I finished reading The Commuter yesterday. I raced through it. It’s a brilliant domestic thriller which had me hooked from the very first page. Preorder now because it’s brilliant. Here’s my interview with Emma.
The Commuter is your seventh novel. How does that feel? It’s a huge achievement.
It feels like a huge achievement! I started writing, submitting and getting rejections when I was in my late twenties, found an agent in my late forties and published my debut when I was fifty, so I definitely put the work in. I still sometimes pinch myself.
Does the writing get easier?
I think the writing does, the editing doesn’t. It’s a long hard slog full of dead ends, frustrations and moments when I want to run away from it all. But when it’s finally signed off the satisfaction is huge. Writing the first draft is such a pleasure. If only the first draft was the last!
Where did the idea for come from?
I’ve lived in London and used the tube all my life and I’ve always enjoyed the free newspapers. The Rush Hour Crush feature in the Metro is so intriguing. When I was a teenager I used to look for Mr Darcys, now I scan faces and wonder what I’d write if I fancied someone. No one so far! It seemed like there could be a thriller in there somewhere.
What is your writing routine?
I get up early, ideally around 6am, have breakfast and start work. Then I work fairly solidly until twelve, have lunch and go for a long walk to mull over what I’ve done and set up the next chapter for the next morning. I like routine and deadlines and I’m not very flexible. But it gets things done.
Do you have a favourite novel that you have written?
Yes, my favourite is Keep Her Quiet which came out in 2020. One of the protagonists is an arrogant male author. I loved writing him!
What books have you read recently that you loved?
The Paper Palace by Miranda Cowley-Heller. I recommend it to anyone who asks me what to read next.
Do you have any favourite authors?
Loads! JP Delaney for quirky concept thrillers. Stephen King for lessons in story-telling. Celeste Ng is fantastic for family based noir. Robert Galbraith because I adore Cormoran Strike and need to know what happens between him and Robin. I like American literature too. AM Homes is a favourite. I wish Chimamanda Ngozi Adichie would publish another novel!
How did you get published?
Since it took me such a long time, that is a very good question. I had given up for a few years, then my oldest child went off to University and I felt like I had to have another go. I wrote two novels, both rejected, then started writing short stories and entering them in online competitions. These did well. I had about a 25% hit rate of first, second and third prizes and those gave me credibility in the eyes of agents. I needed that because I had zero connection to the publishing industry. I turned one of the prize winning stories into a novel and this time, instead of sending it out to a handful of agents, getting rejections and losing heart, I sent it to thirty within three weeks so that I wouldn’t give up at the first No Thanks. That worked. I had twenty-six rejections, four requests for the full manuscript and an offer. One of the best days of my life. My agent at the time, Victoria Hobbs at AM Heath, secured a deal with Transworld.
What advice would you give other writers?
Mark out your time, even if it’s only half an hour a day. Stick to a routine and write even if you don’t feel like it.
Learn to properly critique and edit your own work before you give it to anyone else – I did a course on this and it was invaluable (Jericho Writers).
Don’t give your MS to friends and family to read and comment on. It puts them in a difficult position. Instead, if you’re serious start saving up for a professional critique from a reputable company like Cornerstones, Jericho Writers or The Novelry. But don’t send them anything until you’ve gone the extra mile. (see learn to critique and edit your own work!)
Also, interrogate your ego. It could be getting between you and representation. There’s the ego that will organise a professional edit but not take the advice because it doesn’t agree. There’s the ego that has that one precious pearl of a book and can’t move on from it despite repeated rejections. There’s the ego which will only write ‘what I want to write’, and won’t look for the space where what it wants to write dovetails with what people want to read.
What’s next for you?
Next is a thriller about the devastating aftermath of a lie told by an angry and embarrassed teenage girl. That’s coming out in October 2025 and I’ve just sent a draft to my agent to take a look at before it goes to my editor. I have everything crossed! I heard today that she’s read a third of it and loves it. Hopefully the next two-thirds won’t change her mind.
I’m fascinated (and impressed!) by your many high-flying careers. You have been a pro tennis player and a lawyer before becoming a writer. Would you say you’re a Type A person?
