The Grapevine by Kate Kemp Book Review

Every now and then there is a book that everyone wants a proof of. Melancholy is the downside of seeing the social media posts of the book you want to read RIGHT NOW. Anyway, not to be smug, but I got a copy of Kate Kemp’s The Grapevine ages ago and devoured it in two days. A sumptuous story set in 1970s Australia, it is one of the most talked-about debuts of 2025. Winner of the Stylist Prize for Feminist Fiction, The Grapevine is a grippy and luscious story of living in a claustrophobic community and how the roles of motherhood can lead to bad decisions. 

I felt for the housewives of this suburban community, even while being infuriated and sad with their decisions. 

Set in the height of the summer in Australia, 1979, you can feel the heat in this book. It starts off with a shocking murder. As the news of Antonio Marietti’s death spreads through the neighbourhood, the gossip starts and fingers are pointed. Twelve-year-old Tammy launches her own investigation, desperate to solve the mystery. 

The Grapevine is a fantastic story with a gripping plot and characters that you don’t forget. I thought I knew what was going to happen, then the plot threw me for a loop. Expect big things from Kate Kemp. This is a stunning debut and an unforgettable novel. It captures small-town life perfectly. The historical settings add yet another layer to this atmospheric novel. Gorgeous. 

Australia, 1979.

It’s the height of summer and on a quiet suburban cul-de-sac a housewife is scrubbing the yellow and white chequered tiles of her bathroom floor. But all is not as it seems. For one thing, it’s 3 a.m. For another, she is trying desperately to remove all traces of blood before they stain. Her husband seems remarkably calm, considering their neighbour has just been murdered.

As the sun rises on Warrah Place, news of Antonio Marietti’s death spreads like wildfire, gossip is exchanged in whispers and suspicion mounts. Twelve-year-old Tammy launches her own investigation, determined to find out what happened, but she is not the only one whose well-meaning efforts uncover more mysteries than they solve. There are secrets behind every closed door in the neighbourhood – and the identity of the murderer is only one of them . . .

Richly atmospheric and simmering with tension, The Grapevine is an acutely observed debut novel about prejudice and suspicion, the hidden lives of women, and how the ties that bind a community can also threaten to break it.

The Grapevine, published by Phoenix, is out now and available here.

The Oxford Coma, Morphine | Music News

 

Band/Artist: The Oxford Coma
Location: Phoenix, AZ
Styles: Heavy Psychedelic Rock/Metal
Recommended if you like: Tool, Dillinger Escape Plan, Nirvana, Primus, the Melvins, Neurosis
CD: Morphine EP
Release date: 12/2/14
Accolades: CBGB Festival 2013, opened for Soulfly and Fear Factory, Finalist in KUPD’s Playdio competition for best band in Phoenix, Summer Tour 2014

 

theoxfordcoma
Members/Instruments: Billy Tegethoff (guitar/lead vox), James Williams (bass/vox), Anthony Chamberlain (drums/vox)
Production: Recorded and Mixed at Audioconfusion by Jalipaz, mastered by Matthew Murman at Matthew Murman Mastering



Bio: The Oxford Coma is a three piece heavy psychedelic rock band operating out of Phoenix, AZ.  The band has released a full length LP entitled Adonis which was critically well-received in the US and western Europe after its release in 2012. Their new EP ‘Morphine’ drops on 12/2/14.  

The Oxford Coma is endorsed by Orange Amplifiers. The band played the international CBGB Festival in NYC in 2013. They have opened for Soulfly, Fear Factory, and Amaranthe and successfully toured the continental US in summer of 2014. In 2013 they were finalists in KUPD’s annual Playdio recording/live competition for best band in Phoenix. You can catch them every few months playing in the Phoenix valley area or regionally at venues like the Whisky in LA.

 

 

Frost Loves…Sofia Coppola

Sofia Coppola- Icon.

She may never be completely separated from that surname (would she want to be?) but she sure is doing a good enough job of making a name for herself in spite of, not because of, dads, brothers, cousins or aunts.

Her style, her photography and her beautiful films are uniquely hers. They waft of her. Her sensitivity and quiet forcefulness. She has won over James wood and Bill Murray. As well as countless other critics and movie fans. No mean feat. She won an Best Writer, Original screenplay Oscar for Lost in Translation in 2003.

I remember seeing a short film she made called ‘lick the star’ and thinking this woman is going places. I raved about her to anyone who would listen. Her last film, Somewhere, was a very European film. Nothing really happened apart from human emotion.

There was always her photography, which was in, amongst other magazines, Nova and Allure. Her clothing range Milk Fed, and then there was the High Octane series for comedy central with her good friend Zoë Cassavetes, her appearances in music videos such as the Chemical Brothers (her favourite band), Elektrobank which was directed by then boyfriend now ex-husband Spike Jonze. In the video Sofia plays a gymnast. She is directing her own music videos now. Who can forget her video for the white stripes ‘I Just Don’t Know What to Do With Myself.’ In which she persuaded Kate Moss (another friend) to pole dance in a black bikini? All shot in black and white.

Her association with Marc Jacobs (she is his muse. Even having one of his bags named after her and starring in his advertisements. ) As well as other creative talent, she seems to be at the centre of a new creative movement. A movement which also includes such people as Wes Anderson, Lance Acord, her ex-husband Spike Jonze, Zoë Cassavetes, Sonic Youth, Beastie Boys, Tamra Davis who is married to Mike Diamond and gave Spike Jonze his first breaks and her brother Roman, who directed his own film CQ in 200, which Sofia appeared in. It all seems to tie together from person to person.

She was born in 1971 and baptized into cinema as a baby boy in The Godfather and said recently that she remembers parts of her life more by which movie they were than anything else. Sofia and her two brothers, Gio,who tragically died in a boating accident when she was 15, leaving behind a daughter Gia and fiancée Jacqueline de la fontaine (Who went on to marry Peter Getty and is now divorcing him and wants $300,000 a month maintenance after she found a full frontal picture of a neighbour on his computer), and Roman (who is one of the new wave of music video directors and also writes and directs his own films), traveled around with mum, Eleanor a documentary director, and dad, Francis as he worked on his movies.

Movies of cinematic greatness like The Conversation, Apocalypse Now and the Godfathers all of which Sofia was in. more prominently in Godfather III for which she was unfairly lambasted by critics with a unrelenting harshness which seems to have lasted, if only to a slightly lesser degree to this day.

This is why Sofia Coppola inspires me. Why I describe her as an icon. She is herself she makes no excuses. Yes her surnames Coppola take it or leave it and she does not pretend to be one of the boys, does not yell. She gets what she wants the way she wants. She has survived a hell of a lot. Was vilified in public and came up to prove them all wrong with sheer talent, guts and determination. It is because she has her own influential style, because she has conquered. Because she is talented and unique and a true artist and even more importantly. She proved all the bastards wrong.

Sofia is 40 now. Has two children and recently married Thomas Mars, of hip band Phoenix, in a celebrity studded wedding in Italy. She is still a fashion icon, still making movies.

Sofia Coppola is definitely one to watch. As she may yet become one of the most prominent and influential directors of our time.