My Stratford Friend – Dominick Reyntiens by Frances Colville

pic 1.Stratford

Taking the reader back to the time of Shakespeare and setting the scene of his early years – what’s not to like? Once the author  Dominick Reyntiens gets into his stride, he captures the essence of the period and creates believable characters and settings.

I love the way Reyntiens integrates actual names and phrases which appear in Shakespeare’s writing.  For example on page 1 we learn that Tom’s horse is called Prospero (an important character in The Tempest), and later on we meet the matched pairs of horses, Lysander and Hermia, Helena and Demetrius, all names used by Shakespeare for characters in A Midsummer Night’s Dream.  A man wearing the head of an ass appears as a precursor of Bottom.  And we’re introduced to a Robin Goodfellow otherwise known as Puka – a clear link with Shakespeare’s Puck in Midsummer Night’s Dream.  This is clever stuff and makes for a fascinating read.  I found myself constantly looking out for references to the plays, and at the same time wondering just how many I had missed.

I don’t know, not having done extensive research on Shakespeare’s life myself, whether this is the true version of events.  But I don’t think that matters.  It’s definitely a possible version, an interpretation of the evidence we have, and a personal view of what might have happened, and that after all is what historical fiction is all about. What’s more, it’s a fast paced well-plotted story.  And I very much look forward to reading the next instalment.

Available from Amazon.co.uk

 

 

King Lear William Shakespeare Théâtre de Nesle Review – Paris

King Lear  William Shakespeare Théâtre de Nesle Review – ParisHow do you put Shakespeare’s King Lear on a stage the size of a postage stamp with 6 actors (3m,3f) running 90 minutes?

The answer is – carefully.

This is a very careful production with everything timed meticulously.  The 6 actors obviously play many parts each and the changes of costume/character are carefully thought through and executed with a seamless precision; one actor walking past another who is ready to hand the scarf and take the jacket that indicates the character change (for example).  The staging is organised and choreographed to the centimetre and the use of the sparse décor (rostra particularly) highly effective.

 

The text has been cut intelligently and some of the subplots sacrificed to bring the running time to the 90 minutes that the theatre demands.

 

What the production lacks is a certain passion and a rhythm.  The poetry of the verse has been sacrificed in the interests of clarity – creating a rather controlled and intellectual production.  But then this is a question of personal taste when it comes to Shakespeare and I prefer passion.  The intricacies of the plots and the machinations of Goneril and Regan – not to mention Edmund – are abundantly clear and easy to follow; the surtitles enabling those whose English is not “native” to keep up to speed.

 

On the whole a huge “bravo” to the entire team and a production well worth watching if you are in Paris soon.

 

Colin David Reese

 

 

Sam Wannamaker’s Globe Works Its Magic By Penny Gerrard

After unexpectedly warm and fine autumn days the weather has taken a sharp downhill turn and it’s cold and very, very wet.  What better on such a day than a visit to an outdoor theatre?  Courtesy of Amazon local we have half price vouchers for the Globe Theatre exhibition and tour.   We owe the reconstruction of such an iconic building to Sam Wannamaker, the American Shakespearean actor, who made it a lifelong project, sadly dying before he could see its completion.

 

As we walk across Southwark Bridge the contrast is stark between the Elizabethan style of the Globe Theatre, the original of which was built some 300 metres away in 1599,and the brutal architecture of Tate Modern which towers over it.  I know which I prefer.

Sam Wannamaker’s ‘Globe’ works

Inside the exhibition centre we are greeted by a series of fascinating exhibits bringing the world of Shakespeare to life.  We are struck by the London cityscape as it was in Shakespeare’s time with its low rise buildings dwarfed by the original St Paul’s and love the idea of the Frost Fairs which took place on the Thames in times of colder winters .