That’s very kind, thank you! I would say I’m a mixture of Type A and B! I am a naturally competitive, driven and disciplined person. I enjoy working hard and putting a hundred per cent into whatever I do. That’s the good side to being Type A! On the downside, I can put a lot of pressure on myself and find it hard to switch off which I know isn’t great for my health and stress levels! Having said that, Type B people are known for their creativity and for being good listeners as well as being quite shy, which fits my personality too, and which is why I never really enjoyed law which was ultimately too dry for me, as well as being the type of cutthroat environment in which the more vocal, pushy personalities tend to flourish!
2. How do you think your past careers influenced your writing?
Although things didn’t work out for me with both tennis and law, both experiences gave me valuable life experience. All writers are great observers of the world around them, and I truly believe the more life experience you have the more authentic and rounded your writing can become, and that you willbe influenced by the people and situations you encounter, even if subconsciously. Both careers made me a stronger, more disciplined, resilient and focused person, which is what you need to be if you’re going to succeed as a writer. I had to be very disciplined playing tennis, and I feel this has helped with my writing in managing my time and making deadlines. The same goes for law which requires a methodical, organised approach and rigorous attention to detail, all of which are necessary traits in crime writing. My first two books in my Kramer & Carver thriller series – The Scribe and The Abduction – are set in the legal world, and Idefinitely drew inspiration for these from my time working in that environment, in terms of the setting, the legal aspects, the culture and the characters! Although I never practised criminal law, The Scribe is largely inspired by my time as a law student at the then London College of Law where I studied and took exams in seven legal subjects, including crime. These subjects form a crucial part of the plot, with the murderer killing in line with a pattern corresponding with the legal syllabus. Also, although none of my books feature characters based solely on any of the people I came across whilst playing tennis or practising law, there’s no doubt I’ve drawn inspiration from some of them. I tend to write about the darker side of human nature, and I definitely came across some of life’s more ruthless, dubious characters both as a tennis player and a lawyer!
3. Can you tell us about your publication journey?
My journey was not unlike that of most writers: long, arduous, at times soul-destroying, but ultimately rewarding! I started writing in 2010, andended up self-publishing a couple of women’s fiction novels in 2012/2013 having had no luck getting an agent. It took me five years to get my agent, Annette Crossland (in that time I had a rather upsetting agent experience which very nearly broke me!), and then another three years to get my first publisher, Lume Books. This, despite working non-stop on my books for eight years, editing and refining them until I practically knew them off by heart and had almost given up hope they’d ever see the light of day. I’ve faced a lot of rejection over the years, come close to offers from several of the big five publishers (which can sometimes be more heart-breaking than a straight ‘no’) and shed numerous tears during that time. But I kept going, kept honing and refining my books, hoping that one day I’d catch a break. I know that my story is no different to hundreds, if not thousands of authors out there. Writing is a tough, competitive business, and you need a thick skin to cope with the inevitable setbacks you will encounter along the way. The overnight successes are few and far between and you can’t let the turndowns get to you.Being a highly subjective industry, with so many variables, getting a publishing deal is akin to winning the lottery! When my Kramer and Carver books were published in 2019, nine years after I first started writing, it was such a great feeling knowing my work was finally out there being read! Then, in February 2021 I signed a deal for two psychological thrillers with Hera Books, and I suppose you could call the first of those – She’s Mine – my breakout book. It’s funny to think it was the eighth book I’d written (back in 2017) in all the time I was trying to get published, and took three years of submitting to get picked up. I am so grateful to Keshini Naidoo for loving She’s Mine and having faith in me. Hera have been fantastic to work with, and I suppose having struggled for so long to get my foot in the door it made me appreciate even more the incredible opportunity to work with such a phenomenal editor like Keshini. Having struggled for so long, it’s also rather incredible to think I have just finished my fifth psychological thriller for Hera, and for this I owe so much to my agent, Annette Crossland, who never stopped believing in me. Her support really kept me going through the ups and downs, as did immersing myself in my writing. I’d strongly advise all aspiring authors to start the next book when on submission. Like any skill, the more you write, the better you become at your craft, and you never know, the next book you write may just be the one that gets picked up. Writing also helps you to stop constantly checking the inbox for that magic ‘yes’!
