My Writing Process Michael Arditti

 Michael Arditti , authorWhat you have written, past and present

I am the author of eleven novels and one book of short stories, all of which have either been published or reissued by Arcadia and all of which I’m pleased (and proud) to say are currently in print.

I began my career writing plays for the radio and the stage, the former with more success than the latter, although I had a very happy experience writing The Volunteer for the National Youth Theatre in the 1980s.  Meanwhile, my play, Magda, about Magda Goebbels and Eva Braun in Hitler’s bunker, is to be produced in Latvia this autumn.  Nevertheless, I hate conflict in any form, and I learnt relatively early that such talents as I have are better suited to the reflective, discursive medium of fiction than to the more confrontational medium of drama.

What you are promoting now

The paperback edition of The Anointed, a novel about King David, narrated by his three most significant wives.  The novel came out at the beginning of lockdown last April and, although sales were hit by the closure of bookshops, it was widely and well received, with the Evening Standard describing is as ‘#MeToo meets the Old Testament.’  That somewhat catchpenny phrase neatly sums up the book, in which three women, Michal, Abigail and Bathsheba, who are side-lined and almost totally silenced in the Bible, are given their voices and enabled to give their views of Ancient Israel’s greatest hero.

A bit about your process of writing

I am a ‘morning person’ and write from 6 or 7 am until 1 or 2 pm, with breaks for breakfast, herbal tea (and sugar-free biscuits!).   I very rarely write in the afternoons, preferring to read, listen to music or see friends.  Until last autumn, I worked as a theatre critic and spent three or four evenings a week in various auditoria.  I’m slowly adjusting to the new rhythm of life.

Like many writers, including my hero, Marcel Proust, I write in bed.  I always have done, since for me it offers the perfect mixture of freedom and constraint.  In 2001, I suffered a severe back injury, which has left me slightly disabled, so lying, propped up by pillows, with my laptop carefully positioned, is my most comfortable position.  Friends, who previously thought me self-indulgent and lazy, now think me practical and brave.  A great relief!

Do you plan or just write?

I feel a mixture of awe and envy for anyone who does things that I can’t (from swallow-diving to fixing computer glitches).  The same goes for writers who open a blank page (or a Word document) and write the first sentence of a novel, without having any idea of what the next will be.  In my own case, I need to know the arc of a novel before I can start.  Of course, the characters lead me in unexpected directions, and we all know what happens to the best-laid plans of mice and men.  But I do need to have a plan in place, to be able to deviate from it creatively.

What about word count?

I pay no attention to word counts whatsoever, either in having to complete a certain quota every day or in requiring a book to be a certain length.  Every novel is different.  My longest, Of Men and Angels, is around 180,000 words, and my shortest, The Young Pretender (about the Georgian child actor, Master Betty, which is to be published next January) is 55,000.  But the majority of my books, including The Anointed, are around 120,000 words.

How do you do your structure?

Structure is very important to me.  It should say as much about the matter of a book as the story itself does.  When I mentioned that I always had a plan before starting, I was referring to a structure rather than a plot.  For The Anointed, I worked to a readymade plot for only the second time in my career (the first was A Sea Change, which tells of the ill-fated voyage of the St Louis, a ship taking almost 1000 Jewish refugees from Hamburg to Havana in 1939).   The biblical Books of Samuel follow the course of David’s life from his gilded youth to his despotic old age, although, from my point of view, what they leave out was as important as what they put in.  

Once I resolved to tell David’s story from the women’s perspective, everything fell into place.  Michal, King Saul’s daughter, bears witness to his youth at her father’s court, his early military prowess, and his relationship with her brother, Jonathan.  Abigail, a wealthy widow who facilitates his rise to power, knows him as a skilful (and ruthless) politician, prepared to betray his countrymen to the Philistines, and usurp his father-in-law’s throne.  Bathsheba, the best known of the three (largely because her nude bathing has been a gift to painters down the centuries), encounters him in old age, raping and murdering at will and unable to control his children.  Their stories intertwine and, at times, contradict each other, reflecting the many inconsistencies in David’s character.

