JANE CABLE ON THE BENEFITS OF A WRITING ESCAPE TO THE SUN

I have just returned from a third fabulous week of writing led by one of my favourite authors, Rosanna Ley, in one of my favourite places, Finca el Cerrillo in the mountains north of Malaga. My first was in February 2020 then, courtesy of Covid there was a gap before I returned in March 2022 and again this year.

So why do I keep going back? And if you are looking for a writing retreat, or writing holiday, as Rosanna calls them, what might help you to decide which one to choose?

The first year I went my objectives were quite broad; I had a contract with a small publisher but was desperate to break into the mainstream, so I wanted to hone my skills, find inspiration for ‘the book with the hook’, and pick Rosanna’s brains about where my writing career might take me.

On every level, the retreat worked for me. Every morning, after a hearty breakfast and an optional walk through the finca’s olive grove, we met in the light and airy classroom for a themed session aimed to both inspire us and improve our skills. There were people at every stage of their career and Rosanna managed the sessions cleverly so we all got something out of it. Topics ranged from beginnings and endings, to writing dialogue, and short stories so there is plenty to get your teeth into, whether you are writing a novel or not.

After that, the day is your own to write, relax, or chat to other participants. One-to-one sessions with Rosanna are offered, including feedback on your writing, which is always detailed and incredibly valuable. Everyone meets in the dining room or on the terrace for lunch, and part of the whole joy of the week is making connections with other writers. In fact, simply having time to be a writer, with no distractions, was a revelation in itself.

Towards the end of the afternoon is a feedback session where we could read a piece of our work for comment by the group. I had never done this before but soon lost my fear as the other participants were so constructive and helpful.

A couple of evenings we had dinner at a local village, but otherwise ate at the finca, where the food is excellent. There is always some sort of entertainment; a quiz night, group singing, dancing, party games… and on the last night the finca tradition of desert island discs, where we have to guess who from the group chose a particular song.

All of this goes to form strong bonds, and after my first retreat, when we were plunged into lockdown so soon afterwards, we kept in touch via Zoom. This year we have a WhatsApp group instead. Time marches on.

Rosanna is very flexible in her approach, and this year arranged things so that those of us who wanted to focus on a particular project could leave the morning sessions early, and as a result my wordcount went through the roof. I was bashing out the first draft of my summer 2024 Eva Glyn novel and when I wasn’t at my laptop took invigorating and mentally stimulating walks around the olive grove between scenes, or when I needed to unknot a thorny problem.

Because of the way the week is structured it is quite genuinely suitable for everyone from absolute novice writers to published authors. And Finca el Cerrillo is a little piece of heaven on earth. At the time of writing Rosanna has a place or two left on this June’s retreat, and is taking expressions of interest for next year. I hope to see you there!

For more information, visit Rosanna’s website: https://rosannaley.com/writing-retreats-events

PUBLICATION DAY SPECIAL: THE FOREVER GARDEN BY ROSANNA LEY

I’m a big fan of Rosanna Ley’s books and this was no exception; in fact, it’s one of my favourites. The characters are instantly believable, the descriptions sumptuous and the whole story is perfectly tensioned between three viewpoint characters and two timelines.

The story is told from the points of view of Lara (in the 1940s and present day), her daughter Rose, and her granddaughter Bea, and it revolves around two very special gardens. The first is in Dorset, created by Lara’s mother based on the principles of the Arts and Crafts movement. It is this garden that Lara promises her mother to protect, which is the starting point for the drama that follows. The second garden is one that Lara later creates in Puglia.

The relationships between the women – and their gardens – are beautifully drawn. That Lara left the Dorset garden behind is evident from the outset, but in the hands of such a skilled storyteller, my desire to find out the whys and wherefores made it hard to put the book down. The Forever Garden will not only transport you from Dorset to Italy and back, it’s a journey you cannot fail to enjoy.

