Tag Archives: Sister Scribes

SISTER SCRIBES: CASS GRAFTON ON AN UNEXPECTED LITERARY CONNECTION

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Living in Switzerland for the past six years, we’ve been fortunate enough to visit some wonderful locations, many with literary connections.

For example, JRR Tolkien made a trip to Switzerland in 1911 and took inspiration from the scenery to create the settings for some scenes in The Hobbit and the Lord of the Rings trilogy. His journey took him to many iconic locations, including Zermatt—home to the Matterhorn—and Lauterbrunnen, a verdant and picturesque valley with over 70 waterfalls.

The author wrote to his son, Michael, in 1967: I am delighted that you have made the acquaintance of Switzerland, and of the very part that I once knew best and which had the deepest effect on me. The hobbit’s journey from Rivendell to the other side of the Misty Mountains, including the glissade down the slithering stones into the pine woods, is based on my adventures in 1911.

This is not the only Tolkien connection with the country. The unique Greisinger Museum in the village of Jenins is dedicated entirely to Middle-earth and contains unique artefacts, art, literature and collectors’ items, and you enter through a door into a hobbit hole!

Not far from Lauterbrunnen is another place with a literary connection: Meiringen. The town is in a beautiful valley and is famous for the stunning Reichenbach Falls, portrayed by Sir Arthur Conan Doyle in his Sherlock Holmes’ novel, The Final Solution.

These were not unexpected literary connections, however, being popular tourist destinations.

One of our early discoveries was idyllic Weggis, a small resort town lying on the shores of Lake Luzern and at the foot of Mount Rigi (known as the Queen of the Mountains) from whose summit there are stunning views of the lake and a spectacular vista of the Alps.

Modern day visitors take a train to the summit, but before the Victorians constructed this cogwheel mountain railway (the first of its type in Europe, opening in 1871), wealthy people travelled up Rigi by sedan chair. The mind boggles!

Weggis is such a beautiful place. The water is a deep, aqua blue, almost transparent by the shoreline, and the mountains across the water stand out starkly from it, glowing in the bright summer sun or wearing snowy caps in winter. There is an ethereal light gently embracing the rocky outcrops at all times of year; a light that changes with the seasons. Being there is like taking a deep breath of fresh air, bringing a sense of calm, of escape from the everyday world.

Imagine my surprise, however, to discover that American author, Mark Twain, had also visited the little-known town of Weggis and felt very much the same. In 1897 he wrote: This is the charmingest place we have ever lived in for repose and restfulness, superb scenery whose beauty undergoes a perpetual change from one miracle to another, yet never runs short of fresh surprises and new inventions.

I do, of course, take some words attributed to Mark Twain with a grain of salt. He is famously quoted as saying of Jane Austen, ‘Everytime I read ‘Pride and Prejudice’ I want to dig her up and beat her over the skull with her own shin-bone.’

Anyone professing such strong feelings against a book, yet continually attempting to re-read it, must be considered a bit of a contradiction! Jane Austen, I’m sure, would have been excessively diverted, and talking of diversions, it’s time I went off to look at the diary in readiness for booking another trip to Weggis.

Sources: MySwitzerland.com, The Letters of JRR Tolkien and Mark Twain – A Biography by Albert Bigelow Paine

 

 

SISTER SCRIBES’ READING ROUND UP: JUNE

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Kirsten

This month I have finally got my writing mojo back after several months of not being able to concentrate on anything. But the first draft of book 2 is finally with my editor and I am suddenly devouring books like they are going out of fashion. Which, I am very pleased to report, they are not!

See Them Run by my Canelo stablemate Marion Todd is a ‘gripping detective thriller set in St Andrews’. I loved it. It’s nicely paced, has a very strong sense of place – I’ve only visited this part of Scotland twice, yet I feel I know it intimately now – a brilliant female lead and a cracking plot. I finished it in two days and the other books in the series are now downloaded and on my TBR.

Nicola Gill is a fellow 2020 debut so I know exactly what she is going through! The Neighbours is a lovely, laugh-out-loud story about picking yourself up, self-discovery and female friendship across the generations. It’s wonderfully heart-warming and uplifting read, yet it isn’t afraid to tackle some meaty topics – in this case depression – head on.  Highly recommended.

Kitty

Hamnet –  Maggie O’Farrell

This is a remarkable book. It is rare that I am moved to tears by reading and is testament to O’Farrell’s writing prowess that I was here, especially as readers come to the book knowing Hamnet’s fate. The way she weaves the story of this boy and his family is spellbinding, her writing evocative and a reminder to all of the beauty of prose. I loved every page.

