Tag Archives: Review

Mumm Brut Rosé Champagne The Perfect Mother’s Day Gift

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Mumm Brut Rosé Champagne The Perfect Mother's Day Gift

It can be hard to buy mum the best gift for mother’s day but it is nigh on impossible to go wrong with champagne, and even more so with Mumm’s Brut Rosé Champagne. I have often said the colour of a rosé is a good indicator of how good it is and this is a gorgeous, fresh, light rose. Not too red, but not too pale either. It is luxurious, fresh, decadent and of the highest quality. I am a huge fan of rosé champagne and this one has beautiful notes of red berries. Perfect. 

Mumm Rosé offers finesse in both taste and design. A beautifully drawn rose – designed by the great Franco-Japanese artist and friend of the House, Léonard Foujita – adorns the bottle. Within, notes of red berries expand into delicate scents of caramelised vanilla. The result is a luscious champagne dominated by Pinot Noir and created by Maison Mumm, a Champagne House whose founding mantra of providing “Only the best” continues today.

 Maison Mumm, established in 1827,  is the official champagne for celebration, its iconic red sash symbol celebrates an ancient French distinction for bravery – the Legion d’Honeur. 

This is Mumm’s first ever Rosé champagne, offering an iconic rose watercolour design and dynamic freshness to charm mothers of all ages..

Available online and inshore at Waitrose.com for £29.99

 

Journey to Death by Leigh Russell Review by Frances Colville

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Journey to Death by Leigh Russell Review by Frances Colville

The first of a new series by established crime writer Leigh Russell, Journey to Death is set on an island in The Seychelles.  Lucy Hall arrives on the island with her parents for a holiday following the traumatic break-up of a relationship, but soon becomes aware that all is not as it seems.  Behind the warmth and tranquility of a popular tourist destination lies a dark and mysterious threat to the safety of Lucy and her family.  Is someone trying to frighten or even kill them, and if so, why?

 

Lucy is an appealing if rather naive character who steps up to try  to solve a crime in which the authorities are not particularly interested.  I enjoyed the setting, and the descriptions of the island and its beaches and thought the book was generally well plotted.  There were a few occasions when it was all a bit slow and tedious and I wanted things to speed up and get sorted.  But overall it’s a good read – uncomplicated and easy to follow.  And intriguing enough to make you want to get to the end and discover how it all works out.

 

Journey to Death is a stand-alone book but the seeds are sown within it for a new crime series featuring Lucy Hall.  Published February 2016 by Thomas & Mercer (an imprint of Amazon Publishing) and available in paperback and e-book versions.

 

 

Spandau Baddie: Martin Kemp Meets Vicky Edwards

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Martin Kemp tells Vicky Edwards why his musical theatre debut is going with a bang-bang…

