Tag Archives: South Kensington

Snog South Kensington | Food Review

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I was late to the snog party. They have been around for a while and I always wanted to get one. I shouldn’t have left it so long as they are delicious. They are also organic, made with British ingredients, have no fat, no artificial ingredients and they are low in calories. They taste amazing and the only low points is how long it takes to choose which one you want and the price. They are also low GI as they are sweetened with agave nectar.

You pick a frozen yogurt flavour; strawberry, chocolate or natural. You then choose a topping and there is a lot to choose from; oreo cookies, blueberry and marshmallows are what we had on our chocolate and strawberry yogurts, but you could also have almond, raspberry, (white and milk) chocolate, banana, mango, granola….

They are healthy and delcious, I loved Snog and will be going back.

snog, yogurt, frozer, south kensington, review,
Price: Over £10 for two yogurts? High. To be fair, prices vary, you could get a small one or a large one with only one topping. The above is a medium with two toppings, and a large with one. Prices start at £2.85 and depend on how many toppings you go for and whether you think someone might want to share your Snog.
Address: 32 Thurloe Pl, London, Greater London SW7 2HQ
Phone:020 7584 4926

Sensational Butterflies at the Natural History Museum

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Book now to see the Natural History Museum come alive with Sensational Butterflies
29 March to 15 September 2013 at the Natural History Museum, London
If you are looking for something to do this Easter weekend then Frost recommends the Natural History Museum. From chomping caterpillars to beautiful butterflies, experience the magic and beauty of one of nature’s
most fascinating life cycles in this popular outdoor exhibition. The live tropical butterfly house and
garden will be returning to the Museum’s east lawn on 29 March, just in time for the Easter holidays.
As you follow the trail along the life cycle route, watch hungry caterpillars hatch by your side and
witness hundreds of striking butterflies and moths fluttering above your head.
012 Sensational Butterflies
Come face to face with species from all over the globe including the spectacular swallowtail, the
beautiful blue morpho, the magnificent moon moth and many more, originating from Africa, Southeast
Asia and North and South America.
Sensational Butterflies will give you the chance to see the world’s most stunning butterflies, while
learning about the surprising lives they lead through live specimens, games and interactive displays.
Highlights include:
  • an outdoor butterfly garden with tips on how to attract butterflies and create your own
  • butterfly garden at home
  • fun, interactive activities allowing you to explore fascinating butterfly facts
  • the chance to watch butterflies emerge from their chrysalises through the hatchery window
  • a riot of colourful tropical plants in the house and garden
  • tips and advice from the butterfly house manager
Dates and times:
29 March to 15 September 2013, 10.00–17.50
Visitor enquiries:
020 7942 5000
Admission:
Adult, child and concession £4.50*, school £2.50*, family £16*.
Adult, child and concession £4, school £2.50, family £14.40.
Free for Members, Patrons and children under four.
Nearest tube:
South Kensington
Website:
Twitter:
#sensationalbutterflies

First Québec Cinema Showcase for London

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Following the international success of Québécois films including Monsieur Lazhar (Philippe Falardeau), Incendies (Denis Villeneuve) and Café de Flore (Jean-Marc Vallée), a showcase of new cinema from Québec will take place for the first time in London at the Institut Français, South Kensington (2-4 November).

Québec Cinema Showcase is part of the 50th anniversary celebrations marking the opening of the Québec Government Office in London. The programme of five feature-length films and four shorts will present some of Québec’s finest and most recent cinematic offerings, including the latest work from award-winning director, 23-year-old Xavier Dolan, Laurence Anyways.

Québec Cinema Showcase will open with the UK premiere of Ken Scott’s massive box office hit comedy Starbuck (2 November).  Veteran comedy actor Patrick Huard plays David Wozniak, a 40-something delivery man whose life is out of control. But things are worse than he thinks. In his twenties, David was a prolific sperm donor to help pay the bills but the past comes back to haunt him when nearly 150 of his more than 500 offspring, now young adults, collectively take court action for their right to know the identity of their father. The film has been so successful – Canada’s biggest domestic hit in 2011 taking $3.5 million at the box office – that Scott has been asked to direct the US remake starring Vince Vaughn for Steven Spielberg’s DreamWorks Studios. Starbuck is on general release in the UK from November 23.

