Bespoke Furniture.com by Margaret Graham

A friend was practically bald, so often did I find her pulling out her hair, so I sat her down for a gin, and discussed the situation. The problem was to do with finding– no, not a person, but furniture that would fit into her life. All I could do was to pour several more gins, and suggest she tore up blotting paper instead.

If only I had known about Bespoke Furniture.com. We would still have drunk the gin, but she would have paid for it, so pleased would she have been with me. So just in case any Frost readers have a similar problem, read on. But don’t forget the gin.

How Moving into a Flat Made me Start a Furniture Business

by Adam Buchan

Nothing beats a room of one’s own and I was delighted when I moved into the flat above the pizza delivery parlour.

Next up was the thorny question of how to furnish it. I had a problem. Originally part of a bigger house, the rooms were an awkward shape and I found it impossible to find furniture that I liked and would fit in. Eventually, I ended up commissioning a kitchen dresser and dining table but they were both disappointing and badly made.

Two years later, having built the website myself,  I am running a company, bespokefurniture.com, which oversees the making and delivery of just such wooden furniture, including kitchen dressers, larder units, wardrobes, chest of drawers, and tables.

Welsh-Triple-Dresser-Glazed-Top

Description: Welsh Triple Dresser, Glass Door Top

Its aim is simple: to provide high-quality made-to-measure furniture from the best British workshops. All of our furniture is handmade to order, so customers can specify their exact dimensions, paint colour, timber and handles.

It took me eighteen months (much longer than anticipated) to find the right workshops, during which time I travelled the length of the country. There were a lot of individual craftsmen that were not geared up for regular orders but eventually I found the right partners, based in Staffordshire and Yorkshire.

After much deliberation over the blueprints for each piece of furniture, I launched the company, unleashed an on-line marketing campaign and held my breath. It took a week for the first order to come through… but then another soon after. I haven’t looked back since then, sales have been climbing month after month.

Bespoke Furniture.com by Margaret Graham

Description: Double Wardrobe, Four Drawer

I have learnt an enormous amount. Quality control has to be maintained at all times, and takes a lot of care and patience. Couriers can be unpredictable. Customers can change their mind. But all of these issues are part of any retail business. My original conviction was that if we could deliver excellent quality, affordable furniture within a reasonable timeframe, then there is a really significant market to be tapped – and this is definitely proving to be the case.

https://www.bespokefurniture.com/

 

 

 

A day in the life of Fiona Joseph (Author and Speaker)

A day in the life of Fiona Joseph (Author and Speaker)1

I wake between 6 and 6.30 AM. My partner Peter brings me an early morning cup of tea and then it’s all systems go: helping our younger daughter get ready for school (Have you had breakfast? Brushed your teeth? Where’s your PE kit? What do you mean you’ve got cookery today?) or waving our elder daughter off to a university lecture. I’m one of those mums who stand waving on the doorstep until my children have disappeared from sight.

8.15 to 12.15 PM

Ideally I’m at my desk for 8 AM. My most productive time for writing is early in the morning.

My office is in a room upstairs at home and I do the majority of my writing on an iMac. I switch between different software depending on what I’m writing: Pages and Storyist for writing prose fiction and non-fiction, and Final Draft for screenwriting. (I’m currently writing a dramatisation of my biography of Beatrice Cadbury and Final Draft is the industry standard.)

A day in the life of Fiona Joseph (Author and Speaker)2

Writing a screenplay for the life of Beatrice Cadbury.

At about 10 AM I’m ready for a break, a cuppa and a catch-up chat with Peter, who works downstairs in the dining room. Sometimes we’ll do our unofficial ‘meeting’ in our local Costa. And then it’s back to our work domains for both of us until lunch.

If I fancy a change of writing scene I go to my local church where I have an arrangement to use one of their meeting rooms. I take a portable word-processing device with me – my AlphaSmart NEO – along with a flask of tea and a blanket to avoid chills.

12.15 – 1.15 PM

Lunchtime is my favourite part of the working day. At about 12.15 PM our dog Bonnie butts her nose against the stair-gate to tell me it’s time for her walk. (She has three walks a day – talk about spoiled) Exercise is vital for both of us. The walk takes about 20-25 minutes, sometimes longer if we stop for a chat with doggy friends and their owners. Bonnie was a rescue dog, and sadly ill-treated, so she needs oodles of love and patience. We live in a leafy suburb of Birmingham but holiday a lot in Weymouth, and this picture shows Bonnie happily at the seaside.

