Free Poetry Book To Celebrate National Poetry Day

poetry, poetry book, poems, women authors, Scottish writers, poetry book, female writers,Today is National Poetry Day and to celebrate you can get a copy of What Do You Think? A collection of poetry from Catherine Balavage, Frost Magazine’s owner and editor-in-chief. One of her poems is below.

 

Loved person

Broken promises I knew you could not keep
You only ever tried to love me and in gratitude I lay at your feet Because I was in love too, but my love was different

My love was the notion of life, a good one
All I wanted from ear to ear; a smile from my own mouth
It did not work
You loved me so selflessly I could not leave
Although I know now it was only through your love for me that I loved you You lost your own identity
You chose mine but I wanted mine to keep

Still. Here I am
This time only crying at your ever loving feet
I owe you too much to leave
So for the rest of my life. If I never find the courage I will be the living, loved dead
Even though I see
Your love in an otherwise cruel world binds me Forgive me. I doubt for all that I was ever worthy

 

Get your free copy of What Do You Think? now.

Frost Magazine interviews acclaimed Instapoet, Arch Hades

High Tide, the debut collection of poetry by the Instapoet, Arch Hades, is making waves in poetry and social circles. In this Frost Magazine exclusive, we find out more about the writer behind the verse.

By Lucy Bryson

Q: Were you aware of the ‘Instapoets’ concept when you first began writing? Have you witnessed any snobbery from traditional literary publications towards ‘Instapoetry’?

A: Yes, I was aware of the ‘Instapoets’ concept. I can’t say I’ve experienced any snobbery (I, of course, only speak for myself). I’m just a poet who shares some of my work on that platform. We live in a sharing society, Instagram has done wonders for poetry, not only has it helped people re-connect to this form of expression, it has done so very successfully and on such a large scale that I will gladly applaud the medium for this revival.

If anything, I hope traditional literary publications rejoice at this new-found popularity of poetry and especially the new-found interest people express in their own publications. 

Q: Your work is personal and emotional – did you feel any vulnerability when you first published your poems online? Are there any experiences you would say are out of bounds in sharing with readers?

A: I can’t say I felt particularly emotionally vulnerable when first sharing my poetry. I’ve always been very honest with people and very open. I don’t see the point of not saying that I mean and not meaning what I say. I want to continue being raw and open and emotional, I don’t want to shy away from it, I want those who do share in loss and heartbreak to feel they are not alone, I want to connect with them and support them.

Q: Can your Instagram followers expect to see new, previously unpublished work in High Tide? 

I only began posting online after the publication of High Tide, so far I’ve only posted fragments of poetry, and I am grateful that the reception has been warm, so yes, I will estimate that the vast majority of High Tide is yet unseen by my followers (apart from those who bought the book already).

Q: Have you always sent postcards while travelling? Did you have any reservations about sharing this personal correspondence in your book?

A: Sending postcards is an old sentiment of mine that originates from my school days. I spent seven years in an all-girls boarding school where cell phone use and access to social media were very restricted. However, we were allowed to post letters and that became my outlet. Handwritten letters and postcards are a form of art in themselves. When you have a limited amount of physical paper to write on, suddenly, you have to be concise, thoughtful and eloquent. It was a challenge at first – when you can write anything, but, you can only write a few sentences. It’s a beautiful game. One doesn’t easily discards letters too. You write your girlfriend a letter, I promise you, whatever happens, she is going to keep that forever. I began writing to my best friend Bobby more than ten years ago, who attended an all-boys boarding school, and we’ve kept it up ever since. 

Postcards, I would say, aren’t particularly personal, at least not my own. I use postcards to capture a momentary state – the external and internal. How wonderful it is to then read again and be transported back to that moment and my frame of mind during writing. I want to encourage more people to write postcards. Not just for future nostalgia, but because at the time of writing it helps you to be present and reflective. 

Q: Poetry is often viewed as an elitist and difficult form of literature for the ordinary person. Do you think this is a fair assessment, and do you feel that the new wave of online poetry is encouraging young people to become interested in the art form? 

