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Caggie Dunlop and Catherine Balavage
Catherine Balavage: You must be very proud of the film.
Caggie Dunlop: Yeah, I am really proud of it. I actually only saw it for the first time this evening just before everyone arrived so I was a bit nervous, but I really loved it. I thought it was great. I think it is a lovely story
Quite French
Very French. Well that’s the theme and my styling is very Brigitte Bardot. I think that really lends well to it.
What is your favourite film?
True Romance.
What are you wearing? You look Stunning.
Virgos Lounge. They are an online store which is kind of vintage inspired. They do really pretty little dresses. And this is from my clothing line. [points to necklace].
You are really branching out into different areas: you have a sex column for the Evening Standard, you have the clothing line, and the acting.
And music.
Yes, that is how we first saw you wasn’t it?
Yeah, I have a lot going on, but I am not doing the Evening Standard anymore. It was very fun doing it but I am not doing it anymore.
It was very Carrie Bradshaw
Yeah, and it was great and it was fun playing that role but I really think music is where I want to go.
What would you choose between singing and acting?
Everyone asks me this. It is like saying ‘choose between your mum and your dad’, but in terms of career I don’t know, but if you said to me: ‘you could never sing again’ I would have to choose that over acting because I love singing. It just makes me happy to sing on my own. It came about quite randomly. When I sang on the show that was the first time I had ever sang in public. I have had to decide what I really want to do.
How was the acting experience?
I went to drama school and I studied acting so for me it was kind of what I wanted to do, and then when Made in Chelsea came along I got side-tracked from the acting because that was what was available to me at that point in time. The acting world is quite a tricky one. You really have to work it out. I had a great opportunity on Made in Chelsea. The acting is definitely something I want to go back to.
What does your Tattoo mean?
Sanatana Jiva. It means the never-ending and the never beginning spirit, and this [points to tattoo, specifically to the ‘J’ bit] this was for a boy who I’m not seeing anymore! [No!] It’s fine, I’m not bothered. It’s a nice tattoo.
Are you seeing anyone now?
No. I am very very spinster single
Aw, you are too young to be a spinster.
I’m happy being single.
You have so much going on with your career….
Yeah, it’s kind of like I need to focus on that at the moment and I don’t have time to focus on a relationship unless I find someone who has a complete understanding about what I am doing.
What is your clothing line called?
ISWAI. [Spells it out] I.S.W.A.I.
How did you come up with the name?
It’s an acronym for ‘It Started With an Idea’. The idea of it is about starting something new and organic with new talent, so young designers who are at school or university are designing the clothes. They get involved and hen they design an idea that I give them.
It that your motto in life?
I think so, yeah. It’s a very good one. It’s a more business thing. Though maybe not in an ethical situation.
You were the first one to leave Made in Chelsea
Yes I was
You were the biggest star and the main focus. Do you think it was a good idea to leave?
Leaving? A lot of people would argue that ‘why would you leave something when you were the central character and it was at its height of popularity and you just walk away from it with no explanation’. For me I stopped believing in what the show was about. It was a very good opportunity but I always wanted to do different things. I am very grateful for what it gave me and what I gained from it. Now I can go and become my own person.
It really has an effect on your own life and that’s not necessarily a good thing.
A lot of people are leaving now. Hugo’s leaving.
Yeah, Hugo’s leaving. I don’t know how much longer it will last but I wasn’t enjoying it and my heart wasn’t in it anymore and if something doesn’t feel right you have to go with your gut.
Would you do anymore reality TV like Spencer is doing with The Bachelor?
I would never do anything like that show. I’m not saying there is anything wrong with Spencer doing it. We are very different people, but I actually value my privacy. That could be considered a ridiculous thing to say coming from a reality TV show. I would never close any doors but it’s not in my plan. If it was something more documentary, like my music, something like that.
Who is your favourite film director and if you could work with any director who would it be?
Woody Allen or Tarantino. I think that would be a pretty crazy experience.
Did you enjoy making the film?
Yeah, I enjoyed making the film. We had to do it in a day, and it was a full on day. It was raining really badly but morale was up.
Do you have any plans to go the Hollywood Route?
I haven’t been to LA yet. So I can’t really say whether I would end up there. Watch this space. Maybe in a few years time.
Do you think doing Made in Chelsea helped you learn how to be in front of a camera?
