Tag Archives: Sucker Punch

Top Best and Worst Films of 2011

Posted on by

We all had our fair share on films that made us smile and made us frown. To celebrate my recent Writer of the Year award and a step to a new year, I will reveal my list of best of worst films of 2011. I, however, did not get the luxury to see some of the films I would have liked to have seen (Tinker Tailor Soldier Spy, The Artist, Melancholia etc.) and this will be a mix of UK and North American release dates.

*BEST*

1) Drive – Nicolas Winding-Refn crafts an artistically pulpy film noir that delivers heart-stopping tension but also brings some humanity to the story. Ryan Gosling is compelling as the nameless driver but it is Albert Brooks that steals the spot-light as the menacing Bernie Ross. The car chases (especially the pre-credits sequence) are brilliantly shot and the editing is fluid. The cinematography brings the darkness to the Los Angeles glamour that we all have been acquainted to from many films set in the City of Angels.

2) The Girl With The Dragon Tattoo – The thought on making an English version of the novel when there’s already a Swedish TV/Movie made two years ago made us all cry in outrage. Then David Fincher came along and proved the nay-sayers wrong! Even if you’ve already read the novel or seen the 2009 foreign film, Fincher still delivers a dark and intense thriller. Rooney Mara makes a career-making turn as Lisbeth Salander and I honestly prefer her take on the character than Noomi Rapace’s (not saying Rapace’s was bad, just prefered Mara’s a bit more)

3) Black Swan – It is essentially Darren Aronofsky’s Swan Lake, though it’s about a ballerina (Natalie Portman) who gets chosen to play the lead of the new version of Swan Lake. The sense of paranoia from the cinematography, visual effects and even from Portman’s Oscar-winning performance is executed brilliantly. You really feel you are descending into madness, blurring the fine line between reality and fantasy. It’s also a body horror film, as Portman’s character slowly becomes the Black Swan. It was seriously a dark start for 2011 but it got me hooked till its perfect finale.

4) War Horse – Spielberg never ceases to amaze with his filmmaking skills (okay, Kingdom of the Crystal Skull aside). The trailer for this film came off (for me anyways) as a parody, so it’s incredible that a filmmaker like Spielberg was able to make that work! The ensemble British cast is astounding, from the likes of David Thewlis, Benedict Cumberbatch, Tom Hiddleston, Emily Watson, Paul Mullan and Liam Cunningham. The score by John Williams is one of the best he’s done since Munich and the cinematography by Janusz Kaminski (Schindler’s List and Saving Private Ryan) is breathtaking.

5) The Tree of Life – The biggest Marmite movie you’ll come across; you’ll either love it or you hate it! I, however, loved it and found it incredibly intriguing and ambitious. The film’s story is driven thematically and visually, being an expressionistic piece of work. Brad Pitt delivers one of his best performances in his career (along with Moneyball and The Assassination of Jesse James). A personal film that asks universal questions and it is such a beautiful and majestic piece of filmmaking.

*Honourable mention; Hugo*

*WORST*

1) Transformers: Dark of the Moon – Second highest grossing film of 2011 (behind Harry Potter and the Deathly Hallows Part 2) but it comes up to my list as the most unbearable film to watch of 2011. The human characters are ungodly annoying, Shia LaBeouf has nothing we could relate to and constantly screams more in this film than the two previous films combined! The new girl in the block, Rosie Huntington-Whiteley, is completely emotionless and nothing more to show than her looks. The action sequences are better executed this time around but the Transformers gets shoved aside in favour for the human characters. The film is also way too long, the rest of the film is just filled with filler and characters that don’t need to be in the film (i.e. Sam’s parents). Michael Bay said he didn’t care for Transformers before he made the first film and it still shows he’s not suited for this film.