Maggie O’Farrell creates scenes that are vivid and captivating, making you feel you are there in that moment, whether it be in woodland in the English countryside, a bedroom in the Shakespeare’s family home or aboard a ship from Italy as a plague carrying flea. She describes emotions with such beauty, such depth that I felt them myself – hence the tears and I can only bow down to this Queen of storytelling. I want to read it again and again and again. I cannot recommend it enough, it truly is a thing of beauty.

Natalie Normann – Summer Island

I raced through this book in two days and absolutely loved it. The romance between the two characters was fab and had me truly rooting for them, willing them on to have their happy ever after. The scenes where Ninni teaches Jack to row and their dash to the vet were so romantic, I adored them and that ending, embedded in the reality of life, that is true romance right there! The author has many strengths but for me the richness of the community was outstanding. I love how all the characters were drawn, how they interact with each other and how she creates a setting that I defy any reader not to want to visit immediately. I never thought I would want to plant potatoes on a Norwegian Island, but now I do. I learnt a thing or two as well, which is always a lovely upside to a good book. This book was cosy, feelgood heaven – so much so I have already pre-ordered the next in the series. Highly recommended.

Another Us – Kirsten Hesketh

I thoroughly enjoyed this debut novel. It is a tale of family and the bonds that tie us and how those bonds can stretch past what we imagine to be breaking point. The author has written an insightful story that explores the roles of motherhood and marriage, particularly when they clash with the expectations and desires we have for ourselves. Her voice is both honest and witty throughout as Emma comes to realise far more truth about herself than she had anticipated. Highly recommended.

 

SISTER SCRIBES: KITTY WILSON ON HANDLING DIFFICULT TOPICS IN LIGHT HEARTED ROMANCE

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I had planned to write about Happy Ever after for this month’s post, the last in my Cornish Village School series and out last Thursday.

However, I had a lovely review today that has changed my train of thought. The reader kindly said that she really liked the way I handled difficult topics in an easy way. And this made me want to write about that…handling difficult topics within the confines of light-hearted feelgood reads.

And I ram them in.

So far across five books I have dealt with all sorts of real-life issues, including coercive relationships, maternal loss, war, marital breakdowns, parents with addiction issues, neglect.

I will forever remember my editor’s reaction when pitching the second in the series I dropped into conversation that I wanted to bring in the South Sudanese Civil War. I thought she was going to have a heart attack. I had to reassure her that yes, I was still writing a light-hearted romcom set in Penmenna and that she could a) trust me b) gamble knowing she could always edit it out later.

Why have I insisted on featuring these things? How do I justify including such things in feelgood books? The answer is simple. I love the romance of a romance novel, the sighs, the highs, the hopes and desires and the guaranteed happy-ever-after. But I also like real and relatable characters, people I can empathise with, bond with and enjoy writing about and then reading about (honestly, we have to read our own books so many times before they come to you). And the truth is I don’t know a single person in real life that hasn’t had to deal with trauma in one way or another, and many people who have to deal with far more than their fair share. Therefore, I need my characters to reflect the people I know and love in real life. Bad things frequently happen to good people, they just do. And whilst I love writing about a fictional village that features the best of Cornwall – beautiful beaches, picture postcard cottages and strong community I do need a smattering of something to balance that out. In the county I love we have all those things but it doesn’t mean that behind closed doors that life is as perfect as it is pretty.

My poor children have always had it rammed home that it’s not the things that life throws at you that are important, it’s the way that you deal with them that counts. And that has to be true in fiction as well. We need to see how our characters respond to real-life situations, to the tough things that real people have to face every single day. I want to recognise when I write that everyday people are as heroic and wonderful as characters in books, that they too have to deal with the most dreadful things and, apart from an occasional understandable wallow, they get up and keep going.

On the flipside are the joyful things about life, the big stuff – people we love, personal achievements and the everyday stuff, the hedgerows and the birds, a good book and delicious things to eat, or whatever your little joys are. The happy keeps us going when we have the awful, the awful makes us appreciate the happy.

I hope by bringing these subjects into my books, I am reflecting this balance and also acknowledging the heroic nature of what people have to deal with every day, and how I am in awe of the sheer resilience and goodness of human beings and life in general.

 

All love, Kitty.

SISTER SCRIBES: KIRSTEN HESKETH ON BEING A PUBLISHED AUTHOR

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It’s three weeks since my debut Another Us launched and what a strange, exhilarating, fabulous, scary three weeks it has been.

What with that – and, of course, ‘real life’ overlaid over the top – it’s all been rather overwhelming and I think it’s only now that I am beginning to sit back and play it all over in my mind. So – if it’s not too self-indulgent – I thought I might devote this post to my recollections of the big day.

