitter experience ha! – a plotter. I plotted my last novel – The Big Five O – fairly forensically as it follows the stories of four different women and I needed to make sure it was balanced and the timeline worked. When I wrote a weekly column, however,  I would often just begin writing and see what came out… And I tend to write articles with just a vague idea of the content. I am on my tenth book as we speak and I have a one-sentence description for each chapter on a sheet beside me, but whether the novel will end up like that is another matter…

What, for you, is the very hardest part of writing?

Getting started. I am such a procrastinator. My son used to say he could always tell when the novel wasn’t flowing because even HIS shelf of the airing cupboard had been tidied…

And what is the most rewarding?

Writing “The End” (There’s nothing like it!!)

Photo credit Bill Harris

What do you see as the greatest success of your writing career? And what was the deepest disappointment?

One came from the other. When the publishing house that took my first two novels didn’t want the third (“too many serious issues”) it felt like the end of the world. I really thought it was all over. But this led indirectly to my writing Wannabe a Writer?, which in turn has led to many opportunities and has apparently, and gratifyingly, helped lots of writers (many of them now more successful than I am!) get published. I now have a patchwork ‘career’ which I love, and all the interviewing I do – I’ve done events with hundreds of top authors and celebs – which brings me great joy, started from one event for that small publisher who took me on for my third novel. As one door closes etc …

As you know, Sister Scribes is all about women writers supporting each other through their writing journeys. Do you have a ‘go to’ bunch of fellow female writers you value and rely on? If so, how did you meet them and how do you support each other?  

The RNA (Romantic Novelists’ Association) is a wonderful institution and I have made many terrific friends through it, who have been wonderfully supportive. I email often with Katie Fforde, Judy Astley, Janie Millman, and others and it is good to have someone at the end of a screen who knows what it’s like when one is only capable of pairing the socks…

What are your wishes and ambitions for this year and this decade?

My own chat show anyone?

And finally.  I LOVED the Big 50.  So funny and warm. How do you celebrate big birthdays yourself?

Ah thank you so much x It was fun to write. I love a party but I tend to cower when it comes  to  big birthdays. I spent 40 in a darkened room and ran away for my 50th. But now – having lost people far too young and had a life-threatening illness myself, I think how ridiculous that all was. If I haven’t been crushed by a passing bus by the time I’m sixty, I shall have a ball!

 

The Big Five-O by Jane Wenham-Jones is published by Harper Collins in paperback and in e-book formats. www.janewenham-jones.com @JaneWenhamJones

SISTER SCRIBES’ BOOKS OF THE YEAR 2019

Posted on by

 

Kitty: I knew when I was reading it that Circe would be a book that stayed with me for a long time and I’m happy to call it my book of the year. I’m already itching to re-read it, an absolutely wonderful read. 

I finished Circe by Madeline Miller this month and I cannot do justice to how much I loved it. The story of Circe, a woman locked in by her divinity whilst also dealing with the very female roles of mother, daughter, sister and lover. This retelling made Circe much more accessible and empathetic than the male-centric version that I grew up with. Full of self-discovery, courage and empowerment it turns the myth of vicious witch into a story of a true heroine. I loved it so much that having read it once I am going to store it, like a secret treasure, for a re-read in a few months so I can wallow in it slowly and feel the magic again.

Susanna:  I love Carol’s 20th century sagas, but this year she wrote her first Victorian story, which happens to be my favourite historical setting. Carol Rivers + Victorian = one very happy reader!

One of the things I love and admire about books by Carol Rivers is that, while some authors get a bit stale and produce books that feel samey, Carol always writes something fresh, using new ideas, at the same time as remaining true to the drama and strong sense of personal relationships that characterise her books. Christmas Child is a story for any time of year, not just for the festive season. An emotional and enthralling tale, it follows Ettie as she faces up to life’s dangers and challenges and learns the hard way that not everyone deserves to be trusted. I love stories set in Victorian times and I’m delighted that Carol Rivers has, for this book, left behind her customary 20th century setting and moved into the 19th century. I hope there will be more Victorian stories to come from this wonderful writer.

Cass: A hilarious yet poignant story of self discovery, where you are laughing out loud one moment and holding back tears the next.