A: I understand how people in Britain might perhaps feel estranged to poetry. The most famous British poets are traditionalist like Shakespeare, Byron, Blake, war poets like Aldington and Blunden and more recent poets like Larkin – who are all brilliant and I admire them greatly, but their writing can alienate readers in terms of language, and also in terms of the topics that they wrote about, that the young generation may be alien to. I’ve had conversations about poetry where someone will comment – Shakespeare isn’t for me, poetry isn’t for me. So perhaps poetry can strive to be more inclusive, and perhaps there needs to be a greater awareness of how broad poetry is. 

I of course celebrate new mediums like Instagram, that have certainly made poetry more accessible and have also encouraged so many young people to pick up their pens too. Poetry is a beautiful form of expression and I want to encourage it to all and any. 

Q: In what way was writing the poetry ‘cathartic’? Does your new poetry reflect a more peaceful state of mind, and how does that affect your creativity? 

A: Cathartic is an appropriate word here. My grandfather (also a poet) used to tell me that a problem well stated is a problem half-solved and I can honestly say I used this form of expression to help me through some difficult times. Unfortunately, I have not found my peace yet, but that doesn’t limit me to writing only about turbulent, sad times, there have always been serene moment of love and peace, I just have to focus on those at times and remain hopeful for the future. 

Q: What would you say is the poet’s function in society?

A: In 1825 Pushkin declared that ‘the history of the people belongs to the poet’. They say if you want to know what happened, ask a historian, but if you want to know what it meant, ask a writer. I doubt I’ll be writing history or what it meant, I just want to capture what’s going on around me and how it’s changing. 

Q: Why do you think your work resonates so strongly with others around the world, and how do you think reading your work can help others heal their own heartbreak? 

A: Emotions are universal, we’re all human, we all have feelings and we all don’t like feeling alone. In times of heartbreak, loss, lethal love, unrequited lust and failure, we feel a touch of redemption and solace when we feel we are not alone, that somewhere out there someone also felt that way, and hopefully they don’t feel that way any anymore. It brings us peace, it strengthens us. If that person conquered it, so can I. Luckily, when I started sharing some extracts of my writing, the reaction was very positive and I’m so grateful for it. I’m so glad people find my obscure sorrows and heartaches relatable and when they tell me it helps them feel less alone, it helps me feel less alone too.  

Q: Finally, what three poets, classic or modern, would you recommend to people wanting to discover the joys of poetry, and for what reasons?

A: Three is difficult, as there are dozens I admire. It’s no surprise that I will recommend the confessional poets of the 1950s – Anne Sexton in particular – whose style I believe is very relatable and accessible. 

A traditional poet I would recommend – Alfred Lord Tennyson – ‘The Eagle’ is a nostalgic favourite from my school days, that warmed me to poetry in the first place. 

And something more Instagram friendly – R H Sin – wonderful and warming. 

High Tide: Poetry & Postcards by Arch Hades is an original collection of poignant and relatable poetry about love and loss, which capture a troubled year in the life of the author. It is available now on Amazon UK priced £5.99 in paperback and £4.99 as an eBook. Follow Arch on Instagram @archhades. 

 

She is Fierce: Brave, Bold and Beautiful Poems by Women

poetry, women's poetry, poems, books

Poetry is having a resurgence, and rightly so. A good poem can make such a difference. It can comfort, console, or make us happy. This book of poetry is stunning. It is impossible to not be inspired. This book is the perfect book to leave you feeling fierce. An essential book for every women and girl. I will keep this for my daughter.

A stunning book containing 150 bold, brave and beautiful poems by women – from classic, well loved poets to innovative and bold modern voices. From suffragettes to school girls, from spoken word superstars to civil rights activists, from aristocratic ladies to kitchen maids, these are voices that deserve to be heard.