Laurence Anyways (3 November) is the latest offering from Cannes award-winning director Xavier Dolan, (I Killed My Mother, Heartbeats). Dolan’s success continued in 2012 at the Cannes Film Festival when Laurence Anyways’ female lead, Suzanne Clément, won best actress in the festival’s “Un certain regard” category and the film was awarded the Queer Palm. Laurence Anyways also won the award for Best Canadian Feature Film at Toronto International Film Festival 2012. Dolan made his Cannes debut with I Killed My Mother, a film he made in his teens, resulting in an eight-minute standing ovation and three awards in the Directors’ Fortnight section in 2009. Spanning a decade, Laurence Anyways tells the story of a couple who are passionately in love. But when Laurence (Melvil Poupard) announces to girlfriend Fred (Suzanne Clément) on his 30th birthday that he wants to live as a woman, the consequences are tumultuous – and unexpected.  Laurence Anyways screened at the BFI London Film Festival on 11 and 12 October and is on general release in UK cinemas from 30 November.

“The Québec Government Office in London takes pride in witnessing Québec cinema’s current popularity worldwide. We are delighted to welcome the first edition of the Québec Cinema Showcase as part of our 50-year anniversary celebrations marking the opening of our London office,” says Pierre Boulanger, Agent-General of the Québec office in London.

Other films in the programme include Karakara from Claude Gagnon (3 November), a Canadian/Japanese co-production which follows Pierre (Gabriel Arcand), a retired professor in his early sixties who goes on a short, unsettling trip around Okinawa in Japan with Junko (Youki Kudoh), a 40-year-old runaway wife. Bestiary (Bestiaire) from Denis Côté (4 November) is an intriguing documentary which reflects on human fascination with animals.  Behind Closed Doors (Catimini) from Nathalie Saint-Pierre (4 November), the final film in the Québec Cinema Showcase, is a touching story about a reunion between four girls living under the care of the child protection services.

Across the weekend there will be director Q&As: Claude Gagnon, on Saturday, 3 November after the screening of Karakara and Nathalie Saint-Pierre on Sunday, 4 November after Behind Closed Doors.

Cinema from Québec is currently enjoying the international spotlight with two films – Incendies and Monsieur Lazhar – shortlisted for best foreign language Oscars in the past two years, as well as a BAFTA nomination for Incendies. Québécois director, Jean-Marc Vallée’s Café de Flore starring Vanessa Paradis, has also garnered critical acclaim. Earlier this month (October) at the Raindance Film Festival – Europe’s leading independent film festival – a number of films were screened in a special Québec Strand and Laurentie by directors Mathieu Denis and Simon Lavoie scooped Best International Feature.

François Macerola, President and CEO of SODEC, Québec’s development agency for cultural enterprises added: “For many years, the international market’s interest in Québec cinema and its filmmakers has grown considerably.  New audiences and new possibilities have allowed films from Québec, and our filmmakers’ vision to cross borders, thanks to events such as the Québec Cinema Showcase in London.”

 

Tickets for Québec Cinema Showcase are £10 (conc £8) and are available from the Institut Français website (https://www.institut-francais.org.uk/book)

Québec Cinema Showcase is an extension of the marketplace event Cinema du Québec a Paris which is celebrating its 16th year (6-11 November). Québec Cinema Showcase is also part of the 20th French Film Festival UK, which will present a selection of the best shorts from Québec in Glasgow and Edinburgh . (http://frenchfilmfestival.org.uk/FFF2012/wp/)

 

Québec Cinema Showcase has been organised by the Québec Government Office in London, with the support of SODEC and the Ministry of Culture and Communications, in collaboration with the Institut Français in London and the French Film Festival UK.

The Québec Government Office in London’s cultural services implements market development initiatives for artists and cultural industries from Québec.

For more information:
www.quebec.org.uk
www.sodec.gouv.qc.ca
www.mcc.gouv.qc.ca
www.institut-francais.org.uk
www.frenchfilmfestival.org.uk

 

Starbuck 
Dir: Ken Scott 2011 – 109 mins
Friday 2 November, 8.15pm

The biggest Canadian box office hit in 2011, Ken Scott’s comedy Starbuck follows a likeable middle-aged loser as he wrestles with regret and responsibility. Hapless deliveryman David Wozniak (Patrick Huard) gets parking tickets at every stop along his route, has thugs on his tail for massive overdue loans, and his girlfriend tells him she’s pregnant just before dumping him. These are the least of David’s concerns, however, when he returns home to find a lawyer in his kitchen. The past comes back to haunt him in the form of a class-action lawsuit launched by 142 of the 533 children who resulted from sperm donations he deposited over 20 years ago.

