Tag Archives: News

APE|MEN – Zero | Music Profile

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ape men zero music news profileBand/Artist: Ape Men (stylized APE|MEN)
Location: Industrialized world, South Eastern Fringe of the European Union
Styles: Indie, Indietronica, Alternative, Indie Pop
Similar to/RIYL: Kasabian, Nine Inch Nails, AWOLNATION, Beck, Panda Bear
CD: APE|MEN – ZERO (2015, debut EP)

Accolades: This outfit hasn’t gigged outside clubs, but is a trio formed from indie band Gravity co. which has over 18 top musical achievement awards in South Eastern Europe, has opened for the Prodigy, Fun Loving Criminals, Stereo MCs, Kosheen, and others and has played festivals at EXIT (Serbia), Sziget (Hungary), Eurosonic (Holland), Bestfest (Romania), Spirit of Burgas (Bulgaria), and others.

Members/Instruments: Bobby, Ivo, and Petar
Bobby Cheshirkov – Vocals, guitar
Ivo Chalakov – Guitar, vocals
Petar Samanliev – Computers & gadgets
Production:
Composed by Ivo Chalakov
Lyrics by Bobby Cheshirkov
Co-produced by Ivo Chalakov & Petar Samnaliev
Arranged by APE|MEN
Mixed by Petar Samanliev & Ivo Chalakov
Mastered by Plamen Yotov

Tracklisting:
1. Pictionary
2. Bye-Bye Devil
3. Up Is the New
4. Cash
5. Zero Pictionary

Bio:
Ape Men (APE|MEN) are an edgy indietronica trio from the post Iron Curtain fringes of the European Union formed in 2013. The band paint an urban soundscape with gritty scuzz guitars and moody lyrics over saturated synthesizers and thumping electo beats.

The band’s debut EP “ZERO” was released independently on Feb 19th, 2015. The EP is accompanied by a single and music video release for “CASH”. The video was directed by Ruscen Vidinliev.

 

 

Mylets | Music Profile

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Mylets Music Profile
Artist: Mylets
Album: Arizona
Label: Sargent House
Release date: 20th April 2015

Under the moniker Mylets, Henry Kohen takes on the roles of several musicians at once. The wunderkind guitarist who, at 17, became the youngest artist signed to Sargent House has since established his reputation as an awe-inspiring and agile performer, playing across North America and Europe multiple times over the past couple of years.

Dancing across multiple guitar pedals that line the stage, Kohen also sings and lays down guitar loops while simultaneously tapping out beats on a drum machine. Nothing is pre-programmed. Every note played is as organic and fallible as its performer. Kohen’s physicality and presence is captivating on stage, but what’s even more impressive is that his songwriting talent is equally as vast and varied as his multitasking skills.

Arizona is the defining work of a masterful tunesmith. Despite their complexity, the songs are never disrupted by the intricacies running beneath their hyper-infectious pop structures. Kohen operates his equipment like the conductor of a small orchestra, summoning fully realized melodies from his devices. “I put in a lot of effort to make every single word and note of each song as deliberate and concise as I could,” Kohen explains, “rather than throw out an unintelligible overflow of information.”

Album opener “Trembling Hands” is a massive, hook-heavy anthem driven by layers of churning guitars and distortion that stirs somewhere between the throaty verses of Broken-era Nine Inch Nails to the hymnal anxiety of a Cloud Nothings record. The title track follows with a cascade of syncopated guitar arpeggios setting the stage for a reverse-reverb soaked vocal harmony that chimes like something off of U2’s Unforgettable Fire. And, that’s the beauty here: Mylets appeals to every listener, not just other musicians. Kohen understates his unparalleled and highly specific skills and instead forces the emotion informing his music to the forefront. This ability is what makes the songs on Arizona command repeat listens.

Mylets first came to Sargent House’s attention with a series of self-released solo EPs, much of which were remastered and compiled on the label’s 2013 release Retcon. Around that time, Kohen relocated from Columbus, Indiana to Los Angeles, residing at the artist-friendly Sargent House all the while working intensively on prepping Arizona material for the studio. In the interim, Mylets also toured extensively on different continents with And So I Watch You From Afar, TTNG and Emma Ruth Rundle. “Because of the range of time spent writing, it was very important for me to capture the concepts of creative and personal growth within the songs on the record,” Kohen says. “I recorded the album twice under very different circumstances in 2014 and on the second round of studio time, I left with a product that I felt was as true of a representation of what was initially in my head as I could have created.”