2) Sucker Punch – This is an unfortunate case where you give too much money and creative freedom to a film director that’s all about style and no substance. The problem is, it tries to bring a message and empower women but there’s nothing to it to get and the women are no way represented in a positive note by wearing corsets and fish nets. The film is completely incoherent (both in story and style), the action sequences have no purpose but to be there and non of our heroines have any characteristics to make them any different from another. It is a complete mess of a film and hopefully Man of Steel will bring Snyder’s reputation back.

3) Green Lantern – Talk about being hugely disappointing. The marketing for this film was far superior than the final product (I have seen an Extended Cut version was released but heard it barely made any improvements). This really could’ve set a new movie franchise for Warner Bros./DC Comics; you had a director that’s competent in action and drama (both GoldenEye and Casino Royale are proof of that) and Ryan Reynolds being the likable cocky hero. This could’ve been as exciting and epic like Star Wars but the script and creative decisions got lost in the abyss. The film looks and feels so lifeless and artificial, you cannot help but feel underwhelmed this could’ve been a great film if more time and effort was put into it. The ending teased with a sequel baiting scene but this bombed at the box-office (even though Warner Bros. were convinced it would be a success that they green-lit a sequel. . . . Beware Green Lantern’s light? I think he should beware of our expectations).

*Dishonourable mention; Cowboys & Aliens*

*BEST BLOCKBUSTER*

X-Men: First Class – The X-Men franchise nearly had the last nail to its coffin, after the dull X-Men: The Last Stand and the terrible X-Men Origins: Wolverine. Matthew Vaughn, after his huge success with Kick-Ass, comes along and tells the story of the complicated friendship between Charles Xavier (James McAvoy) and Erik Lensherr (Michael Fassbender) and the origins of X-Men. The film is the best of the series, creating a huge sense of fun but not having the spectacle get in the way of character development (especially between the two leads). Both McAvoy and Fassbender are incredibly engaging from the start, though the project started on being another origin story but solely about Lensherr’s past and eventually becoming Magneto. Although the thing that brings the film down is January Jones as Emma Frost (strong contender for Razzie nomination) but that didn’t stop me from enjoying the hell out of this film.

*BEST TRAILER*

There was some huge decision making for which trailer would win this particular award, so it wasn’t easy to choose from previews of what is about to come in 2012. As much as the latest trailers for The Dark Knight Rises, The Avengers The Hobbit: An Unexpected Journey were hugely exciting but I would go for Ridley Scott’s, Prometheus. All to do with Ridley Scott returning to the genre that got him on the Hollywood map (Alien and Blade Runner) and the fact it looks spectacular. Being an Alien prequel but not featuring any xenomorphs that we all know an love. Though it does show snippets of the origins of the derelict ship featured in the first film (and second film if you watch Special Edition version of Aliens). Also the cast looks fantastic, ranging from Noomi Rapace, Charlize Theron, Michael Fassbender, Guy Pearce and Idris Elba. The trailer even pays homage to the trailer of Alien (the title slowly fading in and the eerie sound effect that rings through-out the trailer).

Sucker Punch {Film Review}

Posted on by

Ever thought Inception was lacking on imaginative sets for the dream sequences and weren’t too bizarre enough? Well Sucker Punch may answer to your prayers. Zack Snyder has had a tendency to produce films that look visually stunning, that if you pause it at any moment; it’d look amazing as your computer wallpaper!

Although where the visuals soar; the story/characters, however, fall flat! The characters in this film have barely anything to work with and hardly have any characterisation through-out the entire duration. Our main protagonist is Baby Doll (Emily Browning), and her story seems ripped off from Cinderella (one of her biological parents dies, so her step-father can inherit her will. Though slight difference is he doesn’t, and decides to get drunk and commit incest! The step-father is so cartoonish, that you feel he should have a mustache so he can twirl with his finger and laugh manically) and Alice in Wonderland! The problem I have with Alice in Wonderland (including last year’s Tim Burton’s take) is it doesn’t have a story. It’s just Alice going through a world and bumps into bizarre stuff that happens out of nowhere. This film has a barebones plot; Baby Doll gets committed to a mental institution after nearly killing her step-father, finds out (not too discreetly) she’s going to be lobotomised and plans to escape with four other female patients.

