WRITERS ON THE ROAD: SUZANNE FORTIN

When I first started out writing, my novels were all contemporary, so I didn’t need to do a great deal of research as most of the things I wrote about were within my own experience. However, when I moved into writing historical fiction and, in particular, the Second World War, research became one of the key elements. With so much information out there, it was important that I got my facts right.

Prior to this point in my writing, I had never been much of a historian. I moved into historical fiction by accident really, when my editor wanted me to expand on the backstory of one of my characters. I wasn’t sure if I could do it at first. Researching the Second World War seemed a huge task but the internet, friends, family, colleagues and the local library/bookstore have all been my assistants in helping me in this area.

Most of my novels have been partly set in France – a country that has been close to my heart for many years. Me and my husband first started visiting France in the early 90s and fell in love with the country and culture, so much so, that in 2003 we bought a cottage of our own to renovate in the Morbihan department of Brittany.

Little did I know back then how the area would influence and inspire my writing. Since then, I have found a wealth of information, a lot of which is widely known and many things that are smaller more personal stories of events during the occupation and the efforts of the local French Resistance who fought to disrupt the German war effort as much as possible, proving invaluable in the lead up to D-Day and beyond.

One of my research trips in Brittany took me to the Musée de la Résistance Bretonne in Saint-Marcel. It is, in fact, built of the very site that was once woodland where the local resistance group lived, trained, organised their attacks from and saw actual fighting as Brittany was liberated after the D-Day Landings.

Some of the displays within the museum have recreated scenes of the fighting as well as what every-day life was like under the occupation. All the displays are very detailed. There are some personal accounts, and these helped greatly to the authenticity of what I was writing, rather than just relying on well-documented war facts.

As with so many villages and towns within the area, memories of the war are never far away. On the edges of a village near to our cottage, is a small stone cross on the side of the road with the names of three local men engraved who were captured and executed by the Germans for being part of the Resistance. I have always felt a great sadness when I pass this memorial and initially it was hard to find out any information about the local men but over time this has become recorded online. Their personal stories have stayed with me and although not directly recounted in my writing, I hope I have managed to include the sentiment and acknowledge the sacrifice made by so many men and women in Brittany during the occupation.

 

 

Book link: https://bit.ly/3Z0ECxk

 

SUNDAY SCENE: ANGELA BARTON ON HER FAVOURITE SCENE FROM SPRING BREEZE

I love the freedom of writing fiction. I construct imaginary buildings and places, create characters, invent stories for them and decide how they’ll react to the obstacles I put in front of them. I forge their relationships, decide who they’ll fall in love with and I determine their outcome. But over the years as my writing has evolved, I like to include real events from history, real people who were alive at the time of my story, and real objects. In Spring Breeze, Irène Némirovsky and Picasso make appearances and interact with my characters, but my excerpt below is about an object.

A great deal of responsibility comes with including actual people or objects in a book. Research has to be thorough and accurate, then entwined into the storyline without sounding like a history lesson! I never enjoyed history at school. Every time I was given homework is was to learn a seemingly endless list of names and dates. I wanted dramatic stories, heroes and heroines. I wanted adventure, romance and excitement. Perhaps that’s one of the reasons I became a writer. Now I can make my own stories whilst adding a touch of realism and history to them.

My protagonist in Spring Breeze is Matilde Pascale. She used to work in an auction house before the German invasion caused its closure. Forced into working for the enemy at the Jeu de Paume museum in Paris, Matilde discovered an object she’s been asked to log; a priceless artefact from history. Imagine the scene. Matilde has been led to the basement of the Jeu de Paume museum where the Germans are storing looted valuables: jewellery, antiques, paintings, ornaments etc. It’s gloomy, lit by dim bare light bulbs, it’s eerily quiet except for the faint echoes of footfall on the floor above her, and she’s alone in the vast storage room.