Arizona will be available everywhere on LP, CD and download via Sargent House on 20th April 2015.

 

 

 

The Great Escape All I Think About | Music News

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thegreatescapemusicnewsBand/Artist: The Great Escape
Location: Los Angeles
Styles: Alternative, Pop
Similar to: Black Keys, The Heavy, Adele, The Dead Weather, Janis Joplin, American Authors, Arctic Monkeys, Amy Winehouse
CD: Self-Titled

Members/Instruments:
Amie Miriello – Vocals
Malte Hagemeister – Guitar
Kristian Nord – Drums
Production: Produced by Kristian Nord & Malte Hagemeister for Nordmeister

Bio:
This is why they still call it the Golden State: The 49ers found it in the dirt, a century later the Dogtown kids discovered it in the shape of backyard pools, and now, some four decades further down the road, The Great Escape, a foot-stomping, genre-busting three-piece from Venice, have struck that California vein again –
with their own blend of raw energy song craft.

Inspired by everything the West Coast has come to stand for – the surf, the sun, the laid-back attitude, the proverbial Dream –, every single track, every chorus, every story they tell oozes that fun-loving, grit-digging vibe and feel. And you can just tell they had to go the extra mile to unearth what they were looking for: After all, two of them, Kristian Nord (drums, production) and Malte Hagemeister (guitars, production), are originally from Hamburg, Germany – these guys came a long way to live that Dream. Joined by powerhouse singer Amie Miriello, a Connecticut native and seasoned performer, they are about to release their debut album, a collection of songs that offers just what it says on the tin – A Great Escape.

Having first met while songwriting for other artists, the three L.A. transplants quickly realized they had a shared vision: Together, they wanted to create an update to that 60s, 70s sound when rock and pop music was still raw and unpolished. When it didn’t come attached with layers of irony or slick braggadocio. When it was nothing but a celebration of emotional storytelling, bold statements and heartfelt sentiments, poured into lavish melodies and harmonies. Hence the chorus, “this is a time to celebrate/What a beautiful escape,” as Amie sings over the pounding, surf’n’blues-heavy bliss that is “It’s Getting Better”.

Channeling the classic, timeless approach of their all-time favorites (e.g. Hendrix, Joplin, Cohen, Stones, the Beatles), but also nodding to their contemporaries (Adele, The Black Keys, The Heavy, Jack White), The Great Escape’s self-produced debut full-length has this no-holds-barred approach written all over it: “All I Think About” is all clapping, until the track breaks open into a huge chorus about longing, whereas horn-fuelled “Rebel” showcases intense dramatics and the amazingly powerful, raspy voice of Amie: “some people call me insane/they just ain’t on my level”. Elsewhere, the playful, sun-drenched “Secret Song” even flirts with gospel, soulfully majestic “I Want It All” is pure retro splendor, and even though “Let’s Go” sees them take off to higher and higher levels, they certainly know how to conjure minimalist, sweet and melancholy daydreams (“Don’t Wake Me Up”, “I Just Can’t Help Myself”) as well.

“Lots of first takes made it on the album, and most vocals were recorded right after writing the songs,” explains Malte, whose “demo guitars often stayed because they just had that right feeling.” Keeping things spontaneous and DIY, it’s “all about the performance, not about perfection,” Kristian adds. “When a take had the right kind of vibe to it, we just moved on and didn’t even second guess it.”

Album guests include old studio hands such as Stanley Behrens on blues harp (Jimmy Smith, Canned Heat, War, Willie Dixon), Kevin Dorsey on vocals (Michael Jackson’s vocal director, Ray Charles, Santana, Aretha Franklin), Zac Rae on B3, piano and keys (Lana Del Rey, Norah Jones, Santana), as well as a shape shifting horns section comprised of Katja Riekermann (Rod Stewart, Al Green) and Marco Palos (Los Lobos, Louis Prima Jr).