The girls are Sweet Pea (Abbie Cornish), Rocket (Jena Malone), Blondie (Vanessa Hudgens) and Amber (Jamie Chung). Again, barely have anything to work with from a script by Zack Snyder and Steve Shibuya. As soon Baby Doll arrives at the institution, she imagines it as a brothel (follow me so far?). This basically turns into Moulin Rouge but mixed with Showgirls. Not something you would want to mix together! Their psychiatrist/dance teacher, Dr. Vera Gorski (Carla Gugino), really hams her performance as it sounds like a hilariously clichéd Transylvanian accent. Jon Hamm is completely wasted in this film, he barely has screen-time to be considered a character! Scott Glenn plays as the Wise Man, he plays the archetype old wise man Fu Manchu (though saying that lightly). Some of the dialogue he’s given are cringe-worthy (i.e. “Don’t ever write a check with your mouth you can’t cash with your ass.”), it just sounds like rejected fortune cookie lines and just dumb!

The whole escape plan sounds like a video game, and this film would’ve worked better as a video game! They have to collect five items; Map, Fire, Knife and a Key. The fifth thing is a mystery (although you can see it coming a mile away!). This is where the action sequences that were the eye-candy in the trailer(s) come in.

The action sequences are shot very well, and can see Zack Snyder is a very competent action filmmaker. Although in order for your action sequences to feel exciting; you have to show your characters have their lives at stake or something that could jeopardise their goal. The action sequences in this film feel like it’s there for the sake of it! The characters jump out of a helicopter with no parachute, and smash to the ground like concrete. So there’s barely any moments where you feel worried for them because they just go through it like it was nothing. The worse part of it is it’s boring! There was not a single moment where it made my jaw-drop. Remember the hallway fight scene in Inception? Where they actually filmed with a real set and did it with no CGI? Well this is the complete opposite. We’ve dealt with films that have excessive CGI and have done better (The Lord of the Rings, Avatar etc.). This would’ve been great if it was a short film but having it stretched to a feature-length film with barely a story developed; you’re just asking yourself “what’s the point?”.

I know I shouldn’t think in a movie like this, but it just doesn’t make sense! For example; why do they use contemporary weapons, although this is set in the 50s/60s? How would Baby Doll come up with a futuristic setting with these anime robot-mechs? It looks cool, but logistically it doesn’t make sense in context with the time period it’s set in.

This is an unfortunate case where you give too much money (only estimated $82 million) and creativity to a filmmaker than sadly wastes it. This will without a doubt be an early contender for Worst Picture. Hopefully his next film, Superman: Man of Steel, will be a huge improvement because he’s going to need it!

Overall; If you’re easily amused to go see a film for the visual effects, beautiful looking girls in scantily-clad clothing and fighting against nazi zombies and dragons; then this is will be a treat. If you’re looking for any decent story-line or characters you give a damn; then I’d avoid this movie. A strong case of ‘style over substance’, and have had one too many of those (along with not only Alice in Wonderland but also Tron: Legacy).

2 out of 5

Top Most Anticipated Movies of 2011

Posted on by

As we came to a close of 2010 and the awards season have been gone and dusted, I’ve decided to make a list of films that I’m looking forward to this year. I expected this list to be quite long, but there’s not a lot I’m looking forward or consider to be really excited to quite frankly. So I’m going to reveal my top 3 most anticipated films of 2011;

Sucker Punch: I’ll admit, I’m not a fan of Zack Snyder but I don’t hate him as well. His Dawn of the Dead remake back in 2004 was pretty decent, considering the shamelessly Michael Bay produced horror remakes we’ve been getting every year or so. Then he adapted Frank Miller’s 300, visually faithful to its source material but lacked on being a memorable movie altogether. Watchmen was the high-point of his career, especially since adapting Alan Moore’s 400+ page comic book had been in development as long you could remember! While some bits hit the mark (visual style, costumes, performances from Jeffrey Dean Morgan and Jackie Earl Haley), some completely missed (both Malin Akerman and Carla Gugino gave bland performances and some of the choice of music). Of course, his trademark is his heavy use of slow-motion. If you’d take a drinking game whenever the slow-motion was used, you’d either be in the hospital or the morgue!

