Tag Archives: novel

T. Orr Munro: My Writing Process

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My Writing Routine

I write Mondays to Wednesdays from 9am until around 4 or 5pm. Occasionally I’ll write at other times but I find the distance of just a few days useful for honing ideas.

 

A bit about you.

I live in North Devon where I also grew up. I’m a freelance journalist, specializing in writing about policing, but, a long time ago, I was a CSI or Scenes of Crime Officer as they are also called.

 

What you have written, past and present.

I’ve a rather eclectic back catalogue! I’ve written a YA novel, ghostwritten the memoirs of a Battle of Britain pilot and a children’s history of Devon. I also have around five unpublished novels in my bottom drawer! I’m currently writing my second crime novel.

 

What you are promoting now.

Breakneck Point is my debut crime novel out in April about CSI Ally Dymond who is redeployed to a Devon backwater after blowing the whistle on police corruption, but the sleepy coastal town of Bidecombe doesn’t turn out to be quite as quiet as she anticipated.

 

A bit about your process of writing.

I’m quite disciplined about writing. I think it comes from being a journalist and having to sit down and write even when I don’t always feel like it. I’m a ‘reviser’ rather than someone who aims to get it right first time which means that it is sometimes hard to know when to stop.

 

Do you plan or just write?

I’m a planner. I try to plot the entire book out before I start although it invariably changes. However, it means that I tend to know what I’m going to write before I switch my laptop on. I don’t write linearly either. I’ll often write a scene in a different part of the book because I’ve had a particular idea or I’m in the mood to do it. My head has to be in the right place to write difficult scenes, usually 3.00am in the morning when I can’t sleep.

 

What about word count?

I don’t set myself daily word counts. It’s too much pressure! I’m also one of those writers who underwrites and struggles to get enough words down on the page rather than one that writes too many and has to cut back. I dream of writing too many words! It’s a constant challenge for me. I blame starting out as a print journalist where I would constantly look to strip out words so the story would fit the page. Old habits die hard.

 

How do you do your structure?

My books often just start with an image which I then work into a story. For instance, I’m writing book two in the CSI Ally Dymond series and that began life as a single scene which happens towards the end of the book. I do use various reference books. I’m a bit of a magpie, taking the bits that work for me, but I find them helpful for getting me over a plotting blip. I regularly dip into Creating Character Arcs by K.M. Weiland. Save the Cat Writes a Novel by Jessica Brody is good for checking that I’m on the right track and I quite like the approach taken in Book Architecture by Stuart Horwitz.

 

What do you find hard about writing?

Finding myself hurtling down a blind alley! It’s that horrible feeling in the pit of your stomach when you know something isn’t working, but you can’t work out what and you’ve already written thousands of words that you also know are probably going to wind up in the trash. It’s when I come closest to giving up altogether.

 

What do you love about writing?

As soon as I learnt to read I was utterly enthralled by words and how they could be used to transport me to other worlds. When I learnt to write, I realized I too could use words, but to create my own worlds. I get to play god, basically!

 

ELAINE SPIRES: TURNING A NOVEL INTO A STAGE PLAY

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In her second article Elaine Spires turns a novel into a stage play

In my previous article – Turning a Stage Play into a Novel – I shared my experiences of turning two of my plays into novels and of the relative ease with which this was done. Writing a play from a book (Singles’ Holiday) proved much harder.

Photo credit: Danann Breathnach

Originally I wanted to write a screenplay but knew the probabilities of getting it in front of anyone that mattered were slightly less than winning the Euromillions next Friday. And although I know lots of actors, writers and directors, I unfortunately don’t know anyone with the financial means to make such a film or TV series. Producing Singles’ Holiday for the stage, however, was much more feasible.

The book has a fairly large cast of characters, and I wanted them all to appear in the play.  This was impossible.  As interesting as their backstories were and of importance in explaining how this totally diverse group of people come to holiday together in Antigua, it couldn’t be told in two hours.  So the culling of characters began.  It felt like I was murdering my own children.