Collected by anthologist Ana Sampson She is Fierce: Brave, Bold and Beautiful Poems by Womencontains an inclusive array of voices, from modern and contemporary poets. Immerse yourself in poems from Maya Angelou, Nikita Gill, Wendy Cope, Ysra Daley-Ward, Emily Bronte, Carol Ann Duffy, Fleur Adcock, Liz Berry, Jackie Kay, Hollie McNish, Imtiaz Dharker, Helen Dunmore, Emily Dickinson, Mary Oliver, Christina Rossetti, Margaret Atwood and Dorothy Parker, to name but a few!

Featuring short biographies of each poet, She is Fierce is a stunning collection and an essential addition to any bookshelf.

The anthology is divided into the following sections:
Roots and Growing Up
Friendship
Love
Nature
Freedom, Mindfulness and Joy
Fashion, society and body image
Protest, courage and resistance
Endings

 

This excellent book is available here.

BUSINESS OF BOOKS: TAKE FOUR WRITERS – INTRODUCING CLAIRE DYER

Being a poet and a novelist I’m often asked whether I prefer one over the other and I always answer that I love them both the same – like I do my two children, obviously! Seriously though, I really do believe both mediums are two sides of the same coin; both set scenes, tell stories and are peopled by characters who I hope are vivid and compelling.

The main differences may seem mundane: in poems the lines don’t always go right across the page, whereas in novels they do and, in poetry we have fewer words to play with, so every word really does count.

That’s not to say, however, that we can’t play with format in fiction and invest our prose with the same attention to detail as we do in poetry – in fact, we should.

Also, I believe that, as in poetry, a novel should have moments of distilled emotion but, unlike with poetry, in a book we can give our readers and characters, for that matter, more instances of down time: conversations about the weather, making tea, going to the shops.

For me, a poem works if it tumbles down the page and takes me with it and I believe a novel works if it draws me in and keeps me held safe in its narrative. I sincerely hope both my poetry and prose do both of these things!

So with this thought I’ll say a few words about my publications. I’ve had two collections of poetry published by the very lovely Two Rivers Press and, although each are only 50 odd pages long, they both took years in the making – each poem, I hope, earning its place in the stories the books aspire to tell. The second book, Interference Effects, came out of my MA in Creative Writing at Royal Holloway and what the poems aim to chronicle is how, as colours vary in a butterfly’s wing depending on the angle at which we view it, our impressions and thoughts about subjects as varied as art, love and loss, marriage and memory, can change when we look at them through different lenses.

I’ve had two novels and a short story published by Quercus and am utterly thrilled that The Dome Press are publishing The Last Day on 15th February. This book has had an interesting genesis. It was always going to be about the three of them: Boyd, Vita and Honey, but it was only on the second rewrite that Vita pushed her way front and centre and waved at me, glasses in one hand, paintbrush in the other and said, ‘Put me in the first person,’ and as much as I loved writing about the other two, it was Vita who called to me the loudest.

Also, during the rewrites, the book changed from being a story about one thing to a story about another: it had the same people and same plot but eventually it revealed its true colours (a bit like a butterfly’s wings!) and it’s been a wonderful experience being part of this evolution.

The title came to me (bizarrely and somewhat prophetically) on the day after the EU Referendum in June 2016 and the more I thought about it, the more it seemed to fit with the fact that we all will experience last days: the last day of school, of work, of love, of life. And, if after every beginning there is an ending, then after every ending is a beginning: after every last day there is a next day and it is this message I hope the book holds at its heart.

https://www.clairedyer.com

@ClaireDyer1

 

The Folio Society Celebrates Poetry

Let January Be Your Time to Relax and Reconnect

 

Whether you over indulged over the festive season or just want to unwind, poetry is a great way to relax the mind.  The Folio Society has produced three very different, equally lovely volumes of poetry for those looking for a bit of inner peace:

 

  • The Rime of the Ancient Mariner & Three Other Poems by Samuel Taylor Coleridge
  • Selected Poems by Rumi
  • The Book of Psalms

THE RIME OF THE ANCIENT MARINER & THREE OTHER POEMS
The Rime of the Ancient Mariner

& Three Other Poems

By Samuel Taylor Coleridge

Illustrated by Harry Brockway

 

Available exclusively from www.foliosociety.com

 

 

Bound in cloth, blocked with a design by the artist. Set in Albertina. 120 pages. Frontispiece and 23 integrated black & white wood engravings. Blocked slipcase. 11¾˝ x 8¾˝.