A day in the life of Fiona Joseph (Author and Speaker)3On our walk I daydream, or listen to music or a BAFTA GURU screenwriting podcast on my wireless headphones. Lunch will be quick, such as a sandwich or soup, or in summer months, some sautéed courgettes or roasted beetroot from our allotment.

1.15 to 4 PM

I like to be back at my desk for 1.15 PM. My afternoon can be made up of any of the following activities:

  • more writing or editing
  • working on my website
  • archive research
  • replying to emails, e.g. invitations to speak
  • going out to give a talk to a group
  • speaking on the phone with my biographee, Godric Bader, the subject of my current work-in-progress
  • visiting my local primary school where I’m privileged to be a community governor

Sometimes my research will take me into town to the Library of Birmingham or to the Bournville Archives. For my latest novel, Comforts For The Troops, I wove true facts and details of the Cadbury workplace into the story.

A day in the life of Fiona Joseph (Author and Speaker)4

Visiting the Bournville Archives to research Cadbury women workers.

4 to 7 PM

This period is break-time and family time. Peter or I prepare dinner. I’m very strict on home-cooked food and eating round the dinner table. It’s the time of the day when we can share news, air grievances(!) and generally have a laugh. Mobiles are banned. If one of us has had a particularly noteworthy day I’ll serve dinner on the Plate of Accomplishment. We occasionally play cards afterwards – 10 card rummy, Old Maid and Sevens are old favourites.

7 to 10 PM

Sometimes I’ll be out giving a talk at a local society like the WI, the U3A , a local history group or a book group. It’s very satisfying to talk about the research and themes underlying my Cadbury books and I really enjoy chatting with people over a cup of tea afterwards.

A day in the life of Fiona Joseph (Author and Speaker)5

If I’m at home I’ll flake out with some telly. I’m an ardent fan of Corrie and Holby City and I enjoy a good UK drama, preferably nothing with violence in it though. By 10 o’clock I’m fit to drop, but if necessary I’ll do an hour’s more writing before bed!

Fiona Joseph is the author of the acclaimed biography, ‘BEATRICE The Cadbury Heiress Who Gave Away Her Fortune’, and a novel inspired by women working at Cadbury in World War One, ‘Comforts For The Troops’. For more details visit www.fionajoseph.com

 

 

An Interview With Emma Kavanagh – Author of Hidden

An interview with Emma Kavanagh - author of Hiddenauthorpic

An interview with Emma Kavanagh – author of Hidden

hidden Emma Kavanagh

Do you plan your books in great detail, or just go with the germ of an idea, and where does that idea come from?

I am a huge planner. I even have spreadsheets! I tend to come up with a general idea of where I want my story to take the reader, and then let that marinate for a while. I’ve had book four cooking on low for the past three months whilst I complete book three, The Missing Hours. Once I’m ready to start work on it, I begin with research, research, research, finding out as much as I can about the area I am going to be writing about. Then begins the planning. This will change as the story develops – which is why spreadsheets are so useful – but I always find it easier to have an idea of where I am heading. As to where my ideas come from, I am fascinated by psychology and true crime, which is an absolute gold mine for book ideas.

An interview with Emma Kavanagh - author of Hidden1

How do you actually work? In silence in a study, at the kitchen table?

Oh, I would love a study…no, my study is now a nursery for my youngest son. I write in the living room on a big cozy chair that has become known as “Mummy’s work chair”. When I’m planning or researching, I can’t cope with silence. It’s too intense. I tend to have documentaries running in the background, which I half-watch to distract me from the pressure. When I’m actually writing though, it has to be in silence. I’m not one of those authors who can work in a coffee shop. Who can concentrate with all that cake?
Did you have a writing background before you began writing novels?

I’ve written short stories since I was a kid, and was a passionate writer throughout school and college. But once I started my own business (I ran a consultancy practice specialising in training police and military personnel in the psychology of critical incidents) I let the writing drop away. I was working hard and my focus was elsewhere. Then one day a story idea came knocking and simply wouldn’t leave. In the end I decided that it had to be worth a shot…

An interview with Emma Kavanagh - author of Hidden2
Who has inspired you in the literary world?

So many people. I adore Kate Atkinson, especially for her willingness to push herself beyond genre boundaries and try something entirely different. Another must-read I have is Barbara Kingsolver. Her use of language is just exquisite. And I can’t not mention Agatha Christie. No one plots like she does.