To start, I took a red pen to all the minor characters.  Then I concentrated on those remaining to move the story along and produce my first draft. I’ve always preferred writing dialogue, but writing only dialogue proved a challenge resulting in lengthy stage directions.

The draft was four hundred and two pages: totally unrealistic as it would mean a six-hour show.  Actor Nick Campbell who knew the book well, had encouraged me to write the script and wanted to produce the play sat down with me and after much foot-stamping on my part persuaded me to cut two more characters but this meant we lost a huge plot twist.

I feared this would diminish the story but I could see that he was right; it was better to concentrate on writing a play that worked rather than a faithful rehash of the book that didn’t.  There’s nothing worse than theatre that doesn’t entertain.

It turned out to be sound advice.  I realised that Singles’ Holidays is, in fact, almost three books in one and by carefully plotting the story arc and concentrating on a smaller cast it could work well.

Once the second draft was ready I got a group of actors together for a table read.  This is a vital part of the playwriting process as it’s the first time a writer sees her characters come to life and hears them speak, outside her own head, of course.  It also shows what works theatrically and what doesn’t. As this draft was over two hundred pages I already knew further editing would be necessary.  I made copious notes and worked on the script again. Cutting out two further characters and their dialogue brought us to one hundred and sixty pages.

And it was time for another table read.  A fabulous director friend Jane Gull came along and was brutally honest with me, asking,

“Whose story is it, Elaine?”

This one question (answer – Eve the tour manager’s) showed me what I needed to do: cut out anything superfluous to developing her story.

Finally, I had a one-hundred-and-thirty-page play script. Another table reading showed it worked!

And in October 2014, Singles’ Holiday had a hugely successful week’s run at the Brentwood Theatre, courtesy of Melabeau Productions.

Singles’ Holiday is now the first in the six-book Singles’ Series. The others are set in worldwide tourism destinations and continue Eve’s story.  I still think they would make great TV.  Does anyone know someone at Netflix?

 

www.elainespires.co.uk

 

 

 

 

ELAINE SPIRES: TURNING A STAGE PLAY INTO A NOVEL

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In the first of two articles Elaine Spires shares the secrets of turning a stage play into a novel

My first novel, What’s Eating Me, started life as a stage play.  It’s the story of Eileen Holloway, a struggling single parent of two teenage boys who’s holding down a demanding job while dealing with her difficult mother. Food is the drug of choice that gets her through the day until she is tricked into appearing on Barbara’s Beautiful Bodies, a reality TV show. She becomes a celebrity over night, albeit a reluctant one. Compulsive overeating is a grossly misunderstood condition and it was a story I was keen to tell.

Photo credit: Danann Breathnach

The play was a one-woman show, which I took to the Edinburgh Fringe. Although we played in a tiny venue, it had great reviews.  Afterwards, though, I just couldn’t let Eileen go. So I decided to turn her story into my first book.

As the play was a three-act soliloquy – Eileen sharing her thoughts with the audience – it seemed to me logical that the book should be written in the first person (I) as this would tell Eileen’s story in her own voice, giving it an intimacy that would have been missing in the third person (she).

A huge advantage for a writer turning a play into a novel is that the characters have already been brought to life and their voices have been heard. A great tip for writing novels, especially dialogue, is to read your words out loud to hear the characters’ voices and when converting a play this part has already been done for you.  Your characters are already 3-dimensional and alive; you’ve seen and heard them. The audience feedback i.e. where they reacted by laughing, gasping, clapping, stunned silences or – hopefully not – bored indifference is also a great indicator of what’s working and what isn’t, not just re dialogue but also plot twists and story arc.  I would recommend watching your play performed as many times as possible. You’ll be surprised that you see something different every time. Actor input also plays a helpful, vital role.