 

Kneeling, Matilde placed her notepad and pen on the floor. Whatever could it be? She touched it. It felt solid. She peeled back its wrapping and saw material that had been rolled tightly. She found one end but it was too heavy to unroll. She followed a fold, running her fingers along its length and gradually teasing out the material until she had enough to fold it back. Slowly she peeled back a corner to reveal embroidery. The workmanship was exquisite, in vibrant colours and Latin inscriptions. The material felt like linen and smelt musty, like walking into an old church. Looking closely she could see that it had been sprinkled with moth powder. She unfolded a little more: a horse, a man with a sword, arrows. The figures were immediately so individual and so identifiable that her mouth fell open. Her eyes, now wide with wonder and horror, took in what lay before her on the floor.

It was the Bayeux Tapestry.

Matilde knelt reverentially before the giant roll of fabric and pulled on her gloves. She gently laid her palm against the cloth, leaned forward and smelled it. A frisson of awe forced her to close her eyes and wonder at the history this tapestry had seen. It had been associated with such bellicose men as William the Conqueror and Napoleon Bonaparte. It had survived the French Revolution in the 18th century and withstood examinations and transportations.

 

www.angelabarton.net

 

Exclusive Paddy Ashdown Interview: On His Books

Paddy Ashdown has been a Royal Marine, the leader of the Liberal Democrats for eleven years, High Representative for Bosnia and Herzegovina, and is a life peer in the House of Lords. On top of that he has written 8 books, with the 8th coming out on the 5th of June. I can’t wait as I have loved all of his other books. I interviewed him about his books and politics. Here is part one.

Did you get the idea for A Brilliant Little Operation: The Cockleshell Heroes and the Most Courageous Raid of World War 2 while you were a member of the Royal Marines elite Special Boot Squadron?

No, my publisher approached me and said ‘it’s the 70th anniversary how about writing the book’. Which is my seventh book. I am just about to produce my 8th so it was a natural subject really.

What is your 8th book about?

The 8th book is about the largest resistance battle with the Germans in the Second World War. It is called A Terrible Victory, about the Vercors plateau on June 1944 and it was the biggest resistance German battle in Western Europe. [Learn more about the book here. It is about the chronicle of the French Resistance during World War Two]

That sounds fascinating. You have written quite a lot of books. Do you have a favourite?

I think the one I am working on now is always my favourite. I love writing books and whatever you’re working on consumes your mind so it is always the one you are most thinking about.

You’re books are very good. They are always very factual and have lots of history in them. How do you go about writing them. What is your writing schedule?

Writing The Brilliant Little Operation, and the one I am going to produce, Harper Collins will publish it on the 5th of June, takes me about three years of research. I mean, I start writing before then and overall I don’t like writing unless I have all of the research it is possible to get. Normally the whole process will take my three and a half to four years. Of which three years is spent on research. Going to the wonderful archive museum in Britain, the National Archives in Britain. In the case of both of my most recent books, to the Château de Vincennes in Paris, In France there are three key archives you have to go to. And also the Bauhaus-Archiv in Germany.

I spend a lot of time in archives. In writing my present book I have read sixty other books on the subject, all of them in French. In writing a Brilliant Little Operation I have read four books before and a lot of research. So research is very important.

You can really tell that when you read your books.

Thank you, that’s kind. That’s very generous.

Tomorrow: The Liberal Democrats, the Conservatives, Nick Clegg, Labour and the NHS: Exclusive interview.

 

Cosabella And Paul & Joe Collaborate To Launch Lingerie & Sleepwear Line

Cosabella Collaboration with Paul & Joe.

Italian lingerie and swimwear brand Cosabella has announced a collaboration with Paris-based contemporary designer Paul & Joe on a collection of lingerie and sleepwear under Paul & Joe x Cosabella.

The assortment will be available in-store and online globally for spring 2016.

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The collaboration will incorporate Paul & Joe’s founder Sophie Mechaly’s playful personality and distinctive style using prints, colours and fabrics influenced by Paul & Joe’s ready-to-wear collections.