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Photo credit: Alastair Muir

From gangster Reggie Kray to evil control freak Steve Owen in EastEnders, Martin Kemp is extremely good at being bad. Currently on tour in Chitty Chitty Bang Bang playing the Childcatcher, arguably one of the most iconic villains of all time, Martin is drawing on his previous roles for inspiration, but admits that there’s unchartered territory to explore when it comes to the character that regularly tops the polls of movie monsters.
“The Childcatcher is an exaggerated version of everything I have ever done before, but it comes from a completely different angle,” explained Martin. “He’s a step away from reality; all the characters are really, especially in the second half when we go to Vulgaria.
“In the first half I play a character called the Junk Man, but in the second half that kind of Alice in Wonderland thing happens and the Junk Man becomes the Childcatcher. Robert Helpmann did an amazing job [in the film], but my physicality is not the same as his; I don’t have his ballet background, so instead I try to bring a bit more horror to the role.”
Judging from the booing that fills the theatre before he has even set foot on the stage, he’s clearly doing that very effectively.
“Kids are scared of the name: Childcatcher. When the Baron says “Call for the Childcatcher!” I can feel the tension in the theatre and then I hear the boos,” he laughed, adding, “But that’s part of the whole experience. If you haven’t laughed, cried and been scared then you haven’t seen a good show. You need to be taken to all those places.”
And with cheers at the curtain call almost taking the roof off the theatre, it seems that it’s a journey that audiences of all ages are delighted to undertake. A co-production between Music & Lyrics Limited and West Yorkshire Playhouse, this brand spanking new reimagining of the much-loved Sherman Brothers musical is winning critical acclaim as well as standing ovations.
“Ten years ago I saw the show in London and the main thing I remembered about it afterwards was the car,” said Martin. “But now it’s very much about the story. It amazes me, but every night I walk out of stage door and people are there saying how much they loved the whole show. From old people who saw the movie on their first date to kids meeting Chitty for the very first time, the demographic is extraordinary. Yes, it’s changed from the book, and then again from the film and again from the original stage musical, but it really works. We’re sending people home with big smiles on their faces.”
As for his fellow cast members, mention them and it is Martin with a big smile on his face. “It’s a great cast,” he enthused. “I’ve worked with Michelle [Collins] before and it’s lovely to work with her again, but they are all brilliant performers.” And so they are. Funny men Jason Manford as Caractacus Potts and Phill Jupitus as Lord Scrumptious and Baron Bomburst are joined by Martin and Michelle, as well as Andy Hockley of Phantom of the Opera fame as Grandpa Potts, and West End leading lady Amy Griffiths as Truly Scrumptious. Add to that a world class company of singers and dancers and you have a show that is dazzling, star-studded and that absolutely lives up to the ‘fantasmagorical’ praise.
But while the story of Chitty might have been knocking around for a good while, musical theatre is a new challenge for Martin.
“One reason I am here is that I have never done a musical before and I thought this might be a nice way to dip my toe in. I love trying new things and I love working with new people.”
That happy-go-lucky, have-a-go attitude wasn’t always there, however. In fact, as a child he confesses that he struggled with crippling shyness.
“I’ve been doing this a while now but at the age of eight I was incredibly shy, so my mum sent me to Anna Scher’s drama workshops,” said Martin, who knows first-hand what an advantage drama classes can be to children.
“What drama clubs give you is a small amount of this magic dust called charisma. I always say that I owe everything to Anna Scher because she formed my personality as a kid.”
Pointing out that whether you become an actor or join a band or you just use that acquired confidence to get through interviews when you’re 16, Martin is certain that drama clubs are a fantastic way of developing both character and life skills.
As for children watching live theatre, absorbing stories close up rather than on a screen, Martin loves the way they get totally involved.
“Adults watch, but kids believe and become part of the world they see unfolding; they just dive in,” he nodded.
“For Chitty we recently did what is called a ‘Relaxed Performance’ for children with disabilities and conditions like Autism. The show was adapted around the audience’s needs and it was a wonderful thing to be part of.”
A member of one of the most popular bands of all time, star of movies, TV and now a musical, Martin certainly can’t complain of always doing the same old same old.
“I have always changed it up a bit and I like never knowing what’s around the corner,” he laughed, although actually this time he does know what is coming next.
“I have just finished a year on tour with Spandau which was wonderful, but it’s this great big machine that needs five artic trucks and a 100-strong crew. When you play huge arenas the size of Wembley you know that to people at the back you’re just a speck of dust in the distance and that you’ll never get to meet those people. So in May I am doing the sort of antidote to not meeting people with a show that’s going to tour called An Audience with Martin Kemp. I’ll be travelling around England chatting about my life and career and taking questions from the audience. Yeah, it’s going to be different and fun,” he grinned.
With such a busy professional life, relaxation, he says, comes in the form of painting.“That’s my down time. Sometimes it shuts me off from the world and I lose myself completely.” Asked what he paints and the smile that stole my sixteen-year-old heart lights up his face again. “I paint rock ‘n’ roll,” he says with a chuckle.
Super-talented, funny, warm and with rock ‘n’ roll artistic flair to boot, however brilliantly nasty he is as the Childcatcher, in real life Martin Kemp is a total sweetie.
Vicky Edwards

 

The Glittering Art of Falling Apart by Ilana Fox Review by Jan Speedie

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The Glittering Art of Falling Apart by Ilana Fox Review by Jan SpeedieA story of jealousy, secrets, heartbreak and love – read and enjoy.

Beaufont Hall, ancestral home of the Tempest family, lies empty, crumbling and the family feel cursed.  Will the future glitter for the younger members of the family as their lives take very different paths?

Eliza is bored with life in small council flat in Tottenham and school. Fuelled by thoughts of glamorous parties, night clubs, late nights and freedom Eliza heads for the electric pull of Soho in the 1980s.  Eliza feels the world is at her feet, fame and fortune are within her grasp – can she grab it?

Cassie fascinated by her family history and Beaufont Hall and jumps at the chance to explore the abandoned Hall. Cassie finds Eliza’s diaries in the library and from them discovers the hidden truth about her family’s past.

Ilana Fox has woven a fascinating story about Eliza and Cassie who are separated by a generation but linked by the diaries.  She paints an evocative picture of life in Soho in the 1980s and Cassie’s determination to find the truth about the past.

