The Society Islands, The Big Sleep | Music News

Band/Artist: The Society Islands
Location: Cologne, Germany
Styles: Indie Pop, Neo Folk, Dream Pop
Similar to/RIYL: Tame Impala, Grizzly Bear, Unknown Mortal Orchestra, Porcupine Tree, Brian Eno
CD: The Big Sleep
Release date: September 26 (digital), November 14 (CD)
Members/Instruments: Boris Rogowski (vocals, guitars, bass, keys, woodwinds, percussion, drums), Moishe Lichtfuss (Saxophone), Benedikt Filleboeck (Trumpet), Isabelle Holder (vocals), Eva Bardo (vocals)
Production: Boris Rogowski


Bio: 


The Society Islands is the solo project of the Cologne, Germany based singer and multi-instrumentalist Boris Rogowski whose other musical ventures include work as composer, studio and live musician for domestic bands and artists like Klee and Gentleman. He is also a founding member of the psycho pop quintet DIE SONNE.

thesocietyislands

His music as The Society Islands oscillates between neo-folk, dream pop and indie rock and is further characterized by unconventional stylistic shifts, ominous undertones and its creator’s firm belief that there is no such thing as bad influence.

“The Big Sleep” opens with the monologue of a person in a drug-induced state of wonder whose discovery that she “can’t use colour” only leads her to the conclusion that she “can do everything” – an adequate way of introducing an album full of musical and lyrical arrangements that never feel contrived or formulaic, but rather like something discovered by chance – in a state of somnambulistic certainty. The songs manage to conjure up musical and emotional landscapes which are as engrossing as they are hard to pinpoint; like dreamscapes, they tend to shift, blur and bleed into each other. 

“The Big Sleep” as a whole can be read as a meditation on impossibilities: There is no way to start over with a clean slate, to change who you are or to make beauty – or even happiness – last forever. It would be a depressing sentiment, were it not coupled with the one good reason to keep trying: the endless creative power of discontent. 

 

 

The Oxford Coma, Morphine | Music News

 

Band/Artist: The Oxford Coma
Location: Phoenix, AZ
Styles: Heavy Psychedelic Rock/Metal
Recommended if you like: Tool, Dillinger Escape Plan, Nirvana, Primus, the Melvins, Neurosis
CD: Morphine EP
Release date: 12/2/14
Accolades: CBGB Festival 2013, opened for Soulfly and Fear Factory, Finalist in KUPD’s Playdio competition for best band in Phoenix, Summer Tour 2014

 

theoxfordcoma
Members/Instruments: Billy Tegethoff (guitar/lead vox), James Williams (bass/vox), Anthony Chamberlain (drums/vox)
Production: Recorded and Mixed at Audioconfusion by Jalipaz, mastered by Matthew Murman at Matthew Murman Mastering



Bio: The Oxford Coma is a three piece heavy psychedelic rock band operating out of Phoenix, AZ.  The band has released a full length LP entitled Adonis which was critically well-received in the US and western Europe after its release in 2012. Their new EP ‘Morphine’ drops on 12/2/14.  

The Oxford Coma is endorsed by Orange Amplifiers. The band played the international CBGB Festival in NYC in 2013. They have opened for Soulfly, Fear Factory, and Amaranthe and successfully toured the continental US in summer of 2014. In 2013 they were finalists in KUPD’s annual Playdio recording/live competition for best band in Phoenix. You can catch them every few months playing in the Phoenix valley area or regionally at venues like the Whisky in LA.

 

 

Vision the Kid & Tru Somewhere In A Dark City | Music News

visionthekid

Artist: Vision the Kid
Similar to: Macklemore & Ryan Lewis, J. Cole, Brother Ali
Label: Be Easy Music
Accolades:
* VTK was voted Best Local Rapper in a poll by Minneapolis publication Vita.mn
* Tru’s production was featured in Minneapolis publication City Pages’ Gimme Noise Beattape

Bio:
Vision the Kid & Tru are a rapper/producer duo based in Minneapolis. They are set to release their second full-length album, Somewhere in a Dark City. In 2013, Vision the Kid was voted Best Local Rapper in a poll by Minneapolis publication Vita.mn. In 2014, Tru’s debut instrumental album, Smokers Lounge, earned a glowing review from Minneapolis publication City Pages and inclusion in the fourth volume of their Gimme Noise Beattape.

The duo first saw success with Vision the Kid’s debut album, Lost Summer, which lasted over 10 weeks on the College Media Journal’s Hip-Hop charts, peaking at #12. The debut music video, “Lost Summer,” is featured on MTV.com, along with an MTV artist page. The duo’s most recent Ep, BrokenRadioLove, also appeared in CMJ’s Hip-Hop charts, holding a Top 40 spot for multiple weeks. Their single “Live from the Midwest” has been featured on both MTV’s The Real World and E! Network’s Kourtney & Kim Take Miami.

Somewhere in a Dark City displays the type of growth listeners and critics want to see from artists. It is densely personal, at times vulnerable, but overall an invitingly listenable record. Mixing true stories of drug addiction and heart break with tracks of pure, danceable braggadocio, Vision the Kid & Tru set out to make a Hip-Hop record that sounds as current as it does timeless, as personal as it is universal, and as much party as it is poetry.

Vajra Blind | Music News

 

Band/Artist:  Vajra
Location: NYC
Styles:  Dark, Alternative, Progressive Art Rock with Eastern Indian Themes
Similar to/RIYL:  Tool, Dead Can Dance, A Perfect Circle, Lacuna Coil, Kate Bush
Single title: Blind (Blood Mix)
Members/Instruments: Annamaria Pinna (Vox, Composer, Keyboards), Kevin Jones (Bass), James Rosenberg (Guitar); John Keener (Drums, Percussion)vajratemple Production: Written and Produced by Annamaria Pinna Vocal Production by Annamaria Pinna & Sylvia Massy Shivy Recorded at Vacation Island Recording by Matt Boynton & at Radiostar Studios by Sylvia Massy Shivy & Ian Rickard Mixed at Radiostar Studios by Sylvia Massy Shivy & Rich Veltrop Mastered at Precision Audio by Tom Baker *Blake Fleming (Ex Mars Volta) drummed on the single.

Bio: Vajra was formed by composer, singer and multi-instrumentalist, Annamaria Pinna during her self-imposed exile in India. The child of a former monk and school teacher, Annamaria was encouraged to learn about the world around her and to question her assumptions. She believes there is divinity in creativity. Annamaria has a neurological condition called synesthesia, where she attaches color and shapes to sound. Vajra’s music is hauntingly dark and hypnotic weaving Eastern Indian themes with melodic, progressive rock creating foreboding and mysterious lullabies. Their debut album “Pleroma” was released on the Summer Solstice, 2012 (6.21.12). Pleroma is an exploration in paradox (east vs west, soft vs pummelling, female vs male) and includes Blake Fleming (ex-The Mars Volta) on drums. Sylvia Massy (Tool, System of A Down, Prince, Johnny Cash) co-produced the vocals and mixed. Tom Baker (NIN, Foo Fighters, Ministry, Prince) mastered. Vajra is a force and is quickly generating a buzz after selling-out their first show in November, 2011 (at The Bowery Electric in NYC).

 

 

aCr Ghost Note Manifest | Music News

Band/Artist: aCr
Location: Houston, TX
Styles: Post-Future Rock
Similar to/RIYL: Queens of the Stone Age, Russian Circles, Red Sparowes, Fugazi,
CD: Ghost Note Manifest


Members/Instruments: aCr – everything.  Drums on The Mechanical Motion of Dying Stars: Ryan Jimenez; Drums on “Turnstile Intervention”: Jason Sherman.

aCr

Tracklisting: The Mechanical Motion of Dying Stars, Turnstile Intervention, 1st Assumptions vs. 2nd Doubts


Bio: Ghost Note Manifest is the first solo effort from Alvaro Che Rodriguez (aCr), guitarist/vocalist of Liquid Casing. GNM isn’t about laying out one’s inner soul for everyone to see, but only represents a snapshot in time while trying to decipher one’s own riddle.
The three song set was written, produced, and performed by aCr with some help from Ryan Jimenez and Jason Sherman on drums.