 

UK £34.95|US $51.95|Can $69.95|Aus $69.95

Samuel Taylor Coleridge was the most innovative and influential of all the English Romantic poets. This beautiful edition emulates our popular limited edition, with four immortal poems superbly illustrated by Harry Brockway, one of the UK’s leading wood-engravers. A striking binding design by the artist and a blocked slipcase make this the perfect vessel for Coleridge’s fantastical journeys.

 

From the mystical power of ‘The Rime of the Ancient Mariner’ to the visionary magnificence of ‘Kubla Khan’, Coleridge’s work reshaped the landscape of English poetry. He forged new paths in philosophy and criticism, but it is his poems that have earned him pre-eminence. His images are embedded in our cultural consciousness: the beauty and perils of Xanadu; the ‘glittering eye’ of the ancient mariner; the ‘charméd water’ of deathly seas.

 

This edition unites ‘The Rime of the Ancient Mariner’ with three poems published as a single volume in 1816: ‘Christabel’, ‘Kubla Khan’ and ‘The Pains of Sleep’. All were exceptionally influential on later writers: Mary Shelley in Frankenstein, Bram Stoker in Dracula and Herman Melville in Moby-Dick all explicitly refer to ‘The Rime of the Ancient Mariner’.

 

The final poem, ‘The Pains of Sleep’, is one of Coleridge’s most personal, written during a nightmare-ridden period of withdrawal from laudanum, the drug to which he was addicted. It is an outpouring that uncovered his deepest soul, his sense of wasted promise and guilt, and his desperate, childlike yearning for love.

Illustration by Harry Brockway from The Folio Society edition of The Rime of the Ancient Mariner

& Three Other Poems ©Harry Brockway

 

SELECTED POEMS BY RUMI
Selected Poems

By Rumi (Jallād-Dīn Muhammad Balkhī )

Translated by Coleman Barks

Introduced by Michael Schmidt

Illustrated by Marian Bantjes

 

Available exclusive from www.foliosociety.com

 

Bound in cloth blocked with a design by the artist. Set in Arno Pro. 376 pages.

Printed with metallic blue and rose gold patterns throughout. Ribbon marker.

Plain slipcase. 8¾” x 7¾”

 

UK £39.95|US $59.95|Can $81.95|Aus $79.95

 

Rumi is celebrated across the Islamic world as a visionary thinker, his verses revered as masterpieces of Persian literature. Nearly 750 years after Rumi’s death, Coleman Barks’s vibrant translations have also achieved the unlikely feat of making him the best-selling poet in the USA.  The poems have even been among the favourites of Madonna, Tilda Swinton, Beyonce & Jay-Z and Chris Martin.

 

Shortly after his birth in present-day Afghanistan in 1207, Rumi’s family were forced to flee Mongol invaders, eventually settling in Konya, in modern-day Turkey. It was there in 1244 that he encountered the eccentric Sufi dervish, Shams of Tabriz. Their intense spiritual friendship was shattered by Shams’s sudden departure a devastating loss which changed the course of Rumi’s life. Over the next 30 years, he produced prodigious outpourings of verse and prose, addressing readers with rare directness – by turns confrontational and playful, lyrical and abrupt, and his range is extraordinary. With his inclusive vision of the world and his tolerance, wisdom and humour, this 13th-century mystic continues to speak to 21st-century readers with startling immediacy.

 

Coleman Barks first encountered Rumi’s poems in 1976, when a fellow author showed him academic translations with the suggestion that ‘these poems need to be released from their cages’. Barks responded by producing what he calls ‘playful palimpsests’ – epigrammatic free-verse translations that allow Rumi’s distinctive voice to bridge vast gaps of culture, geography, language and time. Barks’s ‘Selected Poems’ capture Rumi’s spirit without imprisoning it.

 

This beautiful edition features a spectacular binding designed by Marian Bantjes. Her intricate Islamic-inspired geometric patterns also frame every page of text, evoking the music and whirling dances associated with Rumi’s poems, and encouraging us to lose ourselves in his words.

 

 

THE BOOK OF PSALMS
The Book of Psalms

(From the Authorised King James Version of the Bible)

Introduced by Valentine Cunningham

Lettering designed by Jessica Hische

 

Bound in cloth blocked with lettering by the artist. Set in Arno. 296 pages. Printed in 2 colours throughout. Gilt rose-gold page tops. Ribbon marker. Blocked slipcase. 6¼” x 4¼”

 

UK £24.95|US $36.95|Can $49.95|Aus $49.95

The Book of Psalms is the spiritual ‘heart’ of the Bible, a key instrument of communal worship for practising Christians and Jews and a focus for private devotion. The 150 Psalms also form the ancient world’s greatest collection of poetry, continuing to speak to readers with unparalleled power more than 2,500 years after they were first composed.

 

Known in Hebrew simply as Tehillim or ‘Praises’, the Psalms take us from the heights of confidence to the depths of self-doubt, from crippling despair to overwhelming joy. With their highly personal outpourings and vast psychological range, reading the Psalms remains an intense religious, literary and emotional experience.

 

The King James Version is the definitive translation of the Bible, unique in its influence on the culture and literature of the English-speaking world. Commissioned by James I in 1604, it took a committee of 47 pre-eminent scholars the next 7 years to complete. With its deliberate archaism, literal translation of Hebrew metaphors and sensitivity to the spoken word, its version of The Book of Psalms captures the essence of the original Hebrew text while achieving its own poetry.

 

In his new introduction, Valentine Cunningham explores the Psalms’ enduring power as a source of literary, religious, political and personal inspiration – and how their language has become our language.

 

This exquisite edition fits perfectly into the hand, allowing an intensely personal reading experience and an intimate connection with these soul-searching poems. Jessica Hische’s beautiful lettering and the generous layouts bring new clarity to the text, whether one is focusing on a single Psalm or experiencing their cumulative effect, reading aloud or for silent contemplation, as poetry or prayer.

 

Highlights of National Poetry Day 28 September 2017

Wakefield: Poetry on the no 59 Bus

Departing from Wakefield Bus station at 11.21 and travelling along the route to Barnsley
Take your seat for a ride of poetic musing, revolutionary songs and live music from The Merrie City to Tarn and back. Jump on board Bus 59 with The Ukulele Lady and her Boy, musician Jacqui Wicks and poet Ralph Dartford, and experience a journey like no other. All you will need is your fare. This event is part of the Hear My Voice Barnsley Project in collaboration with Wakefield Lit Festival, funded by the Barnsley TUC Training Ltd and supported by Stagecoach.

https://www.wakefieldlitfest.org.uk/events/332-national-poetry-day-on-the-no59-bus

 

 

Jill Abram presents Stablemates: A Poetry Salon with Roger McGough, Malika Booker and Kathryn Maris from Penguin Modern Poets

Foyles, 107 Charing Cross Road, London, WC2H 0DT

 

 

To celebrate National Poetry Day, we’ll be joined by presenter of BBC Radio 4s Poetry Please Roger McGough, Douglas Caster fellow Malika Booker and Pushcart prize winning Kathryn Maris. The evening will comprise of the poets in conversation with Jill Abram, Director of Malika’s Poetry Kitchen, and reading from their work.

