THE FAERIE TREE: A Book In The Making | Beltane

THE FAERIE TREE- A book in the making | BeltanefairytreeaprilBeltane: a season of fertility and fire, a time to welcome new life into the earth. A good time to contact spirits or interact with the Fae.

After the rigours of the last few weeks I am absolutely convinced that releasing a new book is akin to passing through fire. Or at very least, virtual fire. I seem to have spent most of my time tweeting, googling, goodreading, facebooking and linking in. Even my dreams – or nightmares – have been seen through the prism of my laptop or iPad screen.

Why? I have been chasing the writer’s holy grail: reviews. In a world where there are thousands of books, how else are readers to choose what to read? And without the right number of reviews (rumoured to be at least fifty) you are not going to kick on with those all important Amazon search algorithms.

THE FAERIE TREE- A book in the making | BeltanebluebellsinFT

Of course hunting down reviews is a potentially risky business because even when you ask… or suggest… that bloggers and other opinion formers review the book you cannot, quite rightly, influence what they say. With my first novel, The Cheesemaker’s House, I had my (only) one star review early on so I got it out of the way. With The Faerie Tree I’m still waiting. No fewer than three stars anywhere. Yet.

Of course there are reviews which are downright irritating and it just isn’t the done thing (again, quite rightly) to reply. Top of my list are the people who spell the main characters’ names wrong; I know reviewers are busy people but if they have skim-read a book they ought to admit to it. I subscribe to the Alliance of Independent Authors’ Ethical Author code (for more information see here: http://allianceindependentauthors.org/ethical-author/) and part of that is about being open and transparent when I review other people’s books. I would love all reviewers to do the same.

On the upside, there are reviewers you just want to pick up and hug. Like the one who completely got the fact that part of my reason for writing the book was to give people who suffer from depression a positive portrayal. Like the one on Goodreads who realised the book wasn’t really their thing but gave it three stars anyway because it was well written. Like the reviews that just make me laugh.

Some of that laughter could just be relief. Until a book is out there you never really know how it will be received. Overall, it’s doing really well; 4 ½ stars on Amazon and 4.1 on Goodreads. People are generally gripped by it – one reader in South Africa finished it by torchlight during a power cut. They are enjoying the characters, their relationships, their stories.

But I am learning, too. Of course it’s too late to change The Faerie Tree now but there is a significant minority who are finding one of the main characters irritating – have I got that wrong? And others feel the resolution of the mystery is too obscure… or even completely lacking. Should I have spelt it out a little more? All useful things to consider as I complete the first draft of my next offering and begin the editing process.

But, being Beltane, I have lifted my eyes from the screen and ventured out into sunshine in the natural world. Where better to go than the fairy tree wood in Hampshire where the story began? And to thank the faeries, elves and pixies who live there for their very large contribution to the success of their book.

The Faerie Tree is available as an ebook or paperback from Amazon, Kobo, Waterstones and to order from all major bookstores. Find out more at http://janecable.com/the-book/4588312168 .

 

 

The Words for the Wounded Litfest – Review by Pat Heath

What a brilliant day at Downley Community Centre, 18th April 2015.

This inaugural one-day opportunity for new and established writers, and for readers, did what it said on the packet. We laughed with, learned from, and mingled amongst, experts in the world of writing at the Words for the Wounded (WforW) LitFest. It was organised by the ‘Writing Grannies’ who run the charity.

The Words for the Wounded Litfest  -  Review by Pat Heath

To open the day, Matt Pain, Trustee, reminded us that the average age of wounded soldiers is 25 years old, which proved thought provoking.

The Words for the Wounded Litfest  -  Review by Pat Heathwelcome

Margaret Graham (‘writing grannie’) and Katie Fforde (WforW patron) opened the day with conversazione. These two bestselling authors covered key aspects of fiction writing, including sub-plots, the need to inhabit your characters and how to deal with a ‘soggy middle’. Something that troubles many of us – writers or not.