 

In a display cabinet I spot two small pottery objects – spherical with an elongated pointed top and a slot on the upper slope. One is intact and the other has a jagged fracture on it as if it has been dropped or hit. I recognise these as “boxes” which were used by the ticket sellers to collect the pennies which it cost for a standing only ticket in front of the stage and somewhat more for an actual seat.    There was no stopper at the bottom as in modern money boxes. Instead they were taken round to the “office” where they were broken open to retrieve the takings.   Hence the expression “box office” which we still use today. It also accounts for why intact examples are so rare. It seems to me that replicas would sell like hot cakes in the gift shop?

 

We embark on our tour, escorted by Simon, almost certainly an actor from his voice and demeanour.  We find ourselves sitting on the pine benches (slightly more comfortable than the oak used for most of the theatre construction).    The rain lashes down into the unprotected area in front of the stage – where the hardy audience known as “groundlings” stood in the past and still do today, come rain or shine, but now at the price of £5 (a 1200% increase).

 

My mind travels back across the four centuries since Shakespeare’s time and I can visualise the cast, all male of course, putting on one marvellous play after another, all in broad daylight and with little in the way of scenery. Despite that they still managed to ignite the imagination of the audience in a way that continues to this day. I promise myself to come back next spring and share that timeless experience with them.

 

By Penny Gerrard

 

 

Saatchi Gallery Lends Its Ears to Proud Haddock’s Production Of ‘Julius Caesar’

 

One Party Divided – One Nation Destroyed2ce965_51dd98d880dc4b1e871e5687e4d6ae6c.jpg_srz_215_309_75_22_0.50_1.20_0[1]
Proud Haddock Productions will be staging their press night performance of JULIUS CAESAR at the Saatchi Gallery, London, SW3, on Thursday 2nd October, a new and innovative version which will then transfer to the main run at the Chelsea Theatre, King’s Road, London from 3rd November to 15th November 2014.
 2ce965_12b482b4e0f843cd999b808d147d9faa.jpg_srz_512_510_85_22_0.50_1.20_0[1]2ce965_f2e84d52aeb74891ae7ea2cf2fa58a6a.jpg_srz_1400_850_85_22_0.50_1.20_0[1]

The full cast has been finalised and will include:

· Ed Sheridan (Judges’ Award for Acting at the National Student Drama Festival) as Marc Antony

· Adam Blampied (part of the award winning sketch troop the Beta Males) as Brutus

· William Findley (WhatsonStage award winner) as Cassius

· Alexander McMorran (Thomas in the UK premiere of Venus in Fur at Tristan Bates) as Caesar

· Tracey Pickup (The Duchess of Venice in Lazarus Theatre Company’s ‘The Merchant of Venice,’) as Portia Rebecca Livermore (Puck ‘A Midsummer Night’s Dream’ with The Young Shakespeare Company) as Calpurnia

· Mark Lawson (Gareth in Health & Safety at the Old Vic Tunnels) as Octavius

· James Lorcan (nominated by Richmond Upon Thames Arts Council for Best Actor 2014) as Casca

· James Sindall (The Dirty Talk – Edinburgh Festival 2014) as Decius

· And Vyvyan Almond (Oxford Revue) as Soothsayer

2ce965_227a2a45173b417bb2711ccf77fe136c.jpg_srz_505_666_75_22_0.50_1.20_0[1]

The play will be staged for one night at the Saatchi Gallery – the first time the space has played host to a dramatic production. Julius Caesar follows the tale of a group of conspirators who devise a plan to remove the Caesar from power. This exciting new interpretation will retain the original text but place the story against a backdrop of modern day politics. Focusing on the themes of spin, betrayal, backstabbing and power – rarely has a 16th Century play been more relevant in modern society.

Drawing inspiration from popular television shows such as House of Cards, Homeland and The Thick of It, the work will allow the audience to witness behind the scenes politics and draw strong parallels between today’s political situation and the story of Julius Caesar.

This is Proud Haddock’s first production and they aim to build a reputation as a company that truly celebrates the work of seminal playwrights from Great Britain. Planned future work will include the staging of plays from Alan Bennett to Jez Butterworth. The company will aim to share these great stories with different cultures and communities in the UK and across the world.