Trying to discover her true self, she has “traveled far and wide, but never understood,” Amie sings on “I Just Can’t Help Myself”, and yet it seems that after all this traveling and digging, they have finally struck the kind of “pay dirt” that really shines in their hearts and minds: “Don’t need a stake in the ground,” she sings elsewhere, “that’s not for me/Flow with the rhythm of the sound and the beat.” That’s more like it: A steady flow, no blinders, no rules. Music that feels more like an endless Hang Ten, pure, unfiltered playfulness on top of a wave, rather than some quick, steely-eyed Eureka moment.

With packed high-energy shows around L.A. already under their collective belt, The Great Escape have come to bring that gritty rawness they scooped out along the way.

 

 

Ohio Rock Band Dedicates New Song to Veterans Suffering With PTSD

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Ohio Rock Band Dedicates New Song to Veterans Suffering With PTSD

Dayton, Ohio rock band, Able Danger, released a special video of their new song “Let Go,” featuring a solo vocal and key performance by lead vocalist Nikki Luttrell.

“Let Go is an emotionally charged song, and people can relate to it for a number of reasons. Nikki personally dedicated her performance in the video to American Veterans who are suffering from PTSD.

Elstow | Music Profile

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elstowIn July 2012 Jared Shaw and Chel Browne sent a couple of low-fi demos to Peats Ridge Festival on a whim. Having played only one live show together, their obsession with music was very much a private affair up until then, and neither expected the illustrious Sydney music festival to respond at all. But respond they did, and just a few months later the duo stood together on stage in the eastern-psychedelic-themed ‘Chai Tent’ and warmed an unsuspecting audience with hazy sixties-inspired songs about love, loss and death, blending delicate vocal harmonies with somber misty tones.


 
Borrowing the name of the building they lived in, and guided by a deep appreciation for the folk and psychedelic pop of the sixties and seventies, the duo quickly expanded to five members as they explored their wider musical tastes. Drawing on the psychedelic sounds of bands like Jefferson Airplane, Jimmie Spheeris, and early Pink Floyd, coupled with an infatuation with nineties alt-psych idols Brian Jonestown Massacre and Mazzy Star, Elstow started work on their debut EP in 2013. Released the following year, AS  THE SUN FALLS was five tracks of dreamy psychedelic landscapes fused with a moody folk sensibility. Both personal and surreal, bloggers described it as “music to lose yourself to,” and “a psychedelic romance.”
 
Harnessing an atmospheric and increasingly dynamic live set, the band spent 2014 playing all over their hometown of Sydney, winning over unsuspecting hearts one mind-bending show at a time. Their sound, which has been described as ‘neo-psychedelic-dream-folk,’ has been evolving slowly and surely, refusing to remain static.

In the late months of 2014, Elstow went back into the studio to record their new single, ‘Evil Dreams.’ Despite the sinister sounding name, and promises of a “very weird” video to accompany it, the new song is described by Shaw as “a little more upbeat than the EP,” and combines Elstow’s dreamlike psychedelic overtones with a breezy sunshine-laden chorus. ‘Evil Dreams’ swings between verses of doubtful self-reflection and a chorus of daydream surrender. Carefully woven vocal harmonies float amidst an abundance of tremolo guitars, delay, and crisp tambourines; ‘Evil Dreams’ is as ambitious as it is timeless.

 

 

Are You Brave Enough To Try The Hottest Pizza At Mayfair Pizza Co?

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pizza, mayfair, hot, spicy, spicy pizza First came Sweet Dessert Pizzas. Then came Bloody Mary Pizzas. And now posh parlour Mayfair Pizza Co. is once again lighting a fire under London with its latest slice: the Hottest Pizza. 

Spiked with spice for Scoville-shattering levels of searing heat, the Hottest Pizza is made using hot sauces from cult street food favourite The Rib Man and comes adorned with an arsenal of fiery toppings sure to burn down the house.

The Hottest Pizza, priced at £14 and available from now until the end of April, is made with fresh tomato and ‘Christ On A Bike’ sauce spread on a homemade base and topped with ’Nduja Italian sausage and spicy pork rib. A generous sprinkle of dried chilli flakes and smoked jalapeño powder are added alongside mozzarella and fresh scotch bonnets before being blasted at 500°C. Finally, the punchy pizza is finished with creamy burrata, peppery rocket and a drizzle of ‘For The Love Of God’ hot sauce, sure to make your eyes water and your cheeks flush.

Executive Chef Michael Lecouter’s latest creation is must-try for any discerning pizza connoisseur.