A massive amount of invaluable information was delivered with quick fire wit, during this hilarious and valuable session. Meg Cannell presented chocolates to Katie.

The Words for the Wounded Litfest  -  Review by Pat Heathkatiemegmg

After book signing and coffee it was time for some murder and mayhem, with two ‘Midsomer Murders’ TV writers, Rachel Cuperman and Sally Griffiths. Rachel and Sally explained the practical aspects of TV play-writing, punctuated with their own amusing anecdotes.

The Words for the Wounded Litfest  -  Review by Pat Heathrachelsally

Lunch followed, with wine and coffee, organised by Jan Speedie (‘writing grannie’), Margaret’s family and Josh Edwards. It was partially sponsored by Tesco, Morrison’s and Starbucks. A feast, it must be said, and the team did a fantastic job. Seamless.

Many authors choose the Independent Author publishing route and successful ‘Indie’ writers, Amanda Hatter and Catriona Troth, chaired by Penny Deacon, (writing grannie) described how to produce a high-quality self-published book,. This time Penny Deacon (writing grannie) chaired the session as Amanda gave many useful marketing tips, including how to penetrate large chains such as Waterstones, and Catriona explained the advantages of working as part of a writers’ collective, such as Triskele Books.

The Words for the Wounded Litfest  -  Review by Pat Heathcallum The Words for the Wounded Litfest  -  Review by Pat Heathtriskele

Felicity Trew, from Caroline Sheldon Literary Agency was introduced by Penny Deacon and gave a power-point presentation in which she explained the role of literary agents: negotiating publishing deals, making sure the contract protects current and future income opportunities, and chasing payments/royalties.

The Words for the Wounded Litfest  -  Review by Pat Heathpdprojector

She also advised on how writers should approach agents, using amusing spoof emails to illustrate her points, and she reminded the audience to check agent’s submission instructions. Her agency’s website has a useful list of ‘pet hates’ including applicants omitting the requested information and obvious ‘carpet bombing’ applications.

Felicity was at the LitFest all day, and was enormously generous with her time.

Finally, Jan Speedie introduced Penny Deacon who talked about why she ‘turned her back on romance and took to murder’. She compared her experiences of writing Mills and Boon to that of crime fiction. This was a relaxed and amusing end to an inspirational, funny, information-packed day.

The Words for the Wounded Litfest  -  Review by Pat Heathjan=pd

Prizes, donated by artist Sharon Bennett, Tesco, (Bollinger champagne) The Wellington, and Katie Fforde were raffled for WforW. Speakers were given boxes of chocolates, partially funded by Thornton’s and delegates were given books donated by Random House. Penny Gerrard made biscuits from heaven and Susan Atkins’ chocolate cake was seriously good.

One clever touch was the notepads and biros on every seat, for invaluable notetaking. Everything was so carefully thought out. It makes a difference.

Next year’s LitFest line up of speakers will include Elizabeth Buchan, bestselling author (patron of WforW) Jemima Hunt, Literary Agent, Catherine Balavage, e-magazine owner (Frost Magazine), and Tracy Baines, successful genre short story writer.

A total of £1,500 was raised by the inaugural LitFest for the rehabilitation of the wounded.

http://www.wordsforthewounded.co.uk

 

 

 

It Takes Two – The Idea Behind KISHBOO by Sharon Boothroyd

It was my husband Keith who had the idea of producing an e-magazine in the summer of 2014. He has pro web design experience and I had written all the text for his corporate client websites, so we were used to combining our skills and working together as a team.

We called our publishing brand Ryecorn Digital Publishing, after Ryecorn, the fictional Yorkshire town in my kindle chick- lit novella.
Keith designed all the unique graphics for the chapter headings and he also designed the book cover for me, too. I was really pleased with his design. The free android app version looked great too.

To keep costs down, we set up a free website to help promote it: www.ryecorn.orgfree.com

We had already enjoyed minor success with another online project of ours called ‘A quick read.’ This entailed uploading stories onto our website and onto the accompanying free android app.