I had wondered that the day itself might feel like an anti-climax. After all, my very first book was being sent off into the world to fend for itself in the middle of a global pandemic! Publishers and agent were working from home, decisions over a paperback edition had been put on hold at the last minute, and it was proving difficult to get physical review copies out to the lovely writers and bloggers who had offered to read and potentially review the book. It all looked like it might be one great big wash-out.

In fact, the day itself was absolutely wonderful. The outpouring of support on social media was absolutely incredible and I literally couldn’t keep up with all the tweets and RTs coming through on Twitter. Several days later. I stumbled across about twenty messages I hadn’t seen before. (I do hope the kind senders didn’t think I was terribly rude.)

And then there were the gifts. The doorbell rang all day with flowers and chocolates and cards. My lovely friend Debbie made this incredible cake. My fellow Sister Scribes not only sent flowers and an 48-pack (!) of Curly Wurlies (how well they know me!) but have arranged for flowers to be sent for the next two months as well – so the celebrations can go on and on. My Coppa Club friends – Claire, Becci, Moira and Marilyn – sent a magnificent afternoon tea. My chums at Reading Writers sent flowers and chocolates.

How lucky am I?

I hadn’t been sure what to do about the launch party. I had planned a very small afternoon tea at the Lanesborough Hotel for ten, but that was scuppered by Covid. In the end, I plumped for a Zoom launch which was brilliant and surprisingly emotional. As some of you may know, I dyed my hair red to match the book cover in order to raise money for Mind, and everyone got in the act. There were red tops and red wigs and Jane Ayres dyed her hair red too in solidarity. There was also a red drink competition judged by my children and I know Sue won but I’d slightly lost the plot by this point and I’ve no idea what she was drinking – or if she’d just made something up! More seriously, my editor Emily and agent Felicity both made wonderful speeches and I had a genuine lump in my throat when I came to reply to them.

So all in all it was a wonderful day and thank you to everyone who helped me celebrate and who has supported me in my journey.

And now Another Us is out there in the world and, as I write, has 42 fabulous 4* and 5* reviews. I have had lovely messages from people I know and don’t know saying how much they’ve enjoyed Another Us – including one from a Hollywood actress. I have no idea how many the copies the book has sold but it has been the most wonderful whirlwind!

Next time: the inevitable party hangover and the first 1* review!

 

SISTER SCRIBES GUEST: TANIA CROSSE ON AN AWARD WINNING SAGA

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Susanna invites Tania Crosse to talk about winning the first ever Saga of the Year award from the Romantic Novelists’ Association as it celebrates its Diamond Anniversary

I was utterly thrilled when I learnt at Christmas that The Street of Broken Dreams had been shortlisted for the new saga category in the RNA’s major annual awards. With the other contenders, Lesley Eames, Jean Fullerton, Rosie Goodwin and Kate Thompson being such wonderful writers, I went to the ceremony in London with no expectations, just looking forward to a glittering evening out. So when my name was read out as the winner, I was totally overwhelmed. I managed to gabble a few incoherent words up on the podium, but I must confess, it was all a bit of a blur at the time.

It really is fantastic that this new saga award has come into existence. It remains an enormously popular genre, and the quality of so many of the brilliant sagas available, covering a huge range of different topics, deserves such recognition. I feel honoured that as the first ever recipient of this award, I can represent saga lovers everywhere.

Tania (left) with agent Broo Doherty

So what is considered ‘saga’? That is a good question, so here is my interpretation. Whatever length of time the story spans, the entire action must take place at least fifty years in the past. Secondly, the actual romance is not necessarily the main focus of the book. Characters must fight their way through extreme adversity, often – though by no means always – generated by the historical circumstances of the period, with the romance intertwined within it. Sagas are normally gritty, hard-hitting stories illustrating strong themes.

Like all sagas, The Street of Broken Dreams is a tale of spirit, warmth, courage and heart, and has been described as ‘searing emotional drama’ and as being ‘beautifully compelling and poignant’. It’s 1945 and WW2 is drawing to a close. But the consequences of war can be far reaching. Can dancer Cissie ever recover from the brutal night back in 1944 that destroyed her life? Will it take the love of a good man or the guilt and self-sacrifice of a stranger from across the sea to bring her peace? Does Mildred really know the man to whom she so hastily became engaged before he went off to war? Will she able to face the tearing conflict of loyalty on his return?  Can golden-hearted Eva, matriarch of the street and linchpin of the story, help them unite against the future?