Yes, I mean I studied method acting so it was all about being private in public. With Made in Chelsea you are having very private moments with five cameras on you. It is more staggered than people imagine. If you know anything about filming you know that you can’t create those scenes just by us walking into a bar and following us. It is all quite organised. In that sense it was helpful but then reality TV doesn’t really help in acting. It’s probably more acceptable in America.
Do you watch any reality TV like Keeping Up With The Kardashians?
I do, I love the Kardashians. I am so excited. Has the new season started now?
I think so. I saw a poster.
I do love that and I like the American ones. I don’t really like the English ones.
What do you think of Kim dating Kanye West? Are they a good couple?
I think they are. It’s nice that they were friends for ages. They are the ultimate power couple.
They are.
I’m surprised but they seem really into each other.
What’s next for you?
I am realising an EP hopefully in September. So I am developing that at the moment, which is really exciting, because for once I am in the public eye for something that I am putting out. The music is taking centre stage at the moment, but I would love to do some short films on the side and slowly developing that on the side.
Grabbing it with both hands.
Exactly, you only have one life.
What are your musical influences?
Ah, I listen to a lot of Matt Corby, who is this Australian singer who is very singer/songwriter: guitar and vocals, but also there is something quite challenging about his music, it’s really quite beautiful. I also love Jessie Ware. I have been listening to her a lot.
Do you still spend a lot of time in Chelsea?
Yeah. I was in Sloane Square today. I do spend a lot of time there, but because of what I am doing I am kind of all over. If I am gigging [ I could be in] Manchester or Shoreditch. I do love Chelsea.
Who is your favourite actor and actress?
Michael Fassbender in terms of actual ability. I think he is amazing. In terms of who I fancy: Ryan Gosling, but he is also a very good actor. He is a bit more mainstream. An actress…who was the girl who was in The Girl With The Dragon Tattoo.
Noomi Rapace
Yeah, her. I watched that for the first time the other day and I was blown away by it.
She’s brilliant.
She is fantastic. She was in Prometheus too.
No! She’s not! I was watching an interview with her and she was talking about how Ridley Scott picked her, and she said something about the Girl with the Dragon Tattoo. I was thinking ‘why has he picked this random women? ‘
She’s brilliant.
Yeah, She’s fantastic.
Are you going to do anymore writing?
Not in that nature. I would like to write a poetry book which is half poetry, half what is was like growing up. I’ve written poetry since I could write so I have volumes of poetry. Poetry is such an under-rated thing.
How do you keep fit?
I am quite bad. I go through phases of being hard-core. There is a place on the Fulham Road that I have joined called Lomax. I go there and they kick your ass, but in a good way.
What beauty products do you like.
Loving Word by Impulse, Elizabeth Arden Eight Hour Cream.
Frost magazine has interview author Victoria Fox on her bonk-busting book “Temptation Island”. It is a very fun read and the review is here.
How did you become a writer?
Writing novels was always the dream but one I’d decided not to pursue until later. After university I got a job in publishing, joining as editorial assistant on a women’s fiction list and four years later working as an editor: this taught me a great deal about the business of how books are produced as well as an insight into the market. I realised I was waiting to find a truly exciting, shocking, racy bonkbuster like the ones I’d enjoyed as a teen, a proper brick of a book packed with sex and scandal, but none were quite hitting it for me, so I decided to have a go myself. ‘Write what you know’ is a great piece of advice for aspiring authors – as soon as I sat down to my debut Hollywood Sinners it just sort of all fell out. Curious as to whether I was on to something, I submitted a partial manuscript (about 30,000 words) anonymously to a literary agent and happily she agreed to represent me. Shortly after I resigned from my job to complete the novel and three months later we had a deal.
Could you ever be anything else?
As a child I saw myself as one of three things: a vet, a gymnast or a writer. The first was out because I’m terrible at science (once I got 4% in a GCSE Chemistry test) and the second because I can’t do gymnastics. The last was the one that never went away. I’d be happy working as lots of things but don’t think I’d ever be cured of the writing bug. Certainly I’d be doing it as a hobby if I weren’t lucky enough to be making a living from it.
Did you base the characters on any real people?
Both Hollywood Sinners and Temptation Island feature sensational celebrity scandals, so I’d be in hot water if I said the characters were based on anyone in real life. Instead they’re inspired by what I see and read about in the papers and online, and often will be a mix of several intrigues that capture my attention. One of the great things about bonkbusters is that their characters can be truly outrageous, so I like to go all out with my players and make them as exciting and memorable as possible. If readers think they identify a real person then that’s great – I used to love trying to spot who was who in Jackie Collins’ novels: it’s part of the fun.