The only question is: are you brave enough? 

Mayfair Pizza Co.

4 Lancashire Court, New Bond Street,

London W1S 1EY

www.mayfairpizzaco.com

@mayfairpizzaco

The Rise and Rise of Benedict Cumberbatch

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Benedict_Cumberbatch_SDCC_2014Since becoming a household name with his star-making turn as the iconic Sherlock Holmes, Benedict Cumberbatch has notched up an astoundingly impressive resume of film and TV roles. Considered one of the greatest actors of his generation, he’s demonstrated a remarkable range, and gained a hugely loyal fanbase in the process. Often cited for having a startling aptitude for playing geniuses, his latest character is no exception, as he takes on the role of war hero Alan Turing. To celebrate the release of The Imitation Game we take a look back at some of his most memorable roles.

The Imitation Game (2014)

Based on the true story of legendary cryptanalyst Alan Turing, this historical biopic recounts the nail-biting race against time by Turing (Benedict Cumberbatch) and his brilliant team of code-breakers at Bletchley Park during World War II. The film spans key periods in Turing’s life, from his unhappy years at boarding school and the triumph of his secret work on the revolutionary electro-mechanical ‘Bombe’, which broke the Enigma code, to the tragedy of his post-war decline following his conviction for a now outdated criminal offence. Cumberbatch garnered multiple leading actor nominations for his astounding performance, including for an Academy Award, BAFTA and SAG.

12 Years A Slave (2013)

This multi-award winning historical biopic of Solomon Northup, the free black man from upstate New York who was abducted and sold into slavery, is regarded as a modern classic and won the Academy Award for Best Picture on its release. Chiwetel Ejiofor plays Northup, with Cumberbatch taking the supporting role of William Ford, a benevolent but weak-willed plantation owner who is impressed by Northup’s innovative ideas for running his plantation, but ultimately sells him on to sadistic plantation owner Edwin Epps (Michael Fassbender).

August: Osage County (2013)

Based on the play by Tracy Letts, this darkly comic look at a family in turmoil boasts a star-studded cast, including Cumberbatch, Juliette Lewis, Meryl Street, Julia Roberts, Ewan Macgregor and Margo Martindale. Cumberbatch plays Little Charles, the shy, awkward son of Mattie Fae (Martindale), summoned home by his grandmother (Streep) after his grandfather (Sam Shepard) goes missing- with the ensuing crisis unearthing long-buried secrets and resentments.

Parade’s End (2012)

This BBC mini-series based on Ford Madox Ford’s novels was adapted for the screen by Tom Stoppard and garnered five Emmy nominations. Cumberbatch stars as the protagonist Christopher Tietjens, a conservative, deeply honourable English aristocrat who finds himself in a love triangle between his cruel, calculating socialite wife (Rebecca Hall) and headstrong young suffragette Valentine Wannop (Adelaide Clemens), all against the backdrop of WWI.

Tinker Tailor Soldier Spy (2011)

This atmospheric spy drama based on John Le Carre’s novel boasts a star-studded cast which includes Cumberbatch alongside British acting stalwarts Gary Oldman, John Hurt, Colin Firth and Kathy Burke. Nominated for three Oscars, and winning three BAFTAs, it follows ex-spy George Smiley (Oldman) as he is forced out of retirement to investigate an allegation by rogue agent Ricki Tarr (Hardy) that there is a Soviet spy operating within MI6. Cumberbatch plays Peter Guillam, one of several agents who are under suspicion.

War Horse (2011)

Cumberbatch stars alongside Jeremy Irvine, Emily Watson and Tom Hiddleston in this war epic based on the novel by Michael Morpurgo, and directed by Steven Spielberg. The acclaimed drama follows young Albert Narracott (Irvine), separated from his beloved horse Joey when he is sold to the British cavalry and shipped to France. Albert enlists in WWI and embarks on a hopeful, heartbreaking journey to reunite with him, as the war rages on around them. Cumberbatch plays Major Jamie Stewart, leader of the cavalry company and a fellow soldier of Albert’s.

Third Star (2010)

This moving drama stars Cumberbatch as James, a terminally ill young man who embarks on an ill-advised trip with his three closest friends, Davy (Tom Burke), Miles (JJ Feild) and Bill (Adam Robertson), to visit his favourite place on earth before he dies- Barafundle Bay in West Wales. As they make the trip, the bonds of their friendships are tested with comical, poignant results- and a wonderfully heartbreaking performance from Cumberbatch.