What do you find hard about writing?

I could say ‘everything’, although that would be too glib and not entirely true.  Ever since I published my first novel, The Celibate, in 1993, I have met people who tell me that they too would write a novel, if only they ‘had the time.’  I listen politely but wish that they had both more sensitivity and understanding of how hard a profession it is.  It requires both self-discipline and self-confidence.  It is a long, solitary process, at the end of which you can be harshly judged, both privately by friends and colleagues, and publicly by critics and readers.  It isn’t manual labour but it is often utterly draining.  If the writing is honest (as it should be), it can be very painful both for yourself and those to whom you are close.

What do you love about writing?

Once again, I could say ‘everything’ and, once again, I would have to qualify it.  To be able to create a fictional world is a gift and to have the chance to share it with readers a privilege.  Losing oneself in one’s work so that all outside concerns and distractions disappear is the most glorious sensation, bettered only by reading through one’s writing at the end of a chapter and not knowing the genesis of a particular incident or exchange but knowing that it is absolutely right.

The Anointed by Michael Arditti is out in paperback by Arcadia.

 

My Writing Process Julie Shackman.

I am a writer of feel-good romance and live to the North of Glasgow with my husband and two sons. I trained as a journalist and studied Communication & Media, but I always wanted to be an author. We  adopted a Romanian rescue puppy, who we named Cooper, just before Christmas and he is often my writing companion!

What you have written, past and present. 

A Secret Scottish Escape is my fifth published book. My first two novels, Rock My World and Hero or Zero, were published digitally by the London based publisher Not So Noble Books and my next novel after that, A Room at the Manor, was released by Allen & Unwin. Book number four, The McKerron Castle, was released in audio by Bolinda.

Years ago, I also had two children’s picture books published in Dublin, but I always wanted to write feel-good, escapist romance and that is the genre I love to read.

What you are promoting now. 

I am promoting my latest feel-good romance, A Secret Scottish Escape, which is being released by the wonderful HarperCollins imprint One More Chapter as an ebook on 21 May and in paperback on 19 August. I can’t wait to share the tale of Layla and Rafe!

A bit about your process of writing. 

I find it very difficult to write straight onto the PC, so I tend to write long-hand in one of my many notebooks (!) and then type it up. I usually go to my favourite tea shop to write, but since lockdown, that hasn’t been possible, so I have been learning to write on the sofa, in the kitchen and whilst staring out of the window in the office! I also have to have music playing. Listening to lyrics seems to work for me as well.

Do you plan or just write?

I used to be a real panster, but have got a little bit better since  my last couple of books. I haven’t been planning everything, but write more detailed notes now on character background, settings and where the story is headed.

What about word count?

I just tend to write the first draft, get it all down and then tweak polish and edit after that. if I can write about 1k-1,500 words a day, I’m pleased with that. The most I have ever written in a day was 4,500 words. I wouldn’t like to do that too often!

How do you do your structure?

I make lots of bullet points in my notebook, referring back to themes and characters. It can look rather chaotic, but it seems to turn out ok in the end!

What do you find hard about writing?

I procrastinate alot! I also have a habit of browsing through social media or reading the paper and then have to have a stiff word with myself.

What do you love about writing? 

I love creating worlds and characters that readers can hopefully lose themselves in. I think we all really need to be able to do that – especially now!

Advice for other writers. 

Don’t ever give up. Keep going, keep writing and keep reading. A published writer is an unpublished writer who never quit.

UK Amazon Link –

https://www.amazon.co.uk/Secret-Scottish-Escape-heartwarming-women-ebook/dp/B08T5WWNDR/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr=

US –

https://www.amazon.com/Secret-Scottish-Escape-Julie-Shackman-ebook/dp/B08T5WWNDR/

 

My Writing Process Joy Ellis

1) What have you written, past and present.