How do you come up with ideas for your books?
I’m afraid I read rather too many celebrity magazines. It’s a guilty pleasure. I love to see who’s dating whom, what so-and-so wore at whatever premiere, where the rich and famous have taken their super-yachts this summer . . . all that kind of stuff. Hollywood Sinners came from an idea I had about an A-list movie couple – it was a germ of a notion but enough to spin a story, and then I had all these power couples coming out of the woodwork with their individual stories and a novel was born. Temptation Island takes that scandal one step further, I suppose. This time I’ve focused on a very controversial theme, and am interested to know what people think!
What is your writing ritual like?
I have to be disciplined and stick to a routine. I’ll get up early because I’m most productive in the mornings, and work through till lunch when I’ll try to go to the gym (if I don’t do this I get really bad mid-afternoon brain slump). The rest of the day is sporadic; I’ll get distracted by emails and Facebook, but will usually produce a thousand more words before my boyfriend gets in from work. For me it’s important to try and keep to ‘normal’ work hours, so nine to five, Monday to Friday. I don’t want to be out of sync with my friends and try to keep my weekends free. However the lovely thing about working for yourself is that if it doesn’t pan out that way, and the creative tap isn’t one you can always turn on, you can make up the word count another time. It’s also wise to sustain a separate office area so you can close the door on work at the end of the day.
Do you think the recession makes people turn to novels like Temptation Island, and that need for escapism?
Bonkbusters should always provide escapism. They’re gateways into glittering worlds that we’d typically never be able to touch, arenas where everything goes and anything can happen. It stands to reason that during a recession readers reach for this kind of entertainment, but having said that in recent years it’s been crime novels – which offer a grimmer view of life – that have proved wildly popular. Perhaps the recent success of E L James’ Fifty Shades trilogy marks a turning of the tide, and a sign that the women’s market is switching to sex and fantasy for the same fix. I hope so, because bonkbusters have all the great things about erotic fiction and heaps more on top: the glam locations, the juicy storylines and the utterly transporting experience. Recession or not, I think they provide the perfect respite.
If you could go to an island like the characters, what would you take with you?
If I ended up on the one in the book, I’d take a cutthroat hack (or be one myself) so I could blow wide open the biggest Hollywood scandal in the history of the world! On a regular island, like if I were Tom Hanks in Castaway (!), I’d take a box of matches, an encyclopaedia and a pen and paper. That sounds boring, doesn’t it? Hmm. How much can I take? A fridge of chilled champagne would be good, and so would a hot guy who I’d set to work building me a raft without his clothes on.
How long did the book take to write?
Temptation Island took me four months to write and two to edit. If I’m strict about sitting down and writing every day I can normally produce around 15,000 words a week. The key is to keep pressing on and not to get sucked into re-reading what you’ve done – it’ll get changed on a later draft anyway. Once you’ve completed the book, even if you think it’s bad, you have something entire to work with and show other people. That’s when the editing process can begin and you start guiding the manuscript towards the best it can possibly be.
Do you think the bonkbuster is back?
It’s coming (ahem). The glory days were in the eighties and nineties – every girl remembers flicking through Jackie and Jilly at school and giggling over the naughty bits – but since then the genre seems to have gone off the boil. My mission is to bring it back! The vintage classics were magnificent, and today I think it’s about borrowing what was so great about those and combining it with a modern twist. Our present-day obsession with celebrity lends itself perfectly: bonkbusters should have sizzling secrets at their core so it’s all about peeling back the headlines and seeing what lies beneath. Recently I heard they’re remaking Dallas, which flags a return to these amazing multi-character sagas, and Shirley Conran’s superb bonkbuster, the definitive and fabulous Lace, is making a comeback this summer. It feels as if people are ready to embrace the genre again, and for me that isn’t a moment too soon.
What do you think of celebrities now?
We’re obsessed, and that says more about us than it does them. On the one hand, we worship celebrities. Money and fame are seen as the quick passage to happiness, and anyone who’s achieved that gets a golden ticket to a higher plain – it’s a religion, and a fact of human nature to want what someone else has got. On the other, it’s about bringing these icons down, which is a miserable admission but true. We want to celebrate one day and criticise the next. Who’s had a breakdown? Who’s going through a divorce? Who’s had all that cosmetic surgery but still can’t get a man? Perhaps we like to gossip because it distracts us from our lives; perhaps it makes us feel better about ourselves. I’m all for celebrity when it’s earned, yet these days it’s the reality TV thing that spawns a host of wannabes who seem to be confused about what they want and can’t handle fame when it comes. Riches can reward anyone, but recognition for having achieved something is what we should be striving for.