I was so entranced by the gardens that I asked Rosanna what her inspiration for them had been, and what her own Dorset garden is like:

 

I’ve always loved gardens. My parents were both keen gardeners and I have happy memories of running around our back garden as a child, playing out imaginary stories, dodging amongst my mother’s washing pegged out on the line and my father’s precious raspberry canes and gooseberry bushes.

Our own garden here in Dorset is not large but it wraps around the house and so I feel cocooned and sheltered – which is good as we live near the sea and it can be very windy! Because of the sea air I have plants that can withstand these conditions such as lavender, rosemary, thrift, hollyhocks and erigeron daisies. I am a fan of the cottage garden and of fragrant plants that attract insects, butterflies and bees – natural gardens and wild gardens. The garden also has two bird baths, two tamarisk trees, a pergola of clematis, honeysuckle and roses and a couple of places to sit and write or think in. And we are very lucky because it also has a sea view…

I was inspired to write about an Arts & Crafts garden after I visited Barrington Court in Somerset. The gardens there were laid out in the 1920’s to a structured design influenced by the famous Arts & Crafts garden designer Gertrude Jekyll. She believed passionately in the beauty of the natural landscape and – like me – valued the ordinary plants familiar to gardeners today, such as hostas, lavender and sweet-scented old-fashioned roses.

I immediately loved the Arts & Crafts concept of the garden being a continuation of the house, and of that garden being made up of several small rooms – each one with its own character and flavour. After all, when we go into a garden, we don’t always want to do the same thing. We might want to grow vegetables and be in the mood for some hard-core digging, or we might want to sit quietly in a soft and beautiful space that enables us to reflect, read a good book or just watch the birds go by.

In an Arts & Crafts garden, plants are sometimes chosen for their colour. A white garden, for example, can create a sense of tranquillity through the green of the foliage and the white flowers which are often considered healing for the mind and spirit. Or they might be chosen according to season. In ‘The Forever Garden’ there is a spring garden full of early bulbs such as daffodils and tulips which represents hope and new beginnings; this symbolism becomes very important to Lara in the story.

I like to think of the ‘Forever Garden’ as an important character in the book. For Lara it is both prison and sanctuary. The garden saves her and it also sets her free.

 

 

 

 

 

 

The Orange Grove by Rosanna Ley Book Review

It is fair to say that few of us will be going on holiday this year- thanks Covid!- but we have Rosanna Ley so all is not lost. The Orange Grove takes us to sunny Seville in all of its glory. This is a stunning book to get your teeth stuck into. With endearing characters and a plot that makes you hungry, you will not want to put this book down. It is a wonderful, sunny read of beautiful escapism. I loved it.

An unforgettable story of past love and family secrets, set in sunny Seville.

Holly loves making marmalade. Now she has a chance to leave her stressful city job and pursue her dream – of returning to the Dorset landscape of her childhood to open Bitter Orange, a shop celebrating the fruit that first inspired her.

Holly’s mother Ella has always loved Seville. So why is she reluctant to go back there with Holly to source products for the shop? What is she frightened of – and does it have anything to do with the old Spanish recipe for Seville orange and almond cake that Ella keeps hidden from her family?

In Seville, where she was once forced to make the hardest decision of her life, Ella must finally face up to the past, while Holly meets someone who poses a threat to all her plans. Seville is a city full of sunshine and oranges. But it can also be bittersweet. Will love survive the secrets of the orange grove?

SISTER SCRIBES’ READING ROUND UP: JULY

Jane

Rosanna Ley is one of my favourite novelists, which is the main reason I signed up for one of her writing retreats. That, of course, transported me to Spain, but her novels have taken me all over the world. From Venice with Love is no exception, as I followed Joanna not only to Venice, but to Lisbon and Prague, each city so beautifully described I felt I was really there. But it was Joanna’s sister Harriet’s story that held me, and she doesn’t even leave the Dorset village where they both grew up. She is an exquisitely drawn character, warts and all, and I felt as I was at her shoulder as she made a very different type of journey to her sister. Highly recommended.