“Everyone should be adopted, that way you can meet your birth parents when you’re old enough to cope with them.” So says Pippa Dunn, the eponymous heroine of Alison Larkin’s debut novel, The English American (which has its roots in her autobiographical one-woman comedy show of the same name). Adopted as an infant and raised terribly British (attending a posh boarding school, able to make a proper cup of tea and in the ‘love’ camp for Marmite on toast), Pippa – now 28 – discovers her birth parents are American. Finally, she begins to understand why she’s so different from everyone she knows. Pippa sets off for America, soon meeting her creative birth mother and her charismatic birth father. Moving to New York to be nearer to them, Pippa believes she’s found her ‘self’ and everything she thought she wanted. Or has she? This is a hilarious yet poignant story where you are laughing out loud one moment and holding back tears the next. Pippa’s journey is very funny, yet deeply moving, and I highly recommend The English American to anyone who loves to finish a book with a smile on their face and a warm feeling in their heart.

Jane: Elizabeth Buchan’s The Museum of Broken Promises is, like her other books, a slow starter. I have learnt to be patient while she creates a tapestry of detail so rich and wonderful, holding my breath until to story tips into second, third and fourth gears and becomes unputdownable.

The book is set in Paris in the present day and in Prague in the 1980s. The end of the Cold War was in touching distance, yet nobody knew it, and this adds an additional poignancy to the narrative. Laure, a young woman coming to terms with the death of her father is an au pair to a businessman and party insider, and while trying to make some sense of life behind the Iron Curtain, meets a dissident musician who steals her heart and soul. Years later in France, she sets up the Museum of Broken Promises, full of artefacts people donate in attempt to avenge or assuage the pain of betrayal – and some of them belong to her own past. Slowly the book teases out truths from a long ago Czechoslovakian summer. One moment achingly beautiful, the other shocking in its violence, the whole fits together like a handmade glove. It stayed with me, too – and it’s only now I’m writing this review I finally understand the most important promise. And who broke it. A must read. Honestly.

Kirsten: Beautifully written and no matter how grim the present times feel, at least we are not living in a plague village in 17th century Derbyshire!

I love historical fiction and I was late to the party with  Year of Wonders by Geraldine Brooks. It was published in 2002 and was recommended to me several times before I finally grabbed myself a copy. The book is set in 1666 and it’s based on a true event. The Great Plague has reaches the quiet Derbyshire village of Eyam through a contaminated piece of cloth that has been sent to a tailor from London. It’s the only place in the region that’s been affected and the villagers make the extraordinary decision to isolate themselves totally so that the plague cannot spread further – so no one allowed in or out until the plague has run its course or everyone has died. This story is told through the eyes of 18-year-old Anna Frith as she confronts ‘the loss of her family, the disintegration of her community and the lure of a dangerous and illicit love’. I loved it. It’s sad and interesting and touching and fascinating and I had no idea that anything like this had happened. I wonder how we’d have reacted in the same situation.

SISTER SCRIBES: KIRSTEN HESKETH IN PRAISE OF WRITING GROUPS

Posted on by

Writing can be a lonely business and much has been written about writers seeking out other writers online. I’m a member of several online writing groups. I’m writing this article as one of the Sister Scribes; five writers who met through the RNA and banded together to become – hopefully – more than the sum of our parts. Then there’s the LLs – aka the Literary Lovelies – a group of writers who met through Twitter. Over the past four years, we’ve chatted most days, virtually cheering each other up and spurring each other on in our quest for world domination … er, publication. Geographically we’re scattered from Devon to Scotland via the home counties and Wales, but everyone makes a real effort to get together for lunch in London and the occasional retreat. Then there’s the informal support group that sprang up during Nano, another one that vents about politics, writers that met at the RNA conference, others that met during a virtual editing course … Wow – reading back through that lot, it’s a wonder I have enough time to do any writing at all!

All these groups have several things in common. We are all novelists- mostly writing romance or sagas or women’s commercial fiction. We are all – with a couple of honourable exceptions – woman. Most are seeking a publishing deal. And we are all – or mostly – ‘of a certain age’!

Which is partly why I love being part of my local writing group. I’ve been a member of Reading Writers for the past three years. It meets on the second and fourth Wednesdays of the month and it is gloriously diverse …. in age, gender and writing predilections. People are writing crime and thrillers, fantasy and sci fi and genres I’d barely heard of before. Many are busy with short stories or flash fiction or poetry or memoir. Lots have – or are planning to – self-publish. Some are biding their time while they learn about the craft of writing.

It all makes for a wonderfully vibrant and exciting group, one that pushes you outside your comfort zone and makes you look at your own writing though fresh eyes. I’ve written before about our ad hoc writing sessions in Coppa Club where a small group of us will meet for a morning to put our writing worlds to rights – before cracking on with the wordcount. A workshop on poetry and another on writing using all the senses really encouraged me to reassess my prose. The one on plotting had me stocking up on multi-coloured Post It Notes. Everyone other meeting is a ‘manuscript night’ where you are encouraged to submit 1,000 words of your WIP – the feedback is robust but invaluable – for example, last time, the 20 and 30 year olds in the group told me exactly why and how the online dating world is not how I had described it #imadinosaur #whoknew?. There have been book launches and pub visits and days out and going to the pantomime that one of the members had written.