We didn’t charge writers a fee for publication, and the website cost around £60 a year. Even though we were overwhelmed with work, as time passed, we couldn’t see how the project could develop, so sadly in 2014, after two years, we decided to close it down.

So – we had published online,on kindle and on the android app format. We both really warmed to the idea of publishing an e-mag on 3 digital platforms.

It Takes Two - The idea behind KISHBOO by Sharon Boothroyd


What could we call our magazine though? We thought of hundreds of names, but the domain names were all taken, so we hit upon the idea of blending our names to create something truly different. We really hoped that the name ‘KISHBOO‘ would stick in people’s memory.

It would be non- profit making project. We’d fund the competition prizes through the competition entry fees, and we now realised that we could use online advertising to help cover the cost of our website.

pic.KISH_2In August 2014, we were ready to launch the project! However, the actual magazine wasn’t published until October, as we needed stories and articles to fill it.

I began to send press releases out and my network of writer friends helped spread the word  for us via social media. Keith worked hard on search engine optimisation, and I began to tweet for the first time in my life.

I was worried that we would receive no articles at all because at the moment, we are unable to pay writers. However, we can offer them free promotion of their kindle books and blogs within their articles. I wasn’t even sure we would get anyone entering our competition. I needn’t have worried – the comp entries and articles began flooding in!

Back issues are easily available – here’s what the first KISHBOO looked like:

pic.KISH3Here’s the cover of the second issue, which was published in January 2015: pic.KISH4

We are now very working hard on our third issue, which will be published in April 2015. It’ll be packed with even more features.

Please visit: www.kishboo.co.uk
Find us on facebook: www.facebook.com/kishboo.mag
Follow us on Twitter: @KishbooMag

 

 

Immediate Media Co Partners With Leading Independent Publisher Network Handpicked Media

Exciting news in publishing: Handpicked Media, whose independent publishing platform Frost Magazine is proudly part of, has teamed up with Immediate Media. The press release is below and we are very excited. 

The Handpicked Media team.

The Handpicked Media team.

Immediate Media Co, the special interest content and platform company,  announces a partnership with Handpicked Media to provide sales agency support for the leading social content marketing and blog network.

The partnership sees Immediate’s commercial division provide agency sales support to Handpicked. Immediate already provides similar services for a roster of clients including BBC Worldwide, Eye to Eye Media and LPG Inc.

Handpicked represents over 300 independent websites and blogs, reaching over 10 million unique users a month. The partnership will allow Immediate to use its commercial infrastructure to unlock the value of these influential bloggers and sites.

As a social content marketing platform, Handpicked Media has curated a growing network of influential blog sites across a range of lifestyle channels since it was launched in 2009 by media entrepreneur Krista Madden. It manages the interaction between its network and a range of consumer brands, offering clients an array of opportunities to reach a very targeted and highly engaged social audience. Key content channels within the Handpicked network include Entertainment, Lifestyle, Beauty, Fashion and Food.

Immediate Commercial Director Duncan Tickell says: “Handpicked has a network of fantastically engaged audiences with its roster of blog and independent media sites. These highly passionate and engaged audiences are complementary to our existing portfolio and offer our commercial partners a new and exciting way in which to connect with them”.

Handpicked solutions include social media strategy, blogger outreach, content creation, events and integrated campaigns for a range of brand partners including Intel, Vodafone, P&G and Hilton.

Krista adds: “We are really pleased to be working with the successful team at Immediate Media, their range of brands is a perfect fit for the Handpicked audience. We both see the benefits of creating great content with context and scale across our popular communities. ”

Immediate is home to internationally famous brands including Radio Times, Gardeners’ World, BBC Good Food, Olive, You & Your Wedding, Perfect Weddings and Made For Mums.

Follow them at @Immediate_Media

 

 

THE FAERIE TREE: A book in the making

Yule: A time to celebrate with those we love. A season full of magic and new beginnings which spring from the darkest days of the year.

