Tag Archives: Norfolk

SUNDAY SCENE: KATE G SMITH ON HER FAVOURITE SCENE FROM THE LOVE NOTE

Posted on by

I grew up in Norfolk, so setting The Love Note here felt natural to me. It’s a beautiful county with rural villages and easy access to the vast stretches of glorious coastline.

Based in a fictional Norfolk village, The Love Note follows my main character, Maggie, as she sets about sorting the family home after her mother’s death. There, Maggie finds her mother’s wedding dress—which she’d been told was missing—and hidden inside are love letters written in French.

Maggie enlists the help of Nick, an old school crush, to help her decipher the letters and hopefully find her missing father. And one of my favourite scenes is where Nick asks for a favour in return.

He picks Maggie up in a battered old Volvo

‘So,’ I say, clicking my belt on, ‘where are we heading and what’s the big secret?’

Nick laughs and throws his arm over my seat to reverse back out onto the quiet country lane.

‘No secret,’ he says, his tongue between his teeth as he concentrates, ‘If there’s one thing you need to know about me, Maggie, it’s that I’m not a massive social communicator. No social media, very few texts.’

Nick winds down his window and I do the same. It’s the first week of September and the air is thick with the dust left behind from the combine harvesters. It whips through the car, sending my hair flapping all over the place.

As they drive on, Nick explains to Maggie that it’s his mum’s birthday, he needs help with the preparations, and they’re off to check out the venue.

He shifts gears and indicates to turn into an even smaller country lane where the grass verges seep onto the road and attack from both sides with long spindly fingers of soft wild wheat.

We park in front of an old barn with traditional Norfolk flint and red bricks which are somehow managing to hold themselves up despite their jaunty angle. A modern addition of floor-to-ceiling windows down one side give a view of the rustic interior.

When they head inside, Maggie gets carried away with ideas.

‘I can just imagine it lit up with a million fairy lights along the back wall, reflected in the window; tables with freshly picked wildflower bunches and candles in jars. I can picture your mum in a flower headdress like a giant daisy chain or a . . .’

I stop talking because in all my excitement of picturing the barn how I would love to see it, I realise I have no idea if Nick’s mum even likes flowers or if she gets bouts of hay fever that would mean she’d look like she was crying through her whole party if I cover the place in floral displays. Nick is staring at me, his face giving nothing away.

‘Sorry,’ I say, digging the toe of my ballet flat into a worn dip in the brick.

‘No, no that’s perfect. That’s exactly why you’re here.’ He is still watching me, and for a beat I watch him back.

He reaches into his pockets and hands me a small bag of pistachios.

He remembers.

I take them and thank him warily, remembering how I used to always have a bag of these with me at school to pick on throughout the day.

 

I love this scene, not only because I can lose myself in the Norfolk countryside, but also for the glimpse into the blossoming friendship between Nick and Maggie.

 

Find me in my Facebook group for writers https://www.facebook.com/groups/writingittoday

INTRODUCING NORTH NORFOLK JEWELLERY DESIGNER, CLAIRE HOWARD

Posted on by

I make delicate, simple jewellery in a beautiful corner of North Norfolk. I make the kind of jewellery I like to wear, everyday pieces which are elegant and made from quality materials at affordable prices.

​I come from a very crafty background, I dabbled in a variety of crafts until gifted a course at the London Jewellery School and then jewellery making became a hobby which gave me space to create and wind down from a busy teaching job.  I was frustrated that simple jewellery from the high street was made from low quality silver which made me itch and changed colour so I bought a lot of jewellery from a local maker, Richard, who I commissioned to make me some pieces until he said to me – why don’t we make this necklace together? CHJ started to gather steam and momentum, I moved away from beads and on to soldering, stone setting and texturing through sitting beside Richard, attending courses and practising again and again and again.   I have not looked back!

I’m passionate about wearing timeless but well-made jewellery – uncomplicated pieces which are practical enough to be worn during the day but special enough for night!  To me, it doesn’t matter if we are on a school run, working in a school of small children or out for pizza and prosecco for £12 (my local treat), jewellery should be pretty and well crafted – that’s what matters to me.

From my workbench in North Norfolk, I take inspiration from being outside.  We are so lucky in this county to have beautiful beaches, woodlands and a hill or two (Yes we do!) where I flourish being outside with the dog walking and enjoying some space and time.  Being outside lifts my spirits and enables me to focus on the simple things in life – I put these in my jewellery – accents of little delicate bees and daisies, hearts and droplets of gold.

​Texture is really important in my jewellery too.  I love to be able to clasp a piece of jewellery and run my fingers over the stamped lettering or image and feel the dimples in the hammering, or the beads of the beaded wire.  I love that jingle jangle you get when two pieces of silver clink together.

​As for romance – this quote pretty much sums it up for me… Draw a circle, not a heart around the one you love because a heart can break but a circle goes on forever. (Danny Kaye)   Circles feature a lot in my jewellery, small, hand crafted, perfectly round and often interlinked.

My website is found at www.clairehowardjewellery.com

 

 

 

 

 

 

INTRODUCING NORFOLK ARTIST AND PRINTMAKER, SUE WELFARE

Posted on by

I‘m an artist, printmaker and writer living and working in West Norfolk. I’ve got no formal arts training and only began working full time as an artist in my very late 50’s after a career as a freelance writer.  I think one really helped the other – I’m used to being self-employed, self-starting and self-motivating, and I’ve always been very visual – when writing I could always see and hear what was happening to my characters, and I think that visual imagination has really helped me develop as an artist.

I live in a little market town in Norfolk and love the diverse nature of the Norfolk Countryside, its amazing unspoilt coast line and its wildlife – as some-one pointed out recently, I’m all about Birds, Boats and Beaches!

Before becoming a printmaker I tried lots of other arts and crafts. I’ve worked with mosaics, stained glass, wet felting, papercutting – all of that experience and experimentation was really worthwhile, helping to build up skills in composition, mark making, colour, handling tools, finding out about inks and blades and glue. And along the way I’ve also met some amazing people who have been prepared to show me, teach me and share their knowledge.

I now work primarily as a linocut printmaker, which for me is the perfect balance of art and craft. I love working out the composition and drawing the blocks, but then also love the carving and the technical challenge that comes with creating a print.

I also love, and have missed, going to fairs, workshops and exhibitions this year – I enjoy the village feel of events, and showing and explaining to people what I do –  while lockdown may have curtailed the trips and adventures I had planned it hasn’t stopped me enjoying the garden, walking the dogs or imagining trips to favourite places.

Those things have kept me going over the last few months and inspired lots of new work.

 

You can find me on Etsy:  www.etsy.com/uk/shop/SueWelfareArtist