To be honest, quite a lot, and mainly in the last five years. I’m at present writing my 26th book for Joffe Books, but have two more completed novels lurking in a cupboard (and in a completely different genre) that will probably never see the light of day. There are twelve books in the DI Nikki Galena, Fen Series; seven in the DI Jackman and DS Evans series; three Matt Ballards; and one stand-alone novel. Oh, and two more completed and already in the editing process with my publisher. Right now I’m working on book thirteen in the Fen Series. I sometimes wonder just how much mileage you can get from one detective, but from the messages sent to me by the amazingly supportive ‘Nikki Fans’, I’m beginning to think I’ll rival Coronation Street for longevity! 

2)What are you promoting now.

At the moment, because of it being shortlisted for The British Book Awards, Book of the Year, Fiction: Crime and Thriller section, all interest is on The Patient Man, Book 6 in the Jackman series. I loved writing this book as it was one that allowed me to use some wonderfully dysfunctional characters, and a particularly vindictive and vengeful killer who had set his sights on Jackman and Marie. I have to confess to enjoying writing the ‘baddies’ as the scope of what they are capable of is endless. Having said that, I always strive for a satisfactory outcome, which means good triumphing over evil… well, most of the time…

3) A bit about the process of writing.

It always starts with asking myself, ‘What if…?’ Just a thought, a vague idea that almost instantly begins to escalate. At that point I grab a notebook and scribble down these tenuous threads that might lead to a new novel. A whole book can materialise from a couple of lines hurriedly written in a notebook. They sometimes take the form of a cameo; a brief scene played out in my mind, and that becomes the foundation for the novel. A perfect example of this was when I was considering a plotline for one of the earlier books in the Fen Series. I envisaged the collapse of a building, trapping two strangers, a man and a woman. Believing the injured woman trapped with him to be dying, the man confesses that he has just killed someone. But, what if she didn’t die? What if she remembered what he had told her? And what if, he discovered that she was still alive? No more was needed to begin writing Stalker on the Fens.

4) Do you plan or just write.

I’m an organic writer, so once I have written Chapter One, I’m off! No detailed plans, I just work with my basic idea and run with it. I firmly believe that I set the scene, introduce my characters, then hand the whole thing over to them to do as they will. If I don’t, half the time they highjack the story anyway! 

5) What about word count.

It’s a little bit odd, but I seem to write each novel to finish up with a similar word count. It’s not intentional, as far as I’m concerned, the book is as long as it needs to be. It just works out that way. I use Word for my manuscripts, type in Times New Roman, font size 12, and always double space the text. For four books in a row, when I finally typed those wonderful words, The End, it was on page 406, and I have no idea how that happened. As to wordage, it’s generally around 120,000 words. My last book was a little longer and came in at 127,949 words, but of course that’s before my editor gets to work and prunes it heartily! 

6) How do you do your structure

This is quite hard to describe, because although I know how important it is, especially for a new writer, to structure a book well, it isn’t something I do consciously. Perhaps because of having written so many books, I’ve found a mental blue-print, and work to that automatically. And it’s as simple as one, two, three… because that is exactly what it is. A beginning, a middle, and an end. I’ve always thought of it as three acts, the first where you introduce the characters, the location and present the problem; the second where that problem is confronted; and the final act, where the problem is solved. And through all of this I endeavour to keep up the tension, and pay careful attention to the pace of the novel. Pace is incredibly important, and I see that as a wavy line with peaks and troughs. Build the pace and hold it, then slow it down and allow your reader to breath again! Then stick them back on the roller-coaster for a while! If you don’t give them time to gather themselves, they will fall, exhausted and gasping, across the finish line and wonder what on earth that was all about. Even if I’m not totally conscious of it, I know I’m aiming to structure my book to continually connect with my reader and keep them with me, page after page, until we reach a satisfactory ending… together.

7) What do you find hard about writing.

About the actual writing, very little! The hard part is when life gets in the way! If I’m on a roll, I really resent appointments, and doing all the things that still have to be done to exist. And as I’m not exactly in the first flush of youth anymore, sitting for long periods of time does me no favours! I am sometimes forced to stop simply through pain, and that is irritating beyond words, especially if the muse is with me. Yes, for me, the hardest thing about writing is striking a work/life balance, and I can truthfully say, that’s one thing I’m rubbish at!