2 November (Saatchi Gallery) – SOLD OUT
3-15th November (Chelsea Theatre, King’s Road) – Tickets available from http://proudhaddock.ticketsource.co.uk

www.proudhaddock.com

The Shakespeare Conspiracy | Theatre Review

 The Shakespeare Conspiracy by Andrew Shepherd is not only a brilliant piece of theatre, but it will also keep you guessing all the way through. Full of twists and turns, the Shakespeare Conspiracy is original and incredibly intelligent. Triumphant theatre in two wonderful acts.

The play is superbly directed by Jack Bowman, Bowman has created a well oiled machine which never dips or loses its energy. Full of pop culture references and brilliant gags, The Shakespeare Conspiracy is riveting.

A special mention must be given for the impressive and realistic fight scenes. They really are something to behold.

The play focuses around Martin Shakespeare, the last remaining descendent of Shakespeare, who is working as a travel agent in Stratford. Martin gets caught up in a  400 year old conspiracy involving The Royal Shakespeare Company, which far from being a theatre company, is actually a branch of government like MI6, and a prison, The Globe Theatre. It turns out that Shakespeare’s characters are real.

The cast of twenty are all well cast and brilliant at their parts. A special notice should be given to Jack Baldwin and Libby Evans as Benedict and Beatrice. They have amazing chemistry and I could not watch them without thinking of the brilliant film, His Girl Friday. Richard Armah as Garfield Oberon and Lee White as Edmond also deserve a special mention.

Andrew Shepherd as Iago  was also brilliant. Andrew is eloquent with a wonderful stage presence. There is a funny part int he play when Iago blames his mother for making him a villain. ‘You never had a mother Iago, you are fictional’ he is reminded.

This play is intelligent and witty. You can easily follow it if you concentrate, and you should concentrate, so you do not miss even a second of this stunning play. A must see.

 

Twitter: @tsc61112
Venue: Chelsea Theatre (on the King’s Road – nearest tube Sloane Square Underground, or 11, 22 Bus to Edith Grove/World’s End)
Production Company: www.ascrandom.co.uk

A Midsummer Night’s Dream | Theatre

A Midsummer Night’s Dream

 

Lazarus Theatre Companywww.lazarustheatrecompany.webs.com

27 November – 15 December

 

A Spell-binding and Striking Re-Imagining

 

Lazarus Theatre Company returns to the Blue Elephant to herald in Christmas with a touch of magic and enchantment.

One of Shakespeare’s best-loved comedies, A Midsummer Night’s Dream is transported to a frozen forest by a company whose work is “a superb lesson in how to adapt an old classic for a contemporary audience” (Spoonfed).

High in the mountains, four young lovers find themselves far from home, following romance at all costs. With the fairies at hand to weave their spells, nothing is quite as it seems until confusion gives way to happy-ever-after.

“If you know anyone unsure of Shakespeare then take them to see this and have them fall in love!”    

Dave Jordan, WhatsonStage on Macbeth

 

Director and Designer: Ricky Dukes

Composer: Phillip Ryder

Lighting Designer: Alex Musgrave

Costume Designer: Rachel Dingle

 

Cast: Benjamin Archer, Michael Bagwell, Alice Brown, Lucy Fyffe, Julie Gilby, Sheila Grant, Cameron Harle, Alexandra Harman, Ewa Jaworski, Angela Jimenez, Danny Lawrence, Stuart Mortimer, Jen Painter, Sian Stephenson, James Taylor Thomas & Joseph Tweedale.

 

Dates: Tuesday 27 November – Saturday 15 December (Tuesday – Saturday only)

Times: 8pm (Wednesday matinees at 4pm on 5 and 12 December)

Tickets: £15 (£10 conc. and previews Tuesday 27 and Wednesday 28 November), £9 Southwark residents

 


Venue: Blue Elephant Theatre, 59a Bethwin Rd, Camberwell, SE5 0XT (entrance on Thompson Ave)

Nearest tube: Oval (Northern Line)

Wheelchair accessible

Box Office: 020 7701 0100/084 4477 1000

www.blueelephanttheatre.co.uk

info@blueelephanttheatre.co.uk

Twitter: @BETCamberwell


Professionally Resting Interview: Lifting the Lid on Acting.