4. You have written a lot of books. Which one is your favourite?
I would have to say that of all seven, Under Her Roof is my favourite so far, closely followed by She’s Mine. I think She’s Mine is unique in the way it is written from nine perspectives – which is quite a tricky thing to manage (!) and I’m quite proud of the twists, especially the end twist which no one has guessed so far. I suppose Under Her Roof tips the balance because of the creepy, claustrophobic vibe I’ve hopefully managed to generate, and which I feel really typifies the classic psychological thriller. Being stalked is something I think most of us fear, and is a subject I feel lends itself well to the tension, and mind games that exemplify this genre.This book is also a change from my other psychological thrillers in that there are largely only two points of view, and I really worked hard on the characterisation and chemistry between Seb and Adriana, both of whom are probably my most sympathetic of protagonists to date. Not only do they share an artistic connection, they are also drawn to one another by their mutual loss and grief. Both perfect examples of what we all are as human beings – fallible. Two people with troubled pasts and terrible secrets that haunt and entangle them in a never-ending cycle of sadness, guilt and fear. I hope this makes them more likeable and sympathetic, particularly when they find themselves at the mercy of the person who’s watching and tormenting them, and whose intentions remain unclear.
5. You have an amazing career. What are your future writing ambitions?
Like most writers, it would be a dream come true to see a book of mine adapted into a TV series or a film. Many readers have said my books would adapt well to the screen, so I am keeping my fingers crossed for that wish to come true one day! Obviously, it would be amazing to have a Sunday Times bestseller, while winning a prestigious writing award is also a long-held ambition of mine. More than anything, though, I just hope I can keep on producing high quality addictive books that entertain and bring people joy. I’d also like to finish and see published the third in my Kramer and Carver series, and find a publisher for two standalone action thrillers I wrote back in 2013 and 2016, featuring gutsy female lawyer lead protagonists. I’m really proud of those books and it would be wonderful if they could see the light of day.
6. I loved Under Her Roof. Can you tell us about the inspiration behind it?
Thank you. I like to write about ordinary people and everyday situations we can all relate to in our own lives, but which necessarily take a darker turn. Thrillers are, after all, about what goes wrong! The relatability is what makes the psychological thriller genre so compelling, with the landlord/tenant relationship being a perfect example of this, and one I felt inspired to write about. Many of us will have been tenants at some point in our lives, some of us even Landlords, and in fiction this set-up has the potential to take a particularly dark turn because often, each party will be a total stranger to the other, thereby evoking all sorts of frightening scenarios in the Machiavellian minds of thriller authors like myself! ‘Stalking’ is another ‘real’ issue I was keen to explore. Rather sadly, it’s something you often read about in the newspapers these days, but at the same time, there’s something strangely compelling about it, probably because it’s so creepy and something we all fear. Likewise, living in a world where we freely and religiously expose our lives to perfect strangers on social media, along with the idea of ‘Big Brother’ watching, I thought it would be intriguing to weave this into a Landlord/Tenant story and the sheer feeling of powerlessness, claustrophobia, panic and fear it can induce.
In terms of setting, I was inspired to choose Hampstead to base the book in, having lived in the North West London area for over a decade, first as a student and then later when I became a lawyer and, later still, a mother. Although I could never in my wildest dreams have afforded to live in Hampstead, I remember taking long winter walks around Hampstead Heath with my flatmates in my student days, marvelling at the area’s mansions with their stately gates, and then in later years pushing my son around in his buggy with my NCT friends. It’s a very quaint, pretty, affluent part of London, where a person should feel incredibly safe. But of course, this is not the case for my two main characters – Seb and Adriana – and therein lies the dramatic irony I wanted to convey. The idea that appearances can be deceiving, and that just because you live a beautiful house in an extremely wealthy area, you aren’t necessarily safe!
7. I also adored The Final Party and it was set in glamorous Italy. What other locations do you have your eye on for future books?
Thank you! I always wanted to write a thriller set abroad. For one, it’s nice to be able to transport myself and my readers to another country, preferably somewhere hot and idyllic (!) especially when the weather is bad here. Basing a thriller in a sublime setting can often prove more impactful because the characters are not necessarily anticipating danger or threat but rather, a blissful, stress-free escape, only to find themselves thrown into nightmarish circumstances, often in isolated locations, thereby ramping up the tension and intrigue! I chose Sorrento because it’s an area I’m very familiar with, having holidayed there many times as a child and got married there. I’ve visited other parts of Italy too – it’s hands-down my favourite country – and I’d love to set a book somewhere like Venice or Rome because they are such fascinating, beautiful cities, with a myriad of amazing landmarks and places to hide, not to mention a labyrinth of narrow, cobbled streets to be chased down! Sadly, though, I fear Dan Brown got there first! I travelled all over the world playing tennis, and many of those locations would also make for interesting settings, as would India where my father is from, and with which I share a strong affinity.
8. You explore the dark side of human nature. What draws you to it?
Because it’s fascinating, albeit in an unnerving way! When I think about psychological thrillers, the words dark, sinister and twisty come to mind, along with a feeling of dread, tension and constant suspense, and not being able to trust what you’re being told. This is largely why I’m drawn to write about the dark side of human nature – by definition it helps fulfil those elements we deem the hallmarks of a good psychological thriller in a way writing about people’s good side would not! Focussing on people being kind and honest with each other would be far less interesting than having characters who lie and keep secrets from each other, the latter being a situation which leads to feelings of guilt, shame and conflict and which in turn, ramps up the tension. After all, readers want to feel intrigued and on edge, not comfortable! I love the way psychological thrillers explore the psychology of the human mind, how and why seemingly good and law-abiding people can commit the most heinous of crimes, whether it stems from their upbringing, or a particular wrong that’s been done to them. They prompt us to consider the darkness in ourselves as well as others. As fallible human beings we are all susceptible to the darker side of human nature – sentiments like envy, lust, greed, revenge – and I love to explore this phenomenon through issues, relationships and situations we can all relate to, and feel a connection with. Themes like friendship, marriage, motherhood – ones that strike at the core of human existence and therefore cut close to the bone.
9. What is your writing routine?
As mentioned, I’m quite a disciplined, focussed person by nature, and routine is important for me as far as my writing goes. I get up at 6.30 a.m., drop both my sons off to the bus stop around 7.15 a.m. Then I come back home, have breakfast and do some form of exercise for around an hour. I guess exercise is something that’s very much ingrained in me since my tennis days, but now it’s more important to me from a mental health perspective. It helps relieve any stress I might have and gets my brain in gear for the writing day ahead! Then, bar any appointments/errands I might have, I’ll sit down at my desk and barely move except for tea and lunch breaks, until it’s time for the boys to come home around five. If I’m in the middle of writing a book, I’ll try to get at least 2,000 words down. If I’m editing, I’ll spend all day working on that. In short, my time will be devoted to either working on my current book, doing book promotion/articles like this, or editing/researching, or a mixture of everything! I’ll invariably do a bit more work once the boys are back from school and settled but unless I’m under pressure to meet an editing deadline I rarely work beyond 7.30/8 p.m. because that’s have dinner andcollapse in front of the sofa with a great thriller/drama series time! I would rather make up the time on weekends than work into the night. I did enough of that as a lawyer and, in any case, I am much more productive in the day!
10. What advice do you have for other writers?
Become a writer because it makes you happy and you can’t imagine doing anything else! Rejection is inevitable in this industry – overnight successes are few and far between – so you really have to LOVE writing and must never stop believing in yourself else the turndowns will break your spirit. If you have talent and work hard, you will get there. You may not become a Sunday Times bestseller but you will get published, and people will eventually read your books, which is the greatest feeling, as is the first time you get to hold your published novel. Writing is a highly subjective business, and you need a thick skin to cope with the inevitable rejections, setbacks and criticism you will encounter along the way. It’s important to surround yourself with people who believe in you, as well as you believing in yourself. Also, focus on perfecting your craft and write what comes naturally to you, rather than writing what you think is on trend. It has to come from the heart, rather than a forced process readers will see through and therefore leave you open to criticism. Make sure you read widely too, as you can learn so much from other writers, and be inspired by them. It’s also a good idea to be active on social media, not just as a means of connecting with the reading and writing community, but because it’s an invaluable way of getting your name and work out there. I’d also advise asking other people you trust to read your work because it’s so easy to get so caught up in your story, you lose perspective, and so having the benefit of a neutral eye can prove invaluable. In terms of submissions, I’d say do your research and tailor them accordingly, be polite and make sure you have a strong hook for your novel that will make it stand out in a crowded market. Practically speaking, when it comes to writing your book, I’d advise aspiring writers to focus on finding a time and place that works for them as everyone is different. Wherever and whenever you choose to write, it’s important to cut out distractions, to get the nuts and bolts of your book down, then go back and refine! The most important thing is having a basis you can work off, with the finessing coming in the second and third draft.