Starbuck will be preceded by Demoni, a short directed by Theodore Ushev.

 

Karakara  
Dir: Claude Gagnon 2012 – 101 mins
Saturday 3 November, 5pm

Gabriel Arcand plays Pierre, a retired professor in his early sixties who has decided to renounce sex and achieve spiritual peace until Junko (Youki Kudoh), a  40-year-old Japanese housewife arrives on his doorstep seeking refuge from her abusive husband. They end up making a short, unsettling trip around Okinawa, Japan, together. Though the confused intellectual would rather not get involved with this unlikely and unexpected lover, he decides to follow his destiny, wherever it may take him.

Karakara will be preceded by Anata O Korosu, a short directed by Phillipe David Gagné and Jean-Marc E. Roy

Laurence Anyways 
Dir: Xavier Dolan 2012 – 159 mins
Saturday 3 November, 7.30pm

The third Cannes award-winning film by 23-year-old writer-director Xavier Dolan (Heartbeats, I Killed My Mother), Laurence Anyways follows the story of Laurence and Fred, his girlfriend – a couple passionately in love who attempt to sustain their relationship and fight the prejudices of their family, friends and society when Laurence turns 30 and can no longer deny his desire to be a woman.  Winning two awards at Cannes including Best Actress in the festival’s “Un certain regard” category for Suzanne Clément and the Queer Palm and, as well as the award for Best Canadian Feature Film at Toronto International Film Festival 2012.he film had its UK premiere at this year’s BFI London Film Festival on 11 and 12 October.

Bestiaire ( Bestiary)

Dir: Denis Côté 2012 – 72 mins
Sunday 4 November, 4.15pm

The documentary explores the fascination humans have for animals, combining footage from a drawing class, a taxidermist’s workshop and a Québec safari park. The poet, essayist and naturalist Diane Ackerman has reflected on animal parks as venues for the discovery of interspecies shared identity, but also as places where humans focus “on the lives of other creatures to dispel the usual mind theatres that plague us.” Those notions are challenged as often as they are reinforced in Denis Côté’s soberly beautiful Bestiaire, but exact conclusions are left for the viewer to form.

Bestiaire will be preceded by Tout va Mieux (Everything is alright) a short directed by Robin Aubert.

Catimini (Behind Closed Doors)  
Dir: Nathalie Saint-Pierre 2012 – 112 mins
Sunday 4 November, 6.30pm

Four girls are living under the care of child protection services: Cathy, six-years-old, arrives in a new foster family, the Bilodeaus; 12-year-old Keyla is transferred into a group home for teenage girls; Mégane, a rebellious 16-year-old, ends up in a detention centre in late winter; on her 18th birthday, Manu leaves her youth centre and moves into her first apartment. In the hope of reconnecting with the few people that have meant something to her, Manu attends a reception honouring the Bilodeaus, one of her former foster families. She bumps into Keyla and Cathy, and ends up hanging out with Mégane. It proves to be a reunion that no-one will forget anytime soon. Behind Closed Doors won the Valois d’or prize at the fifth festival of francophone cinema in Angoulême.

Behind Closed Doors will be preceded by Ina Litovski, a short directed by Anaïs Barbeau-Lavalette and Andre Turpin.

 

Ampersand Hotel Review

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The Ampersand Hotel is in a very convenient location, a few minutes walk away from South Kensington tube station. It is also near the Victoria & Albert Museum, Harrods, Hyde Park, The British Museum and Harvey Nichols. So if location is your thing, the Ampersand Hotel should already be at the top of your list. The hotel itself is beautiful, brilliantly designed, classy and elegant. The staff are friendly and helpful.

The room is beautiful. It has everything you could possibly need. You do expect a hotel of this caliber to have everything and it does not disappoint. It has free wifi, a hairdryer, air-conditioning, TV, a desk, cable, tea, toiletries by Miller Harris and even ice. The bed is comfortable and the curtains are good and heavy, blocking out the light and some of the London noise.

The bathroom is great, with a bath and a shower. It also has lots of handy kits for sewing or vanity. The towels are lovely and fluffy. A dressing gown and a pair of slippers also comes with the room. The only thing I can complain about is the lack of bubble bath.

The lighting is good, the soft drinks in the minibar are free. One of the things that I really liked about this hotel is that you do not feel like a customer, constantly being fleeced of your money, but instead like a guest.

