Frost Loves…Sofia Coppola

Sofia Coppola- Icon.

She may never be completely separated from that surname (would she want to be?) but she sure is doing a good enough job of making a name for herself in spite of, not because of, dads, brothers, cousins or aunts.

Her style, her photography and her beautiful films are uniquely hers. They waft of her. Her sensitivity and quiet forcefulness. She has won over James wood and Bill Murray. As well as countless other critics and movie fans. No mean feat. She won an Best Writer, Original screenplay Oscar for Lost in Translation in 2003.

I remember seeing a short film she made called ‘lick the star’ and thinking this woman is going places. I raved about her to anyone who would listen. Her last film, Somewhere, was a very European film. Nothing really happened apart from human emotion.

There was always her photography, which was in, amongst other magazines, Nova and Allure. Her clothing range Milk Fed, and then there was the High Octane series for comedy central with her good friend Zoë Cassavetes, her appearances in music videos such as the Chemical Brothers (her favourite band), Elektrobank which was directed by then boyfriend now ex-husband Spike Jonze. In the video Sofia plays a gymnast. She is directing her own music videos now. Who can forget her video for the white stripes ‘I Just Don’t Know What to Do With Myself.’ In which she persuaded Kate Moss (another friend) to pole dance in a black bikini? All shot in black and white.

Her association with Marc Jacobs (she is his muse. Even having one of his bags named after her and starring in his advertisements. ) As well as other creative talent, she seems to be at the centre of a new creative movement. A movement which also includes such people as Wes Anderson, Lance Acord, her ex-husband Spike Jonze, Zoë Cassavetes, Sonic Youth, Beastie Boys, Tamra Davis who is married to Mike Diamond and gave Spike Jonze his first breaks and her brother Roman, who directed his own film CQ in 200, which Sofia appeared in. It all seems to tie together from person to person.

She was born in 1971 and baptized into cinema as a baby boy in The Godfather and said recently that she remembers parts of her life more by which movie they were than anything else. Sofia and her two brothers, Gio,who tragically died in a boating accident when she was 15, leaving behind a daughter Gia and fiancée Jacqueline de la fontaine (Who went on to marry Peter Getty and is now divorcing him and wants $300,000 a month maintenance after she found a full frontal picture of a neighbour on his computer), and Roman (who is one of the new wave of music video directors and also writes and directs his own films), traveled around with mum, Eleanor a documentary director, and dad, Francis as he worked on his movies.

Movies of cinematic greatness like The Conversation, Apocalypse Now and the Godfathers all of which Sofia was in. more prominently in Godfather III for which she was unfairly lambasted by critics with a unrelenting harshness which seems to have lasted, if only to a slightly lesser degree to this day.

This is why Sofia Coppola inspires me. Why I describe her as an icon. She is herself she makes no excuses. Yes her surnames Coppola take it or leave it and she does not pretend to be one of the boys, does not yell. She gets what she wants the way she wants. She has survived a hell of a lot. Was vilified in public and came up to prove them all wrong with sheer talent, guts and determination. It is because she has her own influential style, because she has conquered. Because she is talented and unique and a true artist and even more importantly. She proved all the bastards wrong.

Sofia is 40 now. Has two children and recently married Thomas Mars, of hip band Phoenix, in a celebrity studded wedding in Italy. She is still a fashion icon, still making movies.

Sofia Coppola is definitely one to watch. As she may yet become one of the most prominent and influential directors of our time.

Somewhere. {Film Review}

Somewhere is a film that goes, well, nowhere. This is not an insult. It’s a complement. It’s a beautiful film. It’s not a good or a bad film. It is a film that is entirely depending on taste. It’s a lot like Lost In Translation. Lonely people trying to connect with each other. There is no back story to Dorff’s character. What you know is that he is rich, famous, separated and has an 11 year old daughter. Everywhere he goes there are irate women he has loved and left.

Somewhere is a very European film. The scenes are long and left to play out. There is a lot ( too much) female nudity. The opening of the film is Stephen Dorff driving around a circular track. There is one work said in the first 15 minutes. It’s full of metaphors and melancholy. The ennui of over privilege. A movie actor in an empty existence of sex, parties and alcohol. Saved, intermittently, when his daughter comes to stay.

The tangents of Sofia Coppola’s previous films are here; daddy – daughter relationships, young girl’s trying to find their way, expensive hotels, bored rich people. It is a film of human relationships. A slow burner. The performances of Ellie Fanning and Stephen Dorff are pitch perfect. It’s definitely worth seeing,