8) What do you love about writing.

How long have you got? I love everything about writing. Recently however I’ve come to realise things that I never truly appreciated before the pandemic. I’ve always loved books and reading. My favourite present at Christmas as a child would be a book. It provided escapism, company, and adventure. Now, from some of the heart-warming messages that I’ve received in the last year, I’m understanding how much deeper this goes. Books have been an absolute  lifeline to so many people during this worldwide period of isolation and fear, and it’s really come home to me that writing books, is actually helping people to cope in extreme situations. It’s very humbling, and some of the stories I’ve been sent have literally reduced me to tears. So, I have to say the thing I love about writing the most, is finally understanding the positive power that books have to really make a difference.

 

My Writing Process: Marika Cobbold | How I write.

monika cobbold, author. in hampstead heath. What you have written, past and present.

I’ve written eight novels, a number of short stories, and I also write for newspapers, here in the UK and in my native Sweden.

What you are promoting now.
We authors prefer to think that we’re not so much promoting as drawing your attention with cunning and stealth, but leaving that to one side, my new novel, On Hampstead Heath is just out so, of course, I want everyone to know about it. It’s a novel about Truth and its ugly stepsister, Fake News and it tells a news story written and filed, in haste and a haze of gin, by my otherwise principled journalist protagonist, Thorn Marsh. Written and deeply regretted the morning after, by which time the story of the Angel of the Heath has gone viral and it’s all Thorn can do to survive the fall-out. It’s a serious book, at heart, but also, I hope, fun to read.

monika cobbold, author. in hampstead heath.

A bit about your process of writing.

Slow, is the best way of describing it. On Hampstead Heath, at some 240 pages, is a relatively short novel, but it, or variations of it, took me the best part of ten years, and some several thousand discard pages, to write. Not all my books have proven so challenging to write but the process is similar with each one: I dream and think and make notes by longhand. (I’ve discovered a wonderful make of notebooks called Leuchtturm, they’re a bit like Moleskin but even nicer.) A filled notebook or two later, I sit down to write the book proper, always straight onto my laptop. My handwriting is too painfully bad to lend itself to long-form. I then go back over and over the same fifty or so pages, perfecting every last word. I eventually progress, only to realise that most of those preceding pages are now redundant to the story and have to be discarded. It’s not so much “kill your darlings” as the Texas Chain Massacre.

What About Word Count.

I think more in terms of pages, but on average, I suppose I write between six and eight hundred words a day.

How do you do your structure.

Part of it is intuitive; I build my structure as I go along. Then, with each ensuing draft (I do at least ten complete drafts before I get to a version that I feel I can send to my agent and editor), I cut and paste and shape and shift. Finally, I print out and go through the entire manuscript, notebook in hand, for a final shaping of the text.

What do you find hard about writing.
I think an easier question, in my case, would be, What don’t you find hard about writing? To which the answer would be, the point where I’ve worked myself into near insanity over a number of months, or even years, to find the story really is beginning to take on a life of its own. By then I know my characters as well, or better than I know myself, and subsequently, the writing flows.

What do you love about writing?
That final push, and the rare eureka moments when I look over a paragraph just written and think, “That’s not bad, not bad at all!”.

On Hampstead Heath by Marika Cobbold is out in hardback by Arcadia.

My Writing Process: Maame Blue

writer, Maame Blue, bad loveWhat you have written, past and present 

After 4 years of writing it, my debut novel Bad Love has finally been published by Jacaranda Books! It was a bit of a travelling manuscript too because I wrote parts of it in London, New York and Melbourne. Aside from the novel, I’ve written short stories about a grandmother losing her memory, and a couple grieving the unexpected loss of a child. I’ve also written creative nonfiction about the perils of dating as a black woman living in Australia, and the experience of being a young psychotherapist. Presently, I’ve just written a piece for an anthology called Visual Verse, where writers are given an image and one hour to write a corresponding piece to it. This one was especially important to me as it was in tribute to the Grenfell tower victims and in support of the Black Lives Matter movement.