When short, dark days stretch interminably ahead the deep human urge to rebel against nature and celebrate is hardly surprising. It is an instinct deeper than religion, broader than faith; whether it’s carols in church, TV and tinsel, or the burning of a sacred log, it is something which touches almost all of us.

faerietreejanecable

After 21st December the days start to become a little longer. Actually, that’s what I need. Maybe there is some mid-winter magic to create a few extra hours in each one. Maybe I should write to the fairies and ask them. As well as everything else, this festive season I have proofs to check.

The last few months have been particularly hectic as I balance work, writing, preparing for publication of The Faerie Tree and even a stint or two selling books on Chichester Christmas Market. That came about because I’m lucky enough to be part of Chindi, a very active group of independently published authors in the Chichester area. The reason we exist is because there are so many things we can do together which we couldn’t do alone, and one of those was to take a stall on the Christmas Market. It was something of a learning curve and a great opportunity to meet readers. It was also fascinating to see which books sold well and which didn’t – and to try to work out why.

The huge importance of covers was brought home to us very quickly – which was actually great timing for me as far as The Faerie Tree was concerned. The Cheesemaker’s House is pretty striking visually and people tended to head straight for it on the stall. But when it was stacked sideways with other books the title disappeared – and having watched one gentleman struggle with the colour of the print on the back I realised a few things would need to change next time around.

My main concern when briefing the cover designer at Matador was to make sure the book looked as though it was for adults. The title could imply it’s a children’s story so it had to be crystal clear at first glance who it was meant for. I also wanted it to look as much like The Cheesemaker’s House as possible. It’s an inescapable – if a little uncomfortable – fact that authors are brands these days.

When I first saw the cover of The Faerie Tree I had one word for it: wow. It’s a word I’ve heard time and again as I’ve showed it to the people closest to me and to other members of Chindi. So, for the first time, I am revealing it to the wider world through Frost readers and I’m really interested to see what you think. The significance of the candle? Well, you’ll have to wait until Imbolc to find that out.

Now that the cover has been designed there is a plethora of marketing material to sign off. The paperback will be in the shops from 1st May and the book trade need to know about it now, so an AI (advanced information) sheet has been prepared as well as a trade press release. They’ve been languishing in my inbox for over a week but gut instinct tells me sending them out this side of January would be a waste of time. The thought is salving my conscience anyway.

 

 

 

The Readers & Writers Festival to be held in lovely Margaret River, Western Australia

I found Margaret River when I was researching my bestselling novel Canopy of Silence for Heinemann some years ago now. I flew over from the UK and took the bus down from Perth, Western Australia to seek out descendants of the Group Settlers. I found Dinkie Sutton, who was the relative of the guy who ran the post office in my Somerset village, where I lived then. She introduced me to others.

I fell in love with the Sutton family and Margaret River. I think of it as my second home. It is a place of great beauty and initially, of great hardship for the settlers, who were enticed out by the British and West Australian governments after the 1 World War to create dairy farms.

The settlers were shown films of established dairy farms in New South Wales typical, it was said, of the farms they would go to.

The reality on the western side of Australia was different. South of Perth there were sandy tracts, and further down, near Margaret River, the soil was just not capable of producing grazing land sufficiently nutritious for dairy herds.

thebushnearmargaretriver

Before they reached that stage the settlers had to fell the huge trees, with a mattock and a saw, sometimes walking a couple of miles to collect water for their young families. It’s the stuff of heartbreak, but the Poms were a tough lot, just as are the Australians.

They endured, and latterly it was discovered that the Margaret River area is suitable for wine growing. It’s worth a visit just to tour the vineyards which produce the most superb wines. Trust me, I remember the hangovers. Even those were of a superior variety.

I have many tales to tell of the area and will dig out a few as we get more news from the region, because I’m delighted to tell you we have the first of many items from the region. Bring ‘em on, please.