Who is your favourite, and least favourite, celebrity?
Men I have a crush on are: Leonardo DiCaprio (he haunted my teenage years: that Romeo & Juliet pool scene), James Franco, Ryan Gosling, Chris Hemsworth and I’ve got a thing for Rafa Nadal. I’m also fascinated by untouchable megastars like Tom Cruise. Jack Nicholson is the boss; Robert De Niro close second. Actresses I love are Emma Stone, Amanda Seyfried, and Meryl Streep has bags of class. Also Chloë Sevigny is awesome. I guess my least favourite celeb would be any footballer who can’t keep it in his pants, and rides on the fact he earns an obscene amount of money yet still hasn’t learned to treat women properly.
What’s next for you?
I’m hard at work on my third novel, which is a glamorous, sexy revenge thriller set in the music industry. Watch this space!
Well okay, maybe that title is somewhat inaccurate. These are my top five films of the year; the ones that moved me, thrilled me, chilled me and left me bowled over by the endless power of the movies. Obviously I didn’t get a chance to see everything that came out though I like to think I gave as much effort as I could to see stuff from across the spectrum of releases. I don’t expect everyone to agree with my choices; one of them I know has incensed arguably more people than it has awed. But like I say it is my humble opinion. Agree or disagree to your content…
1) THE TREE OF LIFE
Terrance Malick’s fifth and most ambitious feature to date, feels like something that we may never see again; a $30 million mainstream film that unashamedly confronts the meaning of life, the cruelty of death, the absence of faith and belief in the divine. Audiences today are so used to having narrative drip thread to them that the astonishingly loose and flowing construction of The Tree Of Life led to outright hostility from many critics and audience members. Despite my initial bewilderment at it through, it stayed with me through the months and on repeat viewings has grown into a profound and deeply moving work. Brad Pitt and Jessica Chastain are extraordinary as a married couple bestowing their differing views on life to their children. What follows is overwhelming vision of the minutia of family life compared with nothing less than the birth of life itself. For me The Tree Of Life does what cinema should do; it takes the most intimate, recognisable aspects we understand and contrasts them against something unfeasibly epic, powerful and ultimately incredibly moving.
2) DRIVE
Roaring out of Cannes like the greatest Michael Mann film that Michael Mann never made, Nicolas Winding Refn’s sleek, blood splattered romantic fairytale captured the hearts of minds of critic and audiences alike. Ryan Gosling truly cements his star status with a near mute role as a stunt driver by day and getaway driver by night who goes up against the LA underworld (personified by a spectacular and unexpected villainous turn by Albert Brooks) when he falls for troubled Carey Mulligan. The two worlds of the story smack head into each other in a spectacular climactic scene in an elevator. The scenes of extreme violence could have been too alienating yet Refn directs with such flair and panache that nearly every scene makes you hairs stand on end. Throw in the best soundtrack of the year hands down and you have an instant cult classic. I walked out of it like i was walking on air.
3) MELANCHOLIA
It could have been overshadowed by director Lars Von Trier’s poor taste in humour at this year’s Cannes Film Festival but thankfully his intimate apocalyptic drama is strong enough to stand on its own feet as an astonishing singular vision of brilliance. Kirsten Dunst and Charlotte Gainsbourg are terrific as two frigid sisters both thrown together by a disastrous wedding and then the arrival of a rogue planet on a collision course with Earth. Filmed in a woozy, dream like palette with very deliberate framing and hauntingly beautiful compositions it takes the difficult subject of depression and manages extraordinarily to turn into a transcendent and oddly uplifting experience.
4) WE NEED TO TALK ABOUT KEVIN
Arguably the boldest novel adaptation of the year, British director Lynne Ramsey makes a stunning return to screens with a disorientating and devastating tale of a women living in the shadow of her monstrous son and terrible crime he has committed. Tilda Swinton is reliably brilliant conveying both the mother’s dawning horror at steadily disturbing events and the guilt that she feels for not showing the love she should have for the child. It’s a role that most actresses would have balked at yet Swinton plays it with such mesmerising confidence. As good as she is though the film arguably belongs to Ezra Miller as the teenage Kevin who beneath a seemingly innocent, sweet veneer chills to the very bone. Hopefully we won’t have to wait so long for Ramsey to release her next work.