The largest Spring gathering of the international publishing industry assembled at Olympia today, as The London Book Fair kicked off its first day. Thousands of exhibitors and visitors from the UK and around the world gathered to do business, share expertise, network, and attend sessions covering topics including platforming marginalised voices, sustainability, tips for writers, social media, and new global trends.
Gareth Rapley, Director of The London Book Fair,said: “What an amazing opening day of LBF! It’s been brilliant seeing global publishing all under one roof and the excitement in the room has been so great to see. the buzz has been incredible. From our International Author of the Day, Taylor Jenkins Reid, to the Selfie Awards and incredible talks from authors including Gavin Esler, Lemn Sissay, Kit de Waal, and Joe Haddow, it’s been an incredible first day. We can’t wait to welcome everyone back across the next two days.”
Clockwise from Top Left to Bottom Right: Gavin Esler, Lemn Sissay, Kit de Waal and Joe Haddow on Author HQ, A busy Olympia for The London Book Fair 2024, Taylor Jenkins Reid, International Author of the Day, Jonathan Karp of Simon and Schuster in conversation with Porter Anderson
Jonathan Karp, President and Chief Executive Officer at Simon & Schuster, and Porter Anderson, Editor-in-Chief at Publishing Perspectives, held the opening keynote address, which explores S&S’s outlook on the evolving world of content and the innovative directions they envision for the future.
Jasmine Richards, Founder of Storymix, Vicky Palmer, Creative and Marketing Director, Hodder & Stoughton, Ken Wilson-Max, Publisher at Kumusha Books and HarperCollins Children’s Books, and Hannah McMillian, Director at Midas, delved into their expert advice on how to prepare for the publication of your next book, with
Lisa Sharkey, Senior Vice President Executive Director of Creative Development at HarperCollins Publishers, Ain Chiara Bensenouci, Publishing Consultant, Jojo Schlattner, Senior Social Media Manager and Ashley Baugh, Associate Director at Midas, shared how authors can use social media to boost their brand and promote their books.
International Author of the Day, Taylor Jenkins Reid, New York Times and Sunday Times Bestselling author of Mailbu Rising and The Seven Husbands of Evelyn Hugo, joined Leonel Teti, Editorial Director at Urano World on the Main Stage to discuss her career and inspiration behind the strong women featured in her popular quartet. Guests at The Fair were excited to hear that Reid’s new project will involve “a good love story.”
Jaclyn Swope, Senior Account Manager at Nielsen BookData, provided an insightful talk of the local and global factors driving varied book markets in 2023, through the combined data of Nielsen BookScan and GfK. The talk revealed that there were over 1bn book purchases in 2023, the top three countries for book sales were France (325m), UK (199m), and Italy (105m)t, and Colleen Hoover remains on all top five bestseller lists across EU and outside.
During the How I Write panel, authors Gavin Esler, Lemn Sissay, Kit de Waal, and Joe Haddow, shared a glimpse into their writing life, and offered insight into how they wrote their best-known books and poetry, find creative inspiration in the everyday, value feedback from the people around them, and how important it is to uphold the human voice in all writing.
Alexander Buchler, Director at Literature Across Frontiers, Dr Richard Davies, Publishing Director at Parthian, Bianca Bellova, Author, and Shelia O’Reilly, Board Member at European & International Booksellers Federation celebrated the European Union Prize for Literature and its evolution and impact on translation across European literacy scenes over the year.
Sir Chris Bryant, Shadow Creative Industries and Digital Minister visited The Fair, adding: “It was a pleasure to visit The London Book Fair and to see the UK’s publishing industry in action. The sector is a huge driver of economic growth in the UK and we are proudly the largest exporter of books in the world. We need to address publishers’ concerns so the industry can thrive and continue to contribute to the wider success of the UK’s Creative Industries.”