 

Kitty

I listened to Candice Carty-Williams’ Queenie as an audiobook and it had me hooting with laughter whilst frantically winding the windows up in the car as some of her more detailed sexual exploits were narrated. The premise initially appears to be typical romcom with Queenie coming to terms with her break-up and with potential suitors popping up all over the place. However, as the book progresses we realise it encompasses far more and that Queenie is in no need of a hero. It takes a real deep dive into mental health and societal pressure and does so in a way that never loses humour or the readers attention. The family relationships had me squeaking with joy. The writing is hilarious, poignant and searingly insightful. Fabulous.

Lindsey Kelk really does deliver on all those descriptions applied to romantic comedy. Hilarious, laugh out loud, devastatingly witty – she hits them all. I have not yet read a book of hers I haven’t loved and In Case You Missed It is another example of her delivering the perfect romcom. It has a truly relatable heroine in Ros, a hero you quite want to bring home yourself, the coterie of well-defined and always amusing friends, the hideous boyfriend from her past, and beautifully described well-meaning but slightly cringy parents.

There is not a page that does not make me giggle and she manages to write comic scene after comic scene whilst developing a fabulous plot and proper romance along the way. Absolutely faultless.

I really enjoyed Clare Marchant’s dual timeline novel, Secrets of Saffron Hall. The book interweaves the story of a grieving mother in the modern day and a young wife in the time of Henry VIII’s marriage to Catherine Howard. Both were written sympathetically and I thoroughly rooted for both characters. However, it was the historical timeline I found absolutely captivating. I loved being immersed in Eleanor’s story – the fear and uncertainty of living under a capricious king in times of religious upheaval, and the sense of doom contributed to by the reader knowing what will befall the queen, although unsure of how that will impact this particular family. The farming of the saffron itself was also of great interest and whilst aware of the value of saffron, I felt like I was learning something as I read. The authors historical research was clearly well done and she held my attention throughout. I am looking forward to reading more of her books.

 

Ditching the daily grind and taking off in a camper van was novelist Rosanna Ley’s fantasy. Then she and her husband actually tried it… 

Who doesn’t fantasise about getting away from it all? Escaping the daily grind, travelling to somewhere warm and wonderful? Who doesn’t occasionally dream of cloudless blue skies, golden beaches and a sparkly Mediterranean sea – not just for a week or two on an annual holiday, but for longer… much longer?

Ten years ago, my husband Grey and I resolved to make this fantasy a reality. We were both in our frivolous 50s. We had both spent our adult lives working full-time. And we were both a little weary. Where had the excitement in life gone? We seemed to have reached some sort of turning point – a bit ‘do or die’. Now that the children had left home – almost – shouldn’t we be thinking about doing something we’d always dreamed of?

Need Text

‘If we weren’t working,’ Grey said mournfully one day, ‘we could just up sticks and leave.’

‘Leave?’ I echoed. It sounded so final. My younger daughter was still living at home, although she too had the travel bug and was planning to visit Australia for a year. How could we just leave? And what about all our… stuff?

‘We’ve got far too much,’ he declared dismissively. ‘We’ll do a car-boot sale, put the rest of our stuff in storage, rent out the house and go.’

Grey made it sound so easy. I thought of those clear blue skies, imagined the writing inspiration that might be had from such a trip.

But this shared dream was just a fantasy – wasn’t it? Couples talk like this all the time – well, we do. We go somewhere on holiday and by day two we’re looking in estate agents’ windows. It doesn’t mean we’ll be moving there anytime soon.

But a few days later, we spent our savings on a camper van. (Yes, the woman who dithers over cans of beans in the supermarket can spend £20,000 on a second-hand camper van in the blink of an eye.)

Should we have done this earlier, later, never? Were we too young or too old for a camper van? Who cared? We so fell in love with that van and were soon trundling off happily for weekends in Dorset. But it wasn’t enough. It was like a drug. We needed more of the open road. We needed to be living our dream.

So we took the plunge. I gave up my teaching job, Grey wound down his client diary. We cleared the house and begged the loan of friends’ garages for storage of all our worldly goods. We organised shelter for my younger daughter until she went to Australia and for my elder daughter who had moved back home to save up for a trip to South America. What was going on with this family?