5) CAVE OF FORGOTTEN DREAMS
Having dragged a steamer over a mountain, travelled to the furthest reaches of the Amazon and Antarctica acclaimed German filmmaker Werner Herzog goes into the depths of the Chauvet Cave in southern France to document not only it’s astounding geographical presence but also the oldest cave paintings known to man, perhaps they are the beginning of art itself. Shown in 3D at cinemas, I caught up with the film in 2D and was still floored by the beauty and skill with which Herzog examines these paintings as well as the brilliantly dry wit in his unmistakeable Bavarian drawl as he spends time with the familial team of scientists living in the shadow of the caves and simple yet deeply profound musings on the passing of time and the origins of these extraordinary drawings. When it comes to the vision of nature itself, Herzog is rarely topped.
With the re-election Barack Obama next year looking increasingly unlikely, George Clooney’s fourth film as a director feels more like a bitter lament for the political hope of 2008 than a standard thriller, a noble intention of which it just falls short. It is based on a play named Farragut North by Beau Williamson that was produced at the same time as Obama’s election drive. Not one for hiding his liberal credentials, you could be forgiven for expecting that Clooney would airbrush the portrait of Democratic candidates as crusading do-gooders. Yet here, while there is focus on many topical issues blighting American society today, it is viewed through disillusioned and almost sad eyes.
Clooney appears in front of camera as well as behind it as Mike Morris, a charismatic Pennsylvanian senator and contender for the Democratic presidential nomination in a fictitious U.S. election. He is neck and neck with his party rival and with the Republicans lacking a strong contender the White House is within striking distance for both men. Fighting in Morris’ corner is his chief aide Paul Zara (Phillip Seymour Hoffman) and junior press secretary Stephen Myers (Ryan Gosling). Meyers is a young idealist who is truly inspired by Morris’s policies and determined to see him in the Oval office. Zara is the older and more jaded of the two men, the experience to Meyers’ innocence, yet together their plans of attack have Morris on a seemingly unstoppable course.
Meyers’ is then approached by Tom Duffy (Paul Giamatti), Zara’s opposite in the enemy camp who is determined to have Meyers work for him and promises to reveal the secrets behind Morris’ glowing reputation. What then follows is a descent into moral confusion, corruption and betrayal as Meyers’ attempts to keep his head above water and survive in a world of cut throat political ambition.
From its opening dissection of the inner workings of a televised candidate debate, it is clear the The Ides Of March is concerned with what lies underneath the tarp of 21st century politics. If Senator Morris is the general of an army then Meyers and his colleagues are the soldiers down in the dirt fighting hand to hand for victory. Clooney confidently cuts back and forth between debates and television interviews with scenes of aides and interns working tirelessly away behind the scenes with laptops, cell phones and cups of coffee rarely out of reach. In certain scenes he places television sets within the frame of the more intimate moments of drama creating a seemingly inescapable world where everyone’s careers (i.e. lives) are out on the line. It’s very well made indeed with Clooney keeping most of the showy direction to a minimum with one or two notable yet well done exceptions. The merciless vibrating of a mobile phone with all other sound drowned out is a particularly effective moment.
It would also appear as though Clooney’s experience as an actor has left him with the strong ability to get strong performances from his ensemble. Along with Drive and to a lesser extent Crazy, Stupid, Love, Ryan Gosling deserves firm establishment as an A-Lister star. Blessed with astonishingly handsome looks, Gosling delivers on the idea of a youthful idealist steadily crushed under the pressure of back-stabbing and corruption. Meyers is a man desperate to do right for the cause he believes in yet his selfless and single minded vision ultimately blinds him and he becomes everything he has detested in the older characters at the stories outset. It’s an old idea that Gosling manages to make alive through his sheer charisma and penetrating gaze summed up perfectly in the films elegant and haunting final shot. On the seasoned front, Hoffman and Giamatti get to relish in weighty, meaty dialogue set pieces that tie in with the movies theatrical background and could be dismissed as sheer awards season bait were they not so well done. Hoffman hints at years of pent up paranoia and resentment in a powerful monologue about his need for loyalty where Giamatti rallies against the Democratic lack of ruthlessness on the playing field (‘We need to get down in the mud with the donkeys!’) It’s a scene that speaks for the whole movie, with the Republicans given no time on screen and only alluded to it is left to the one side to fight each other and it is given riveting conviction by two character actors at the top of their game.
