Another day, Another new podcast by Richard Wright

Podcasts. You either love them or you’ve never listened to them. They are the democratisation of radio on the internet where anyone can create and distribute an audio show of their own all over the world via the internet. That was a mouthful. This is clearly why I’m not a professional writer. But if you could stick with this then I promise to try harder. Ok. Much like podcasting let’s just plug it n and begin. It’s not the future of media anymore it’s the absolute present. With shows like AMC’s Comic Book men becoming a TV show based on the antics of a podcast it’s no longer just a bit of something extra. People like Kevin Smith & Joe Rogan have turned podcasting into an art form and a business. There are a lot of podcasts out there and if you want proof of that just check the itunes store when you have a spare minute. The competition for listeners is fierce and now the landscape of podcasting has another voice. Yes another deluded, well intentioned person giving their opinions like people should care what they think. And the person behind that podcast is…me.

I realise you don’t know who I am and that is perfectly understandable. I am an “emerging” Stand Up comedian and part-time writer and director of films. What films have I made? That is none of your business. What films have you made? See. You can’t answer it either. Unless you did in which cause I haven’t seen it. Unless I have in which case I didn’t enjoy it. Unless I did in which case well done. You see the rambling? That’s my podcast. I co-host with another brand spanking new comedian called Richard Casey and our podcast is called The Comedy Autopsy. I do tend to murder quite a lot of jokes, I’m just starting leave me alone, and so hence the name. We talk about comedy, film, stand up, occasional pro wrestling references no one will get and, if this first episode is anything to go by, pigeons. We are planning live podcasts with a bunch of audience interaction for the live crowd where the shows will include stand up for a very reasonable fee. We are going to have guests to talk comedy and film and maybe even pigeons. The podcast will be out every Thursday and will be roughly speaking an hour long. And you know what the really cool part is? It’s free. That’s right free I tells ya. We know we aren’t the funniest podcast in the world but we are funny enough.

I feel at this point I should introduce you to our technician. His name is Steve and not only is he terrible at his job he is also not real. That’s right. We made up a technician. Why? A number of reasons. Firstly it’s funny. It is. No it is. And secondly so that we can take all the negative things people will say about the podcast and blame Steve. It’s not our fault it’s Steve. On our podcast we will be getting to know the speechless one known as Steve through our section called “Apparently Steve” where we will share facts we know about Steve. If you know Steve then you can hashtag on twitter #ApparentlySteve and we will see those and use them in the podcast. Maybe you drink with Steve, share a hobby, once dated Steve or you know his mum. If you do let us know with the hashtag.
I would like to take this opportunity to thank Frost Magazine for this chance to, basically, pimp our podcast in this fine publication. You didn’t have to do and we are happy that you did. Maybe we can work out some kind of sponsorship deal – we’d be very cheap *wink wink*.

(PS: if you have complaints regarding spelling in this article, if you can call it that, then remember it’s all Steve’s fault!)

JACOB’S CREEK AND BBC SATURDAY KITCHEN WINE EXPERTS BRING A LITTLE SPARKLE TO CHRISTMAS

Leading Australian wine brand and award-winning wine duo demystify bubbles ahead of the festive period

Can’t spot a Prosecco from a Cava; don’t know a Brut from a Demi-Sec? Well fear not because BBC Saturday Kitchen wine experts, Peter Richards and Susie Barrie, have joined forces with the UK’s best-selling sparkling wine brand1, Jacob’s Creek, to produce the ultimate guide to fizz, ‘A Taste of Sparkling’, just in time for those Christmas celebrations.

This eye- and ear-friendly vodcast objectively guides you through the sometimes confusing world of sparkling wine. Taking in everything from Asti to Champagne, it helps you make sense of sparkling wine; from how to open the bottle correctly, to when to serve different sparkling wines, and with what.