We redecorated the house and advertised it for rent – this would be our income. We would go on a road trip – for six months or more. We would live close to nature. We would make our own entertainment – Scrabble and reading, no TV for us! We would be free to go wherever the wind blew us. It was a fantasy, yes. But we would make it come true.

Our day of departure dawned. We waved goodbye to my daughters and headed for Dover. We had done it. We were on the road and heading for Italy.

The first two weeks were wonderful. OK, there were some minor hiccups. We hadn’t taken into account the hilly terrain in Liguria – many a steep, narrow road proved too much for our van. Nor had we realised that campsites in Italy were so expensive. And we hadn’t dreamed it would be so hot. (I will never complain about air-conditioning in an apartment in the Med ever again.)

Getting stuck up a mountain on a tight bend, damaging the camper van’s back panel in a complex manoeuvre designed to get us to the beachfront then getting lost while scrambling down a hillside of olive trees… Such things are bound to make tempers fray – especially in that heat. And in our haste to be free of all our possessions we had forgotten a few vital pieces of equipment – such as the coffee maker and the duct tape. But that’s what it’s all about, we reminded ourselves, as we settled in for another interminable game of Scrabble. It’s about having exciting adventures, new experiences, being free. And there’s always another camper vanner around with an unfeasibly large toolkit to help out in times of trouble.

But, two weeks in, things were not going as smoothly as we’d hoped. Our van was small – with the table erected, the person trapped on the far side could barely breathe, let alone move – and we had to make up the bed from scratch (or should I say slats?) every night. Yes, every night. It’s surprising – even when you have little else to do all day – how very tedious this can become.

It turns out that – surprise, surprise – size matters. Claustrophobia set in. We tried to stay outdoors most of the time but, actually, it rains quite a bit in Italy. Still, we remained cheerful. This was our shared dream, remember. If this was what it took to make that dream come true…

By week three, like Napoleon once was, we were exiled on the island of Elba. And very nice it was too, we agreed, as we sampled the delicious gelato. But money was getting tight, which meant two things. One, we had to eat in – every day. And two, we couldn’t afford to stay in campsites. But, hey, weren’t we at one with nature? Heating up bottles of water on the dashboard for an outside shower after a day on the beach only went to show how resourceful we had become.

And, as all camper vanners know, there is an alternative to campsites – it’s called ‘wild camping’. In our fantasy, this meant finding deserted beauty spots in which to park the van and gaze out at an unspoilt landscape. In reality, it meant car parks (marginally safer and quieter than roadside parking, though I didn’t say this the night half a dozen youngsters practised their motorbiking skills around the car park at 2am).

How to keep the shared dream alive

  • Remember that sometimes a fantasy is more fun when it stays in your head
  • Check from time to time that you still want the same things
  • Value what you leave behind – you won’t know how much you miss it till it’s gone
  • Have a back-up plan
  • And don’t forget the Scrabble dictionary!

In one such car park we met some friendly Italian camper vanners, immune to the hordes of mosquitoes we fought to escape from at twilight every night, who showed us around their (much larger and homelier) van with pride. There was a language barrier, which may explain why they left the car park and we stayed – only to wake up at 5am with a raucous Italian market setting up around us and no way out. But, well, it’s all part of the fun.

Back at home, we had friends, family and colleagues to chat to; on the road we had each other. It was good to have so much time to talk. But… in small spaces, over time, conversations with your nearest and dearest can become a little, shall we say, intense. Past misdemeanours and misunderstandings that you may or may not have forgiven may once again rear their heads. But we could get through this – together.

It was lucky we were so close, we kept telling ourselves. But did we want to be quite that close? All the time? We had given up material things – but had we also lost sight of civilisation? When we eventually left Elba, Grey was following a camper van with GB plates at breakneck speed. I glanced across at him (by this point we didn’t need words).

‘They’re British! Why don’t they pull over and talk to us?’ he asked me through gritted teeth.

This, let me tell you, is what travelling in a camper van can do to a person.