Unfortunately it is Clooney’s handling of another key character that is the films major downfall. With masculinity running rife through the major plot lines, Evan Rachel Wood has to work very hard to make her character of a confident yet out of her depth intern a voice to be heard. She does a good job with what she’s given; her early scenes with Gosling have an undeniably sexy and arresting charge to them. Yet she is then underhanded by a plot revelation feels so trite and forced that it threatens to capsize the proceedings. Clooney clearly needs a shattering plot device to mark Meyers’ turning point yet it is so out of place and stands out that he feels terribly fumbled. I can’t possibly spoil it yet it’s impossible to miss and reduces Wood to a bland and unconvincing cipher rather than a rounded out character.
Ultimately The Ides Of March feels as though it aspires to something revelatory and worthy yet it can’t help but fall back onto some very typical thriller tropes that hold it back from something more special. It’s a shame really as Clooney elicits some really cracking performances and attempts to take a far more scathing and world weary view of the American political spectrum. If you’re looking for something more substantial then I strongly recommend you revisit Clooney’s Good Night and Good Luck, still his best film by far. This is still fine work and worth watching but you can’t escape the feeling of close but no cigar.
Glamour has Amanda Seyfried on the cover. She gives a refreshing interview inside. She reveals: “British guys are definitely funnier than American guys.”
It is Glamour’s Men Issue and they have 25 pages of men
In the Dos and Don’ts, Jimmy Choo re-release their greatest hits, men in uggs, ipad covers, Lucy Liu becomes an artist and Prince William is heading the fund-raising to help homelessness, Diesel clothes, Children in Need turns 31!,
Louise Mensch tells Glamour readers how to succeed in a man’s world. Louise is inspirational and she gives good advice.
What a man is thinking on the first date, work habits that are making you sick, Career tips from jewellery entrepreneur Jessica Herrin, Food versus Exercise; which is better for you? , Is being single making you broke?, How to be single, are you in drinking denial?, Celebrity tenants. You won’t want one after reading the article, Your right to abortion (a very good article, laws are being passed quietly all of the time to take away women’s rights),
50 Sexiest Men: Robert Pattinson takes the top spot again, Taylor Lautner is second.
Brad Pitt, Hugh Jackman, George Clooney, Ryan Gosling, Matt Smith, Ashton Kutcher, Justin Timberlake, Darren Criss, Prince Harry, Zac Efron are also on the list.
Katherine Jenkins tells of the friend, Polly Noble’s, battle with cancer. A very inspirational story. Polly has a book out, The Cancer Journey, that I think will be brilliant after reading the article.
What a man wants in bed.
James Cordon protests that men have feelings too, and he’s right. Well written.
Gabrielle Bernstein gives her happiness guide.
Arianna Huffington has written a brilliant and informative article on the economical climate, explains what happened and if we will recover.
Steve Jones is interviewed by Celia Walden in the lunch date feature.
The rise in broody men.
Guillaume Henry tells Glamour readers how to get Parisian chic.
Julia Restoin-Roitfeld’s celebrity look book.
Bad beauty habits to kick.
Five reasons to love Emma Stone.
The truth about your lady parts: everything you want to know about your vagina.
Charlotte Ronson shows Glamour around her home.
Tatler has Isabel Lucas on the cover, and an interview with her inside.
Anna Dello Russo talks front row fashion.
Frida Giannini, Gucci creative director, gives Tatler her mood board.
Emily Blunt’s brother Sebastian joins the family business.
Sam Leith shows how not to make a speech.
There is an amusing article on fancy dress parties, and lots of pictures, Marc Jacobs dressed as a pig? Why not.
David Sedaris interview.
Super Tutors to the rescue, if you have the money, get the best with Tatler’s guide.
The wonderful Francis Wheen writes about Private Eye’s 50th anniversary, and to the next 50!
Gallerist Maureen Paley.
School pranks.
Camel Racing.
The richest man in Britain: Alisher Usmanov.
The worrying trend of parents taking drugs with their kids. Jeez….
Keith Vaz profile.
Emma Freud’s technology reviews.
Jonathan Yeo interview.