Regardless of when events and back stories appeared in the play my first step was to put them into chronological order thus giving me a time line of scenes. Then I worked on each scene, developing character/personality traits, adding or expanding on backstory thus giving not only deeper insights to the individual characters but explaining, in this case, Eileen’s reactions to them.  This I call sprinkling the glitter – where the creative process really gets to work. It’s the part where ideas often appear from nowhere that move the plot along or take it in a different direction. This, in turn, helped demonstrate the Why behind Eileen’s self-destructive behaviour. In the end, although the main events of the story occur in diary form in the novel, backstory events are revealed as and when the plot demands it, thus producing twists.  And everyone loves a twist, don’t they? Perhaps this sounds complicated but with detailed A3 sheets on the wall covered in post-it notes, it worked for me.

I thoroughly enjoyed this way of writing and so another play – Sweet Lady – became my second novel.  And this book, too, is written in first person, although quite different from What’s Eating Me.  The rest of my novels haven’t been plays but I always visualise them as such, making notes and envisaging scenes of dialogue, which I perform aloud – fortunately I live alone – before I start the proper writing of the book.

Readers often remark that my books would make great TV series. I think that’s the result of the way I plan.

 

www.elainespires.co.uk

 

 

 

 

 

The Books That Changed Me by Catherine Yardley

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Is there anything more powerful than a book? I don’t think so. Life-changing, knowledge-giving, and entertainment. Though sometimes not all at once. They have the power to change the world and make us feel every emotion under the sun. With that in mind, here are the books that changed me and made me the women I am today.

Crime and Punishment by Fyodor Dostoyevsky.

This book follows Raskolnikov, an poor student wrought out by his own nihilism, and thoughts of the struggle between good and evil. He brutally murders an old woman who is a pawnbroker as he beliefs he is above the law. He justifies his actions, but later is overwhelmed with guilt and terror. Raskolnikov confesses to the crime and goes to prison. He realises that happiness and redemption is only achieved through suffering.

This is an intense psychological thriller from the most famous Russian novelist. Dostoyevsky was in a bad way when he wrote it, his wife and brother had both died and he was living in poverty. Crime and Punishment will awaken your brain and make you rethink your opinions on crime and punishment. This is the perfect book on redemption and how our actions in life matter. The very last page has some of my favourite lines in literature, including the fact that a new life is not given for nothing. I will not spoiler you by sharing anymore but it is a hard, yet fascinating read. It opens your brain right up and makes you more intelligent by the end. Do not just read books that are easy to read, that is not how you end up smarter.

Life if Pi by Yann Martel .

A ship sinks and a boy ends up on a raft with a tiger he calls Richard Parker. This is a book about survival and wisdom. It is outrageous with its plot but is never not believable. This spiritual novel changed my entire way of thinking. This book will feed your imagination like nothing on earth. It is so cleverly done I will be forever be jealous that I will never be as good a writer as Yann Martel . It was made into a film that is a good enough watch, but the book is untouchable. This book left me with a spiritualness that has stayed with me until this day. Read it with a highlighter pen and go back to it often.

Catherine Balavage with Margaret Graham at the Words For The Wounded Literary Festival

Catherine Yardley with Margaret Graham at the Words For The Wounded Literary Festival

Becoming by Michelle Obama.

Before reading this searingly honest memoir from the former First Lady of the United States I felt like a failure as I had never become who I was supposed to be. I was forever changing and no one ever told me that was a good, and normal, thing. There are so many stunning quotes in this book and it is filled with wisdom. Michelle Obama leaves no part of her life untold: she discusses miscarriages, IVF, politics, race and her marriage. Michelle is from a working class background and her father was disabled. She has triumphed through hard work and intelligence. I cannot think of anyone I find more inspirational than Michelle Obama. Well, other than the next novelist….

I Know Why The Caged Bird Sings by Maya Angelou.

Maya Angelou. What a woman. What a life. What a writer. I am full of admiration and awe. I am obsessed with Maya Angelou. I read I Know Why The Caged Bird Sings when I was about thirteen. I already wanted to be a writer and I was already writing. I knew I was nowhere near as good a writer as Maya Angelou, I doubt I ever will be. What  I Know Why The Caged Bird Sings did for me was crack me open like a nut. I learned a lot about racism and I became even more political, I also learned a lot about life and wisdom. I learnt that everyone has a hard life and we should be kinder to each other. It is more than a good book, it is a book that teaches you that strength of character, and a love of reading, can overcome trauma and create a beautiful life.

The Wives By Lauren Weisberger.

This book makes me appear much more fun than my other selections, I am aware. Lol. I think Lauren Weisberger is underrated. She has such a keen eye for detail and the satire of everyday life. Yes, there is The Devil Wears Prada which was a runaway (ahem) success. Lauren holds a mirror up to sections of society and captures them with absolute perfection. Her characters are honest, flawed and real. She makes me laugh and nod, and cry all at once. The Wives is a sassy and entertaining sequel to The Devil Wears Prada. It features Emily, you know, the one who looked great in her dress because anytime she was about to faint she ‘ate a tiny bit of cheese.’ Her books are a joy to read because she makes writing them look easy. There are anything but and Lauren Weisberger is a fearless writer.

The Writer’s and Artist’s Yearbook.

Now, this book really did change my life. I have written my entire life. I wrote poems when I was in single figures and I tried to write my first novel when I was ten. It was terrible and I only got to fourteen pages. They were all written longhand. I decided to send some of my poems off but, how and where? Enter this book. It had so much advice and numerous agents and publishers to send my stuff too. I still use it to this day. The 2021 version has pride of place on my desk. This is an essential and life-changing book for all writers.

Guests of The Emperor By Janice Young-Brooks.

My parents have always had a house full of books. We had so many bookcases and books our home was more like a library. One of the books on my parents shelf was Guests of The Emperor By Janice Young-Brooks. It is a World War II novel about a group of women who are ‘guests’ in a Japanese prisoner of war camp. The characters were so vivid and the story so well told it has always stayed with me. It is a good history lesson too.

What books changed you? Send us your selection to frostmagaziine@gmail.com.

My debut novel, Ember, is available here and here.

 

Kickstart your inner author: How to write a novel by next new year

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By Tobsha Learner

Many of us dream of putting pen to paper and writing our first novel – so how can we make 2019 the year we actually do it? We asked bestselling historical novelist Tobsha Learner for her top tips…

  1. Study the masters: Before you begin writing, choose your favourite example of the genre you want to write and study it. Observe how the plot unwinds throughout the book. Make a graph noting how the subplots feed into the theme of the book and how they all build to the climax and conclusion. Look at how conflicts between characters and the obstacles they have to overcome creates tension. Note how specific characteristics make a protagonist believable… 
  2. Think about tenses and what they do psychologically to the reader before you begin writing: For example 1st person/present places them in the skin of your protagonist and moves them through the landscape right in the moment, the down side is that the description of other characters will always be through the protagonist’s eyes unless you jump tenses. Again look at your favourite books and note how the author is using tenses for different effects…
  3. Do your research – become a razor-sharp observer: For characterisation, interview and record for dialogue and specific characteristics (with permission of course). Get into the habit of eavesdropping and making notes, snippets of dialogue, psychological quirks etc. This will inspire and help build realistic and empathetic characters. For location, visit if possible, take photos, record sound, smell, and architecture. Everything to help create visceral landscape the reader can almost touch. If visiting a location is not possible, go on-line and collect images. On action/careers of characters – search out experts in that particular field and interview them. You’d be surprised how many will agree (with a promised thank you or reference at the back of the book). Just make sure you’re respectful and make it clear it’s for general atmosphere and not to use verbatim… 
  4. When you’re ready to start writing make your desk or writing place a sanctuary me-space. Make it somewhere you will end up yearning to sit and write at – define it with scented candles, fresh flowers, crystals…whatever triggers your creativity. Think about the colours and light around you that will help concentration – you don’t need a view, the view will be the world you’re creating on the page.
  5. Keep a notebook or recording device by your bed, office desk and in your handbag. Start collecting those amazing revelations or sentences that come to you first thing in the morning, in the middle of the night, a little drunk after a bad blind date…whenever it is, catch and immortalise that thought/phrase/idea. Inspiration strikes at the weirdest times, be prepared and get into the habit of collecting ideas, great phrases or snippets of dialogue you’ve overheard. You might not yet realise how you will use them in the future but a good part of writing is observation and you can do this anywhere.
  6. Be prepared to write many drafts: To over-write is better than under-writing. This allows you more choice as you hone down your narrative. Take time out between each draft to get a ‘clear eye’ on each re-write – this will give you more objectivity. I’m talking weeks not days. I call this fermentation time, and it’s important to resist the impulse to sit down and fix what you think is wrong with a draft immediately after finishing reading it… 