And then autumn arrived, and it began to get cold. We realised with a feeling of mounting horror what this meant – more time in the van, together. More talking, more Scrabble, more opportunity to examine our relationship. Did we really want that? Could we survive?

We considered travelling further south in search of sunnier climes. But funnily enough, driving was beginning to feel monotonous, too. And finding places to sleep at night was also becoming a strain. It was still great to be on the road – but wouldn’t it be even better to stop in one place for a while?

‘Why not just dump the van and rent an apartment?’ Grey suggested.

I stared at him. Dump the van? Rent an apartment? What about our shared dream?

‘Somewhere hot,’ he continued. ‘The Canaries?’

Which is how we came to leave our van in Italy – to be collected in the spring – and book a flight to Fuerteventura. Sod the expense. We rented an apartment with entire rooms to be alone in. It had a bed that remained a bed, day and night, and a bathroom with proper drains – no chemical toilet to empty and clean. Pure bliss.

We started enjoying each other’s company again. We began looking forward to returning home. That’s right. Going back home became our new shared dream.

Rosanna’s latest novel The Lemon Tree Hotel is published by Quercus in hardback, priced £20.99.

 

My Writing Process | Rosanna Ley

How I write.

A big question! To be brief… Once I have a detailed synopsis I tend to write each new scene longhand in a notebook and then edit it as I get it on to the computer. More edits follow and then I move on to the next scene. Once I get to the end of the book I’ll go back for more editing and consider if I’ve got the structure right. Final edits are about fine tuning and polishing.

I’ve written all my life and also done a lot of teaching of creative writing here and abroad with a particular interest in both novels and life-writing for therapeutic practice. I moved to West Dorset, my ‘soul-home’ seven years ago and find it inspirational and peaceful. I love travelling and my books are always based in foreign climes as well as either Dorset or Cornwall or occasionally somewhere else in the UK. I like to think of the books as mainly relationship driven – I’m very interested in people!

What you have written, past and present.

I’ve written 8 books for Quercus including The Villa and Bay of Secrets as well as numerous short stories and articles.

What you are promoting now. 

The Lemon Tree Hotel out in paperback 13th June 2019.

Do you plan or just write?

Plan. I do a lot of planning which gives me a good structure to come back to if I then decide to go off piste. Organic writing is lovely and spontaneous but it tends to require a lot of editing…

What about word count?

My books are between 115,000 and 130,000 words long and they always turn out that way…

How do you do your structure?

Before I begin, I think about timeline, viewpoint and narrative tension and decide on the main structure of the novel. I’ll change it if it doesn’t seem to be working. I don’t work to any kind of formula in terms of narrative arcs and points of tension – I don’t want my books to become formulaic and prefer to trust to my instincts.

What do you find hard about writing?

I may have lots of ideas but it’s often hard to form these into an outline that will give me a sufficiently strong story-line (or two) and which will work on all the levels I need it to work. Structural editing can also be very difficult and requires a lot of clear head-space!

It can be hard, working to a deadline and for all writers there is a lot of pressure and often anxiety to deal with. I also hate waiting to find out if readers like my book…

What do you love about writing? 

I love the feeling when I know I’ve written a good scene or even a good paragraph and I’m totally satisfied with it – there’s nothing like that feeling for me. I also love being able to go off in my imagination and take control of another world (control freak – haha). I love it when a character starts speaking to me in my head and I love the process of writing a first draft on a fresh page of my notebook whilst sitting on a warm beach somewhere. I love going to new or much-loved places and planning how to set a novel there. I love research but sometimes get too interested in it. I love it when the finished book is delivered and looks beautiful – but I’m already worrying about the next one and whether it is good enough! 

It turns out there’s a lot I love about writing, which explains a lot…

Advice for other writers.