 Do you read while you’re writing? I know a lot of authors don’t.

I always read. I read whilst I was in labour with my first child, whilst I was in recovery from a c-section with my second. I am always reading!! I know a lot of authors can’t read anything in the genre they write as they find it interferes too much with their creativity, but I’ve never found that to be an issue. In fact, it inspires me, to read beautiful language, clever plotting, awesome characterisation. I want to be that good!

An interview with Emma Kavanagh - author of Hidden3
Your favourite book as a child?

I can’t just pick one!!! The Folk of the Faraway Tree by Enid Blyton. Matilda by Roald Dahl. Heidi by Joanna Spyri. The Wolves of Willoughby Chase by Joan Aiken. Um…how long do we have here?

What would comprise your perfect day if you had a magic wand?

Being with my husband and our boys (aged 1 and almost 4). A scrumptious breakfast which absolutely must include bacon. Going somewhere fun where we can all play. My kids are little so the dream trip has to be Disneyworld. And it is totally not because I am a complete child. Then, an early night for my boys, a nice dinner for myself and my husband, somewhere overlooking the ocean, a glass of wine, and then a comfy sofa so I can read my book.

Hobbies?

Reading (d’uh!). I love to swim and these days try to get to the pool as often as I can. And, although I rarely have time for this nowadays, I also love to sketch and paint.
Have you always wanted to write novels?

Yes. It was one of those things that I deep down always knew I would have to do. And now that I have started, the idea of stopping is like the idea of no longer breathing.
Ambitions/dreams.

My ambitions…I want to keep doing what I am doing. I want to be respected for my ability to tell a story and create characters that take on a life of their own. I want to be able to give my children the opportunity to travel and experience the world, and to teach them that they can achieve anything they set their mind to.

If you could choose one person to read your books, who would it be? 

I’ve seen this happen to a number of my author friends – a celebrity or big name author reads their book and then starts shouting about how wonderful it is. So it got me thinking, who would I want to shout about mine? Well, George Clooney would be nice (Hi, George!). But my hands down, would-immediately-pass-out-with-excitement person would be JK Rowling. I really don’t need to explain this one, do I? She knows Harry Potter, people!!!

 

 

Hidden by Emma Kavanagh Book Review

Hidden by Emma Kavanagh Book Review

Hidden follows on the heels of Emma Kavanagh’s debut psychological thriller novel, Falling. A second novel is a tricky beast – can the author do it again? Can they build on the success of the first? Can it follow in the same genre without being too much the same?

Kavanagh has succeeded with Hidden when other authors haven’t. Similarly to some series on television, the novel starts with the crime and then takes the reader back a stage, to the start of the action. Rather than peeling away the layers to get at ‘who dun it,’ Kavanagh builds up the layers, so that we get to the ‘why’ he ‘dun it’. And who actually did it. Clever stuff, with multiple viewpoints.

In Hidden, a gunman is stalking the wards of a local hospital. He’s unidentified and dangerous, and has to be located. Urgently.

Police Firearms Officer Aden McCarthy is tasked with tracking him down. Still troubled by the shooting of a schoolboy, Aden is determined to make amends by finding the gunman – before it is too late. To psychologist Imogen, hospital should be a place of healing and safety – both for her, and for her young niece who’s recently been admitted. She’s heard about the gunman, but he has little to do with her. Or has he?

Kavanagh uses her years of experience training police forces and military units on the psychology of life threatening incidents, to give credence to her work. The tension builds, and never lets up.

Hidden – Emma Kavanagh Published in paperback by Arrow   £6.99

 

 

Heritage & Conflict: Syria’s Battle to Protect its Past

THE INAUGURAL EVENT IN A NEW SERIES OF WORLD MONUMENTS FUND TALKS- THE PAST, TODAY Heritage & Conflict- Syria’s Battle to Protect its Past

THE INAUGURAL EVENT IN A NEW SERIES OF WORLD MONUMENTS FUND TALKS: THE PAST, TODAY Heritage & Conflict: Syria’s Battle to Protect its Past

Royal Geographical Society, 1 Kensington Gore, London SW7 2AR Thursday 12th November 2015, 7pm (doors open at 6.30pm)

Syria’s Monuments Man to give first ever talk to a London audience on what it’s like to be “the world’s saddest Director of Antiquities

We’ve all seen the images that convey not only the human tragedy but also the grievous destruction of ancient and irreplaceable monuments such as Palmyra.

