Actors Who Make Their Own Work

actors who make their own work, lake bell, tina fey, kristen wiig, greta gerwig, lake bell, brit marling, vin diesel. The rumour that acting is the hardest and most brutal industry in the world is unfortunately true, I have been an actor now for over 10 years. Yikes. Along the way I have realised that the only way to have a brilliant career is to write and produce your own stuff. Which is what I did with Prose & Cons. It is currently being edited.

If you want to be inspired, here is our list of the Top Actors Who Make Their Own Work.

Brit Marling

This American producer, director, writer and actress caused a stir with Another Earth. She was only 27 at the time. Now 30 and with 13 films under her belt. She was even on the front cover of Vanity Fair’s prestigious Hollywood edition. She has written four films and directed one.

Check out these personal quotes from her IMDB page:

“I always started writing in order to act. I don’t know that I could have the discipline to sit down and write if I was going to give it away. That would be too hard. But I love to act in stories that are outside my imagination because I can only conceive of so many things from my point of view. The thing that’s intoxicating about being an actor is that you get to live in someone else’s world for a while and I hope to do more of that. But I think I’ll never stop writing now because I’m wondering why there aren’t more representatives of women that are like the women we know. Where’s the film with the women who are complicated and strong and beautiful and sexy and interesting and of all body types? You don’t get to see enough of them. So there’s something important in attempting to write them for myself and for the insanely talented women out there.”

“[on why she decided to become a screenwriter in relation to her being an actress] How terrifying to surrender your life to being chosen all the time. Having to be chosen and re-chosen. Writing so that I can act became a way of having not more control over my future but not having to wait for permission. You can choose yourself. Hmm, who should play this part? I nominate me!”

Mindy Kaling

Started out as a writer for The Office and even wrote a character for herself into the show. At the age of 34 Kaling has created her own show, The Mindy Project, and was named as one of Time Magazine’s 100 Most Influential People in the World in 2013.

Mindy knows she is different and makes fun of it: “I’m a minority chubby woman who has my own show on a network. I don’t know how long this is going to last!” She told Jon Stewart. She has 2.3million Twitter followers and refuses to diet.

Kaling wrote in her bestselling memoir Is Everybody Hanging Out Without Me?: “I fall into that nebulous, quote-unquote, normal American woman size that legions of fashion stylists detest. For the record, I’m a size 8 — this week, anyway. Many stylists hate that size because I think to them, it shows that I lack the discipline to be an ascetic; or the confident, sassy abandon to be a total fatty hedonist.”

Emma Thompson

She wanted better roles so she wrote the screenplay for Sense and Sensibility, an adaptation of Jane Austen’s novel. The film got Thompson the Oscar for Best Adapted Screenplay and a nomination for leading actress. She hasn’t looked back since. The 54-year-old has 60 films as an actor under her belt and another 12 as a writer.

Nia Vardalos

She kept losing out on roles so she wrote My Big Fat Greek Wedding. The film was a roaring success. Vardalos says: ‘I run into other actresses and we talk about the lack of parts for woman. At least I can write myself a part, which is an amazing skill to possess.”

Barbra Streisand

Streisand was the first woman to win a Golden Globe for directing after co-writing, directing and starring in Yentl. She was 41 and had already broken down a lot of barriers for woman. She started off as a nightclub singer and is now one of the most famous actress, singer, producer, director, actor and writers. Has never been afraid to send herself up. She has inspired generations of woman.

In her own words: “I arrived in Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me.”

“To have ego means to believe in your own strength. And to also be open to other people’s views. It is to be open, not closed. So, yes, my ego is big, but it’s also very small in some areas. My ego is responsible for my doing what I do – bad or good.”

Lake Bell

The 34-year-old is making waves with her film, In A World. She has 35 credits to her name but made her own film this year. After being an actor for 11 years she sat down to write a script and won the prestigious Waldo Salt Screenwriting Award at the Sundance Film Festival. She told Glamour Magazine: “When I first started auditioning in LA, I realised it was a clique; this guy’s got the monopoly on epics, this woman’s got the monopoly on tampon adverts. It was the perfect environment for a modern comedy.” “I wanted to make a movie’, she went on, “so I wrote a part for myself.”

“Being willing to outsource all of your creative decisions, especially to a first-timer like me, is very ballsy. I had no other choice than to make it the way I made it. And I felt very supported in that. When you write and direct your own film you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions they only need to call one person.”

Kristen Wiig

While Kristen had been in many films and was a regular on Saturday Night Live, she never really broke out until Bridesmaids. Kristen co-wrote and starred in Bridesmaids which was one of the biggest hits of 2011, taking $300 million at the box office and was credited for turning the tide for women in film. She has an amazing 60 credits to her name and we get the feeling the that she is just getting started.