The 2024 BookBrunch Selfie Awards winners were also announced with Julia Boggio, taking home Best Adult Fiction for Shooters, Jill Michelle Smith and Jennifer Watson taking Best Children’s Book for Extraordinary Extinct Prehistoric Minibeasts: A First Guide to Fossils, and J F Penn winning Best Memoir/Autobiography for Pilgrimage: Lessons Learned from Solo Walking.
To launch Frost magazine’s support for #RespectRomFic, Sara-Jade Virtue, Brand Development Director, Fiction, for Simon & Schuster UK explains why the campaign is important and reveals her favourite romance books.
There is NOTHING I enjoy as much as a Big Love Story. Preferably on the page rather than on a screen, whether the love is of the romantic, familial or friendship kind, I adore j’adore and have done all my adult life.
Which is why I feel so passionate (no pun intended) about the #RespectRomFic movement I’m leading, and why it’s so important to me. For far too long the contribution to the literary landscape of the books written by the authors writing in the Romance & Saga space has been at best ignored, at worst dismissed. And yet these are the books that dig into the very heart (every pun intended) of the human condition, love. Love is what makes the world go round and these ten novels from my all time favourite dessert island reads list, show love in all its glorious forms – escapist, romantic, heart-warming, heart-breaking, laugh out loud funny, moving, poignant and painful.
Lily and the Octopus (Steven Rowley) – a heart-breaking, charming and unforgettable novel about life, love and long walks.
These Days of Ours (Juliet Ashton) – a gloriously irresistible romance about what happens when the person you love can’t be yours.
Letters to the Lost (Iona Grey) – a poignant, absorbing and tender story of love and loss.
Together (Julie Cohen) – a bold, breath-taking and compelling love story that manages to be as complex as it is compelling.
Rescue Me (Sarra Manning) – heartfelt, funny and wonderfully uplifting, this is total joy from start to finish.
The Last Letter From Your Lover (Jojo Moyes) – passion, loss and romance, and arguably in my Top 3 Favourite Novels Of All Time.
Seven Days in June (Tia Williams) – an extraordinary novel that manages to be both utterly hilarious and completely heart-breaking.
The Photographer of the Lost (Caroline Scott) – a vivid story of forbidden love and longing, this took my breath away.
When We Were Young (Richard Roper) – incredibly moving, hilariously funny, utterly heart-breaking.
The Man I Think I Know (Mike Gayle) – redemption, love, trust and second chances. Incredibly moving, funny and clever.
The stats back up the importance of romantic fiction too – here are some figures taken from publishing industry bible, The Bookseller, with the numbers provided by Nielson.
In 2022 Romance & Sagas had its second best year ever at £53m, only bettered by the Fifty Shades bonanza of 2012 (£68.3m).
This is way up from the more normal value of £25m, which is still seriously significant in terms of the market as a whole.
These figures exclude love stories coded as General & Literary Fiction, for example Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo (£2m), Marian Keyes’ Again Rachel (almost £1m), Elena Armas’ The Spanish Love Deception (£851k) and Beth O’Leary’s The Road Trip (£459k).
The Sunday Times bestseller list has no category for romance, yet in 2022 the top twenty contained no fewer than six books that could be regarded as romantic fiction; four by Colleen Hoover, including the top selling novel of all, It Ends with Us, The Seven Husbands of Evelyn Hugo, and The Paper Palace by Miranda Cowley.
Isn’t it strange how sometimes you have to hit rock bottom to make a change for the better?
When I discovered that my husband had been having an affair my world fell apart. I could feel myself being dragged down a black hole, but instead of therapy, I turned to writing and began the first draft of a story I had been carrying around in my head for years.
It’s a romantic comedy, inspired by my rollercoaster journey from globe-trotting cabin crew to struggling actress.
It was my escape from all the sadness and drama of my divorce, giving me something positive and fun to focus on.
I self-published ‘Learning To Fly’ through Amazon, and I’ll never forget the feeling of holding my book in my hand. I felt like a cloud had lifted and that I was on a new and better path. The book got some great reviews and I was invited to speak about my writing journey at Blackwell’s Writers at the Edinburgh Fringe and on BBC Radio London.
