We’re constantly being told that 90% of an actors job is looking for work. While that’s a massive sweeping generalisation, it is in most ways true. Some of that 90% counts for marketing yourself and going towards making you a more appealing “brand” (so I’m counting going to the gym as work…certainly feels like it). A large proportion of the active looking for work involves click and submit websites. All of these suit different Actors at different stages in their careers but are valid in their own ways…but here’s what we’ve found out.
Starnow
{ Genevieve } Suits people beginning their career or with a really unusual look. Starnow doesn’t have any minimum requirements to join and because of this, there are always loads of people willing to work for free on the site trying to gain experience. It attracts low budget productions or small independant production companies trying to maximise their margins. There’s a huge number of irrelevant jobs on there but it’s usually the first point of call for producers looking for people with very unusual (character) or glamour model looks.
Occasionally there’s a gem of a job in amongst the hubub and I’ve been told that producers post jobs on there because they like the easy user interface.
{ Catherine } I have been on Star Now for years and people wonder why sometimes as I am no longer a beginner. The answer is above. Occasionally, it has a gem of a job. In my case, a Placebo musiv video I did that has had millions of views. I get recognised a lot from it.
£35.94 for 6 Months
Shooting People
{ Catherine } Shooting people is amazing. Relatively cheap, a hubbub of film making. A lot of the castings are unpaid but you will be in contact with the next Spielberg or Scorsese. It has a good community and some good castings. You can also put up your showreel and films and share with other film makers. Well worth it and affordable. They also do monthly meet ups.
£30 per year
Spotlight
{ Genevieve } The huge majority of professional Actors are on Spotlight’s database. Your page can be viewed by anyone you give the link to or by casting professionals. It’s also published in book form yearly. The book deadline is such a massive event that photographers create special discounts before the deadline to give themselves a competitive edge. The criteria for being listed on the database are fairly strict, it’s limited to professionaly trained or experienced performers. If you have have an agent on your Spotlight profile you won’t even need to submit yourself for breakdowns. They already do that for you. A chat recently with someone in the Spotlight offices recently revealed that unrepresented actors only get 5% of the breakdowns sent. A represented actor will get an additional 75% of the breakdowns sent and there are a few Producers or Casting Directors that prefer to work with Agencies they have established a business relationship with so they choose who to send their breakdowns to…you might think this is unfair considering all the Performers pay the same subscription rate but this selectiveness ensures Spotlight retains the custom of the most productive Casting professionals. Casting professionals pay a subscription too and it’s this level of flexibility and vetting that means Spotlight breakdowns are always from the higher end of the market. If you don’t have an agent then Spotlight can act as a forwarding service for you, giving you some distance from crazed fans. Having a Spotlight card also gets you discounts from a number if retailers and services.
{ Catherine } Spotlight is invaluable. If you are not in it, you are invisible.
Cost varies depending on what time of year you join and what book you want to be listed in but roughly around £177 for one year for Actors and Actresses.
PCR – Production and Casting Report
{ Catherine } Every actor has had PCR at some point in their life. It used to have the hold of Spotlight and be essential. A rite of passage. Again, your agent will get this. It is posted to you and then you post off your CV and headshot or email. Depending on the casting directors preference. It comes on red paper and a lot of the castings will not be happening for a while. It is great for building up contacts. If you can afford it, get it.
£22.46 per month
Casting Call Pro
{ Genevieve } Easy to use website for Actors where you can have your profile online and submit yourself to acting jobs. The membership options are clear and upfront. It’s free to have a profile on the site and apply to unpaid jobs. To register on the site you need to have professional experience or training. Premium membership will allow you to apply for paid jobs, have more photos online and more attachments (Showreels, voicereels etc.) The database is searchable and employers do and will search for you. You can chose to be listed in Google searches or hidden from it and they provides statistics so you can see who’s searching for you online and viewed your profile. There’s a huge mix of jobs on the site, mainly as it’s free to post a casting call and easy to use.
The site also has a huge resource section with details of agents, photographers and services and makes it really easy to find a headshot photographer you like by automatically linking actors headshots with the photographers profile page. There’s an active forum which makes you feel like part of a community, constantly looking for work can be a bit isolating. The yearly socials are good fun and the team behind the website are really friendly.
{ Catherine } Been on it since the beginning. Good for a sense of community and gets good castings.
£117.50 a year for premium membership, free for basic membership.
CastWeb
{ Catherine } Castweb is different from the other services as you get emails about castings,’breakdowns as we call them, and then email the casting director your CV and headshot. It is mostly for agents but I have had a lot of luck with it. It is quite expensive. However, one good job will pay that off. If you can afford it, get it. Your agent will already have it. So ask them if it is needed if money is very short.
£139.95 for 12 Months
Mandy.com
{ Genevieve } A TV and Film production website with a casting section. Free to register as an Actor and upload your photo and CV and also to apply to all the casting calls. Anyone can register but there are few paid opportunities. Fantastic if you are looking to build a showreel. The profile’s arn’t searchable but it’s really easy to submit your details to a job if you’re interested in it.
{ Catherine } Definitely worth it. Free and has the occasional amazing job.
Free
Talent Circle
{ Genevieve } Another free site that allows you to submit yourself for jobs. The site mainly has unpaid student productions of the odd researcher looking for something obscure and has already tried everywhere else. You can choose to receive notifications of new jobs daily via email which makes it really easy to stay on the ball. Sadly though it never saves any of your details which makes applying for jobs an enormous chore. When you’re applying for hundreds of jobs a week you want it to be as painless as possible. However…it is free.
{ Catherine } Also worth it if you have the time. At the beginning of my career I got some very good jobs from it.
Free
Gumtree/Craigslist/Buying a role on eBay…Don’t do it kids.
Ciao for now! Genevieve and Catherine
If you have a topic you’d like covered or something to contribute then send it to info@frostmagazine.com.
I’m going to give her a copy of this book. It may be the single most useful thing I ever do for her. How To Be a Successful Actor: Becoming an Actorpreneur by Catherine Balavage is one of those practical, down-to-earth guides which doesn’t try to hide the obstacles and difficulties of choosing an actor’s life but does give solid and sensible, practical, advice on making the best impression and avoiding the worst pitfalls. Equally valuably, Balavage makes suggestions for networking, for working with others to help each other through teamwork (e.g. helping film each other’s showreels), working for nothing except getting your name out there, remembering names, and never, never, never forgetting to say thank you – even when you don’t land the part. She is upfront about the chances of success in acting: ‘Only act if you cannot do anything else. It is the hardest and most competitive industry you can go into. Your chances of success at making a full-time living for the rest of your life are small.’ And then she offers clear and straightforward, practical advice about how to shift the odds just slightly in your favour.