In this year when our political relationship with the continent has been so hotly debated, the National Trust have put together a selection of objects from their vast collections that help examine our nation’s rich and ancient cultural connections to our neighbours. This is a fascinating digital diary, and we’ve included a couple of excerpts here. It is a great idea to check in each weekday to find out what stories our objects have to tell. But here are a couple to be getting on with.
Day 35. Campi phlegræi. Observations on the volcanoes of the Two Sicilies as they have been communicated to the Royal Society by Sir William Hamilton … Date 1776 Place of origin Italy. On show at Wimpole, Cambridgeshire, East of England, National Trust.
Not sure that I’d hang about as a live volcano does what it likes to do, but Lady Emma Hamiliton’s husband, Sir William Hamilton was made of sterner stuff. Campi Phlegraei or ‘Flaming Fields’ is a first-hand report of the spectacular eruptions of Mount Vesuvius written by Sir William Hamilton, the British envoy to the Neapolitan royal court and expert volcanologist. Perhaps he saw it as a metaphor for his wife’s raging affair with Lord Nelson which was burning strongly at the time? As a diplomat, Hamilton entertained many visitors and frequently accompanied them on the perilous ascent of the live volcano without a hard hat or flame-proof jacket in sight. The area’s history of volcanic activity, including the recently excavated nearby classical sites of Pompeii and Herculaneum, made it a popular tourist destination for wealthy travellers making the Grand Tour. Hamilton’s text is a wonderful example of a beautifully illustrated treatise from the Age of Enlightenment – when science clearly came before health and safety.
Day 8 Harp. Sebastion Erard 1732 – 1851 On show at Lyme Park, Cheshire.
The maker of this particular harp was the Frenchman, Sébastien Erard. Prior to establishing his firm in London, Erard was closely associated with the Bourbon court including the harp-playing Marie Antoinette, whose arrival to Versailles in 1770 fuelled the rage for the instrument amongst the French elite. But by the early 1790s, with many of his clients facing certain death by guillotine, Erard fled France for London where he established a shop on Great Marlborough Street. There he honed his craft to such a degree that by 1794 he took out the first British patent for the harp to protect his innovations. In 1800, the Princess of Wales bought one of his harps and the success of his firm was ensured; by 1810 he had sold nearly 1400 of his stringed instruments from his London outlet alone.
http://www.nationaltrustcollections.org.uk/.