What you are promoting now

Right now I’m promoting my debut novel Bad Love – published by Jacaranda Books as part of their #Twentyin2020 initiative (to publish 20 Black British Writers in 2020), and it’s also available as an audiobook. Bad Love tells the story of Ghanaian-Londoner Ekuah and her tumultuous experience with first love, and how her subsequent relationships and those of her parents, eventually shape her identity.

A bit about your process of writing

Until a couple of years ago, my writing process involved fitting it around whatever full time job I had at the time. But more recently, I try to sit down and write on Fridays. I’ll have some herbal tea, pull out a notebook of a work in progress (I probably have too many of those) and then put a song on repeat that I feel best resonates with whatever I’m writing about. If I can get into that headspace for at least a couple of hours, I feel like I’ve done something, even if I only manage to get a sentence down.

writer, Maame Blue, bad love, book

Do you plan or just write?

I’m a great planner in life but not so much in my writing. If I mapped out a structure, I guarantee whatever I end up writing will be bad, because it automatically makes it feel like work. Instead I might have an idea for something, some story, with a very loose framework. I will have a vague idea of where I want it to go, but I keep it brief enough so that when I start writing and it goes in another direction, that’s ok.

What about word count?

I actually enjoy a word count. That might come from my other work in project management, but it’s the only sort of hard structure that my writing positively responds to. And the shorter the word count, the better – I like a challenge!

How do you do your structure?

Again, I’m a bit structureless. But if I’m commissioned to write something, I usually respond quite well to a theme or prompt as that tends to focus my mind a little more. With Bad Love for example, I knew that I wanted to write about complicated relationships, from one young woman’s perspective. The idea was to explore the multiple facets of love as it shows itself in relationships between people, and how each element impacts a person’s personality. But I felt that the strongest way to do that was to write it from an intimately personal perspective, showing the pitfalls and the small joys as they happen.

What do you find hard about writing?

Mostly it’s finding the time to write and giving it enough space to develop. There’s something I’m working on at the moment that I have to get into the zone for, so sometimes competing writing deadlines make that difficult. 

What do you love about writing?

The magic of creating characters from scratch and building an emotional world that hopefully resonates with the reader – positively or negatively. I don’t mind which, as long as it makes you feel something!

 

Maame Blue is part of Jacaranda’s #Twentyin2020 initiative. Her debut novel Bad Love is available to buy online, at Foyles and all good Indie bookshops, and as an Audible audiobook. https://maamebluewrites.com / @MaameBlueWrites

 

My Writing Process KL SLATER

After years of unsuccessfully trying to get my stories noticed from the slush pile, I went back to university to study for an MA in Creative Writing at the age of 40. Before graduation I’d secured both a literary agent and a book deal. I’m now a full-time writer and live in Nottingham. Sounds quick but it took a long time, if you count the ten long years of prior rejections.

What you have written, past and present.
I wrote four Young Adult books between 2014-2018, published by Macmillan Children’s Books. Then in 2016 I moved back to writing my first love: adult psychological crime fiction and that’s what I write exclusively today for Hachette’s Bookouture, a digital-first publisher. Audible publish my audiobooks and I’ve also written two Audible Originals exclusively for them. I’ve just written my fifteenth adult thriller.

What you are promoting now.
THE EVIDENCE, a psychological thriller I’ve written exclusively for Audible published 11th February 2021.

A bit about your process of writing.
I work best during the morning. This discipline is a throwback to working a full-time day job and writing between 6-8 am before I went out to work. Sometimes I write in bed immediately after waking and, on a good day, I can get a couple of thousand words down before I get up. But usually, after reading and surfing online for a while, I go downstairs to my office and start work between 8 and 9 am. In pre-lockdown days we’d go out somewhere in the afternoons. Remember that?

Do you plan or just write?
I used to just write a short blurb and that was the extent of my natural urge to plan. But writing commercial thrillers and a few a year, means I now have to plan the book more thoroughly … thoroughly for me, anyway. I’ll do a long outline which I agree with my editor and then add to it as I start writing. I don’t know a lot about the story at the beginning of the process, I just have my initial idea and a sense of how I want it to feel. It doesn’t mean the plot can’t differ from the outline – it nearly always does – but in order to provide the twists and turns the modern reader expects, there has to be some element of planning.

What about word count?
I write a few books a year so it’s essential I’m disciplined about achieving minimum daily word counts when I begin a first draft. I try and get a basic draft down in no more than a couple of months so I’m looking at 1-2k a day. I often add substantial word count during structural and line edits. Sometimes I like to use an app on my phone called Focus Keeper. The ticking timer drives some people crazy but it keeps me … well, focused.

How do you do your structure?
I tend to draft out my initial outline in the form of five acts to start writing to a recognisable shape. But I’m not a slave to a turning point at 10%, another at 25%, that kind of thing. I just find it a useful template to get me started.

What do you find hard about writing?
Stopping. I find it so hard to break off or have a whole day off so I have to force myself as there’s a real world out there and real people I care about and want to spend time with. I’ve found getting out of the house is key to breaking the spell. I’m constantly striving to achieve that illusive but tempting cliché: work-life balance.

What do you love about writing?
I love how the world and characters I’m writing seem so real. I love that I’m earning a great living doing something I would do – and for many years did do – for free. And I love writing digital-first; it’s incredible that 6-8 months after having a new idea, the book can be out there.

Advice for other writers.
Write. Sounds obvious but most writers I know, myself included, have a precarious state of mind that is prone to self-sabotage and procrastination. So many new writers – I used to be one of them – spend too much time striving for perfection instead of getting the book down and then using editing as a powerful tool to refine the story. It’s really hard to get something good the first time around. I like to think of the writing process as a kind of sculpting: starting with a lump of clay and through many stages and revisions, finally ending up with something good.

The Evidence by K.L. Slater is available exclusively on Audible now.

My Writing Process – Emma Eker.

I’m a searcher – always have been, potentially always will be. I’ve questioned the status quo from the moment I had the capacity to do so – finding myself dissatisfied and unconvinced with the answers I was given. I mention this so you may understand that I spent my whole life pushing boundaries, rebelling against ‘the machine’ and searching for the Truth. This quest came with a restlessness that ensured I couldn’t stay still for any substantial amount of time, moving from place to place, job to job and person to person for as long as I can remember – I was always trying to get ‘there’… destination unknown. 

What you have written, past and present.

Apart from writing a teenage diary, essays for my psychology training, helping friends formulate emails and blogging through social media, my professional writing CV, up until this point, has been limited! Until recent years, although with a great love for writing, I am not sure that I considered utilising this in any particular way, either professionally or for any paid or altruistic offering – it simply wasn’t in my consciousness awareness to do so.

What you are promoting now.

My book is called “Liberation”. It has been a labour of love and is predominantly a solution-based memoir, highlighting my journey through life – moving through addiction, heartache, temporary loss of Self and many of the trappings of the human experience. I have always been solution-based, always aware that life is magic and benevolent and therefore I could not, would not, write a book relating to struggle without presenting the reader with a solution. Too many books in the mainstream point to the ‘problem’, providing identification but little or no hope for the eradication of that which the reader may be battling with. I believe we are all whole and perfect, but for our belief systems and this is what Liberation allows the reader to see. 

3. A bit about your process of writing.

If anyone is looking for ‘good advice’ from me in this area, they may be disappointed! My writing process has been totally haphazard. Some days / weeks I would be in ‘the zone’, writing flowing, immersed in the creative process and other times, my laptop would be left unattended whilst I found it more important to do absolutely nothing at all! Many a time I have found myself in judgement around my process, but I have come to see that everything happens perfectly and in divine timing. What I will say is this, I have learnt to hear and to listen to the still quiet voice within me that taps gently in order to gain my attention and nudges me in the right direction. When the ‘knowing’ comes knocking, I know it’s time to put fingers to keyboard. 