An editorial on Britain’s funniest comedians. Al Murray in the nude (!), Laura Solon, Tim Key, David Armand, Rufus Hound, Miles Jupp, Lucy Porter, Jack Whitehall, Greg Davies (as Christine Keeler, so funny).
How to keep your money safe. Clue: buy gold.
Dynasties of Dynasties: A profile of the Rothschild dynasty.
How to sleep better.
The virtues of Crème de la Mer.
Tatler homes: Scotland’s Linzee Gordon’s.
Ralph Lauren interview.
Solange Azagury-Partridge tells Tatler what she loves.
Ciara Parkes travels to Botswana.
Rosamund Pike is on the cover of Instyle, she is interviewed inside and says: “I find award ceremonies so often the low point – people delivering trite lines in a pretentious manner”.
Sexy perfume adverts.
Nicole Roberts gives her Style IQ
The wonderful world of Christian Louboutin.
15 minutes with Diana von Furstenberg
Chloe Sevigny’s fashion genius.
You can tell people are tightening their purse strings as Instyle – and other magazines- are giving advice on how to do things on the cheap or by yourself. In the ‘your look’ section they tell you how to fake a facial, become your own hairstylist, make your own jewellery.
How to stay original when people keep buying the same clothes as you.
Instyle sits down with Gucci’s Frida Giannini to celebrate Gucci’s 90th birthday.
Jessica Chastain models and is interviewed.
Inside the Kardashian sister’s wardrobes. Envy alert!
How to wear a hat.
Olivia Wilde is this month’s beauty crush.
Downton Abbey star Jessica Brown Findlay models evening make up and there is 10 things you need to know about Jessica.
Narciso Rodriguez, Michael Kors, Tamara Mellon, Oscar De La Renta tell Instyle on the inspiration behind their perfume.
Jessica Alba, up close.
Dita Von Teese goes to the Maldives so we don’t have to. Sob.
Melissa Odabash tells Instyle what she packs for her holidays.
Diane Birch shows Instyle the contents of the bag.
There is nothing quite like a film by Nicolas Winding Refn to be compared with! The strange eerie blur of reality and surrealism, often combined together to make a bizarre and ever-lasting experience. Drive, which is based on the novel of the same name by James Sallis, was an experience like you take a scenic route in the calm areas and then get assaulted with its throttled engine when speeding up the highway. If there’s anything these type of movies that get it right, it’s from the writing and directing. I can also say it was a damn good experience to watch!
The story is about a nameless person, only goes by the name of ‘Driver’ (Ryan Gosling); during the day, he’s a part-time stunt performer and mechanic at an auto-repair shop (owned by Shannon, played by ‘Breaking Bad”s Bryan Cranston) but by night, he serves as a getaway driver for heists. Meanwhile, he slowly gets to know Irene (Carey Mulligan) and her son Benicio. The ‘Driver’ gets involved into another job but it, unfortunately, goes horribly wrong.
Ryan Gosling delivers a subtle performance as the man with no name, you can sense there is something much deeper in him than you may think. He is motivated on the simple things in life, never regrets anything and keeps on going on living. The interactions between Gosling and Mulligan may have little to no dialogue but it is sweet and gentle. It doesn’t resort to conventional smutlzy romance we’re all accustomed to, it comes off something natural and Mulligan brings the heart to the film. Though the scene-stealer is from Albert Brooks, who plays the brutally honest Bernie Rose. He’s not the stereotypical mobster, he’s the type of man who’d kill someone if he had to but would do it as a last resort. The rest of the supporting cast are all superb in their own right, have little screen-time but all have their own importance to the story.
Newton Thomas Sigel’s cinematography is absolutely gorgeous to look at, from the various night shots of L.A. to the car chases (only two of them through-out the duration). There are moments where you are transfixed to its beauty and you are also tensed when it comes to the chases. The editing is very put together, not too fast paced so we get a clear idea on what’s going on within the scene. It all makes homages to the classic 60s/70s car chases of ‘Bullitt’ etc. It all just puts the ‘Fast and the Furious’ franchise into shame and Refn just shows how it’s all done. The soundtrack is equally as superb, capturing the essence of its pulpy story-line but also delivering this dreamy quality that maybe represents the ‘Driver’s’ psyche.
Overall; easily one of the best movies of 2011 and such a unique film that serves as both art-house and pulp cinema! Refn is one of the best living filmmakers to date and should get recognised for his direction in this film. It doesn’t rely on the spectacle, it relies on the craft of the writing and performances.
4 out of 5