I actually lived in Banbury Street, the street of the title, as a small girl, so writing the book brought back many childhood memories. Cissie’s story was inspired by an ‘encounter’ my mother experienced during the blackout, though fortunately it had a different outcome and my mother was unharmed. During the war, my father served in submarines in the Far East, which gave me the idea for Mildred’s story. Dance has been a lifetime passion of mine, and my ballet mistress with whom I kept in contact all her life, told me about her experiences as a dancer in wartime repertory, and this became the Romaine Theatre Company in the book.

So I think you can appreciate that this award means so much to me, not just in itself, but because so much of myself was poured into the book. As my fourteenth published novel, it feels like a lifetime achievement and I thank from the bottom of my heart the Romantic Novelists’ Association and the readers and judges who put me on the podium.

SISTER SCRIBES GUEST: ANDREA MICHAEL ON WRITING FRIENDSHIP IN FICTION

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At Sister Scribes we often talk about how important friendship is within the writing community. Andrea Michael is one of those friends, we have shared publishers and parties, we share an agent and a similar sense of humour. I adored her latest book, a novel about the love involved in friendship, it made a change to reading about romantic love and was insightful and honest. With it out in paperback this month, I’m buying myself a forever copy. I’m so happy to host her on Frost, talking about writing friendship in fiction. Kitty x

When I wrote romantic comedies, it was easy to see the importance of a best friend. You needed someone to talk some sense into your main character, encourage risk, push them towards their destiny. They needed to be a support system, offering an opportunity to rant and rave and cry. That’s what best friends are for.

Without friends, it’s hard to convince your reader to trust your character. Why don’t they have people in their life? Why don’t we get to see more of who they are? Are they a real person? Are they loveable?

But most of the time this best friend never gets to have their own adventure, they always exist in relation to the main character. They are the equal opposite, the voice of reason or rebellion, depending on what the main character needs. They didn’t exist on their own.

And that was where the idea for The Book of Us came from. We so often focus on the romantic relationships that change our lives, but what about the important friends who have made us who we are?

Loll and Cass are two friends who fell out years ago. They became intensely close at university, Loll’s anxiety and shyness made smoother by Cass’ outgoing and wild nature. They evened each other out, knew each other’s traumas, weaknesses and dreams. And they planned to spend their life having adventures together.

But things change and sometimes when you make a close friend at that age, you want to know who you could be without them. Either you’re in the shadow or you’re always the leader, and either can be exhausting. Sometimes you just need a chance to grow apart before you come back to see if you still fit.

Writing friendship could be boring – after all the moments that make our friendships are often gradual, quiet and uneventful. We rarely have a manic pixie dream friend plonk herself in our laps and declare herself our best friend.

But much like with a love story, it’s about how it unfolds, how it falls apart, and why it comes back together. Nostalgia only really works when we bring in all the things our readers relate to – a seemingly carefree younger life. Staying out late, getting in trouble, thinking things were complicated when now you realise they were just so simple.

It’s the complexities and problems that I find the most interesting – the secrets and sore points and things unsaid. And the natural rhythms and waves that can come back into play a decade later. A true friendship, even one that ends (through big fireworks or a slow trudge) has an impact on who we are today. And that’s where the magic is, for your audience and your reader.

We just have to hope readers find friendships as complicated and precious as romances, just as they are in real life. Because sometimes your soul mate is your best mate.

 

Andrea Michael writes books to explore complicated relationships. Having trained in using writing for therapy, she really believes in the magic of stories to change your life. Failing that, sparkling wine and obnoxious sing-a-longs also do the trick.

Follow her on Twitter: @almichael_

 

SISTER SCRIBES’ READING ROUND UP: MAY

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Kitty

The Book of Us – Andrea Michael

Oh my goodness, this book. This book won my heart over, filled it with joy and then smashed it into itty-bitty pieces. A story of friendship, loyalty and love, it explores many issues, particularly how perception and truth can be very different things as well as how some bonds are so strong they can never be broken.

I found it to be written with an emotional insight, depth and honesty that lifted it apart. I cannot recommend it highly enough. Beautiful.

Cass

A Borrowed Past – Juliette Lawson

What would you do if you discovered your whole life was built on a lie? This is the question a teenage William Harper has to face up to on more than one occasion in this excellent, page-turning story.

William dreams of being an artist, something his strict father is strongly against, but when a shocking family secret is uncovered, William takes his chance, running away from home to start a new life… but even as the years pass, and he grows from boy to man, further challenging truths emerge, showing the past is never far behind him.

I do love to pick up a book, not really knowing what to expect beyond what the blurb has told me, and my enjoyment of this story was definitely enhanced by the settings (as much a heart and soul of the story as the characters) in the northeast of England.