4. Do you plan or just write?

Absolutely no planning whatsoever. I truly trust my writing process and I go with what feels right, rather than what I could have set out in black and white with regard to a structure. I have never worked logically, despite being thrown into a system that required it. I must be honest and say I don’t think I ever planned any of the book at all. Everyone’s process is different though and we need to find what works best for us which is simply a matter of trial and error. I know that when I sit down in front of my computer with the intention to write, the words will flow through me and if they don’t, I recognise it isn’t the right time. For me, the trick is to take my thinking mind out of it and go with the (creative) flow.

· What about word count?

With “Liberation”, there was no specific word count. I made the decision to self-publish rather than write for a traditional publishing house who may have required a certain length of manuscript.   

· How do you do your structure?

There was no specific structure, although, before I made the decision to self-publish, I was in discussions with a traditional publishing company who had asked me to draw up a synopsis and provide a rough chapter breakdown. I did, on some level, find this helpful to refer to as the writing process began. I held the structure loosely, understanding that the ‘story’ would unfold and become clearer as time moved on. Therefore, the format continually changed as the writing flowed and took on different directions, but it was useful to at least know the direction in which I was headed.  

· What do you find hard about writing?

At many times, thoughts, ideas and words would flow into my mind incredibly quickly and leave just as quickly making it difficult at points (not to mention incredibly frustrating) to grab hold of and capture them. Because I have a perfectionist within me, I would find myself continually editing, editing and re-editing some more which again, can be incredibly frustrating. I have however learnt, that if there is something that needs language which I temporarily ‘forget’, it will revisit me again to make its way onto the page. Moving out of my own way to make way for the creative process has also been a challenge for me, left vs right brain – practice is the name of the game. 

· What do you love about writing?

It’s an interesting question. Is it enough to say that it feels like an extension of who I am? I love putting words together and creating something that touches or resonates with another human being in order to gain identification and understanding. The ‘writing zone’ is a very real thing and I love getting lost in here.

· Advice for other writers.

If you feel there is something you have to offer and have a desire to write, trust it. Do not give up. It does not always feel easy to take what is inside of us and give language to it ‘out there’ and at many times you may feel you are in a battle with and up against yourself, but you must trust your heartfelt desire to do it. For if it wasn’t yours to do, you would not have the desire in the first place. And remember, everything has its ‘perfect’ time, so trust that too!

 

Liberation by Emma Eker is out by Spiffing Covers on 28 January. You can buy a copy of Liberation by Emma Eker via her website or Amazon.

 

My Writing Process Helen E Field

The Mystery Shopper & The Hot Tub , Helen E Field, writing, writer, how I write. My mother once told me that when I was 10yrs old I informed her I was not going to have a ‘boring life.’ Well, I guess I must have succeeded because according to most people I know, I have led a very interesting life. Important for a writer I think. To me, I’ve just lived it exactly how I wanted – a free spirit if you will. ‘work hard, play hard’ could well be my motto. I started writing funny poems about all my classmates at school from the age of ten and I haven’t stopped writing them ever since. I have a business writing bespoke funny poems for and about people and I used my ability to write these funny poems to publish a range of greetings cards. I also began a journal at ten and nearly 50 years later I am still writing it – I have an old sea chest full of them! At school I was often picked out by my English teacher to stand up in front of the class and read the essay I had written; the one that I recall even now, was entitled ‘The Goldfish Who Could Speak.’  The class were in stitches!

I left school at sixteen and worked in retailing and hospitality. I started my own hospitality training consultancy in 1998, training managers and staff all over the UK, Europe and USA and speaking at conferences. One strand of the business was to design and implement mystery shopper programmes. It was the trigger for my debut novel ‘The Mystery Shopper & The Hot Tub.’

I have three incredibly talented grown-up children and a saintly husband! Pre-Covid, we embarked on some serious travelling around the world – clearly curtailed for the past ten months but we’ll be off again as soon as we are permitted! 

What you have written, past and present.