Cosabella’s team will lead the design and production of the collection.

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Signature fabrics for the collection include soft printed pima cotton, light weight mesh and printed slinky microfiber.

Prices will range from $25 USD to $120 USD retail with rollout beginning in January 2016 at Cosabella flagship stores, luxury department stores, specialty boutiques and online.

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King Lear William Shakespeare Théâtre de Nesle Review – Paris

King Lear  William Shakespeare Théâtre de Nesle Review – ParisHow do you put Shakespeare’s King Lear on a stage the size of a postage stamp with 6 actors (3m,3f) running 90 minutes?

The answer is – carefully.

This is a very careful production with everything timed meticulously.  The 6 actors obviously play many parts each and the changes of costume/character are carefully thought through and executed with a seamless precision; one actor walking past another who is ready to hand the scarf and take the jacket that indicates the character change (for example).  The staging is organised and choreographed to the centimetre and the use of the sparse décor (rostra particularly) highly effective.

 

The text has been cut intelligently and some of the subplots sacrificed to bring the running time to the 90 minutes that the theatre demands.

 

What the production lacks is a certain passion and a rhythm.  The poetry of the verse has been sacrificed in the interests of clarity – creating a rather controlled and intellectual production.  But then this is a question of personal taste when it comes to Shakespeare and I prefer passion.  The intricacies of the plots and the machinations of Goneril and Regan – not to mention Edmund – are abundantly clear and easy to follow; the surtitles enabling those whose English is not “native” to keep up to speed.

 

On the whole a huge “bravo” to the entire team and a production well worth watching if you are in Paris soon.

 

Colin David Reese

 

 

Gustave by Arnaud Bédouet

Théâtre de l’Atelier, PARIS

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With Jacques Weber

and Philippe Dupont.

 

There are moments in the theatre when one is privileged to observe something which is – in the truest sense of the word – extraordinary.

 

Gustave, as performed by Jacques Weber, is one of those.

 

For most French people, the name “Gustave” will immediately evoke either Eiffel or Flaubert.

 

Gustave Flaubert is known to English speakers mostly for “Madame Bovary”, a character which has become an icon and a point of reference; but his list of works is much longer than that.  He wrote for the theatre as well as other novels and also a work unfinished at his death and concluded and subsequently published by his friend the publisher, Louis Conard, entitled “Dictionnaire des Idées Reçues” (A dictionary of preconceived ideas) in which, with a black humour, he mocks the society of the day.

 

In the introduction to the play Arnaud Bédouet, the author, describes Flaubert as “an anarchist in the body of a bourgeois” and describes the anger of a free spirit trapped in society’s constraints.

 

By using passages from Flaubert’s letters and with reference to his published works, M. Bédouet has created an impassioned monologue which rails against mediocrity in all its forms; artistic, social and political.  Whilst the references are firmly grounded in Flaubert’s world, the resonance for today’s society and particularly the artistic world are stunningly appropriate.  One line, for example, ‘Success is a result – not a target’.

 

Jacques Weber has been one of France’s leading actors for over 40 years in film, TV and theatre.  His presence on the stage is overwhelming and his performance in this play is nothing short of spectacular.  He moves through a range of emotions;  drawing us deeper and deeper into Flaubert’s world, sharing agony, joy, despair, delight (at a thunderstorm), cynicism, fury (at the mediocrity he sees in published works) … the evening is a roller coaster ride which M. Weber shares with the audience in a total commitment to the character.

 

This is one of those “must see” productions, but it only runs until the 31 December.

 

 

Rihanna Goes Rogue In Paris

International singer and mischievous superstar, Rihanna appeared in the city of love this week to launch her latest fragrance ROGUE by Rihanna exclusively in Sephora, Paris.