Read a lot. Write about what you want to explore. Don’t start writing fiction until you hear the voices in your head. Plan or don’t plan – do whatever feels right. Listen to advice from people who know what they’re talking about. Don’t listen to advice. Don’t give up. Go for a walk or do the ironing if you get stuck. Enjoy. (Turns out there are a lot of contradictions in writing advice too)

 

The Lemon Tree Hotel by Rosanna Ley will be published by Quercus in paperback on 13th June, £7.99

SISTER SCRIBES: MAY READING ROUND UP

Jane:

My book club selection for May was Monica Ali’s Brick Lane. Now I know most of the world read it when it first came out in 2003 but it somehow passed me by – and I have to say that it’s aged very well. Which I suppose is the sign of a true classic.

It’s a book that threw me into a culture that was on my doorstep when I lived in London in the 1980s but I knew nothing of. It tells the story of Nazneen, a young Bangladeshi woman who comes to England in an arranged marriage to an older man and charts the changes both in her life and that of the immigrant community around her. It’s a richly painted tapestry of experiences which, while not surprising to me, were worlds – if not miles – away from my life. Sometimes that can be an uncomfortable experience, but the characters were so rounded and real the book was an absolute joy and I thoroughly recommend it.

By way of setting, Rosanna Ley’s The Lemon Tree Hotel was a complete contrast. Rosanna is one of my favourite authors so this book was always going to be a pleasure. The story wraps itself around the lives of four Italian women; a grandmother, mother, daughter and close family friend, and although there are secrets and love and a few surprises along the way, it is the bonds that unite – and divide – them, which give the story its impetus.

The relationships between the women in The Lemon Tree Hotel are real, not saccharine in any way. The issues that arise within families, the conflicting loyalties, the misunderstandings but overall the love, whether easily expressed or not. All these and more play out between the generations as change creeps into the beautiful village of Vernazza.

In many ways this book was as different as it was possible to be from Brick Lane, but in both the women stand centre stage across the generations and the skilful way their lives are played out by both authors is what keeps you reading to the end.

 

Susanna:

With A Sister’s Shame Carol Rivers has constructed a dramatic and involving plot in a detailed and atmospheric setting. There is an undercurrent of menace throughout and my fingers itched to give Vesta a good shake as, blinded by love and ambition, she threw herself headlong into the new life everyone warned her against.

This is also a tale of relationships in various forms – the bond between twins; long-lasting friendship that turns friends in family; and romance, both real and imagined, one leading to lasting love, the other to a relationship based on control.

Having read and enjoyed A Sister’s Shame some time ago, this time round I listened to it, read by Annie Aldington, who is an experienced and skilled narrator, who brings character and atmosphere to the telling.

 

Kitty:

This month I haven’t read as much I would like but I have discovered the joy of the audiobook, which I’m finding so addictive that I’m not getting much else done. That, of course, is Susanna Bavin’s fault for her excellent new book, The Sewing Room Girl, which I can’t stop listening to.

I did however have the pleasure of reading the second in Terri Nixon’s Penhaligon series, Penhaligon’s Pride and once again loved the way she describes the elemental nature of Cornwall and the strength of communities within it. A fabulous book.

I also read Mary Jane Baker’s A Bicycle Made for Two, a romcom set in Yorkshire and written with such sharp wit that she had me giggling loudly. She is now one of my favourite authors within the genre.

 

The Lemon Tree Hotel By Rosanna Ley

The Lemon Tree Hotel By Rosanna Ley

The weather is hotting up and this glorious, sun-drenched novel from Rosanna Ley should make its way into your suitcase. This is perfect feel-good escapism.

A story about love, family secrets, and a little piece of heaven . . .

In the beautiful village of Vernazza, the Mazzone family have transformed an old convent overlooking the glamorous Italian Riviera into the elegant Lemon Tree Hotel. For Chiara, her daughter Elene and her granddaughter Isabella, the running of their hotel is the driving force in their lives.

One day, two unexpected guests check in. The first, Dante, is a face from Chiara’s past, but what exactly happened between them all those years ago, Elene wonders. Meanwhile, Isabella is preoccupied with the second guest, a mysterious young man who seems to know a lot about the history of the old convent and the people who live there. Isabella is determined to find out his true intentions and discover the secret past of the Lemon Tree Hotel.

Available here.