And the competitions! Twice my short stories have come second – anonymously judged by external authors or journalists – and both times it was genuinely thrilling – the first and only times my writing has ever won anything. The certificates still have pride of place on the fridge.

All in all, it’s a fabulous group and I’m very proud to be a member of it.

The current treasurer’s a bit rubbish though 😉

 

SISTER SCRIBES’ READING ROUND UP: NOVEMBER

Posted on by

Jane:

My first read of the month was The Daughter of the River Valley by Victoria Cornwall and I enjoyed this book so much. It drew me in from the beginning – it was so refreshing to read a story set in Victorian times with a fiery female working class character, and which wasn’t unrelenting doom and gloom. Well written and meticulously researched, I absolutely loved it.

I’ve had a real historical month and also adored Tracy Rees’ Darling Blue (now republished as The Love Note). Set in Richmond in the 1920s it charts the stories of three women, during a year when each of their worlds changes beyond recognition. The cast of characters is beautifully drawn, and rather than being a predictable flapper-fest, the novel addresses some of the important issues of the day, including the way the First World War changed both people and society. But for all that it isn’t a heavy read; it’s sensitive and joyful and at times impossible to put down.

Finally, in the name of research, I read Alice Chetwynd Ley’s A Reputation Dies. It’s a detective story set in London in 1815 and her use of period language is so rich it was a joy to read. I felt completely immersed in the period and enjoyed this historical cosy crime very much indeed.

 

 

Kirsten:

I love historical fiction and I was late to the party with  Year of Wonders by Geraldine Brooks. It was published in 2002 and was recommended to me several times before I finally grabbed myself a copy. The book is set in 1666 and it’s based on a true event. The Great Plague has reaches the quiet Derbyshire village of Eyam through a contaminated piece of cloth that has been sent to a tailor from London. It’s the only place in the region that’s been affected and the villagers make the extraordinary decision to isolate themselves totally so that the plague cannot spread further – so no one allowed in or out until the plague has run its course or everyone has died. This story is told through the eyes of 18-year-old Anna Frith as she confronts ‘the loss of her family, the disintegration of her community and the lure of a dangerous and illicit love’. I loved it. It’s sad and interesting and touching and fascinating and I had no idea that anything like this had happened. I wonder how we’d have reacted in the same situation.

 

Susanna:

The first two novels in Clare Chase’s Tara Thorpe series, Murder on the Marshes and Death on the River, are set in and around Cambridge and the Fens. In the first book, Tara is an investigative reporter, while in the second, time has moved on and she is now a police officer, which makes an interesting transition that adds depth to the story. The plots are clever, with twists, atmosphere, pace, a range of well-fleshed-out characters and plenty to make you think. The settings in the books are beautifully conveyed and show Clare Chase’s skill as a writer. I enjoyed the chemistry between Tara and Garstin Blake and when I read the second book, I longed all the way through for Tara’s nasty colleague to get his comeuppance. There are two more Tara Thorpe books (Murder Comes to Call and Death in the Fens) and I’m looking forward to reading those.

 

SISTER SCRIBES’ READING ROUND UP: OCTOBER

Posted on by

Kirsten:

I haven’t been reading very much lately – I’ve been wrestling with proposals and second drafts and teenagers – but one book I have read and very much enjoyed is Bonnie and Stan by Anna Stuart.  It’s a story of mature love and the premise is that after over 50 years together, Stan – who still adores his wife – starts dating again.

In a dual time-line. Bonnie and Stan met during the Swinging Sixties, to the soundtrack of The Beatles and the Merseybeat scene. Bonnie’s the only woman on her architecture course and Stan is in a band. This bit is great fun –music and fashion and energy and sex and working out which one of the band members will end being Stan because they all have nicknames.

In the present day, the two have grown old together, had children and grandchildren. This bit happens at the beginning so I’m not giving anything away but Stan has cancer and is running out of time, and can’t bear the thought of leaving Bonnie on her own so, with his teenage granddaughter Greya, he sets out find Bonnie a new love. And it must remain a secret …

I thought it was a fabulous book – ultimately uplifting but with moments of real terror and fury and vulnerability.

 

Susanna:

One of the things I love and admire about books by Carol Rivers is that, while some authors get a bit stale and produce books that feel samey, Carol always writes something fresh, using new ideas, at the same time as remaining true to the drama and strong sense of personal relationships that characterise her books. Christmas Child is a story for any time of year, not just for the festive season.