In her own words: “If you’re creating anything at all, it’s really dangerous to care about what people think”. She also states that woman are asked their age more than men.

Ben Affleck and Matt Damon

They wrote Good Will Hunting and won an Oscar. They rest is movie star history.

Vin Diesel.

He couldn’t get the roles he wanted so he wrote a short film called Multi-Facials about being bi-racial. Steven Spielberg saw it and cast him in Saving Private Ryan. He is now a movie star and has a few franchises under his belt.

Lena Dunham

She made her first film in her parents New York apartment with a Canon 7D. Tiny Furniture was critically acclaimed and lead to the huge hit and cultural game-shifter, Girls. Still only 27-years-old but was 23 when she wrote, directed and starred in Tiny Furniture.

In her own words: “I was constantly preparing for auditions in a way that was crazy… and then I’d literally get cast as, like, a bouncing ball or a fat man or a security guard.”

Tina Fey

Made her name in Saturday Night Live and also is the creator, producer, star and writer of 30 Rock. She wrote a book called Bossy Pants and had two children. She returned to work not long after giving birth saying, “NBC has me under contract; the baby and I only have a verbal agreement’. Is their no end to her talents?

Greta Gerwig

Became known thanks to her association with the mumblecore film movement. The 30-year-old is the indie IT queen of the moment. Was brilliant in Lola Versus and stars in film-of-the-moment, Frances Ha, which she co-wrote with director boyfriend Noah Baumbach. Plays strong female characters.

 

What do you think?

Check out my new book, How To Be a Successful Actor: Becoming an Actorpreneur, out now.  It tells you all about how to become a successful actor.

 

 

In a World Film Review | Sundance London 2013

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In A World… takes it’s title from the unforgettable catchline of the late Don LaFontaine, the
voice actor whose deep, thunderous delivery of said line became synonymous with the film
trailers and advertisements we know today. Over news footage of his passing and industry legacy
we are introduced to Carol Solomon (Writer, director and star Lake Bell), a struggling vocal
coach eeking out a career in the Los Angeles vocal performance community and attempting
to emerge from the shadow of her father ‘Sam Sotto’ (Fred Melamed of A Serious Man), the
current ‘King Of The Voiceover’ after LaFontaine’s death. When a major production company
decide to bring back the ‘in a world’ tag to promote their new fantasy blockbuster franchise
Carol decides to throw her hat into the ring of competition against her father and hideously
chauvinistic upstart Gustav Warner (Ken Marino). May the best voice win…

The brilliantly droll trailer for Jerry Seinfeld’s Comedian aside (Google it, trust me) the world of
film trailer voiceovers sound likes an unexpected and unlikely source for a comedy yet it proves
an inspired choice that owes a lot to the talents of it’s leading lady/helmer. In A World… toes
the line with a cliche triumph of the underdog story arc yet breathes fresh life into the formula
with it’s unique spin of genre tropes and uncanny industry insight. It’s a world where words
don’t just speak louder than actions; they are the action and Bell has a lot of fun with the daily
grind of voice artists, their obsessive commitments to their trade (Carol is constantly armed
with a tape recorder for capturing sound bites from various passersby) and even a hysterically
OTT Rocky style training montage. Fledging these ideas out to a 90 minute running time sounds
like an awful stretch but it’s a testament to not just Bell’s handling of the material but to her
central performance that it works as well as it does. Charm can be an easy word to throw around
but she quite frankly radiates the stuff. Carol faces down a lot of problems that seem recurrent
in comedies of this ilk (a fumbling romance with a sound designer is an amusing subplot) yet
Bell never allows her to be swamped by them or cowed into submission. She breezes across the
screen with an elegant but spikey energy that is infectious, spouting off an acerbic, un-PC wit
that gets laughs by the plenty. She’s ably supported by fellow performers, many of them her own
friends and fellow collaborators, who revel in the brilliant, partly improvised dialogue.

In A World… is not breaking any major new ground and if there are faults to be found it is when
the film strays closest to the formula it is gently ribbing. There are no major surprises to which
way Carol’s professional and romantic endeavours will play out and some may bemoan the
seemingly signposted turns her relationship with her father pop up, though frankly the chemistry
between Bell and the wonderfully bemused Melamed is a joy to watch. A climactic monologue
about the role of women in the industry and ‘finding your voice’ is admittedly quite on the nose
though frankly Bell deserves all the credit she gets for creating one of the most likeable leads of
recent memory and not bowing down to the dull and conformed roles that many actresses have to
submit to in the romcom genre. She picked up a Waldo Salt Screenwriting award for her work at
Sundance Utah earlier in the year and hopefully on the basis of this, it won’t be the last accolade
to come her way.