*  * *

The Margaret River Readers’ and Writers’ Festival  2015

2015festimage

SEASONS is the theme for the seventh annual Readers and Writers Festival to be held in the beautiful Margaret River wine region in Western Australia next year, so those of you in the UK have time to plan your trip. Those of you in Australia, get ready to clear your diaries and give yourself a real treat.

Festival director Helen Allan tells me the annual festival will be held over the May long weekend 29-31 2015 and the festival has already secured a huge line-up of famous authors to excite readers of all genres.

“We are focussing on the environment, nature and the seasons of our lives – the theme `Seasons’ encapsulates all of those things, and Autumn is such a beautiful time in Margaret River, we should celebrate that – when Keats wrote that Autumn was the ‘season of mists and mellow fruitfulness’ it almost seems like he wrote it for our region.”

The festival committee had lined up around 20 authors and the festival will, once again, run over three days.

mrbookscat

“From Tomorrow When The War Began author John Marsdon to science fiction author Isobelle Carmody, comedian and authors Sami Shah, Justin Heazelwood and Luke Ryan to romance authors Fiona Palmer, Michelle de Kretser and food/nature author Sophie Zalokar, we have something for everyone,” she said. As both a reader and writer I was already hooked.

“We will be letting more names out of the bag as the time draws nearer, we have had a huge amount of interest from authors wanting to take part in next year’s festival, given the outstanding growth and success of the festival last year.”

The festival, while small, is steadily growing and  the organisers are keen to have a big-name international authors to headline their event.

“We don’t have a huge budget, but what we lack in funds we make up for in warmth and hospitality, our authors are treated like royalty and thoroughly spoiled when they come over.

“We had hoped to have some British writers participate in next year’s festival and had invited Stephen Fry and Michael Palin, but to no avail. Hopefully as our festival gains more of an international standing more English authors will come forward. Our wine region is an exciting and beautiful place to visit and what could be better than combining a look at our natural wonders with a celebration of literature?”

 

I can vouch for all of that, and what a wonderful time to be south of Perth, in the lovely Margaret River area. While you’re there, have a good look around. See the wonderful surf, and give it a go. My son-in-law promises himself the opportunity one day. Perhaps head out to see the Prevelly Chapel, a monument to the monks of Crete who helped save so many Australian Servicement in the 2nd World War, at the expense of their own lives. Returning servicemen raised the money to raise the Chapel in tribute. It’s moving, but that’s an understatement. Go and see for yourselves, and make it in May so you can catch the Festival.

 

 

The Yeovil Literary Festival – An Author’s Perspective By Kate Kelly

If you braved the rainclouds and ventured into Yeovil in the first weekend in November you might have noticed large green banners flying outside a number of venues, for this was the weekend of the Second Yeovil Literary festival. The first Yeovil Literary Festival took place last September, and this year I was delighted to be taking part again.

yeovil2014 Liz Pike, one of the festival organisers.

I was in fact involved in three events across three of the festival venues. They were three very different styles of event, and were only a tiny fraction of what the festival had to offer.

The first event was the Yeovil Prize Winners event on the Friday Morning. The Yeovil Prize was founded by bestselling author, Margaret Graham, with James Mitchell to raise funds for the arts of the area. When Margaret moved from Yeovil, crime writer, Penny Deacon took her place until handing over to Margaret’s ex-student, Liz Pike and her team. It is now in its 11th year and continues to grow. It is an internationally renowned competition, and since its earliest days it has been watched closely by both editors and agents, and as the list of success stories continues to grow it is clear why.

I am one such author – Red Rock was Highly Commended in 2010 and I’m convinced that this helped tip the balance with the agent who was considering it at the time. This year it was lovely to have a number of winners in the poetry category in our midst. We took turns to read our winning entries and talked about what the Yeovil Prize has meant to us.

2 The Yeovil Prize Winners Panel.

If you are interested in reading some of the poetry and fiction that has been shortlisted over the past couple of years, then the Yeovil Prize Anthology is now available.