The talented actor behind the blog Professionally Resting first caught my eye on Twitter. She is brave, witty and accurate about the downside of the acting industry. As an actor myself I just read her tweets/blog posts and nod. I just had to interview her for Frost, so here it is! I also have a guest post coming from her soon, so look out for that too.

What made you start your blog?

I’d been reading a few other acting blogs online and I soon realised that none really covered what it’s like to be an actual working actor. Many are written by actors who are constantly in work and that was something that I just couldn’t really identify with. Most actors I know spend a great deal of their time resting and I wanted to create something fun and supportive for those of us that regularly find ourselves within the unemployed majority. I also wanted to use it as an excuse to keep busy. There are days when there’s very little work coming in and having a blog to think about really keeps me feeling like I’m at least doing something creative.

Tell us a bit about yourself (without giving too much away)!

It’s always tough answering these questions without sounding like you’re on Blind Date! I’m in my late twenties and have been acting (on and off) since graduating from drama school in 2006. I had a break for a couple of years after getting a bit trapped in a temping job that became permanent. It was a horrible job but it meant I could have a couple of years actually earning money and being able to buy things that had previously been a luxury like food that isn’t on the reduced shelf. However, there’s nothing quite like a miserable job to remind you exactly what it is that you really want to be doing and that was the catalyst to making me find acting work again so that I could finally escape.


What do you think of the acting industry?

It’s very much a love/hate relationship. I regularly complain about it on Twitter and on my blog because it honestly drives me insane. It can feel that it often has more to do with luck than talent and you are completely at the mercy of those in control of the work that is out there. It often feels like many companies and channels operate a closed shop policy and I think many of them are guilty of working with the same very tiny gang of actors time and time again. I read an article recently that said there was a very small pool of talent out there which simply isn’t true. There’s an absolute ocean of clever and gifted people out there but they often get ignored as there are other names and faces that are deemed more popular. Unfortunately viewing figures and ticket sales are placed about creating quality work and while I accept that many of those performers that are used time and time again are very good at what they do, a bit of variety really wouldn’t go amiss!
However, having said that, there are very industries that would pay you a month’s rent to mess around as a time-travelling police officer for the day and that’s why I’m still slogging away at it!

What is the worst casting you have ever seen?

There are so many to choose from! The reason I started tweeting about castings was because people were so shocked at just how insulting and offensive and downright baffling they often were. Ones such as ‘No pay unfortunately but you will get to ride in a white stretch limo with a midget and the band’ and ‘She looks a bit like a trollop but tries to dress a bit classy’ have been incredible finds. However, I think the worst has to be one that I saw recently asking for actors to play characters in a sweatshop and the company (a very well-known TV channel) were only offering expenses. I thought I was past being shocked by castings but this one was offensive on so many levels that I genuinely had to keep re-reading it just to make sure that I was seeing it properly. Sadly I was.

What was the catalyst behind you starting your blog?

As I said, it was because I felt like I couldn’t relate to the other acting blogs out there and I felt that there needed to be a voice that represented normal working actors who often find themselves out of work. However, although I knew that it was something I wanted to do, it took me a while to actually get it started. It only happened when I was coming back on the train after a month performing at the Edinburgh Festival. I’d stupidly forgotten to bring a book and my boyfriend and I were unable to sit together so to keep myself occupied, I just started writing. After nearly 4 hours of solid writing, I realised I had a lot to say on the subject of acting and after a bit of encouragement from my boyfriend who’s also a blogger, the blog was born.

What can be done to improve the kind of roles women get?

It has to start with the writing. There is not a day goes by that I don’t see at least one casting where a woman isn’t required to either be a stripper or a prostitute and although I often make a joke of it on Twitter, it is very worrying too. There is such great writing out there for men but female roles are so often overlooked. So many times I read castings where all the male characters are given weird and wonderful characteristics while the women are just written to look nice. There are some incredible writers out there who are really trying to make sure that there are strong, interesting roles for women but they need support from the major producers for their work to get made and seen. I do think that it’s changing and television and film is starting to listen but it feels like a very slow process that needs to speed up a little!