 

http://www.foyles.co.uk/Public/Events/Detail.aspx?eventId=3431

 

 

Poetry Breakfast at L’Escargot

L’Escargot  Restaurant, 48 Greek St, Soho, London W1D 4EF

 

Poet in the City’s legendary Poetry Breakfast is back, with a twist. This year we’re transforming Soho’s iconic L’Escargot into a trove of poetic treasures.  Behind door number 1, you might find yourself sitting down for coffee with 2016 Forward Prize-winner Vahni Capildeo, maybe you’ll be meeting Jo Shapcott, 2011 recipient of the Queen’s Gold Medal for Poetry; or perhaps you’ll be sharing a croissant with Sabrina Mahfouz, the award-winning poet and playwright behind With a Little Bit of Luck (2016) and literary anthology The Things I Would Tell You: British Muslim Women Write.

 

http://www.poetinthecity.co.uk/show-event/?pc_event_id=337

 

 

Pop Up Poet Session in Glasgow

Mitchell Library, North St, Glasgow G3 7DN

In celebration of National Poetry Day, live poetry sessions will be held by one of the Pop up Poets from the St Mungo’s Mirrorball. Come along and have a coffee or some lunch and hear some poetry from 11.00am – 1.30pm at the Mitchell Library.

 

Betjeman Poetry Prize

John Betjeman statue,  St. Pancras International Station, London

 

The Betjeman Poetry Prize celebrates the fantastic achievement of this year’s six young finalists at St Pancras International, on the Upper Councourse, by the statue of Sir John Betjeman. Awards presented by the poet Rachel Rooney and the illustrator Chris Riddell, with readings from the young poets. Event starts at 2pm.

 

https://www.betjemanpoetryprize.co.uk/

 

 

Contains Strong Language

Various locations, Hull

 

A major new national spoken word and poetry festival in Hull

 

Starting on National Poetry Day, Thursday 28 September, Contains Strong Language will welcome local, national and international poets, in a celebration of new and existing word craft inspired by our literary city.

 

https://www.hull2017.co.uk/whatson/events/contains-strong-language/

 

 

What do you think?: A Collection of Poems Extract #nationalpoetryday

poetry, poetry book, poems, women authors, Scottish writers, poetry book, female writers,To celebrate National Poetry Day here is some extracts from my poetry book What do you think?: A collection of poems. I hope you enjoy them.

 

Thieves

Littered broken hearts

One million men

Tearing me apart

Vestiges of

What I used to be

Leaving behind

All different parts of me

Traces

Chunks

Bits

Intellectual property

All stolen from me

And I will never be complete again

And the waiter came around with decapitated roses

 

 

When women are mean girls

Another barb

To bring a smile to your face

You think it wounds

Not quite

But I will confess it grates

How a woman can act like a mean girl

Time and time again

Her insecurity and bitterness

Coming out in bitchy comments

I guess I should feel sorry for you

That your life has led you to this

Vile and wrapped up in your own bitterness

But woman like you give women a bad name

Lashing out, attacking, trying to cause pain

I know you just don’t like my happiness

That it causes you pain

That your jealousy is like your other face

Sneering, ugly and plain

I take it as a compliment

That you can’t just keep quiet

That you cannot become the adult you are

That you have to let your hate perspire

I move on, of course

And I smile as I do

Because although you bore me and disappoint me

I am happy, because I am nothing like you

(This was written in 2016. I wish it wasn’t as relevant as it is. I do have to point out that men can be bitchy too, but sometimes it just hurts more when it comes from another woman).

 

 

Motherhood

They say that after this I will be a woman

But I feel I already earned that long ago

Long before the waves and the pain

My dues long paid up

Unlike those other dues

This one will be worth it

They say this will change me.

And it irks me that they are not wrong

One bouncing baby

To change the melody of the song

Half a stone of giggles and crying

To bring a joy

That could bring back the dying

 

 

Loved person

Broken promises I knew you could not keep

You only ever tried to love me and in gratitude I lay at your feet

Because I was in love too, but my love was different

My love was the notion of life, a good one

All I wanted from ear to ear; a smile from my own mouth

It did not work

You loved me so selflessly I could not leave

Although I know now it was only through your love for me that I loved you

You lost your own identity

You chose mine but I wanted mine to keep

Still. Here I am

This time only crying at your ever loving feet

I owe you too much to leave

So for the rest of my life. If I never find the courage

I will be the living, loved dead

Even though I see

Your love in an otherwise cruel world binds me

Forgive me. I doubt for all that I was ever worthy

 

 

All poems taken from What do you think?: A Collection of Poems by Catherine Balavage is available from Amazon. 