To launch an important new World Monuments Fund Britain programme of issue-based events, Professor Maamoun Abdulkarim, Director-General of Antiquities and Museums for Syria, and James Davis, Programme Manager for the Google Cultural Institute, will tell the human story behind the global headlines and report on the latest international efforts to document cultural heritage. The evening will be introduced by Lisa Ackerman, Executive Vice-President of World Monuments Fund.

With the loss of cultural heritage dominating the media, in his first visit to the UK, Professor Maamoun Abdulkarim will talk about Syria’s frontline efforts to protect its irreplaceable heritage from insurgent forces. The structures, whether caught in the crossfire, deliberately destroyed to gain the media spotlight or looted to fund extremist activity, are symbolic of a treasured cultural legacy and are simply irreplaceable. What if anything can be done to protect what remains?

This event is generously supported by American Express.
This series of events will continue in March, April and June 2016.

Photograph: © iStock RPMGas

Heritage & Conflict: Syria’s Battle to Protect its Past Thursday 12th November 2015, 7pm (doors open at 6.30pm)

Royal Geographical Society, 1 Kensington Gore, London SW7 2AR. Twitter @WorldMonuments, @JohnD_WMFB, #HeritageConflict

Box Office Tickets are available for £15 (£10 for WMF members) from www.wmf.org.uk/activities or 020 7251 8142

 

 

Hidden by Emma Kavanagh Book Review

hidden Emma Kavanagh

Hidden follows on the heels of Emma Kavanagh’s debut psychological thriller novel Falling.

A second novel is a tricky beast – can the author do it again? Can they build on the success of the first? Can it follow in the same genre without being too much the same?

Kavanagh has succeeded with Hidden when other authors have failed. Similarly to some series on television, the novel starts with the crime and then takes the reader back a stage, to the start of the action. Rather than peeling away the layers to get at ‘who dun it,’ Kavanagh builds up the layers, so that we get to the ‘why’ of ‘who dun it’. Clever stuff, with multiple viewpoints.

In Hidden, a gunman is stalking the wards of a local hospital. He’s unidentified and dangerous, and has to be located. Urgently.

Police Firearms Officer Aden McCarthy is tasked with tracking him down. Still troubled by the shooting of a schoolboy, Aden is determined to make amends by finding the gunman – before it is too late. To psychologist Imogen, hospital should be a place of healing and safety – both for her, and for her young niece who’s recently been admitted. She’s heard about the gunman, but he has little to do with her. Or has he?

Kavanagh uses her years of experience training police forces and military units on the psychology of life threatening incidents, to give credence to her work. The tension builds, and never lets up.

Let’s hope there’s another Kavanagh gem soon. Bravo.

Hidden – Emma Kavanagh. Published in paperback by Arrow   £6.99

 

 

NEVER GIVE UP: Jane Cable On Organising a Charity Litfest

NEVER GIVE UP- Jane Cable On Organising a Charity LitfestAuthor and Frost contributor Jane Cable writes her final blog about organising a charity litfest in aid of Words for the Wounded. The big weekend finally arrived… but was it a success?

I am sitting on the floor of my study counting the money. For the second time. My husband, a chartered accountant, has already done it once but I don’t really believe he’s got it right.

In front of me is £793 in cash. We’ve raised £100 from the auction, which leaves us just short of £900. Bugger. But then I remember one of our Chindi Authors giving a cheque directly to Words for the Wounded founder Margaret Graham so I’m claiming that too. What a spectacular result.

Especially as less than a week ago I was wondering if we should cancel the lunch. Was it really worth asking Elizabeth Buchan to travel down from London to speak to twenty people? Could we even ask Woodies to close their doors on a Saturday lunchtime for so few?

Naturally my marvellous Chindi Authors’ partner in crime Christopher Joyce talked me around because within a few days we had bookings for 34 and I had no qualms about making the final arrangements. Books to sell were collected together, Mason & Mason Wines dispatched an appropriate number of bottles and final directions were sent to our guest speakers. We were on our way.

Of course things never do run entirely smoothly and Matt from Woodies Brasserie was left to cope alone when his waitress phoned in sick. He made coffees and teas, set out the wonderful buffet, poured wine and collected dirty plates and bowls; just one of the people who finished the weekend deserving a medal.NEVER GIVE UP- Jane Cable On Organising a Charity Litfest lunch

Another was Elizabeth Buchan who spoke with such passion about the history and characters behind ‘I Can’t Begin to Tell You’ that we sold every copy within minutes of her sitting down. And then there was W4W trustee Jan Speedie, a quiet yet reassuring presence throughout Saturday. Not to forget various burly rugby types in the Park Tavern on Saturday night who pushed notes rather than coins into our collecting buckets. Or the waitress at breakfast in Carluccios on Sunday morning who looked after us so well and took her tip in books left on the swap table.