There is also a Business centre, a library, a wine room, a games room and a gym.

The Apero restaurant in the hotel is good. With an emphasis on sharing. We had serrano ham mikado ,(delicious and different) ,Plaice goujons with avocado mayonaise , Grilled neck of lamb with harissa & onion salad and Gnocchi with chard & smoked scamorza and an amazing cocktail called Elixir of Love.

In the morning we had a delicious full English breakfast and read the papers. Our stay in the hotel was relaxing and luxurious. This hotel is highly recommended. One of the best hotels to stay at in London.


Londoners Life 9 by Phil Ryan

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Of all the London phenomenon I’ve chronicled recently, there is one that has been gathering pace. It’s called Business Change.

I’m suddenly more aware of the breathtaking and surprising speed that familiar haunts, restaurants and bars seem to be going out of business, closing down and then getting replaced by a new business. I only note it down now after a recent few trips into town that left me sad at the disappearance of quite a few of my regular haunts and drop in places. Cafes, book shops, restaurants and music equipment places all suddenly biting the dust. You head to an old familiar café hoping to get egg and chips and suddenly it’s a trendy new Japanese hairdressers decorated in black and silver with bright cartoon characters on the windows offering wakami face tugging and Nintendo hair stress with kodo roots and sea turtle mud. All very disconcerting.

I know it’s a recession year unfolding, but it’s very London in the way that there seems to have suddenly been a speedy pick up in the opening and closing rates of so many once great places. It’s as if the capital is sensing blood in the water. The old and sick are culled (sadly often by the chain groups) and the whole place seems to be getting blander and less original by comparison.

We all know that London constantly changes – just look at the sprawling developments in regeneration areas. Even bits of the new Stratford are starting to look quite pleasant. Actually, scratch that. It’s still a dump, but now with an inappropriate huge shopping centre and bits of Olympic nonsense being stuck around the place.But it’s funny how a couple of converted factories or hospitals reborn as apartments seems to immediately change the tone in an area – even if it’s only very surface to start with. Hackney and Battersea has enclaves and pockets of said new conversions but are both still struggling. So-called luxury developments can only achieve so much. The muggers just seem better read – now quoting Monica Ali and The Secret as they rob your wallet.

But the onward rush of change and the trend to new designer living has a lot to answer for. One of my prime examples is Paddington Basin. Now changed – from an admittedly smelly canal side dump – but changed to a monolithic mixed office and apartment, antiseptic, dystopian, concrete wasteland -replete with confusing enormous steel statues and various bits of naff looking public ‘heritage’ art.

As you enter, you find great grey pebble-dashed wind tunnels threading through various soulless glass and steel monoliths that abound the place, all giving it the charming air of a car park designed by Philip Starck, The Mad Hatter and Mr Angry. And the entire place is complete with faux cobbles and café canal side living (ie chain outlets sticking tables outside). Sadly, the whole place has slightly less atmosphere than Jupiter. You can see baffled canal side walkers leave little leafy and cute Little Venice and then turn up in what appears to be an architect’s giant scale model of dullness and concrete. “It’s all neat and clean and functional,” they tell me. But then so are abattoirs,  which it sort of gives the half air of being modelled on – only without the welcome death at the end after spending any time there. But that’s London. Changeville.

And if you needed more proof of changes, look no further than the past few year’s restaurant trends. Scores of Thai, Vietnamese, Mongol Grills and Pan Asian buffet places appearing and disappearing within a two-year period. Now it’s the Lebanese wave I’m noticing. They’re popping up everywhere. Nice, but generally overpriced. And often with the hookah pipes outside, gently wafting aromatic smoke down the street. And snapping at their heels, those very cool-looking Japanese places. All Zen and noodles with raw everything (just saving on the gas bill I’m guessing. Personally, I like my food cooked).

But don’t panic. There are still places that show no sign of seemingly changing one iota. South Kensington and its environs is a case in point. I had the dubious pleasure of being taken to a basement restaurant down that way last week. The prices? Unfeasibly high. The place? Packed to the rafters with an orderly line patiently waiting by the till area when we arrived. The noise levels? Slightly above that of runway one at Heathrow. And the food? Italian pizzas mainly – but disguised as high fashion cuisine. And then that bizarre welcome. Table for six? Yes, of course, but you’ll have to leave at 10.00 sharp (it was 8.00). The people with me seemed unsurprised. Didn’t they mind?, I asked. “No,” they chorused. “It’s a London thing.”