 

 

 

Nehedar, The Warming House | Music News

Band/Artist: Nehedar
Location: New York City
Styles: Folk, Rock, Americana, Pop, Punk, Electropop
Similar to/RIYL: Patti Smith, St Vincent, Regina Spektor, Fiona Apple, PJ Harvey
CD: The Warming House
Release date: Aug 13, 2014Accolades:  Mother Jones Reader Choice Picks for 2011, My Roommate Is An @$$clown Video Screened at Libelula Animation Festival in Spain, Performing Finalist at We R Indie Songwriting Competition 2011Members/Instruments: Emilia Cataldo: Vocals and Guitar, Craig Levy: Bass, Drums, Synth, Craig Judelman: Violin, Jennifer Harder: Trumpet, Michael Hitchcock: Guest Vocals

Production: Craig Levy at Little Pioneer Cider House in Brooklyn NY

Nehedar

Bio:

Nehedar is the project of NYC-based singer/songwriter Emilia Cataldo, who is releasing her 7th independent album “The Warming House” on Aug 13.

On the new record, Nehedar continues to blend her antifolk-rock style with other unexpected sounds and genres, only this time with a deeper Americana influence. The result, is mesmerizing.

The Warming House – which is the artist’s first crowd funded album and was recorded in Brooklyn with producer Little Pioneer (Craig Levy) – takes listeners on a journey spanning down-home fiddling to majestic horn parts to electronic beats, from angry punk to upbeat pop to sad folk to playful country tunes to feminist anthems.

While blending and shifting between genres has always been part of the music of Nehedar, The Warming House represents a true crystallization of her all-embracing, diverse musical style. It is the artist at her most mature and fully developed stage.

Cataldo began performing her original music in Williamsburg, Brooklyn, and NYC’s Lower East Side in 2003, and the anti-folk influences from those early years still shows.

She released her first album “Pick Your Battles” in 2007, and has released one album per year, every year since.

To gain a deeper understanding of Nehedar, one needs to understand her eclectic background.

The child of free-spirited, nomadic musicians, Cataldo grew up exposed to a wide variety of cultural and musical influences – treasures she has drawn from to create her richly layered recordings that have always been best described as original.

Her father is a saxophone playing Nuyorican (Puerto Rican New Yorker) jazzman. Her mother was a classically trained piano teacher who liked folk music. Together, they would shut themselves up in their room every night to practice while their six young children ran wild.

The music of Nehedar reflects Cataldo’s fascinating journey through life From the Latin influenced environment where she helped her father run his liquor store as a girl in Miami, to a troubling adolescence in the fascinating midwestern town of Zion, Illinois (which she draws from in The Warming House’s nostalgic title track).

Cataldo left Zion at 17, and traveled with the Rainbow Family of Living Light, where she began learning about her mystical Jewish heritage. That led to her taking on the name Nehedar (which means “wondrous” in hebrew) for her and her band, and Jewish mysticism continues to infuse her work.

July – All Year Round | Music News

julyresurrectionJuly made an album in 1968 that has some of the greatest psychedelic rock music ever put to wax in its grooves , The band were initially called the Dreamers then The Tomcats and in 1968 after securing a label contract with Major Minor Records with new manager Spencer Davis they became known as July.

The album at the time of its release did not sell that well but has since become one of the most collectable records of not only its time but of all time and it’s fair to say that its rightful place as one of the very few albums that will transcend time and space is now secured, this leads me nicely into in fact why I’m doing this review! It’s the brand new album by that very same band.

JULY – RESURRECTION

Tom Newman, Pete Cook, Chris Jackson & Alan James reformed July around 2009 and this new album is just like a continuation from that marvellous record of 1968, if you are a true fan of music that is made by musicians who truly care about the art form of sounds which can conjure up feelings and indeed thoughts to take you to those very special places we all know exist but in real terms very few embrace then this album and this band are your very own first class ticket to ride!!

July – Resurrection is like listening to all your favourite bands at once but still retaining their own very special distinctive, unique, quirky, idiosyncratic, isolated, does not sound like anything else charm. It would be easy to say The Beatles , Xtc , Blossom Toes, or even Jethro Tull but that could be say my comparisons on that level as easily as someone else might say The Koobas ,SRC , or even Captain Beefheart, but then again ALL that stuff is in there somewhere . Check out `can I go back again` for instance. These are the sounds of JULY, A great album by a great band of musicians. Do yourself a favour now.