We enjoy more sparkling wine at Christmas than at any other time of the year, so when better to make sense of the world of fizz and impress your family and friends? Peter and Susie run the Winchester Wine School and, like Jacob’s Creek, their mission is to help you get the most out of your fizz whatever the occasion.The vodcast is a simple way to bolster your wine knowledge with small interesting snippets that capture the imagination. Did you know, for example, that due to the number of bubbles in a bottle of Champagne, the pressure inside the bottle is the same as that in the wheel of a double decker bus? No? Then this vodcast is for you.

http://db.tt/Pnaf9DO Jacob’s creek podcast.

As Susie says, “For many of us, shopping for wine is a complicated and intimidating experience, with most decisions based on price and familiarity. Like us, Jacob’s Creek wants to help people expand their horizons and discover new wines and tastes that they may not have tried before”.

Visit www.jacobscreek.co.uk/united-kingdom/news/a-taste-of-sparkling to start your sparkling wine adventure.

As It Occurs To Me {Radio}

Richard Herring returned to London’s Leicester Square theatre on Monday night to record the first in a new series of his stand-up and sketch show, As It Occurs To Me. Aided by comic actors Emma Kennedy and Dan Tetsell, with music from Christian Ryley, the show is, put simply, about whatever has occurred to Herring over the past week, whether they are things that have happened to him or his thoughts on things that have happened in the news. It shares a similar feel to his previous radio work, such as Fist of Fun and That Was Then, This Is Now, but because it is an Internet podcast, he can push the boundaries of comedy and decency as far as he’d like without having to worry about editorial interference or broadcasting guidelines.

For eight weeks, the show is recorded in front of a live theatre audience, who pay £10 each, which covers the costs of the production before the recording is released online, for free. It might seem a little odd to pay to see something which is then made available free of charge, but audience members get pretty good value for money. There’s a great atmosphere at the recordings which has seemed to be improving week by week, with final episode of the first series having a real party feel. But also, something new for this second series is that Herring opens with an exclusive 45 minute stand-up set, not available in the podcast, where he interacts with the audience, tells stories from some of his previous stand-up shows and mentions things that didn’t make it into the main show. This week, the audience was told of his experiences of being heckled by an octogenarian at the British Library and the time he wrote his “first book”, when he had a job inputting names and numbers into the BT phone book database, and changed his flatmate’s name in the listings to “Stewart Wee”.

The style of humour is very similar to the best of Lee and Herring’s work. On the surface, much of it is puerile, adolescent and often offensive, but always knowingly so. But it’s the anecdotal comedy that works best, like the story of meeting Scream actress Neve Campbell to discover that she “didn’t know how to pronounce her own name” or the discovery of an old notebook full of stories written by the a nine year old Richard Herring. Also, like Lee and Herring’s work, a lot of the humour comes from repetition, something which is regularly signposted. Favourites from the first series included the show’s only sound effect, a roulette wheel, which made it’s way into every episode, and “Tiny Andrew Collins”, Tetsell’s version of the broadcaster Herring shares his other podcast with, who isn’t a million miles away from Kevin Eldon’s Rod Hull character from Fist of Fun. The new series starts with Herring promising to drop all of the old catchphrases and running gags, but you can be sure that they’ll make a reappearance.

Herring writes the show within 48 hours of the performance. While it’s quite a feat to produce eight fully-formed comedy shows over such a short space of time, it’s just one sign of his prolificacy. As well as AIOTM and the Collings and Herrin podcast, he has been writing a daily blog for the last eight years, recently published a new book, been filling in for Adam and Joe’s BBC 6music show, just finished touring his excellent Hitler Moustache show, is about to bring a new version of his Christ on a Bike stand-up show to Edinburgh and is, occasionally, allowed on the telly.

The first episode of the new series is available now and is worth a listen if you’re not averse to very strong language. It includes the story of the cast’s night out at the Sony Radio Academy Awards, for which the podcast was nominated, which apparently turned out to be a moneymaking ruse by “Ian Sony”, plus a moving and not at all depraved tale of love between one man and one talking hotel lift. If you enjoy it, then it’s worth coming down to the Leicester Square Theatre and joining in the fun.

As it Occurs to Me is available on iTunes or to download from The British Comedy Guide

by Blake Connolly