 

National Poetry Day Kicks off with new BBC poetry festival and report of boom in poetry book sales

National Poetry Day, the world’s greatest celebration of poetry, will see a mass outbreak of verse today. The BBC is celebrating National Poetry Day across all its channels, as are Visit England, Art UK, Virgin Trains, Royal Mail, Twitter, the V&A and thousands of schools, libraries, pubs, bus routes, museums and railway stations: the celebrations will be impossible to ignore.

 

Poetry is booming! This year marked the best sales on record for poetry books in both volume and value: since January, sales are up by 10 per cent on the same period last year, driven by a new appetite for the work of living poets with strong online followings, including Rupi Kaur and Hollie McNish. Poetry, according to Nielsen BookScan, is now challenging prose on the bestseller lists, boosted by the popularity of both live and recorded performances and strong followings on Instagram and Twitter. In May, Manchester’s resilience under attack found voice in a much-shared spoken-word poem by “Longfella”, in June, thousands cheered Kate Tempest at Glastonbury: poetry, whether provocation or consolation, has never felt so present.

 

National Poetry Day also sees the launch of a major new four-day poetry festival (Contains Strong Language) in Hull 2017 UK City of Culture, a partnership with the BBC, Hull UK City of Culture, Humber Mouth, Arts Council England, British Council, National Poetry Day and other poetry organisations. The festival stars a line-up of 17 innovative poets, the Hull 17, and will feature more than 50 events across 8 venues, including performances by the BBC Philharmonic Orchestra, John Cooper Clarke, Kate Tempest and a mammoth washing line of poetry created from 2017 new poems about city landmarks written by Hull residents.

 

There will be hundreds of events across the UK and Ireland including many responding to the invitation to ‘share a poem’ on social media.

 

For a second year running National Poetry Day has partnered with BBC Local Radio. Taking their cue from National Poetry Day’s 2017 theme – Freedom – BBC Local Radio stations across England called on listeners to ‘Free the Word’ by nominating a distinctive local word that deserves to be better known nationally. The final selection was made with the help of lexicographers from the Oxford English Dictionary, on the look out for new definitions and usages to fill the gaps in the dictionary’s overview of the English language.

 

12 local words are now the inspiration for 12 new local poems, to be broadcast across the BBC network today: among the words selected are cheeselog, meaning a woodlouse (Hollie McNish, BBC Radio Berkshire) and bobowler, a West Midlands’ word for a large moth (Liz Berry, BBC WM) and mardy (moody) from Leicester listeners (Toby Campion, BBC Radio Leicester). BBC Radio Cumbria chose to twine (to complain) for their poet Kate Hale. BBC Radio Leeds’ poet Vidyan Ravinthiran, will take a poetic walk down a ginnel (alleyway), BBC Radio Devon’s listeners chose an evocative word to describe twilight – dimpsy – for local poet Chrissy Williams. Finally, the capital’s first Young People’s Laureate Caleb Femi has turned fam, the street slang address for a friend, into a poem for BBC Radio London.

 

Poet Isaiah Hull has woven all 12 words into a bravura poem-of-poems, commissioned and broadcast as part of the Contains Strong Language festival.

 

BBC Radio Wales and BBC Radio Scotland are also joining in the fun. BBC Radio Scotland’s Poet in Residence Stuart Paterson has penned a poem Here’s the Weather which contains a flurry of the 700 words nominated by listeners, as well as the word topping the poll – dreich – meaning dreary weather; while the word cwtch, a hug in Welsh, was chosen by Sophie McKeand, Young People’s Laureate for Wales, for her poem.

