An Experiment With An Air Pump: Theatre Review

I have seen many plays in my life, but none have so intertwined art and science as An Experiment With An Airpump. The play by Shelagh Stevenson is a murder mystery wrapped up in the morals of science.

The play was inspired by the famous painting by Derby’s Joseph Wright of a scientist demonstrating an experiment on the powers of oxygen. He puts a small bird in a bottle and closes the lid. The bird dies – apparently. He takes off the lid and the bird miraculously recovers.

The play is set in 1799 and in 1999 on New Years Eve. Tom, and his scientist wife, Ellen have to leave the house as they can no longer afford to live there. They employ a builder to do some maintenance work and they discover a body under the sink – the bones of a female who has been there for centuries. Ellen also grasps with the morality of taking a job that evolves working with pre-embryos.

The other family are from 1799. The play shows that if history does not repeat itself, it at least rhymes, with people rioting in the streets. It also shows how far women have come. In 1799, Holly Clark plays an oppressed wife who seeks solace in alcohol. In 1999, she is the scientist, doing groundbreaking work, and funding her unemployed husband.

The play has very high production values. The set is amazing and looks expensive. The characters costumes are spot on.

There is a cast of seven in total and most actors play two parts. Mason Kayne plays Armstrong, a medical student, in 1799 and the Geordie builder in 1999. Mason is a stunningly talented young actor. He peals away the layers of Armstrong until he reveals his cold heart. A stunning tour-de-force. The only real character is Roget – who was the man who devised the thesaurus.
This play is well acted, well directed and well written. A marvellous play that is long, but feels short. An intellectual triumph and an absolute must-see.

By Shelagh Stephenson

Directed by Liisa Smith
Produced by Giant Olive Theatre

Cast:
Joseph Fenwick / Tom – Steven Lello
Susannah Fenwick / Ellen – Holly Clark
Harriet Fenwick / Kate – Rae Brogan
Maria Fenwick – Billie Fulford-Brown
Isobel Bridie – Olivia Hunter
Peter Mark Roget – Noah James
Thomas Armstrong / Phil – Mason Kayne

Music composed by: Angus Moncrieff
Costume & set: Cara Newman
Lighting Design: Ciaran Cunningham
Stage Manager: Nathalie Gunzle
Image Design: Merilyn Puss
Photography: Alexander Ford


http://www.giantolive.com/anexperimentwithanairpump.html

Mason Kayne. {Actor Interviews}

What made you go into acting?

To be honest, I don’t actually remember making a conscious decision to go into acting. It was more like acting chose me. I had been doing it for many years as a hobby, appearing in the school shows and the local amateur dramatics. For some reason acting just seemed to suit my personality.

What’s your favourite job so far?

Ashes to Ashes of course!! We had an amazing crew, an amazing cast, amazing writing and it was just so much fun to be on!

And your least?

Hmm, I think I would have to say a short film I agreed to do when I first came out of drama school. I was keen to get clips for my showreel and just said yes to the first thing that came along. The script was terrible and the director and crew were inexperienced. There was very little hope in making it a good film. It was a rookie error to agree to it, but I’m glad that I made the mistake so that I know NOT to repeat it in the future.

Favourite actors?

I couldn’t possibly say! There are too many to list! I admire any actor that I feel safe with, anyone that I can watch and not have any doubts in my mind that I am about to be entertained.

Tell me about Ashes to Ashes

Ashes was probably the most fun I’ve ever had on a project to date. There was just this fantastic vibe to the atmosphere, like everything there just fit together perfectly. We had a fantastic cast, the crew were very professional, everyone was friendly and the storyline looked amazing. It felt like a true honour to be a part of the production.

What do you think of the industry at the moment?

If I’m honest I’m not entirely sure what to think of the industry at the moment. It seems to be lacking in a logical structure.

Gone are the days where you could start out in Rep Theatre and work your way up the ladder so I can understand how many young aspiring performers find it difficult to work out where to begin in an acting career.

These days as young actors, people seem to be very keen to pigeonhole us quite early on in our careers, or ‘type’ us so to speak, so that we end up playing similar roles. And politics in the acting game seem to be quite illogical at times too. Iit’s almost like people are terrified to take a chance of any kind these days, so they stick with safe decisions. Talent scouts no longer seem to exist either. It all seems to boil down to what drama school you went to and how successful your last show was.

Did you train? Do you recommend it?

I did indeed train but I never finished the course. One thing that was bugging me about drama school was that they focused primarily on the performing skills and neglected to teach how to function in the industry. It also bothered me how I felt like I was living in a bubble and that my fate was, to a certain extent, out of my control. Don’t get me wrong, I’m not dead set against drama training, It sure as hell doesn’t do you any harm, it just wasn’t for me. I learn better from hands-on experience, so I cannot recommend it, but I don’t discourage it either.

What is your advice for aspiring actors?

I’m of the mind that if you want to be an actor, then don’t do it. If you’re going to be an actor, then do it. It sounds petty, but that slight difference in attitude makes all the difference. Loads of people want to be actors, but only a small percentage will actually go out and do it, so get out there, dive in, explore options, make mistakes, learn from them, and for the love of God don’t let anyone tell you: “You’ll never succeed as an actor”.

What’s next?

Well, now that I’m all fired up from answering that last question, I’m going to follow my own advice from above, dive back in and I’ll see you in theatre or on screen at some point.

What Price Feminism?

Is feminism a dirty word? You would think so by how some people respond to the word.

Feminism is not an easy subject to write about. It has so many connotations. So many people have an opinion on it. It brings up images of women burning bras and hating men. Losing the entire point of it: equality.