I have had numerous professional articles published in various hospitality publications over the years. One article in particular when published was deemed ‘an important academic paper’ which thrilled me, given I’d never gone to university. I wrote the entire article in one hit of 8,000 words in one evening and they didn’t change a single word! 

I completed The Mystery Shopper & The Hot Tub last Autumn and am currently writing the second book in the series, which I hope will be out by late Spring.

What you are promoting now.

I am promoting my debut novel The Mystery Shopper & The Hot Tub, for which I also wrote a free download called ‘The Big Dilemma’ that readers can access at the end of the book. It is women’s humorous fiction. I would say that you have to have a sense of humour and not be overly politically correct to enjoy it!

I do not have social media – my choice – which makes promoting a bit more challenging. I’m a face-to-face kinda gal and would much prefer to talk about the book in person or on the radio, but Covid has put a stop to that.

A bit about your process of writing. 

I don’t honestly think I have a process. I just write when I feel like it for as long as I want to. When I’m really in the flow, I can write for hours at a time without stopping. If I don’t feel like it, I don’t write. It’s pointless. When both my brothers were diagnosed with prostate cancer and my mother developed Alzheimer’s all in the same year, I was very flat and exhausted. I just couldn’t write ‘funny’, so I left my manuscript for a year and went back to it, when I felt more in control of things.

Do you plan or just write?

I would say I was more of a ‘seat of the pants’ writer. The only thing I could remotely describe as planning, is that I decide what I want the ending to be and kind of work out how to get there! My stories are very visual – a number of readers commented that they thought the book would make a great TV/film. I often think of ‘scenes’ that I know I want to include – particularly the mystery shopping assignments, which have been based on real life assignments that I have actually done myself or been de-briefed about by an assessor. They are very funny, not least because they have actually happened.

What about word count?

I never even considered word count when I started writing my first book. I literally just wrote it exactly as I wanted. When I finished it was around 120,000 words. I discovered afterwards that that was a lot of words for a book of my genre. I had to do some ruthless editing that made me weep as I removed whole chapters and chunks of writing to get it down – even now it’s around 105,000 and 443 pages long.

This has provided me with a problem I hadn’t anticipated.The print cost of a book of this size is significant, but to sell at a price similar to ‘competing’ novels I will be making very little money indeed on paperbacks.

Big lesson for me for book number two – keep an eye on word count!

How do you do your structure?

I am a story teller and I think my book reflects that. I never sat down and thought ‘how am I going to structure this novel?’ I just wrote the story it as it came to me. I would get to the end of a section and think, OK so what would be really funny to happen now? Then I wrote it. On editing, I made a few changes if I thought that the flow of the story wasn’t quite right, but really nothing major.

What do you find hard about writing?

I really don’t find anything about writing hard. I genuinely don’t understand writers who say they sit at their laptops struggling to get words out. I write so prolifically and easily it’s a mystery to me.

What do you love about writing? 

I love making up stories. It’s a bit like being a child again I suppose. In the real world we can’t pretend, but in stories you can create whatever crazy characters and wild incidents you like. It’s like creating escapism for yourself and for others to enjoy and I do like making people laugh.

Advice for other writers. 

My genuine advice to other writers is likely to get me into trouble from the many organisations that offer writing courses, advice, manuscript assessment etc etc. It is easy to forget that it is in all these people’s financial interests to tell you your writing isn’t good enough. For me there is only one group of people who have the authority to tell me that and that’s my readers. No-one else matters.

I can truthfully say that if I had read all the articles and advice about how to write before I started my book, I would never have written it. I would have been paralysed by indecision over absolutely everything. Never in my life have I come across such contradictions, nonsense rules, imposition of politically correct notions or subjectivity,  in an industry. This became the main reason I decided to go down the self-published route. 

I came across a quote many years ago, which I had printed on cards and gave them to my children as a good rule to live their lives by. It’s not a bad one for writers either.

“It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things.” 

Leonardo da Vinci

The Mystery Shopper & The Hot Tub is out on the 14th of January and is available from amazon.co.uk