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Ilana Fox lives in East Dulwich and is a supporter of Save Soho whose aim is to preserve iconic music venues in Soho from developers. This is Ilana 4th novel and before turning to writing fiction she worked as a journalist for several leading newspapers.

 

Published by Orion Fiction

 In Paperback on 18th February 2016 – £7.99 – eBook £4.99 Available from Amazon.co.uk 

 

 

A gentleman and a scholar: Vicky Edwards Meets Stephen Boxer

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About to play the great author C.S. Lewis, Stephen Boxer takes a break from rehearsals to talk to Vicky Edwards about touring, making an ass of himself and his own connection with Narnia’s creator
Having played everything from soap opera to Shakespeare, as well as appearing in movies such as The Iron Lady, Stephen Boxer is packing his suitcase and hitting the road with a new national tour of Shadowlands. Arguably one of the best plays ever written, Stephen plays Narnia creator C.S. Lewis and, he reckons, the story’s central themes of grief, belief and love will resonate with audiences.
“It’s a beautifully structured play and it’s very poignant, so we can Stephen Boxerall relate to it. But it is also very entertaining; very witty with some real belly laughs,” he said.
Having cleaned up on the awards circuit (the subsequent film version also collected gongs) William Nicholson’s play charts the developing relationship between Lewis, an Oxford don and author of The Chronicles of Narnia and The Screwtape Letters, and feisty American poet Joy Davidman. Finding his peaceful life with his brother Warnie disrupted by the outspoken Davidman, whose uninhibited behaviour is at complete odds with the atmosphere and rigid sensibilities of the male-dominated university, Lewis and Joy show each other new ways of viewing the world. But when Joy is diagnosed with cancer Lewis’s long-held Christian faith becomes perilously fragile.
But, Stephen pointed out, Lewis’s struggle with his faith resulted in the beautiful book A Grief Observed, an extraordinary collection of the author’s reflections about bereavement.
“It is a kind of bible for both religious and non-religious people,” said Stephen. “It rises above religion and belief and talks about how we deal with loss and how a theory of life is tested by reality.”
As for the relationship between Lewis and Davidman, Stephen explained that while there were some fundamental differences between their characters and life experiences, there was also a definite meeting of minds.
“Their intellectual acuity was an absolute meeting place for them both – they could both spar in the same intellectual boxing ring and they enjoyed that; they enjoyed the cut and thrust of intellectual debate. That’s how their relationship started,” said Stephen, adding:
“He was a classically repressed quite conservative thinking Englishman who lived a classic ivory tower life. Part of his emotional repression, I think, was that he was sort of cushioned by the Oxford life you could live as a don. She was an ex-communist Jewish American who told it how it was and shot from the hip. Yes, they were very different, but mentally they were perfectly matched.”
As for his own connection to C.S. Lewis, as a direct result of being an ex Oxford choir scholar and school boy (“I wasn’t an undergraduate but it was my academic home for eight years from 1960 – 1968”) he is in the position of knowing exactly where he was the night that the World lost two great men.
“I was at Magdalen college school, the school that was related to C.S. Lewis’s college. It was the evening of the twenty-second of November 1963 and I was walking back from chapel, in my gown and mortar board, having sung a service. An undergraduate stopped me, which in itself was quite unusual. He told me that President Kennedy had just been killed. It was the same night that less than a mile away C.S. Lewis died, so not only do I know where I was when President Kennedy was shot, but I also know where I was when C.S. Lewis died because I was right on his doorstep.”
Admitting that the insight into Oxford life has proved useful in preparing for the role, what appealed most to Stephen about the play?
“Firstly it’s a whacking great part – I’m never off the stage. In rehearsal I’m finding that a bit daunting,” he laughed.
“At the moment I’m at that stage of running before I can walk and falling over a lot, metaphorically, but that’s a necessary part of the process. Making an ass of yourself and feeling like a fool in rehearsals is a prerequisite.
“Another reason I wanted to do it was that I’ve just done a year of television. I’ve done some lovely stuff which I really enjoyed, but there’s no real rehearsal culture in television and I was dying to get back into the rehearsal room and that organic way of creating on the shop floor.”
Thoughtfully, he added: “And getting to know people, too. You develop very warm relationships in theatre and after a year I missed that.”
With the tour of Shadowlands he is certainly going to have plenty of time to bond with his fellow cast members. Not that life on the road bothers Stephen one jot.
“It’s a great way to catch up with friends, but touring is also a great way to see the country. I visit the galleries and museums and do the walks and whatever else there is to do or see. It’s part of the fun and I’ve seen the world that way. I love working and travelling at the same time.”
Playing opposite him is Amanda Ryan (The Forsyte Saga, Shameless) as Joy. “She was made to play the part,” said Stephen, who doesn’t look too far into the future when it comes to his own career.
“I don’t really plan and the things that come along always surprise me. I wasn’t expecting to play Titus Andronicus at the RSC for instance. It was a play I didn’t know but I loved doing it; it was intriguing, absorbing, and demanding. I think I’d like to play Lear when I’m about seventy,” he mused, before laughing and saying: “Not that long to go then!”
But for now this charming gentleman and scholar is delighting in Shadowlands. Go to see it and you will too.
Official website: www.shadowlandstour.com
Twitter: @shadowlandstour
Facebook: shadowlandsthetour