3Marcus, manager of Yeovil Waterstones with copies of the Yeovil Prize Anthology.

That evening I was honoured to host “In Conversation with Jason Hewitt”. Jason is a debut novelist and The Dynamite Room was published earlier this year. It is a World War 2 story, but one with a difference and is absolutely superb. Set on the Suffolk coast in July 1940, a German officer swims ashore and breaks into a boarded up house. There he finds Lydia, and 11 year old escaped evacuee hiding in the attic. Over the next five days Lydia is held hostage in her own home – but there is more to the German that meets the eye – for how is it that he knows her name?

4In Conversation with Jason Hewitt.

I really enjoyed meeting Jason and chatting to him. The ‘In Conversation’ style of event was a lot of fun, very relaxed, and Jason had so many interesting things to tell us that the time simply flew!

5 Jason Hewitt and “The Dynamite Room

The following day was my third event, and quite a change from what had gone before. This time I was in the Yeovil Library running a writing workshop for children.

6 Outside Yeovil Library.

The event was well attended and I couldn’t have asked for a better bunch of kids to work with. They were all so enthusiastic and imaginative and half an hour after the event had ended were all still sitting scribbling away. I suspect there might have been some budding authors in their midst.

Of course, these were only three events in a packed programme. The organisers have really built on last year’s success and I can’t wait for next year.

 

 

A Day In The Life of An Indie Bookshop By The Chorleywood Bookshop

Some people have the rather quaint idea that an independent bookshop is a rather dusty place, run by an elderly woman who spends all her time with her feet up, stroking a cat and reading. Others imagine it like the bookshop in Notting Hill, a rather more boutique-style place which sells coffee table books and travel guides.

If there were shops like this they would have closed by now. To be a successful independent bookshop in 2014 you need to be so much more than just a bookshop.

A day in the life of an Indie Bookshop By the Chorleywood Bookshoppic1

At Chorleywood Bookshop the owner, Sheryl Shurville, opens up at the crack of dawn, invoicing schools with their orders and organising the first of the deliveries. On the way she’ll be picking up a children’s author from the station to take to the school for an event.

Back at the shop a team of three will be unpacking boxes of books. Some will be for a literary lunch, others will be for customers who have ordered them the day before and others will be temporarily displayed in the window ready for the upcoming literary festival.

Along with our customers the staff meet so many authors and it’s like kids being let loose in a sweet shop. We love it. Here’s our owner, Sheryl Shurville with Ben Collins, The Stig.

A day in the life of an Indie Bookshop By the Chorleywood Bookshoppic2

The shop is busy with customers, many have come to buy greetings cards, others will be buying their tickets for the literary festival and some, of course, are just browsing the new titles.

Behind the scenes, one of the staff is now writing an article about an author event for the local magazine, someone else is pricing a box of children’s toys and gifts and the third member of staff is back and forth serving customers at the till, while working her way through a batch of books to be returned to the publishers and researching an out of print book for a customer who wants a second hand copy.

Sheryl returns and sorts out the banking and float for the author event later that day. Then she begins work on her introductory speech, sandwich in hand. No one stops to eat for more than 10 minutes, there simply isn’t time.

More customers orders placed, more cards sold, more personal book recommendations given-cups of tea are made and left to go cold.

Refreshments for customers are packed, shop signs and books loaded in the back of car, a bouquet for the author collected and on to the evening event… See Alexander Armstrong and Richard Osman signing copies of A Very Pointless Quiz Book.

A day in the life of an Indie Bookshop By the Chorleywood Bookshoppic3

This may sound like exaggeration but this is exactly what  it’s like at an indie bookshop, well, unless it’s Halloween,Christmas, Easter, Mother’s Day….when it gets a whole lot busier.

Chorleywood Literary Festival November 10 – 16th. http://chorleywoodbookshop.co.uk/chorleywood-literary-festival-2014