Tobsha Learner’s new historical thriller The Magick of Master Lilly is out now, published by Little, Brown Book Group, and priced at £8.99 in paperback and £7.99 in e-book. For more information visit tobsha.com

 

 

The Boy Who Lost Fairyland By Catherynne M Valente Book Review

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The Boy Who Lost Fairyland By Catherynne M Valente Book Review, book, book review. The Boy Who Lost Fairyland , Catherynne M Valente

This book is the fourth instalment in the popular fairyland series, The Boy Who Lost Fairyland is an intelligent and wonderful fantasy novel for adults as well as children. The book has heart and is a compelling fairy tale. The plot keeps you on your toes and the story  leaves you feeling joy. This is a brilliant and charming novel for readers of all ages. Highly enjoyable. Bestselling children’s author Catherynne M Valente is a winner of the Andre Norton Award and also writes books for adults. Hailed as ‘one of the most extraordinary works of fantasy, for adults or children, published so far this century’ by Time Magazine, get your hands on a copy now.

When a young troll named Hawthorn is stolen from Fairyland by the Golden Wind, he becomes a changeling – a human boy – in the strange city of Chicago, a place no less bizarre and magical than Fairyland when seen through trollish eyes.

Left with a human family, Hawthorn struggles with his troll nature and his changeling fate. But when he turns twelve, he stumbles upon a way back home, to a Fairyland much changed from the one he remembers.

Soon, Hawthorn finds himself at the centre of a changeling revolution – until he comes face to face with a beautiful young Scientiste with very big, very red assistant . . .

With The Boy Who Lost Fairyland, Catherynne M. Valente’s wisdom and wit will continue to charm readers of all ages.

The Boy Who Lost Fairyland is available here.

 

 

Dylan Thomas’s Last Days Inspires Novel by Award-Winning Screenwriter

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EastEnders’s longest-serving scriptwriter, Rob Gittins is launching his brand-new novel, The Poet and the Private Eye at Dinefwr Literature Festival this weekend. The novel depicts the last three weeks of legendary Welsh poet Dylan Thomas’s life, and is based upon real life events.

Dylan Thomas’s Last Days Inspires New Novel by Award-Winning Screenwriter

The year is 1953, and a private investigator takes on a tail job in New York City. His quarry is a newly-arrived visitor from the UK ̶ the private eye has never heard of him, but he will. The mark is the legendary Welsh poet, Dylan Thomas, and in three weeks’ time, he’ll be dead.

“As far as the poet Dylan Thomas is concerned, nothing that happens in this story is invented,” explains author Rob Gittins, who published his first novel Gimme Shelter last year. “All of the events in the novel actually happened.