Sherlock (2010-2016)

Widely considered to be his breakout role, this BBC series created by Steven Moffat and Mark Gatiss catapulted Cumberbatch into the mainstream, winning him legions of fans and launching him into the A-list. Taking on the titular role, he’s joined by an equally brilliant Martin Freeman as the consulting detective’s best friend and colleague, Dr John Watson, with supporting turns from Una Stubbs, Rupert Graves, Louise Brealey and Andrew Scott. Critically acclaimed and adored, Cumberbatch has won countless praise for his unique, fresh and pitch-perfect portrayal of the beloved literary character, and the show picked up three Emmys in 2014; leading actor for Cumberbatch, supporting actor for Freeman and writing for a miniseries for Moffat.

Atonement (2007)

This heartbreaking wartime drama based on Ian McEwan’s bestselling novel boasts a stellar cast, including Cumberbatch, Keira Knightley, James McAvoy, Saoirse Ronan and Vanessa Redgrave. When the budding romance between Cecilia Tallis (Knightley) and Robbie Turner (McAvoy) is cut brutally short following a lie told by Bryony Tallis (Ronan), the repercussions span several decades. Cumberbatch provides a brilliant, deeply unsettling and sinister supporting turn as confectioner Paul Marshall, a guest of the Tallis family whose actions reverberate across the lives of the entire household…

Starter for Ten (2006)

Based on the novel by David Nicholls, this British comedy follows the trials and tribulations of student Brian Jackson (James McAvoy), a working class student in 1985 who finds himself navigating the campus of Bristol University, and attempting to impress the object of his affections, Alice (Alice Eve), while finally succeeding in his lifelong ambition to win University Challenge. Cumberbatch steals every scene he’s in, demonstrating a brilliant knack for comedy as the socially inept and uptight captain of the team, Patrick Watts.

The Imitation Game is available on Blu-ray, DVD and digital download from the 9th March 2015, courtesy of StudioCanal

 

 

 

Milo’s Planes Aural Palate Cleaning Exercises | Music News

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Release date: 23 March 2015
Lead Tracks:
Lost Talent
Only Listen
Two Feet in a Crowd

Formed in Bristol in 2013, melodic hardcore/punk band Milo’s Planes began as a duo of Joe Sherrin (guitar, vocals and bass) and Harry Sherrin (drums and backing vocals). After recording their first album they were joined by Charlie Horne (bass and backing vocals) who was a natural fit, sharing a love of Wire, Fugazi, Leatherface, Lync, Rites of Spring, early Modest Mouse and Pavement.

Priding themselves on their DIY approach to their music, the trio record and produce all their tracks themselves on a sixteen track in Harry’s bedroom.
Joe’s guitar playing is influenced heavily by the nineties emo/post hardcore band Lync; he uses a off-beat tunings as a means to create interesting chords.

The band have earned support slots for Eagulls, Skaters, Traams, Electric Eel Shock and their hero Mike Watt, who made a cameo appearance in their music video for ‘Two Feet In a Crowd’.

‘Aural Palate Cleaning Exercises’ has been a labour of love with Joe spending months re-ordering track listings, carefully editing exact track lengths, dropping songs and adding piano interludes/snippets of radio samples to make it flow as one complete piece.

Of the subject matter, Joe says largely focuses on his experiences within soul destroying, bureaucratic admin jobs and the seemingly endless supply of bizarrely ordinary characters that can only be found within these roles. He explains “A large part of the fun I have writing lyrics is studying the mundane to the point where tiny details can be unearthed, exposed as real concerns and then exaggerated upon maniacally as a way for me to express the true feelings of frantic despair I feel sitting at a desk for 8 hours of my day. Being pretentious I would say a running theme of the album is using language as a means to disguise tiny, nit-picky & personal matters as universally angry subjects worth shouting about.”

In between ‘A Letter In Confidence’ and ‘Interlude 2’ is a hidden track; a shortened acoustic version of an earlier track – this was a concious effort to end the album in what Joe describes as a “dissonance of feedback which quickly resolves into something pretty & melancholy, with the album’s final words (“I have good intentions, but I never know why”) a statement intended to summarize the whole album.”