'Rogue by Rihanna' Launch At Sephora Champs Elysees International Flagship Store

This week has certainly been a whirlwind for the star, from the jaw-dropping dress at the CFDA awards and for landing in hot water over the risqué ROGUE fragrance ad. But the media frenzy certainly didn’t stop the music, as Rihanna bared the rain to meet her fans and launch her fragrance in Paris.

'Rogue by Rihanna' Launch At Sephora Champs Elysees International Flagship Store

ROGUE by Rihanna is the star’s fourth fragrance, adding to the current fragrance line up, which includes Reb’l Fleur, Rebelle and Nude.

Things To See: The Eiffel Tower | Travel

I have to start this piece by saying that the Eiffel Tower has a special place in my heart, as just over a year ago my fiancé whisked me away to Paris and proposed to me. After his proposal we went to the Eiffel Tower. Before I saw the Eiffel Tower for the first time I always thought it would be long and thin. In fact, the Eiffel Tower is huge, both in height and girth. It is so vast and impressive that it is impossible to not feel just a little insignificant in it’s shadow. It is easy to see why the Eiffel Tower is one of the most famous attractions in the world, and is seen in countless movies and television shows.

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Even more shocking and surprising is that this genius of architecture and human ability is now 125 years old. How they had the technology and ability to do this 125 years ago always makes me wondrously impressed. It took 300 workers, 18,038 pieces of wrought iron, 2.5 million rivets, 10,000 tons, 984.25 feet high and two years, two months, and five days of construction to complete. Not bad at all.

The Eiffel Tower

Photo credit: Catherine Balavage

 

The Eiffel Tower is a must see, especially if you live in Europe as it is so easy to get to Paris. Especially on the Eurostar. And there are many amazing and reasonable priced hotels near the Eiffel Tower which can be found through Hotel Direct After getting over my general awe of just how huge both the base of the tower, and the height was, we went all of the way to the top. I even went out into the balcony at the very top. It was a little scary but I did not want to pass up the opportunity. The view of Paris from the top is absolutely amazing and it is quite an adrenaline rush.

In it’s 125-year history more than 250 million people have visited the Eiffel Tower, making it the most-visited paid monument in the world. Here are some more facts:

The view from the top of the Eiffel Tower. Photo credit: Catherine Balavage

The view from the top of the Eiffel Tower. Photo credit: Catherine Balavage

The view from the top of the Eiffel Tower. Photo credit: Catherine Balavage

The view from the top of the Eiffel Tower. Photo credit: Catherine Balavage

The Eiffel Tower is more than one colour. It is darker at the top and lighter at the bottom to counteract atmospheric perspective. It is also painted every seven years to protect the tower from rust. Fifty to sixty tons of paint is needed to paint the entire tower.

The Eiffel Tower was meant to be taken down after twenty years. In the end the French military and the French government used it for radio, and later tele, communications. When the towers permit expired in 1909, the City of Paris renewed it indefinitely.

The people of Paris originally hated the Eiffel Tower. Parisians thought it was an eyesore and newspapers received angry letters saying it didn’t fit into the feel of the city. Apparently, novelist Guy de Maupassant hated the tower but ate at its restaurant everyday. When people asked him why he said it was because it was the only place in Paris where he couldn’t see it.

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The Eiffel Tower changes height. Because it is made with wrought iron the metal expands when exposed to heat. This increases the towers height by 6.75 inches.

The Eiffel Tower was the tallest building in the world until 1930 when New York City’s Chrysler Building rose up to 1,046 feet 

Apparently, the Eiffel Tower wasn’t the brainchild of Gustav Eiffel.  It was his senior engineers Maurice Koechlin and Emile Nouguier who designed the tower. Gustav Eiffel sent the engineers to the head of the company’s architectural department, Stephen Sauvestre. After Sauvestre’s edits, Eiffel finally got behind the plans and he also bought the right to the patent.

The Eiffel Tower, Champ de Mars, 5 Avenue Anatole France, 75007 Paris, France

Read our Paris In Instagram Pictures pieces for more great things to do in Paris.