Tag Archives: lynn howes

And Action! The Making of Prose & Cons.

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So we finished with the first location for Prose & Cons. We have 53 scenes in the bag. 53 scenes. That’s 50% of our movie. Almost. The most surprising thing was how easy it was. Not that it wasn’t hard, it was. It just took me so long to make a film that I guess I thought it would be nearly impossible. It was hard work, but if you work hard it’s no biggie.

Steve McAleavy and Catherine Balavage direct Prose & Cons

Steve was amazing. We are filming on a Canon 60D and Steve is operating it. Steve is the producer/editor/co-director and all-round great guy. Steve and I both have equipment but we mostly used his. He has a lot of Phillip Bloom stuff, and a Fig rig. I haven’t asked how much it all costs and I don’t think he wants me to; adding all of that up will only be painful.

The first actor to turn up is Lynn Howes. Lynn is not only talented but very professional. She knows the script inside out, is good with continuity and thinks of the little things that no-one else does. Jack Bowman plays her boyfriend in the film. Jack is perfect as Jamie. He is very talented and Jack is also fun.

Next up is Bo Wilson. Bo plays her part beautifully. She has a day job as an editor at the Evening Standard, gets up at 5am but still manages to get to Kingston in the evening and give a brilliant performance.

We filmed in Kingston, a beautiful area. We didn’t do too many takes and the actors were professional. Although I feel that because I cast some of my friends they don’t show the proper amount of respect for me as the director. I try to be firm and tell myself; hey, at least they turned up.

Clea Myers came and played my aunt. Clea is in a poignant scene in the film and she is an incredibly giving actress. In acting it matters to act opposite someone else who is talented. The better the actor the better you will be. Clea is obviously a film actress of note. She is one of the most talented people I have ever worked with. Acting on film is thinking, but thinking hard. I read that in Mel Churcher’s book, and it is spot on.

Before we start filming I realise that our of all of the scenes we are filming I am in about 90% of them. That is a lot of lines. Directing and acting is not necessarily hard. As long as you watch the footage back and change if it is not working.

One of the actors drop out at the last minute and we have to deal with the stress of casting while we are dealing with the stress of filming. Fun. Luckily, after a few calls the wonderful Monty Burgess stepped into the breach. He gave a wonderful performance and I cannot imagine anyone else doing the part.

Steve doesn’t have any crew but still manages to do brilliant shots. Steve says that the next time he wants crew and at one point says he doesn’t know why he indulged me: “We should have made a short”. he says. He’s joking. I think.

We had a brilliant time. When you make a film you become like a family. Few things went wrong apart from a broken lens cover (not the lens, thank god), a broken HDMI cable and a parking ticket.

I am very excited about filming the rest of Prose & Cons. I will keep you all updated and get Steve to write something to.

The Fringe Report Awards 2012

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John Park has run the Fringe Report for ten years, and I am as unhappy as the other 400 odd people who turned up to the Fringe Report Awards that The Fringe Report is ending this year. John has run the Fringe Report without profit and has connected everything and everyone on the fringe of London, and indeed, the UK.

James Aylett, James Yardley and Lynn Howes.

The Fringe Report Awards took place at Monday 6 February 2012 at The Leicester Square Theatre. The Leicester Square Theatre was packed with the great and good of Britain’s theatre and acting talent. [Disclaimer: I am an editor, writer and photographer for the Fringe Report].

Jack Bowman and Catherine Balavage

The awards were as fun as ever and the list of winners is below. Goodbye to the Fringe Report. The fringe now weeps at your loss.

Elliot Grove – Outstanding Achievement Award – Film
Steve Forster – Best PR – Theatre
Flavia Fraser-Cannon – Best Creative – Producer, Photographer, Publicist
Paul L Martin – Best Producer – Cabaret
Sibyl Madrigal – Best Music Curator (for Boat-Ting)
Performers Without Borders – Best Encouragers of Talent
Steve Henwood & Wendy Matthews – Best Festival Directors
Guy Chapman – Outstanding Achievement Award – PR
Kiki Kendrick – Best Creative – Actor and Writer
Becky Talbot – Best Presenter – Radio
Kevin Sampson – Outstanding Achievement Award – Literature & Film
Vocal Motions Elastic Theatre – Best Theatre Company
Sasha Regan – Best Venue Director
Adam Morley – Best Director – Theatre & Film
Ricky Dukes – Best Artistic Director (Lazarus Theatre Company)
James Hyland – Best Performer – Solo Show (for A Christmas Carol / Jacob Marley)
Paul Sayers & Simon Bolton – Best Shakespeare Producers (Rooftop Theatre)
Paul Levy – Best Publisher
Tactful Cactus – Best Short Film (for Starcrossed)
Alison Wright – Best PR – Arts
Stuart Price – Best Creative – Director & Writer
Laura Pitt-Pulford – Best Performer – Musical (for Parade at Southwark Playhouse)
Alexander Parsonage – Best Artistic Director (Finger In The Pie)
Andy McQuade – Best Director – Theatre
Catherine Brogan – Best Poet

Theatre review: Marianne.

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Marianne. Wimbledon Studio. 15 May 2010.

This play about a couple who lose their only child may not sound like a good way to spend an evening. However, the play is both funny, meaningful and painfull in it’s truthfullness.

When Marianne dies in a freak accident, Cath and David lose a daughter. Allie loses a best friend and Ash gains a heart. They all deal with their grief in different ways. Cath ( Played by Lynn Howes. Who gives a stunning performance ) looks for some kind of meaning in the pointlessness of her daughters death. She longs to understand death and have some kind of closure. Taking her to London and the boy ( Ash. Played by Simon-Anthony Rhoden. ) who received her daughters heart. The clash in culture and in greif – in both life and death – is well written and really makes you think.

David is stoic. Trying to move on, tending to his flowers. All the while dealing with his wife’s, more obvious grief. She uses him as an emotional punching bag. He loves her so he doesn’t mind. David is played by Leighton Pugh. All the cast are amazing. The top of their field.

Allie, ( Natasha Campbell. ) who was Marianne’s best friend is a rebellious teenager who things she is grown up. She visits the couple to try and re-connect with her best friend. She feels they are the only people she can talk to. She is falling in love for the first time and everything is a big deal. Across generations, bonds are made and the healing begins.

The play is beautiful and poignant. The kind of play that makes you think and, more importantly, feel. Cath cannot come to terms with the death of her daughter. She is stuck in a limbo. Thinking her husband has healed while he dies inside. In the end, with help from Allie and Ash they both learn and move on. Their marriage is saved. Life begins again.

This play was written by Anna Jordan. I would keep an eye on her. She is definitely going places.

Leighton PuLeighton Puggh, Lynn Howes, Natasha Campbell and Simon-Anthony Rhoden