 

Jolly good show, chaps! Vicky Edwards meets actor Graham Seed

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Vicky Edwards meets actor Graham Seed to talk about Rattigan, romance and how wearing a uniform might give his wife ideas…
With the tractors and traumas of Ambridge well and truly behind him (he played Nigel Pargetter in the radio soap The Archers for an incredible 27 years), award-winning actor and broadcaster Graham Seed continues to work extensively. Just starting out on a national tour, Graham plays Squadron Leader Swanson in Terence Rattigan’s Flare Path, directed by Justin Audibert.
“It’s going very well and we have a terrificGraham Seed as Squadron Leader Swanson and Daniel Fraser as Teddy Graham in the 2016 National tour of Flare Path credit Jack Ladenburg cast,” beamed Graham, a self-confessed Rattigan fan.
“As an actor I am really enjoying it because Rattigan writes such good characters; he just didn’t write bad parts. One of his best plays is The Deep Blue Sea and this has early elements of that. It’s rather delightful and I like the play enormously.”
Based on Rattigan’s own experiences as a tail gunner during World War II, the play is rooted in wartime Britain, where the life-and-death existence of the RAF bomber crews, and their wives and sweethearts who were on tenterhooks awaiting their return, created a permanent state of high anxiety. The story tells of former actress Patricia, the wife of RAF pilot Teddy. When Patricia’s ex‐lover and Hollywood idol Peter arrives out of the blue her emotions are thrown into turmoil and the survival of her marriage to Teddy becomes uncertain. As the conflict rages in the skies above, on terra firma feelings simmer, threatening to become every bit as explosive.
A romance with shades of Brief Encounter then? Graham nodded. “She has to decide what she’s going to do, but it does have humour, too. It’s a very evocative and powerful play.
“My character is quite funny and rather charming. He’s a frightfully good chap; full of that stiff upper lip phlegm.”
But in pitching his performance Graham has had to take care not to stray into parody. “If you did it wrong you’d be into Black Adder or Monty Python territory, which you don’t want at all.”
But it’s not just the good of the play that Graham is mindful about; he clearly has great respect for the real life pilots who carried out such dangerous missions.
“These boys were incredibly brave and they understated the danger always. The play is set against the backdrop of planes taking off and not coming back and at one point my character says: ‘we do owe these boys something.’ You can see why Churchill loved it. The Great War was so ghastly that it became romantic, but in the Second World War far more civilians were bombed.”
Mixing history with an intriguing story gives it broad appeal and the cast are delighted that Flare Path is attracting audiences of all ages.
“It’s definitely a play that is suitable for all the family and I do hope that lots of young people will come to see it,” said Graham, who admitted that these days he isn’t feeling as sprightly as he once was.
“I am suddenly feeling my age,” he confided. For years you’re the youngest in the company and now I’m suddenly the oldest – I’m about twenty years older than everyone else!”
But there’s something about this particular production that has had a rejuvenating effect on Graham. Botox? A bit of a nip-and-tuck? As it transpires nothing so drastic.
“I know it sounds slightly immature for a sixty-five-year-old man to say it, but it’s quite nice to put on an air force uniform. I look pretty chipper,” he teased, agreeing that any fella in a military uniform looks instantly dapper, even if they look like a bag of spanners. Not that Graham does, I hastily reassured him. Laughing off the unintended insult he said:
“It’s like evening dress – if you’re a woman and you suddenly look at your old man in evening dress you say ‘goodness he polishes up well!’ When my wife sees me in my RAF uniform I hope she thinks that there’s life in the old dog yet!”
Certainly on the work front he continues to have offers lined up and, although he is best remembered for The Archers, his CV is crammed with credible theatre, film and TV credits. “That’s because I’m so old,” he twinkled. “I’ve ducked and dived; I’m what they call a jobbing actor.”
As for life on tour, Graham doesn’t mind living out of a suitcase in the least.
“It’s rather romantic and like being with a family. For me, as an older member of the company, there’s a responsibility to make sure that everyone’s happy. But it’s a lovely way to see friends in other parts of the country and to visit wonderful theatres.”
With all the schlepping about he does for work, how does Graham relax?
“I find it very hard to relax,” he confessed. “I do What the Papers Say every other Sunday, so don’t get many Sunday’s off. You always worry about your next job and even at sixty-five I’m always worried that I’ll be found out. But I’m actually pretty content. Getting older makes you less ambitious; there are more important things, like your health. So now I am absolutely thrilled to play good supporting roles and to really enjoy them.”
Anxious that he doesn’t come across as “worthy” (he doesn’t), Graham believes that there is a duty to tour good plays around the country, especially to unsubsidised theatres.
Speaking of which, it was time for him to head off to transform himself into a fine young man in uniform for the evening performance.
“I’m revving up for chocks away,” he grinned, before adding: “It’s not a bad life.”
Indeed. And he’s a jolly good egg. A jolly good egg in a jolly good show. Go and see for yourself.
Official website: www.flarepaththetour.com
Twitter: @flarepathtour
Facebook: flarepaththetour

