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Thor: The Dark World {Film Review}

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With Iron Man 3 and The Wolverine out of the way, it is now the God of Thunder’s turn to shine from Marvel. Set straight after the events from The Avengers, Loki (Tom Hiddleston) is a prisoner of Asgard and Thor (Chris Hemsworth) is busy keeping order to the Nine Realms. Though this all comes after a (rather obligatory and unneeded) opening with Anthony Hopkins’ Odin providing a voice-over. We’re introduced to Malekith (Christopher Eccleston), leader of the dark elves who has been searching a dark force called the Aether. Though defeated by Odin’s father, he and his army have escape and wait while in hibernated suspension till the Aether has been recovered.

 

Thor isn’t an easy character to be taken seriously, he is also the least relatable character out of The Avengers (he is a God after all). Kenneth Branagh succeeded on bringing Thor to life in 2011 but also handling the character with such sophistication (having adapted William Shakespeare’s plays helps). Director Alan Taylor now takes rein of the sequel and it’s not surprising with his previous credits (The Sopranos, Game of Thrones etc.) that he was a fitting choice. Though the big question was where do you take the story after Thor and The Avengers? Quite simply, you amp up the scale!

Thor - The Dark World

 

Chris Hemsworth returns as Thor and he delivers such charismatic charm. As said before, he may not be relatable but being likeable makes a huge difference if we’re going to be rooting for him. He continues to grow valiant and noble, even taking huge risks that not only will cost lives but their loyalty to his father and to Asgard. Sif (Jaimie Alexander) and the Warriors Three (Fandral (Zachary Levi), Hogun (Tadanobu Asano) and Volstagg (Ray Stevenson)) all return to bring their support (even if they’re given little to do). Anthony Hopkins makes a commanding presence as Odin, though he also can’t help but camp it up at times. Frigga finally has more to do and say this time round, making up for her lack of presence in the first movie. Though the character of Jane Foster is the most frustrating, mainly because she’s such an uninteresting character and is, ultimately, a damsel-in-distress. As Darcy (Kat Dennings) mentions that she’s been constantly looking for Thor but also eating her feelings away with ice cream in her pyjamas. I understand you were swooned by a God and see him in New York battling aliens but she’s such a pathetic character to even remotely worry for her when she’s in peril (no wonder Natalie Portman doesn’t talk about her much because there’s not much to talk about). Stellan Skarsgård as Erik Selvig and Kat Dennings’ Darcy are the supplemental comedy reliefs, though their scenes does come across being desperate comedy.

 

Christopher Eccleston’s Malekith brings menace but he’s unfortunately another weak Marvel villain (along with Mandarin in Iron Man 3). His motive is simply to bring darkness to the universe, yet it isn’t as threatening as it should be and comes out being one-dimensional. At least with General Zod in Man of Steel, you understand the reason for his motives despite the extremes he will take to achieve them. Though the highlight is Tom Hiddleston as Loki, he absolutely takes this opportunity to go all out and have fun. The scene between Thor and Loki are very funny, exchanging witty comebacks and sarcastic remarks on each other. Though underneath this comedic bantering, there’s an emotional core and you become attached to these two. There are a few cameos that many will enjoy, though one in particular will have scratching their heads on who he is and what relevance has he to do with Marvel’s Cinematic Universe. Oh and Stan Lee makes his appearance of course.

 

This movie has certainly been given a huge make-over since the first movie. Marvel was keeping it safe by having the budget moderately low in the first movie, they now give Taylor an arsenal to expand the Thor universe. The majority of this movie takes place in Asgard or Svartalfheim and really brings the sci-fi/fantasy settings to great use. It does contain some beautiful imagery (Asgard looks alive and robust, even aerial shots of Malekith’s ship floating in space). With the mix of fantasy and sci-fi, the movie does give the audience a task to just roll with it but manages to pull it off. The final climactic battle between Thor and Malekith is short but not excessive enough to keep it from being exciting and creative (something Zack Snyder should have done with Man of Steel).

Overall: Thor’s second entry is great fun and Taylor has continued to bring sophistication but also confidence to the character. Doesn’t exceed to greatness but it does whet movie-goers appetites for Marvel’s next outing with Captain America: The Winter Soldier and Guardians of the Galaxy next year.

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Lindsay Lohan: Black Swan role should have been mine

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Lindsay Lohan claims she should have had the lead role in ‘Black Swan’.

The 25-year-old actress has reportedly spoken of her frustration that Natalie Portman was handed the part of ballet dancer Nina Sayers who descends into madness preparing for a production of Swan Lake – a role that earned her the Best Actress Oscar – insisting her own dance training made her ideal for the part.

Plum Miami magazine writer Jacquelynn Powers reports the actress told her she did “ballet until she was 19 and was indignant that she was not considered for the movie ‘Black Swan’.”

The troubled actress – who was recently freed from a 35-days house arrest, which she served in lieu of jail time after taking a necklace from an upmarket boutique store and violating the terms of probation set for her 2007 conviction for driving under the influence (DUI) – had refused to give an interview to accompany a photo shoot she did for the publication, and the magazine instead accompanied the images with an account of her difficult behaviour.

As well as costing the magazine $100,000 after turning up late, sending the shoot into overtime, she also refused to vacate the hotel room which the publication was paying for.

Jacquelynn wrote: “Monday morning was supposed to be check-out time, but Lindsay and her posse refused to leave. It was like watching the lights come on at a nightclub after-hours – not pretty.”

They also reported she was argumentative, drank wine while speaking about being alcohol-free, and insisted on cleaning a stripper pole before she would pose with it.

A photographer on the shoot commented: “She has a dangerous element to her presence. You never know what’s gonna happen in the next two seconds. Is she gonna bite you?”

Natalie Portman names son Alef

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Natalie Portman has named her baby son Alef.

The Oscar-winning actress and her fiance, choreographer Benjamin Millepied, have named their first child – who was born last month – after the first letter in the Hebrew alphabet.

According to Israeli TV Show ‘Good Evening with Guy Pines’, the Jewish actress decided to pay homage to her motherland with the moniker, which also means the “oneness of God”.

Meanwhile, the couple – who met on the set of ‘Black Swan’- have decided their son will adopt both their last names with the surname Portman-Millepied.

Prior to the birth of baby Alef, who is yet to be seen in public, Natalie admitted her Jewish ancestry had caused her to be “superstitious”.

She explained: “I think it’s a Jewish thing to be kind of superstitious. You don’t do any of the baby stuff before the baby arrives.”

Throughout her pregnancy Natalie paid tribute to her parents Avner and Shelley Hershlag, saying she hoped to look after her child in the same way that she was brought up.

She said: “If I am a shadow as good a parent, an echo, then I will be the best in the world, so thank you.”

Thor {Film Review}

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Thor was going to be the most difficult to adapt out of all the Marvel heroes. Yes it is based on Norse mythology, but this is straight from the Marvel creation by Stan Lee and Jack Kirby in 1962. This could’ve come off as being unintentionally hilarious but luckily a sophisticated filmmaker came on-board and made it all (somehow) work!

The story is about Thor (Chris Hemsworth) who’s the son of Odin (Anthony Hopkins), who simply defies his father’s orders by breaking a truce between the Asgardians and the Frost Giants. Through his arrogance and war-mongering, Odin takes Thor’s godly powers away and exiles him to Earth. He lands in New Mexico, where scientist Jane Foster (Natalie Portman), accompanied by mentor Dr. Erik Selvig (Stellan Skarsgard) and assistant Darcy Lewis (Kat Dennings), encounters with Thor (through an unnatural storm). Through-out Thor’s banishment, he is humiliated the way they treat him and doesn’t believe he is the god of thunder. Meanwhile, Loki (Tom Hiddleston) plots a scheme to keep Thor banished and take over the throne of Asgard. Thor tries to retrieve his hammer, Mjolnir, but with no success (Odin cast a spell only the worthy can wield it).

Chris Hemsworth as the titular hero really does stand his two feet. You may recognise him as Kirk’s father, George Kirk, in J.J. Abrams’ Star Trek. He makes the character strong, charismatic and out-right likable from the very start. Back in the 80s, muscle-bound men were usually cast as mighty heroes (although as Movie Bob has mentioned in his review of The Expendables, action movies got better with professional actors learning how to fight than just cast someone who looks good in a tank-top) but Hemsworth really does buff up for the role and dons the costume well. Anthony Hopkins redeems himself from being in some poor choice of films (The Wolfman and The Rite), retaining his authoritative presence and stature. His Odin is more a shouting leader but not nearly as annoyingly obnoxious than Leonidis in 300. Tom Hiddleston as Loki is superb, a villain who’s sympathetic and quite complex. The reveal makes you understand his frustration, and causes interesting family drama. Natalie Portman is sweet and affecting as Jane Foster, although he character isn’t anymore than being Thor’s love interest but you believe she’d be falling off her heels with a charming person as Thor. The biggest controversy is Idris Elba as Heimdall, simply because the character he plays is originally caucasian but Elba is a very talented actor (see The Wire for proof) and even a short role in this film, he makes a huge presence. Unfortunately not everyone has been given a great deal of screen-time, a common case in films based on comic books (only Christopher Nolan’s Batman films; Batman Begins and The Dark Knight, were able to give everyone an equal amount). Renne Russo, who hasn’t been in anything for the past six years, stars as Thor’s mother, Frigga (yes, it’s a bit silly) but she barely gets any screen-time that you’re wondering if it has been left on the cutting room floor.

The design of Asgard really impressed me, creating this fantasy world that its only limit can be from someone’s imagination. The world is magical and full of wonder, I absolutely love any type of mythology and Kenneth Branagh has done a wonderful job on creating Asgard on an epic scale (as it should be!). The costumes could’ve brought down the whole film, as looking at people in costumes of any kind could make people sniggering but it all works! Thor’s costume mostly resembles both the classic and modern design of Thor in the comics. You can see why Branagh was hired to the project, bringing that theatrical sophistication into the story and look itself. The story is very basic, but doesn’t fall short on spectacle, humour and light-hearted fun! The only complaint I’d make is Thor’s banishment is quite brief, and doesn’t feel he’s learnt a whole great deal or, if he did, it certainly didn’t show it. Again, something I’d like to see if they release an extended cut of the film (only time will tell).

Overall; a great start of the blockbuster season of 2011, both Marvel and Branagh should be applauded on adapting Thor well on-screen. Both Chris Hemsworth and Tom Hiddleston will become instant stars, and will looking forward to see them both in The Avengers. Next up, The First Avenger: Captain America!

4 out of 5 stars!

Copyright © 2011 A New Dawn in BC (http://newdawninbc.wordpress.com/)

Black Swan. {Film review/preview}

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Black Swan is a horror film. But a quiet one. You are not sure what is real, what is not. Neither does the protagonist, Nina, played to the hilt by Natalie Portman. It’s the role – and performance- of a lifetime. Portman does not let it down. She trained for 5 hours a day, for 10 months to take the role. She plays the anorexic, self harming, psychologically unravelling ballerina so well, at times, it is hard to watch. Though, a lesbian sex scene (in which Portman actually has sex with herself; a scene that is rumoured to have upset her father) should draw the crowds in.

Like Darren Aronofsky’s previous films, Black Swan is a head fuck. Nina lives with her mother. Her life is controlled by her mother and ballet. She is desperate to be perfect. Barbara Hershey is great as her mother. Vincent Cassel effortlessly brilliant as the cruel, cold artistic director. Winona Ryder is stellar as the retiring, washed up ballerina forced into retirement. Dealing with the winding down of the body clock, replaced by the younger model. It’s uncomfortable to watch, and important to note that there is only 10 years between Portman and Ryder. The truisms that strike with reality are painful. Times has let her down. The industry she has given her life to has tossed her out.

The brutality of pushing your body is heard in the film. The cracking of bones, the splintering toenails. This is a dark, gothic film. It’s not just about ballet. It’s also about an ageist society and an artist trying to lose themselves to the role. It is darkly beautiful, scarily apt and even just that little bit depressing. It’s definitely one to see.