“In October 1953, Time magazine hired a private detective to shadow Dylan Thomas during what turned out to be his last visit to New York. Dylan had taken out a libel suit against Time because of a less-than-flattering profile the magazine had published about him some months before. Time intended to use any new material gathered by the detective to defend its portrait of Dylan who, they alleged: ‘… dresses like a bum… drinks like a culvert… smokes like an ad for cancer… sleeps with any woman who is willing… is a trial to his friends and a worry to his family…’.

“To shape the events into a fictional form, however, I have taken liberties in mixing events from different trips, as Dylan Thomas visited America four times in total. So taken as a whole, the story presents an accurate account of the poet’s time in the US. As little is known about the private eye, his character, background and history is, necessarily, entirely my invention.”

The Poet and the Private Eye tells a tragic, but ultimately life-affirming story. It also engages with an issue: how an artist can change the life of even the most hard-bitten and cynical onlooker – and how an artist’s work can then live on to change the lives of countless others.

Wales Book of the Year winner Wiliam Owen describes the novel as “…a gripping story which takes a highly original look at the unravelling of Dylan Thomas’s chaotic life and ultimate death. But central to the novel is the power of Dylan’s poetry and how it’s ultimately a force for hope, reconciliation and even redemption in the lives of the people it touches.”

Rob Gittins is an award-winning screenwriter who has written for numerous top-rated television drama series – including EastEnders, Casualty and The Bill – and film as well as creating and writing original drama series of his own. He lives in Rhydargaeau near Carmarthen. The Poet and the Private Eye will be launched in Newton House at Dinefwr Literature Festival this Saturday, 5.45pm and at Waterstones, Carmarthen on Thursday 17 July at 6.30pm.

The Poet and the Private Eye is available here.

Mansfield Park Still Least Favourite Jane Austen Novel After 200 Years

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Mansfield Park attracted just two per cent of votes in a poll.

Some things change, but sadly for celebrated author Jane Austen some things don’t.

A new survey by book recommendation website LoveReading.co.uk has found that 200 years on from its publication in May 1814, Mansfield Park is still Austen’s least-liked novel.

jane-austen-least favourite novel

The novel garnered just two per cent of a poll to find readers’ favourite Austen book.

The outright winner – with nearly 60 per cent of the vote – was Pride and Prejudice – the tale of manners, upbringing, morality, education, and marriage that featured the iconic Mr Darcy.

Second most-popular was Jane Austen’s first novel, Sense and Sensibility, followed in third place by her fourth book, Emma – the last to be published while she was still alive.

Peter Crawshaw, Director and Co-Founder of Lovereading.co.uk said “Since its first publication 200 years ago, Mansfield Park has always been a divisive novel — the Jane Austen equivalent of Marmite.

“But least liked doesn’t necessarily mean worst and even though the Pygmalion morality epic that is Mansfield Park doesn’t have the glamorous appeal of Pride and Prejudice it certainly has some resonance today.

“Perhaps it just needs a Hollywood makeover to finally get a popularity boost.”

Mansfield Park is noted for being the most controversial of Austen’s major novels

Published in May 1814, her third novel was praised by Regency critics for its “wholesome morality”, but has since earned the dubious distinction of being the most disliked among Jane Austen fans.

Many readers find the book’s protagonist, Fanny Price, too “timid” and “priggish” to be likeable, for example, with Jane Austen’s own mother, Cassandra, herself complaining that Fanny was “insipid”.

Heated debates about the novel’s literary worth have even spawned so-called ‘Fanny Wars’ on internet discussion forums.

Crawshaw added: “Discussions between Austen fans often get heated while discussing the literary value of Mansfield Park.

“Mansfield Park is quite a complex work in comparison to Pride and Prejudice or Sense and Sensibility, and this often puts readers off, as does the unsympathetic lead character, Fanny,”

Jane Austen, who lived from 1775 to 1817, is regarded as one of English literature’s greatest authors.

Her novels include Emma, Pride and Prejudice, and Sense and Sensibility.

The Bank of England has announced that it will feature Austen’s face on £10 notes from 2017.