The Secret of the Cathars by Michael Hillier Review by Frances Colville

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The Secret of the Cathars by Michael Hillier Review by Frances ColvilleThis book is an intriguing mix of fact and fiction.  Based on the history of the Cathars, a religious heresy of the medieval period in France, and with references to the Knights Templar, there is enough information to whet the appetite of those interested in such things without turning into overkill for those who just want a good story and don’t care too much about the setting.  After a rather slow start and a lengthy list of characters to get to grips with, the story moves along at a good pace with some interesting twists and turns on route.  A sort of archaeological treasure hunt with competitors ranging from a TV presenter through a religious group to members of the mafia.  Some of the characters are stereotypical and didn’t really come to life for me, but others – including the two main – were more convincing.  I was initially somewhat disappointed by the ending which didn’t seem to tie up all the loose ends, but then I realised that this book is intended as the first of a trilogy and all became clear.  And the over-long list of characters was also explained.  All in all a good enough read to make me look out for the next instalment at some stage, but not one which completely wowed me.

 

The Secret of the Cathars is published by Matador and available in paperback and as an e-book.

Hakkasan Chinese New Year 2016 Review

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Hakkasan Chinese New Year 2016 Review8 Hakkasan Chinese New Year 2016 Review9 Hakkasan Chinese New Year 2016 Review2Hakkasan exudes elegance, sophistication and charm from the moment you step in to its Mayfair arms and its style translates seamlessly into the signature dishes.

As part of the Chinese New Year celebrations, Hakkasan’s launched a special ‘year of the monkey’ menu priced at £88.88 per person, available until 22 February.

Each dish has been beautifully crafted by executive head chef Tong Chee Hwee and each symbolises luck, joy and prosperity for the year ahead.

Once settled, diners are greeted with a fabulously smooth and refreshing cocktail with Eldorado 3yrs rum, Amontillado sherry, banana, guava, lime, agave syrup and walnut.

Our starter of double boiled fresh ginseng and chicken soup with bamboo pith and wolfberry, was delicate with knotty cubes of tofu and the wolfberry was similar to cranberry.

It was soon followed by the Japanese wagyu beef with pine nut in a golden cup – delicious, crispy dices of meat which glistened in the crunchy shells.

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As the har gau scallop shumai, Chinese chive dumpling, duck and yam bean dumpling was brought to our table, I couldn’t wait to sample them all.

The scallop was fresh and chewy and the duck dumpling was tender and more-ish.

Our table among the London business-types was decked with the main dishes, including wok-fry lobster in spicy truffle sauce which filled the palette with a trio of textures of crispy onion, slippery exotic mushrooms and leathery-like feel of the distinct flavour of the crustacean.

The pipa duck had a crusty skin and the meat was beautifully tender and flavoursome.

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My favourite dish of the evening was the grilled Chilean seabass in honey – it melted in the mouth leaving a sweet and smoky aftertaste.

As we alternated between the main dishes of meat and fish, we also enjoyed the stir fry hericeum mushroom with lotus root asparagus and lily bulb in black pepper.

It was pleasing to the eye and the asparagus was lightly salted and cooked perfectly while the mushroom was surprisingly hard compared to the normal fungi we’re used to.

All the dishes were accompanied with a dried scallop and crabmeat fried rice.
Hakkasan Chinese New Year 2016 Review1
The evening concluded with a soy caramel banana delice with chocolate and peanut. It was beautifully presented, sweet, cooling and a light touch to end our dinner experience.