I sent a copy to HQ HarperCollins, and much to my amazement, they offered me a contract!
I was asked to make some major changes to the story and they re-designed the cover, changing the title to ‘The Start of Something Wonderful.’
I narrated the audio version for HarperCollins Audio and am now working on adapting it into a 6-part comedy drama for TV.
I’m also writing my second novel, ‘Marriage, Mafia & Mozzarella’, which was inspired by my rollercoaster marriage to my Italian ex-husband. So you see,life can have a funny way of working out, can’t it?
Tangerine Press is delighted to announce the return of The Uncorrected Independent Publishers’ Fair (TUIPF), the world’s smallest publisher fair, showcasing a selected number of independent presses from across the UK. The fifth Uncorrected Independent Publishers’ Fair will take place on 11 June 2022 at Peckham Pelican, as part of the Camberwell Arts Festival.
Featuring seven of the most exciting and innovative indie publishers operating in the UK, the line-up features the following presses: flipped eye publishing (powerful poetry, fiction and prose in affordable volumes), Les Fugitives(contemporary literary fiction & non-fiction translated from the French), Prototype (fiction, poetry and interdisciplinary projects), Repeater Books (radical books for a wide readership), Rough Trade Books (sister to the pioneering independent record label), Strange Attractor (celebrating unpopular culture) and Tangerine Press.
Taking place at the café and art space the Peckham Pelican – an open, friendly bar serving good quality beers, ciders, wine, coffee and food available all day – TUIPF is free to attend and open to all. This unique literary feast caters for all genres and needs: prose, poetry, fiction and photography books will all be on sale, with special event prices on paperbacks, hardback limited editions, artist books, broadsides, screen-prints and letterpress gems.
In addition to book sales and general merriment, TUIPF is proud to present a line-up of indie entertainment: live readings by authors published by the seven indie publishers will start from 2pm, including Erica Van Horn (Les Fugitives), Astrid Alben (Prototype) and Arianna Reiche (Tangerine Press). From 4pm, the special guest Unexplained Podcast, the popular story-based podcast in which host and creator Richard MacLean Smith explores a different unexplained mystery each week, will perform a live reading of their episode “Hexham Heads”, examining strange events in 1970s Northumberland. From 4.30pm, there will be an acoustic set by the alternative indie UK-based band Lilies in by Brain.
Michael Curran, Founder of Tangerine Press, said: “It’s wonderful to be back at the Peckham Pelican with The Uncorrected Independent Publishers’ Fair for the first time since 2019. We have seven of the best indie presses in the country all under one roof in relaxed surroundings. It isn’t a stuffy hall! You can order a beer, chill out and listen the readings from authors and poets representing each of the publishers. Then perhaps sit up and be drawn into a rare live performance of the Unexplained podcast. Finally round it off with an acoustic set by promising indie newcomers Lilies in my Brain. All the while you can browse at your leisure through the stunning selection of books on sale, at special event prices. And it’s a free event!”
Find out more about The Uncorrected Independent Publishers’ Fair here, and for the latest updates follow #TUIPF22 and @TangerinePress
When I was 21 I started to write a novel. It wasn’t very good. I was working as a reporter for a local paper in Cornwall and my book… was about a reporter working for a local paper in Cornwall.
Soon I moved to London to work for the Daily Telegraph and started writing a second novel. It was about a young journalist working for a newspaper in London.
It wasn’t very good either.
I met a top agent at a function and asked him if he’d see it.
‘What’s it about?’ he asked.
After several seconds of flannelling he cut in: ‘If you can’t tell me in under 11 seconds then I’m not interested.’
I’d been introduced to the idea of the elevator pitch. If you can’t encapsulate your idea in a nutshell, you’ve had it.
I kept writing and the rejection slips (paper in those days) kept piling up.
Then one day a friend suggested I try my hand at historical fiction. ‘You’re obsessed about the past,’ he said. And it was true.
About a year later I read The Da Vinci Code, and was hooked.
And I thought, “I can do that.”
So I started thinking about a historical mystery that could sit at the heart of a story, and some characters that would have sticking power.