 

National Poetry Day has also announced its first ever dedicated book trade promotion highlighting 40 inspiring poetry books in four wide-ranging categories: anthologies, children’s poetry, current collections and poetry for book groups. The campaign’s aim – to enable all to enjoy, discover and share poetry and titles include William Sieghart’s The Poetry Pharmacy: Tried-and-True Prescriptions for the Mind, Heart and Soul (Penguin Press), Plum (Picador) by Ted Hughes Award-winning Hollie McNish and Milk and Honey by bestselling insta-poet Rupi Kaur.

Visit England is focussing its ‘Literary Heroes’ campaign on poets and poetry this month, commissioning poets Andrew McMillan and Remi Graves to rework much-loved classics for the 21st century. Andrew has transplanted Wordsworth’s daffodils to urban Manchester and Remi will use Blake’s London to explore Kings Cross. Films of their new poems are released today for National Poetry Day.

 

Art UK, the online home for every work of public art in the UK, announces the winner of its Art Speaks competition, open to young poets aged 13 to 24, for a filmed poem about any picture in public ownership: Matthew Arnold Bracy Smith’s The Disrobing (Despoiling) of Christ (after El Greco) at Scarborough Art Gallery was the inspiration for 22 year-old civil servantAmani Saeed’s winning poem “Jesus Christ Goes Clubbing”; while poet and DJ James Massiah has created a 1 minute poem for giffgaff, the youth-focused mobile phone network which is cheap, flexible and speaks to “freedom”, fitting perfectly with this year’s theme. At the V&A in London the visitor experience team will be reciting poetry alongside relevant art works throughout the day.

 

On board staff of Virgin Trains will be including poetry in their announcements on the day and Poet in the City presents Sound of the Underground: 9 poets across 5 London Underground stations reading poetry exploring this year’s theme of freedom and travel; while Royal Mail is postmarking millions of items of mail nationwide with National Poetry Day 28 September: an honour reserved only for special occasions and significant events.

 

Glasgow will mark the day with pop-up poetry events across the city; in Yorkshire, the number 59 bus route from Wakefieldto Barnsley will be taken over by poets and musicians, while Bradford, Unesco City of Film, will feature poems on its Big Screen. St Pancras Station, the Old Vic Theatre, Soho’s L’Escargot restaurant and Cassandra Goad’s jewellery shop on Sloane Street are just four of many London venues putting poetry before the public in surprising and delightful ways.

 

Susannah Herbert, National Poetry Day says: “A poem gives people the freedom to play with words, to rub off the dull tarnish until they’re fresh as new pennies. That’s why the BBC’s push to get poets to celebrate the nation’s favourite local words has struck such a chord with the nation. Everyone who shares a poem today, whether in a tweet, a nursery rhyme or a note on the fridge, is pushing back against the deadening regime of prose and striking a blow for the imagination.”

 

Expect impromptu pop-up poetry festivals in thousands of unexpected places, from shops, streets and offices to doctors’ waiting rooms and postal sorting offices. Ricky Gervais, J K Rowling, Paul McCartney, Stephen Hawking, George RR Martin and Ellen DeGeneres are among the hundreds of thousands of poetry-lovers who have shared poems they love on past National Poetry Day via Twitter.  Last year the hashtag #nationalpoetryday had a 520 million reach, trending #1 across the globe on the day.

 

National Poetry Day is co-ordinated by the Forward Arts Foundation, an Arts Council National Portfolio Organisation that celebrates poetry and promotes it as part of everyday life.

 

With Macmillan Children’s Books, it has nominated 18 poets as National Poetry Day Ambassadors, with special responsibility for igniting enthusiasm nationwide by visiting schools, organizing events and competitions and writing new work on the theme of Freedom. Their new poems have been collected as a free downloadable eBook Freedom: A National Poetry Day Book available from the National Poetry Day website, alongside posters, lesson plans and ‘freedom’ images from artist/poet Sophie Herxheimer.

 

For further information, visit http://nationalpoetryday.co.uk

Follow on social media using #NationalPoetryDay