Spandau Baddie: Martin Kemp Meets Vicky Edwards

Martin Kemp tells Vicky Edwards why his musical theatre debut is going with a bang-bang…

'

Photo credit: Alastair Muir

From gangster Reggie Kray to evil control freak Steve Owen in EastEnders, Martin Kemp is extremely good at being bad. Currently on tour in Chitty Chitty Bang Bang playing the Childcatcher, arguably one of the most iconic villains of all time, Martin is drawing on his previous roles for inspiration, but admits that there’s unchartered territory to explore when it comes to the character that regularly tops the polls of movie monsters.
“The Childcatcher is an exaggerated version of everything I have ever done before, but it comes from a completely different angle,” explained Martin. “He’s a step away from reality; all the characters are really, especially in the second half when we go to Vulgaria.
“In the first half I play a character called the Junk Man, but in the second half that kind of Alice in Wonderland thing happens and the Junk Man becomes the Childcatcher. Robert Helpmann did an amazing job [in the film], but my physicality is not the same as his; I don’t have his ballet background, so instead I try to bring a bit more horror to the role.”
Judging from the booing that fills the theatre before he has even set foot on the stage, he’s clearly doing that very effectively.
“Kids are scared of the name: Childcatcher. When the Baron says “Call for the Childcatcher!” I can feel the tension in the theatre and then I hear the boos,” he laughed, adding, “But that’s part of the whole experience. If you haven’t laughed, cried and been scared then you haven’t seen a good show. You need to be taken to all those places.”
And with cheers at the curtain call almost taking the roof off the theatre, it seems that it’s a journey that audiences of all ages are delighted to undertake. A co-production between Music & Lyrics Limited and West Yorkshire Playhouse, this brand spanking new reimagining of the much-loved Sherman Brothers musical is winning critical acclaim as well as standing ovations.
“Ten years ago I saw the show in London and the main thing I remembered about it afterwards was the car,” said Martin. “But now it’s very much about the story. It amazes me, but every night I walk out of stage door and people are there saying how much they loved the whole show. From old people who saw the movie on their first date to kids meeting Chitty for the very first time, the demographic is extraordinary. Yes, it’s changed from the book, and then again from the film and again from the original stage musical, but it really works. We’re sending people home with big smiles on their faces.”
As for his fellow cast members, mention them and it is Martin with a big smile on his face. “It’s a great cast,” he enthused. “I’ve worked with Michelle [Collins] before and it’s lovely to work with her again, but they are all brilliant performers.” And so they are. Funny men Jason Manford as Caractacus Potts and Phill Jupitus as Lord Scrumptious and Baron Bomburst are joined by Martin and Michelle, as well as Andy Hockley of Phantom of the Opera fame as Grandpa Potts, and West End leading lady Amy Griffiths as Truly Scrumptious. Add to that a world class company of singers and dancers and you have a show that is dazzling, star-studded and that absolutely lives up to the ‘fantasmagorical’ praise.
But while the story of Chitty might have been knocking around for a good while, musical theatre is a new challenge for Martin.
“One reason I am here is that I have never done a musical before and I thought this might be a nice way to dip my toe in. I love trying new things and I love working with new people.”
That happy-go-lucky, have-a-go attitude wasn’t always there, however. In fact, as a child he confesses that he struggled with crippling shyness.
“I’ve been doing this a while now but at the age of eight I was incredibly shy, so my mum sent me to Anna Scher’s drama workshops,” said Martin, who knows first-hand what an advantage drama classes can be to children.
“What drama clubs give you is a small amount of this magic dust called charisma. I always say that I owe everything to Anna Scher because she formed my personality as a kid.”
Pointing out that whether you become an actor or join a band or you just use that acquired confidence to get through interviews when you’re 16, Martin is certain that drama clubs are a fantastic way of developing both character and life skills.
As for children watching live theatre, absorbing stories close up rather than on a screen, Martin loves the way they get totally involved.
“Adults watch, but kids believe and become part of the world they see unfolding; they just dive in,” he nodded.
“For Chitty we recently did what is called a ‘Relaxed Performance’ for children with disabilities and conditions like Autism. The show was adapted around the audience’s needs and it was a wonderful thing to be part of.”
A member of one of the most popular bands of all time, star of movies, TV and now a musical, Martin certainly can’t complain of always doing the same old same old.
“I have always changed it up a bit and I like never knowing what’s around the corner,” he laughed, although actually this time he does know what is coming next.
“I have just finished a year on tour with Spandau which was wonderful, but it’s this great big machine that needs five artic trucks and a 100-strong crew. When you play huge arenas the size of Wembley you know that to people at the back you’re just a speck of dust in the distance and that you’ll never get to meet those people. So in May I am doing the sort of antidote to not meeting people with a show that’s going to tour called An Audience with Martin Kemp. I’ll be travelling around England chatting about my life and career and taking questions from the audience. Yeah, it’s going to be different and fun,” he grinned.
With such a busy professional life, relaxation, he says, comes in the form of painting.“That’s my down time. Sometimes it shuts me off from the world and I lose myself completely.” Asked what he paints and the smile that stole my sixteen-year-old heart lights up his face again. “I paint rock ‘n’ roll,” he says with a chuckle.
Super-talented, funny, warm and with rock ‘n’ roll artistic flair to boot, however brilliantly nasty he is as the Childcatcher, in real life Martin Kemp is a total sweetie.
Vicky Edwards

 

‘TOP DOG’ … One Man, Two Lives

Top_Dog_UK_IE_ENG_DVD_RET_ORing_3DPackshot_8297293-11 TopDogStill2[1] Leo_punch-copy[1]

How many superlatives can be used to describe ‘Top Dog’? I can think of many that have been used in other reviews, but let’s just keep it simple… this new offering from Richwater Films and Universal Pictures UK and directed by Martin Kemp, is just plain ‘good’… damn good.

