There are three things that this movie absolutely gets right. Firstly you have the subject matter. This is a film about Dr Martin Luther King; powerful, complicated, legendary. A leader almost completely untouched by modern day film-making, yet a leader who deserves respect. Why? Because he chose non-violent resistance in the face of utter brutality; if there ever was a time for a film about his legacy, it is now. The marches from Selma to Montgomery that took place in Alabama in 1965 over the right to vote must rank as one of the most iconic moments in history. Make no mistake, sometimes it is difficult to watch this film; visceral but not gratuitous, anger inducing at times but not ever condoning. In many ways as a historical story it’s beyond criticism, especially when so much reflects the world we live in today.

Selma marks the first big-budget film from black independent director Ava DuVernay; she pulls no punches by filming in the very places where these historic events took place. She keeps things brisk, crafting each scene like an elegant dish to be served; she doesn’t waste any time on screen. Everything from a telephone ringing to an intimate conversation has purpose. For a motion picture epic such as this it comes in at little over two hours yet you never get the feeling that anything of value has been lost in transition.

Which leads us to the second thing this movie gets right; the approach. Rather than going for the customary ‘from the cradle to the grave’ biopic approach, Selma wisely concentrates on the events in Alabama, occurring just over a few weeks in February and March. 10 years after King’s first major civil-rights action. By the time the film starts he has already risen in power, delivered the ‘I have a dream’ speech and received the Nobel Peace Prize. This gives the film real focus as the series of atrocities which caused Dr King to be present in Selma can be covered in real depth. When King scores a victory, no matter how small, it is a victory for everyone. By the time the film finishes you may be on such a high that you fail to realise that just three years later Dr King will be assassinated at the age of 39. Such is the emphasis on the moment to moment reality, and the inner conviction of him and his many followers.

Thirdly you have the casting. Many of these actors could hold down a movie in their own right and they seem to be in roles that they relish. Tim Roth as racist governor George Wallace, Tom Wilkinson as President Lyndon Johnson, Oprah Winfrey (may she never ever quit acting) in her portrayal of the indomitable Annie Lee Cooper and David Oyelowo, a British actor who just seems to go from strength to strength and steps into Dr King’s shoes with ease, easily outdoing Idris’ portrayal of Mandela in just sheer power and presence alone. The supporting cast are strong, too, with Carmen Ejogo lending warmth and courage to the key role of Coretta Scott King the continual strain on their marriage is a central theme, Stan Houston is assured as the embittered, trigger-happy sheriff Jim Clark, and Dylan Baker fleetingly creepy as J Edgar Hoover, whose FBI wire taps and intercepts provide some genuinely testing scenes. The actors really lend themselves to making this film a success. A huge thanks too should go to Brad Pitts Company Plan B in backing this film. It’s no wonder that its snubbing in the Oscar nominations (up for Best Picture but not for director or acting) has caused almost complete outrage.

I noted that some reviewers have criticised the film for being too grandiose in nature. I feel these comments are completely unfair; grandiose compared to what? Titanic, Gladiator, Les Miserables,  even Man of Steel had a sense of identity, something to live up to and all of these are works of fiction. Selma has an identity because it is embedded in history. It’s understandable and only right that the actors desired to do the film justice.

Selma is one of those films that need to be seen, it’s compelling viewing because it’s a quality film that was deserved to be made for a generation that needs to see it. In a time where true values are easily forgotten Martin Luther King’s dream endures. If his truth were ever to be realised then the future can only be brighter for us all.