Album available now at http://www.griffiths-clothing.com
http://en.wikipedia.org/wiki/July_(band)

 

 

Rival Empire “Self-Titled” | Music News

artworks-000086590912-46r2ua-t200x200
Band/Artist: Rival Empire
Location: Chicago, IL
Styles: Alternative Pop/Rock, Synth-Pop, Electronic Dance-Rock, New Wave
Similar to/RIYL: Duran Duran, Cut Copy, The Killers, Friendly Fires
CD: (Self-Titled): Rival Empire
Members/Instruments: Steve Rivera – (Riv): All Electronic Instruments: Drums, Bass, Guitar,
Piano, Synths, MIDI, and Vocals.
Matt Koliopoulos – (MFK): Lead Vocals.
Tim Franz – (Frantana): Rhythm & Lead Guitar.

Production: Steve Rivera: Producer, Recording & Mixing Engineer
Primary Recording & Mixing took place in: Home Studio, as well as, “The
Bunker” on Paulina / 35th Street Studios in Chicago, IL.
Final Stem Mix/Mastering Completed By: Crazy Daisy Productions in
Beaverton, Oregon.

Bio: The Rival Empire is an idea, born out of randomness and captured in the moment. The Album came from the most simple of beginnings. Two old college buddies, lets call them Matt & Steve, were hanging out one summer night when Matt said, “Hey, let write some songs.” Steve’s response, “For sure.” A few months down the road our two old friends met a new gentlemen along the way, lets call him Tim, and said “Hey Tim, we’re writing some tunes”. Tim’s response, “I’m in.” And so there were three, and so they wrote…

After writing their first three songs they realized that each of the songs were very different from one another, radically different in fact. They had started off by writing a dance song, a reggae song, and electronic rock song. At this point they probably should have questioned what in the hell it was that they were trying to accomplish. But that question never arose, and an idea did instead. That idea was the Rival Empire.

The Rival Empire was from then on not meant to be about writing a single genre album with a common style. However, the album was not necessarily meant to be about genre chaos either. They simply wanted it to be free from the more familiar structures of the “mainstream” album. Once you give the album a good listen you will clearly see that they still wanted to capture the essence of several popular genres, with the “Theme” serving as the main commonality and unifying factor. The principal theme here is an introspective and often satirical look into oneself, society, and pop/mainstream culture. Interestingly enough, throughout the writing
process, sometimes the best way to convey that theme was through the combination of genres within a single song, ie. Casino. Also, taking it a step further they also found that integrating key portions of popular songs into there own work added the artistic and satirical punctuation necessary to deliver their intended message, i.e. Reagan’s Rancho Del Cielo, Cameo Crush, Casino.

(Rival Empire would like to take a moment here in advance to respectfully thank: Phil Collins, Fleetwood Mac, Michael Jackson, Ronald Reagan, Christie Brinkley and their corresponding Publishers/Rights Owners, for their understanding of Rival Empire’s artistic use of repurposed lyrics and minor compositional melodies from: One More Night, Little Lies, Billie Jean, Ronald Reagan’s excerpts, and Ms. Brinkley’s namesake, respectively. All of the above uses were designed carefully to
fall under the fair use protection of section 107 of the Copyright Act. The uses of these works are clearly transformative and parodic, intended to serve as comment and social criticism. The key factor here being social criticism and commentary, as there is no intention of malice toward the above-mentioned persons.)

Beyond taking the above-mentioned artistic liberties, our friends at the Rival Empire, simply wanted to write songs that they enjoyed and that hopefully provide some meaning to you as the listener. This is a crucial element, because the Rival Empire isn’t only about the creation of what might seem to be at times, outlandish music. It’s also about we as people and viewing ourselves from a different perspective. Creative expression, social criticism, plain old fun, and free thinking is part of the essence of who we are as people. So if we all for a moment can step out of our collective structures and into the randomness, we can rise as a Rival Empire.