An emotional and enthralling tale, it follows Ettie as she faces up to life’s dangers and challenges and learns the hard way that not everyone deserves to be trusted. I love stories set in Victorian times and I’m delighted that Carol Rivers has, for this book, left behind her customary 20th century setting and moved into the 19th century. I hope there will be more Victorian stories to come from this wonderful writer.

 

 

Jane:

I went on holiday last month and as such had a little more time than usual to read, so a couple of books I’d been wanting to get my teeth into for a while came to the top of my TBR pile.

The first was Liz Fenwick’s The Path to the Sea, a truly absorbing book, well researched with the strands of the story pulled beautifully together. It is set in 1962 and 2018, with a clever structure that means the action is set over the same three days of both years, flipping between them, but taking events sequentially in both. It must have been an absolute sod to write, but it’s so beautifully managed it never feels contrived and I was caught up in the story rather than the way it was told, which is exactly how it should be.

Three generations of women come together at Boskenna for the last time, both bound together and torn apart by the secrets and lies between them. It’s a fabulous story, but what I loved the most was that important thing wasn’t what had happened, but why.

The second book was Jen Gilroy’s The Cottage at Firefly Lake. Far more of a traditional holiday read, it’s a heart-warming small town romance set in Vermont and featuring realistically scarred characters you want to alternately hug then knock their heads together. Two sisters return to Firefly Lake after eighteen years to sell their late mother’s cottage and more than just old passions are ignited in this beautiful place. The book’s just perfect for readers who love a truly emotional romance.

 

SISTER SCRIBES GUEST: MADDIE PLEASE ON LIVING AND WRITING IN DEVON

Posted on by

I’m delighted to introduce my good friend Maddie Please. Maddie writes the most hilarious romcoms set in Devon and we met at one of the retreats she runs with Jane Ayres at The Place To Write. I visited her lovely house near Exeter and asked her what it’s like to live and write in Devon.

In May 2015 we moved into our lovely house on top of a hill midway between Exeter and Crediton. We were convinced we were downsizing. (It wasn’t until we actually moved in that we realised we hadn’t.) The house had remained empty for a year before we bought it, and the main decorating influence we inherited was wood chip wallpaper, painted magnolia and apparently stuck on with superglue.

The garden was overgrown and very neglected but we have never regretted the move, and the starry skies at night are wonderful.

The first thing we did when we moved here was build a garden office, which I share with my husband. This means my daily commute is now twenty-five steps; I just counted them.

Occasionally we hear pheasants or pigeons trampling about on the roof. At this time of year the neighbouring fields are busy with the harvest and tractors and farm machinery trundle past our gate, something which is very exciting for our grandchildren when they come to visit.

In our garden office I have my own desk where I work just about every day.

I have s lovely hand painted cushion from my Bestie Jane to make life more comfortable. I am in charge of filling the stationery cupboard too! Any writer will know how much fun that is. I mean going into an office supplies superstore or Paperchase or Smiths and calling it work related is a dream!

Our makeshift shelving got a bit out of control last year so we replaced it with some industrial units from Big Dug. An excellent purchase. I try to keep the boxes of stationery under control but boxes of pencils, Sharpies and Post-it notes are like cat-nip to me!

I’m usually at work between 8 and 9 o’clock and unlike some writers who prefer to work without distraction, I have a wonderful view of the garden and beyond that the Creedy valley. I don’t like working in silence either, so I listen to BBC Radio Devon, which is my daily companion; I love it. Gordon Sparks and the Gordon Hour, David Fitzgerald and his Fighting Fitz competition or Janet Kipling and her Devon Debates – there are enough plot ideas there every day to keep any writer thinking.

I’m often to be found with a vacant expression as I do some important thinking and when I’m using earphones have been known to sing along. Much to my husband’s utter delight. Maybe that’s not the right word?

I occasionally go back into the house to make us coffee and usually by 3.30 in the afternoon, I’m done for the day.

Does the Internet distract me? Well of course. I am an avid Twitter and Facebook user and I have been known to check my Amazon reviews once or twice…

But I do regard writing as a job not a hobby.  My debut The Summer of Second Chances was based on this area with its winding lanes and fabulous views. So was my fourth book; The Mini-Break which takes successful writer Lulu out of her London comfort zone and into the muddy and glorious Devon landscape.

Living here is simply lovely, our local pub is the award-winning Beer Engine, and despite the headline story in the local paper, our neighbours are friendly and welcoming.

My husband has always been interested in researching his family history and found details of his ancestors who had lived nearby in 1674. Perhaps something called us back here?

To us this is the very best place to live and work.