What I started writing this article I put out a twitter and Facebook plea for comments about feminism. Tamsin Omond came up with a fabulous quote from J.Winterstone on lesbians: ‘they have a confidence about them that doesn’t depend on the male view. that is sexy and it is new.’

Then came the obvious,

Forbes KB: ‘Right after you finished the washing up and the ironing I hope!’ Luckily, I know he is joking.

Darren Errol Clarke did much better: ‘I dislike the word “Feminism”! It conjures up so many wrong images. Everything should be about sharing and equality, but the name doesn’t depict that!

A warrior from the Amazon once said that she was shocked that Western women were so …weak and that they were referred to as “Flowers”! She was upset that she couldn’t “See” the flowers that they were talking about. She said, “Flowers are strong, adapting, versatile and beyond the visual. A flower can be destroyed, yet come back as beautiful as before and more than before. The humans I see before more me represent nothing more than a shadow of their true potential.”

Whilst man has a lot to answer for in history, women have come through and stamped their individuality through out. I think that when women were striving to be better than the men that suppressed them they were irrepressible, but now they have joined in the drunken madness that is today’s civilization. I hope that the mantle isn’t totally buried, as it would be nice to see more women bring true equality to the world and not the fallacy that is the modern world.’ Good points there.

Lynn Burgess: ‘It’s not about pushing a female agenda. It’s about equality.’

Caroline Gold: ‘Look to the working class women and you will see there is still disparity and it’s about more than legislature. We are not a minority. Feminism is just humanism for all. Go girl!

One of the best came from film director Richard Wright: ‘Ultimately its not about pushing a female agenda or pushing a male agenda its about pushing an agenda of tolerance and understanding no matter who it is. It’s about equality across the board not the positive discrimination of one over another, that doesn’t work because it’s still discrimination. The argument should be about how we, together as a society, create a better tomorrow and where we all fit in no matter who we are.’

Amen to that.

The London Underground is never a nice place at rush hour. A few million Londoners trying to get home means stress is high and manners non- existent. Spending a 20 minute journey with your face in some strangers armpit is common. This did not prepare me for being shoved out of the way by a man so he could sit in the last seat however. That’s right: actually pushed out out the way. Not only are manners dead, but so is chivalry.

This got me thinking about equality. I always offer to pay on dates. While discussing this with a male friend he mentioned that he thought women should always pay for themselves, after all, wasn’t that what feminism was all about? What we were fighting for all these years? Well, no. It’s not. We seem to have got the worst of both worlds. No chivalry and no equality either.

I recently read an article by James Delingpole in which he claimed, because times are tough, that only boys should be sent to public school, because his daughter could just marry a rich man. Which was more funny than offensive until I read Mary Dudley’s response that she would be sending her daughter to public school instead…so she could marry a rich man. Apparently Kate Middleton wouldn’t have had a look in if she had not been to Marlborough. Doors to manual indeed. What century is this? How Jane Austen.

We were fighting for equal pay: which we haven’t got. To have any career we want without hitting a glass ceiling. To not be though of as the weaker sex. Not better than men, just equal. With different strengths. This is all low rumbling compared to some countries. Although there is a female Prime Minister in Australia and female president in Finland, in Britain we have 126 female MPs, out of 646 members of British Parliament. Where have all the women gone?

Then there is the other thing that is holding us back: other women. I have lost count of how many times I have had another actress try and sabotage me or overheard a women bitching about me. On a set recently an older actress came up to me and said; ‘You will be just like me one day. You will lose your beauty, you will have nothing left. It all goes.’

Can we really reach our true potential if we are wasting energy stabbing each other in the back? I have an amazing group of female friends now, but it took years to find them.

Then comes all of the depressing statistics. 1 in 4 women have experienced rape or attempted rape, 95% of cases are never reported, 23% of reported cases are ‘no crimed, ‘ or thrown out, by the police. Over 66% of reported cases never make it to court and the conviction rate is a depressing 6.5% for reported cases. It seems rape is the easiest crime to get away with.

In Afghanistan the female soldiers were more afraid of their colleagues than the front line. 30 percent of female US soldiers have been raped, 71% sexually assaulted and 90% sexually harassed. Four out of five cases go unreported. Helen Benedict, author of ‘The Lonely Soldier: The Private War of women serving in Iraq’, believe rapes occur not because the soldiers are sex starved, but because they enjoy humiliating female colleagues. ‘A lot of men think women shouldn’t be in the military and feel threatened. I think a lot of sexual predators sign up because of the power they’ll wield.’ Helen goes on to say that, ‘There is a culture of sexism on the military and women are seen as sex objects.’

Then there is gendercide. 100 Million girls have disappeared. In China and Northern India 120 being born for every 100 girls. Most girls are aborted. In Iraq they stone women to death and have to be covered from head to toe. They cannot even leave the house without their male relatives. Even if they are younger than them.

So am I a feminist? I don’t care about what people think of the word, or of me for using it, as long as women are stoned to death, sold into slavery or aborted just because of their gender, the answer is yes. My name is Catherine Balavage and I am a feminist.

Facts and Figures.

3 Million women and girls are slaves in the sex trade.

An estimates 18,000 women (some as young as 14) are working as sex slaves in the UK.

Women aged 15-44 are more likely to be killed by men than cancer, malaria, car crashes and war combined.

130 million women worldwide have had their genitals mutilated.

In the past 50 years, more women have been killed because of their gender than all the men in all the wars of the 20th century.

And a beautiful quote.

Mao Zedong said “women hold up half the sky.” So don’t let it come crashing down.

http://www.unwomen.org/