CARIADS’ CHOICE: OCTOBER 2022 BOOK REVIEWS

Marie Laval’s Escape to the Little Chateau reviewed by Carol Thomas

With strong elements of gothic suspense threaded throughout, the storyline of this book went to dark and mysterious places I hadn’t expected. It was, however, an enjoyable read, and I found myself reading into the night as I didn’t want to put it down. There is a good sense of place and history, and the author brings the chateau and French countryside to life wonderfully. Fabien Coste and Amy were both strong, likeable lead characters, and I loved the puppy Fabien gifted Amy. I enjoyed the unfolding of the mystery and the range of characters introduced along the way. It is a great read to suspend reality for a while and let yourself be swept along by the revelations. I definitely recommend it but with an awareness that there are elements of threat.

 

Natalie Kleinman’s The Ghost of Glendale reviewed by Jane Cable

I always turn to a Natalie Kleinman book when I fancy a Regency comfort read, or trying to get into the mood for writing in the era myself. She is a mistress of the Regency romance in the spirit of Georgette Heyer and knows her genre inside out.

Talking of spirits, this book has one, with its own sad story to tell. It added an interesting extra dimension to the story, and to how Phoebe and Duncan’s own love story developed. A gentle read, with happy endings for all.

 

Jenny Kane’s Frost Falls At The Potting Shed reviewed by Kitty Wilson

I loved this book so much, Jenny Kane is an absolute master at creating heart-warming, cosy romantic escapism that you can’t bear to put down. The Potting Shed is a perfect setting and I want to go and visit, wander around the polytunnels and meet Maddie, Jake and Petra myself. In fact, the whole book is packed with relatable characters, as well as a very endearing hero, all of which come together to make Frost Falls at The Potting Shed a gorgeous, warm-hearted romance that shines a light on love, friendship and is the most wonderful festive read. Cosy, romantic perfection. I cannot wait for the next in the series!
Sue Moorcroft’s A White Christmas on Winter Street reviewed by Morton S Gray

I have read all of Sue Moorcroft’s books and didn’t think she could give me another favourite, but she has!!!

Really enjoyed A White Christmas on Winter Street. It has all the Christmas touches – lights, presents, cookies, but it has so much more besides. I soon got swept up in the worlds of Sky and Daz, both of whom became so real as I was reading.

Loved being back in the village of Middledip and enjoyed the mentions of familiar characters and places. It quickly becomes evident that Sky relates to young Wilf as she recognises some of the challenges he is dealing with. Sky has many issues from the past and recent past, but has not allowed these to dampen her generosity of spirit. Daz too finds it hard to refuse a person in need even if that is at a personal cost to himself.

Loved the story, loved the journey and want to get some Christmas solar lights already!

 

 

 

 

 

SUNDAY SCENE: MARIE LAVAL ON HER FAVOURITE SCENE FROM QUEEN OF THE DESERT

I have for a long time been fascinated by the history, cultures and landscapes of North Africa. It’s a part of the world I have always dreamt of visiting, especially the Sahara desert, the Ahagaar and the Tassili N’Ajjer National Parks. Sadly I’ve never had the chance to travel there, so whilst researching the background to my historical romance QUEEN OF THE DESERT, I tried to get a ‘feel’ for this incredible place and its people, the Tuaregs in particular, also sometimes called “Kel Tamasheq” (those who speak Tamashek) or ‘The People of the Veil’ because of the indigo veil men wear from around the age of fifteen.

I read Tuareg poems and folk tales and watched documentaries, but what gave me the greatest joy was the music I discovered. Music really brings people and heart together… I listened to so many incredible artists – Bombino, Tinariwen or Tarwa N-Tiniri to name but a few – and also to more traditional music featuring the imzad.

The imzad is a traditional string instrument played only by Tuareg women, who according to folk tales invented the imzad to distract men from their constant fighting. Here is a link to a documentary about the importance of the imzad for Tuareg culture. https://www.youtube.com/watch?v=J_0EdwuC9og

As they travel across the Sahara, the main characters from QUEEN OF THE DESERT, Lucas Saintclair and Harriet Montague spend a few days with a Tuareg caravan.

A strange landscape appeared in the distance, so strange she thought she was seeing another mirage, but they were only rock formations that the wind and the sand had eroded and moulded into weird, nightmarish shapes. Tents were pitched around them. Two dozen blue tents at least. Then she saw white mehari camels and the tall silhouette of a man outlined against the sunset. He resembled a spectre, still and gaunt, his face covered with a cheche and his long tunic floating around him.

Every evening, Lucas and Harriet listen to poems and stories.

Like every evening, they sat under a dark velvet sky studded with stars in front of the chief’s tent. Tonight was their last night with the caravan before reaching In Salah.

Lucas said a few words to the chief, who searched his leather bag and produced a smooth green stone shaped like an egg. Each stone in the story telling bag was unique, and prompted a different story by the chief. Tonight was no exception.

‘Tin Hinan,’ he announced.

‘An emerald,’ Lucas finished, his eyes shining. He stared at the sparkly green pebble the chief held in his hand as he started talking in his low, chanting voice.

‘Tin Hinan came from the Western lands beyond the great desert,’ Lucas translated. ‘She followed the stars and the ancient roads to Abalessa, the blessed.’

And after the stories there is music with women playing the imzad…

One of the women musicians picked up her imzad and started drawing long, intricate and soulful sounds. Her heart heavy, Harriet locked her fingers together and blinked the tears away. How she would miss the Tuareg caravan – setting off at sunrise in the transparent, purple dawn, camping out in sheltered gorges and lost valleys, and listening to Lucas’ voice as he translated the chief’s stories in the evenings. Most of all, she would miss the passion, the heat of Lucas’ arms every night. They had become as essential as air, water and fire.

 

I hope you enjoyed your imaginary journey to the Sahara desert. Thank you for travelling with me today…