That was around 2004. Before I knew it, I had started writing what would become my first novel, Rule Britannia. And I knew I was onto something, I could feel it in my fingertips. My characters – a historian and mountaineer Ernest Drabble and his pal, a journalist named Harris – were alive. And so was the story.
With a half-written book, I started polishing and went looking for an agent. Again the rejection slips piled up (still paper).
Then one day in 2008 an email landed at about 6pm on Saturday evening from an agent. Do you have any more, he asked?
I didn’t sleep that night. Soon I’d emailed the next three chapters, then we had a meeting. After that, I had an agent and went off to finish the book – armed with the self-confidence to finish it properly, to believe in myself and the benefits of his insights.
The agent then took it to market. But it was 2009 and e-readers, Amazon and the global financial crisis was hitting hard, and – for whatever reason – my book didn’t sell. After a dozen very polite rejections from major publishers, my agent suggested I try writing a different book. Which I did.
For five years I wrote a book set in the First World War, but Drabble and Harris were still in the back of my mind, calling to me from the binary prison of a hard drive.
By 2015 the First World War book was finished – but so was my relationship with my agent who finally spelled it out to me when he told me this was not a book that he could sell to his clients. We were finished.
Exhausted and disappointed, I stopped knocking on doors that wouldn’t open and focused instead on my day job. Every now and then someone would ask about Drabble and Harris; I would change the subject.
Then my son Herbie was born in 2016, and his arrival rekindled my ambition. So in the small hours, I dug out Rule Britannia and reread it, shook my head at parts that hadn’t aged well, and I polished it. And I pitched it again.
After a string of rejections (emails now), I went direct to publishers, finding an independent in Cardiff, named Accent Press.
When the owner telephoned me and told me she’d take it – and she’d want two more books after – I was standing in a corridor at work. I didn’t punch the air, but a tear might have come to my eye. It had taken 20 years and I had endured numerous disappointments but it had finally happened. Drabble and Harris would get to their readers, and I was going to have a novel out. So what’s my advice for would-be authors. Don’t give up. And as Martin Amis once told me when I asked him for advice at book-signing: keep writing. After all, what else are you going to do?
Alec Marsh is author of the Drabble & Harris novels, published by Headline Accent. The latest book, ‘Ghosts of the West’ is published in original paperback and ebook on 9 September
There are many roads to publication. But as a forty-year-old with three kids of three and under, including twins and a busy job as a nurse, none of them were for me – or so I thought. Then a character popped into my mind. An earworm that wouldn’t go away. A little boy called Dai Monday. It took me a year to find the courage to pick up a pen. With no time to write at home and a busy day job, I took to carrying a notebook around in my scrub top. This notebook got filled during my 15 minute coffee breaks. Within 6 weeks I had a very poor, first draft of my first book.
Fast forward five years. I was still writing but with no thought of publishing until peer pressure and a bullying incident at school led me to self-publish Boy Brainy. Six more years quickly followed in tandem with a box full of rejection letters. I’m not sure how many rejections—too many to count but not so many as to blunt my determination to succeed.
It took twelve years to find a home for my writing. Twelve years when my writing improved, but also the quality of my query letters. Never underestimate the importance of a well-crafted query letter!
But, in the end, the years didn’t count for much. It was a few quirks of fate that pushed me over the finishing line. A change in genre from children’s books to romance and finally crime fiction. BookBub accepting me for a book promotion the first time I applied. One last push to secure a publisher and, finally, engineering the date of the BookBub promotion to coincide with my query letter arriving at HQ Digital, an imprint of Harper Collins.
I said at the start that there are many roads to publication. While I wouldn’t recommend mine to anyone, there are lessons to be learnt. If you are struggling to find the time to write, change how you view time. Chunk it into 15-minute sessions instead of hours. Those few minutes add up. It might mean writing in transit but that’s easily catered for with a notebook or even a mobile phone. To rephrase a well-known saying. There is always a way, but first you must find the will. My BookBub deal was a fluke, but what followed wasn’t. There’s nothing wrong with nudging luck along with a little gentle manoeuvring.
Good luck!
Jenny O’Brien is an Irish writer of the Detective Gaby Darin series published by HQ Digital.