Produced by Jonathan Sothcott (‘Vendetta) and exquisitely constructed, this is Martin Kemp’s (‘The Krays’, ‘EastEnders’) second outing as a film director, a testing piece of work that lays its cards on the table and dead body on the mortuary slab right from the outset. Blood, a tense opening narrative, you get the gist that this is going to be messy.

In the adaptation of the novel by Dougie Brimson (‘Green Street’), Leo Gregory (‘Green Street’ and ‘Cass’) plays a formidable and believable part as Billy Evans, a thirty-something East End car salesman who’s got it made, trophy wife, child, home, car, job, wants it all and wants the top dog position that will allow him to reclaim a family member’s pub as the home of his football firm, ‘Acton Casuals’. With the goading of the ‘AC brethren’, cocky Billy takes his lust for leadership one step further, violently cutting swathes through a trajectory that brings him face to face with gangland boss Mickey, played to perfection by Ricci Harnett (‘Rise of the Footsoldier’, ’28 Days Later’) who isn’t about to hand the title over without a fight. Vincent Regan (‘Clash of the Titans’, ‘St George’s Day’), with his mellow Irish tones, acidly accentuates the backbone of fear that runs through this film. It sounds a simple plot, but the exchanges of violence are as charged as I’ve ever seen in a film of this budget, and the spiralling depths to which the emotions sink are hard-hitting and raw.

Martin Kemp intended this film to be a ‘kitchen sink’ drama, void of Hollywood gloss, powerfully showing the perils of being top dog, being number one and of saying ‘I’m the leader’. The wives and partners play strong and potent roles, showing the realism of households living with the underlying deceitfulness and tensions associated with hooliganism and gangland violence. Danielle Brent (‘Cockneys Vs Zombies’) as Billy’s wife Sam, Lorraine Stanley (‘The Hooligan Wars’) and rising British acting talent, George Russo punctuate the storyline, stepping up to the mark with the confidence this gritty film demanded.
It’s not a pretty film, it’s not a clever film, it works within the boundaries of the budget, but it’s the sort of film that is truly British, an insight into the deep and ugly world of football hooliganism and gangland rivalries that existed in the depths of London in the 80s and 90s.

TOP DOG – in cinemas from Friday 23 May and is out today to own on Blu-ray £15.99) and DVD (£12.99) through Universal Pictures UK

A re-written version of ‘Top Dog’ by Dougie Brimson is soon to be published through Caffeine Nights Publishing.

Under The Bridge Showcase Live Relaunch

When: 12 September 2011 | 7pm
Where: Under The Bridge
Chelsea Football Stadium, Fulham Road, SW6 1HS

On the 12th of September I went to the relaunch of Roman Abramovich’s £20 million venue in West London, at Chelsea Football stadium. Showcase live has been the starting point of some of the biggest names in popular music, including, JLS and Jessie J and their partnership with Under The Bridge is sure to bring many more household names to light in the future.

Under The Bridge is a brilliant venue, it has good ambiance, a good crowd (surprisingly, not all WAGs) and a good sound system. The music was brilliant.
 
We had performances from Vida, Paradise Point, Daniela Brooker, Project Alfie & Will Heard.
 
Vida | JLS star Oritse Williams remembered exactly where he started his career when he put Showcase Live on the top of his list of priorities for his new girl group VIDA. Oritse is working with Colin Lester / Twenty First Artists on the project.
 
Paradise Point | Paradise Point are energised school-leavers who are determined to return credibility to teen pop music. Bass player Roman is hoping to follow in the footsteps of his father, Spandau Ballet star Martin Kemp.
 
Daniela Brooker |17-year old Daniela already has a very promising career ahead of her. She has been writing her album with Paul Garred (The Kooks) and Rob Harris (Jamiroquai). Her band is formed of Dizzee Rascals guitarist, Julian Perrettas drummer, Claire Maguire’s keyboardist and Go West’s bassist.
 
Project Alfie | Project Alfie is creating a sound which blends classic film soundtracks and soul. He shares same the stylist as Jude Law and Dave Gandy and has written with some of the biggest names in the industry such as The Invisible Men (Jessie J) and Future Cut (Lily Allen).
 
Will Heard | A charming story teller with an undeniably beautiful voice.  The 20-year-old singer-songwriter from SW London brings a unique blend of blues, folk, soul and funk to the table.
 

Web | www.showcaselive.co.uk
Facebook | www.facebook.com/showcaselive
Twitter | www.twitter.com/showcaseliveuk
YouTube | www.youtube.com/showcaselive