The main reason we raised so much money though, was Margaret Graham. Both at Woodies and the Park Tavern she spoke eloquently about how the money raised by W4W is used. We felt we came to know the family of the tetraplegic who now has a dog to increase his independence. We understood the importance of providing a garden for the mother of a soldier who was brutally murdered by extremists. It hit home how lucky we are, our lives having been unaffected by massive injuries capable of stripping away every hope and dream. Or at the very least forcing a radical rethink.

NEVER GIVE UP- Jane Cable On Organising a Charity Litfest room

For these wounded service personnel giving up isn’t an option. However hard it felt at the time, what we did to raise funds to help them was tiny compared to the mountains they will have to climb every day for the rest of their lives. I think that’s the biggest lesson I’ve learnt from organising a charity event: start it because you can; finish it because you have to.

Learn more about the work of and how you can support…
Words for the Wounded: www.wordsforthewounded.co.uk

 

 

It’s All Kicking Off by Paul Vates

So, the saga continues. Trying to show how one ‘puts on a play’ creaks ever onwards. At a secret venue, which for the purposes of continuity, we shall call a pub, there was a production meeting where the remarkable Katie Unsworth-Murray produced her design for the set. It literally fits into a shoebox and she has made it all to scale.

pic 1 set design

(Shoebox design by Katie – including the chandelier)

She even produced a tiny chandelier, which allowed me to inform her that ‘electricity hasn’t been invented yet’. I promised that I wouldn’t mention that to anyone (oops!).

Once you’ve advertised for actors wishing to audition for a production of A Doll’s House, it is only polite to be there and welcome them in. ‘Once more unto the breach’ came to mind as we entrenched ourselves into The Barons Court Theatre. Director Kevin Russell, for New Dreams Theatre, sat me down and gave me a list of names. These people would, at thirty-minute intervals, arrive and audition for us.

If you read my last article about finding the lead actress for the part of Nora (and Alexa Matthews accepted our offer), then you’ll have some idea what Kevin had already had to do to get to this stage.

Even so, a collection of characters wandered in that would have made P T Barnum gasp in horror. Amidst the drunk Irishman, the bizarre Chuckle Brother impression and the born-again Christian seeking new converts, we did manage to find a wonderful bunch of actors, all worthy of the three parts up for grabs. So, the full cast is now complete:

dollshouse2

The cast:

Alexa Matthews (Nora Helmer), Paul Vates (Torvald Helmer), Julia Florimo (Kristine Linde)

Brian Merry (Dr Rank), Cathryn Brayshaw (Helene), Ramzi DeHani (Nils Krogstad)

Still at the end of the audition day, we returned above ground, into the light, for a drink in The Curtains Up pub that sits atop the theatre. As we discussed the colourful collection of actors on offer, like a couple of football pundits on a Saturday afternoon, taking into account the results, the teamwork aspects and the skill and style on show, the Irishman shadowed us in between his pints – he had decided to linger for a few when he discovered the bar…  For all I know, he may still be there.

As an aside, rehearsals have begun on a relaxed basis between Alexa and myself (I’m playing Torvald, her husband). Kevin has taken us through all the major scenes between us, allowing us to get a grasp of the whole thing before the whole company assembles.

pic 3 Paul Alexa Pre-rat

(Alexa as Nora – possibly before the unexpected visitor)

It has all gone quite smoothly, apart from when a rat scurried through the room – eye contact that afternoon was at a minimum as every shadow became our rodent critic.

pic 4 paul

(Alexa – having noticed the ratty critic?)

Now there is only one thing left to do – full company rehearsals!

We’ll soon meet and with a frisson akin to a school playground, we’ll begin assembling the play. Then – and only then – will Kevin utter his trademark phrase: It’s All Kicking Off!

A Doll’s House by Henrik Ibsen will be performed from November 3rd to 22nd at Barons Court Theatre, west London. Call the box office direct on 020 8932 4747 or email londontheatre@gmail.com to reserve seats.

www.newdreamstheatre.co.uk

Facebook: New Dreams Theatre

Twitter @KevinNewdreams