Having lived near York for seven years, it was a delight to tread the well-known streets with William, and the settings of Seaton Carew and Scarborough were also fascinating backdrops to this historical saga.

The writing was beautifully evocative of the era and the story skilfully documented, painting the page with words much as William longed to spill the images in his mind onto paper with a brush.

Ms Lawson writes captivating descriptions, strong narrative and relatable and believable dialogue between her well-drawn characters. She has a wonderful ability to draw the reader inside the pages of the book, to feel as though they are living the moments alongside William, and I cannot wait to read more in the Seaton Carew saga series.

A Borrowed Past is a compelling, wholly enjoyable read and I highly recommend it.

Jane

Her Mother’s Secret – Jan Baynham

This impressive debut transported me to Greece. The ability to weave a setting from words without the descriptions overtaking the story is a real skill and this book shines because of it.

The characters are fascinating too. For me, the 1969 ones in particular, when Elin spends her father’s legacy to attend an art school on a Greek island. Each person is carefully drawn and none of them are wasted in what they bring to the plot. I was pulled into Elin’s story, the friendships she forms, the enemies she inadvertently makes and the love she finds; the shocking reason it doesn’t all end as she would have wished.

For a dual timeline (Elin in 1969 and her daughter Alexandra in 1991) the structure is unusual in that after a few opening chapters straight after Elin’s death the book tells first her story and then Alexandra’s. But I can see it needed to be that way for the story to unfold in the correct manner. And it was refreshing not to be hopping about in time too.

I would thoroughly recommend Her Mother’s Secret. It was published by Ruby Fiction last month as an ebook across all major formats.

 

 

SISTER SCRIBES GUEST: LINDA HUBER ON FAMILY SECRETS

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I’m delighted to welcome the lovely Linda Huber, a prolific author and fellow Swiss resident, to Frost Magazine today, where she’s talking about how family secrets inspired her writing.

It’s always fascinating, talking to older family members and hearing their stories of days gone by. I remember my grandmother talking about her life growing up in Edinburgh with her parents and brothers. The family were keen photographers so we have a wealth of photos ranging from Granny as a toddler in 1890-something, all the way up to her last years, when she lived in Glasgow with her younger brother.

What she never mentioned was either of the wars she lived through, apart from the odd comment about food rationing. Another taboo was the death of my grandfather when my mother was just fourteen. He died in an industrial accident on the railway, where he worked, so Granny was given compensation – a return train ticket to London. It was her first and only trip outside Scotland. How I wish I’d been old enough to know I should be questioning her greedily, saving up her answers for my own children. I was still a teenager when she died, and there was too much Mum didn’t know either.

That’s how it is with family secrets, I think – usually, they’re not so much grisly skeletons in the closet as things that are just too hard to speak about. Or maybe, details are simply forgotten over time, not mentioned because nobody thinks to. When I was researching my family tree, I came across a distant little cousin who’d drowned in a Glasgow swimming pool in the 1940s, aged eleven. I’d never heard of her, and my mother could only just remember hearing her talked of. It was a tragedy lost over generations, though I’m sure little Agnes’s close family still remember.

Other secrets are grisly and terrible. A few years ago, I read a news story where someone had kept something truly awful from his nearest and dearest for over twenty years. I won’t say more because they are real people, but this man’s wife and children had no idea that the person they were living with was capable of what he had done. That started me thinking… and the end result is my ninth psychological suspense novel, The Runaway.

Cass (left) and Linda (right)

In the book, Nicola, Ed and Kelly Seaton relocate from London to lovely Cornwall. It should be a fresh start for them all – teenager Kelly had got in with a bad crowd, Ed had lost his job and Nicola was struggling to keep the family on an even keel. So they moved into Ed’s old family home by the sea. Nicola was determined to make a success of the new life, but little did she suspect what had happened in the house when Ed was growing up. He’d kept his secret well…

This is the third book I’ve set in Cornwall; I’m making no secret of the fact that I love the place! The Seaton family’s new home is near St Ives, which has fabulous beaches and a beautiful old town. It’s years now since I’ve been there, but one day I’ll go back. And meanwhile, I can write about it.

 

Linda Huber grew up in Glasgow but went to work in Switzerland for a year aged twenty-two, and has lived there ever since. Her day jobs have included working as a physiotherapist in hospitals and schools for handicapped children, and teaching English in a medieval castle.

Her writing career began in the nineties, when she had over fifty short stories published in women’s magazines before turning to longer fiction. The Runaway is her ninth psychological suspense novel.

Find out more about Linda at www.lindahuber.net or follow her on Twitter @LindaHuber19