What is your favourite, and least favourite, thing about the industry?

Let’s start with my least favourite and get the negative stuff out the way. It has to be the lack of good, paid work out there for actors. So many companies expect actors to work for free and although I completely understand how difficult it must be working on a tight budget, it’s tough when you’re faced with it day after day. Acting is something that I stupidly want to do for the rest of my life but it’s hard when people seem to think that by offering you a limp cheese sandwich and £5 to cover your travel expenses, they’re doing you a favour. I’ve done jobs in the past where I’ve essentially been paying to be part of them and that’s when you know that something has gone wrong.

And my favourite thing about the industry? It’s that you just don’t know what’s coming up next. A few months ago I was whinging on Twitter about how there didn’t seem to be any work out there and literally minutes later, my agent was on the phone with an audition for an incredible part in a feature film. I didn’t get the role but I do love how your luck changes from one minute to the next. Although it can be pretty unnerving at times, especially when you’re going through a particularly quiet spell, it’s incredibly exhilarating too. I think it’s a little bit addictive which is why actors put themselves through such torment.

You blog and tweet under a pseudonym, do you believe it would harm your acting career if you didn’t? Can you be critical?

The decision to write under a pseudonym was made so that I could be openly critical about the industry. As an actor you have to be so careful because you never know who you’re going to be working with next and I think that means a lot of actors are worried about speaking out about how infuriating this industry can be. Writing anonymously gives me the freedom to be brutally honest about the problems I face without jeopardising my acting career. Although there are days when I wish I could just tweet under my real name, I’m sure I’d have been in a fair bit of trouble for some of my comments, especially about casting calls and auditions.

What was your favourite ever job?

Despite going on about getting paid, my favourite job was one when I didn’t receive a penny. It was one of the first jobs I did after graduating from drama school and was a devised piece. It was pretty shambolic most of the time and we didn’t even get expenses but it was incredible experience seeing a project from the first meeting where we had some terrible ideas to the final night of performance. We barely sold any tickets (mainly because it was listed incorrectly meaning that most audience members turned up about 5 minutes before it was about to end) but it was great fun and real learning curve for me as a new actor.

and your least?

A summer-long Shakespeare festival. It was fun for about a fortnight but after three months away from home on only £25 a week, I was a state. The plays were performed outdoors and it was a particularly bad summer which meant that we spent a lot of time performing in soaking wet velvet dresses. British audiences are incredibly resilient and would determinedly sit there huddled up in anoraks and shelter under umbrellas while we battled with wind, rain, thunder and lightning. Because I was earning so little money, I was mainly living off value bran flakes and tomato soup so I ended the three months malnourished, exhausted, utterly sick of the sight and sound of Shakespeare and with about £4 in my bank account. That was something they really didn’t warn me about in drama school!

You can read the Professionally Resting Blog here and follow her on Twitter.

Coriolanus DVD Review.

Coriolanus DVD Review.

This blood splattered adaptation of Shakespeare’s classic tale is very obviously Ralph Fiennes baby. It is his directorial debut. The film is star-packed and glorious. It is hard to think how someone could take this tale and tell it in a modern way until they do.

 

Fiennes plays Caius Martius Coriolanus, Rome’s most courageous general. His downfall comes after the people’s fury grows as he publicly expresses scorn for their suffering. The people of Rome are hungry and riots are widespread. War and Mayhem ensues.

 

Gerald Butler plays Tullus Aufidius, Coriolanus mortal enemy, who becomes his ally. This film is action-packed and is full of brilliant lines. Well obviously, Shakespeare did write it.

 

Coriolanus accurately describes itself as a ‘bloody, but timeless, tale of war and revenge’. It does not disappoint. Full marks for this film. It is a spectacular film which is cinema at its best.

 

Coriolanus Available from the 4th of June on DVD, Blu-ray and download.