Now Zack Snyder has decided to come up with something original, rather than being a remake or based on a comic book. It is inevitable to label it as ‘Alice in Wonderland meets Inception’ (or as Snyder describes it, Alice in Wonderland with guns) but Snyder at least has shown he’s not loosing his creative edge. The film looks fantastic, even more so than his previous films. Although slightly bizarre that the film is set in the 1950s psychiatric ward and they come up with anime-alike robot mechs, giant samurais with a mini-gun, futuristic city and transport that hasn’t existed yet! Maybe I’m thinking about it too much than needed, but this does stand-out from most other blockbusters this year. (Released on March 25, 2011 in USA and April 1, 2011 in UK)

The Girl With The Dragon Tattoo: Probably the most controversial choice on this list, as the Swedish original was praised by critics and audiences (even went to win a BAFTA for Best Film not in the English Language and 2 nominations including Best Actress – Noomi Rapace). The reason I put this relatively high on this list is because of David Fincher. I am a huge fan of David Fincher, and I personally think The Social Network is the best film made in the past decade. This sort of material is right in Fincher’s alley; a dark mystery thriller, the sort he’s done with Zodiac and Se7en.

The film stars Daniel Craig as Mikael Blomkvist, an interesting choice to play the troubled journalist and is accompanied by Rooney Mara as Lisbeth Salander. Mara worked with Fincher in The Social Network, as Mark Zuckerberg’s fictional ex-girlfriend. It is a bizarre choice but it really have to admire a beautiful actress as Mara to transform a character that looks both gothic and punk. If you have not yet seen the published photos of Mara’s transformation, I strongly you have a look before you make an judgements (http://www.wmagazine.com/celebrities/2011/02/rooney_mara_girl_with_the_dragon_tattoo_lisbeth_salander_ss#slide=3). She looks other-worldly and makes me fascinated how she’d portray the character that’d be different what we’ve already seen. Steven Zaillian is adapting the novel, which he has done very good movies in the past with Schindler’s List, Gangs of New York and American Gangster. So I am very optimistic on this English adaptation. (Released on December 21, 2011)

The Tree Of Life: This film being a complete mystery intensifies my anticipation levels through the roof! It’s slightly odd that a non-blockbuster such as this movie would be my number 1!? The synopsis on IMDb is only given very briefly; The story centers around a family with three boys in the 1950s. The eldest son witnesses the loss of innocence.

Probably a few reasons being that it is written and directed by Terrence Malick, who is known to shoot an unimaginable amount of footage and has made films such as Badlands, Days of Heaven, The Thin Red Line and The New World. Another reason is it features my favourite actors; Brad Pitt and Sean Penn. There’s not much to say about the film, except if you know Malick’s work then there’s everything to be excited about it. I strongly suggest to check out the trailer, the only preview of the film thus far! (Released on May 27, 2011)

If you’re excited about these films as I am or looking forward to any other films that didn’t make this (very short) list, send comments below!

Sucker Punch Trailer {Film}

Posted on by

Zach Snyder’s Sucker Punch actually looks quite interesting (by interesting, I mean fun). The plot is a little off the wall; It’s about young girl who is trying to hide from the pain caused by her evil stepfather and a lobotomy. She ends up in mental institution and while there she starts to imagine alternative reality. She plans to escape from that imaginary world but to do that she needs to steal five objects before she is caught by a vile man. The story is set in 1950’s. It stars Emily Browning (Lemony Snicket) and Vanessa Hudgens (High School Musical). Here’s the trailer: