Tag Archives: Sue Moorcroft

THREE CHRISTMAS AND A SUMMER BOOK REVIEWS

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The Christmas Love Letters by Sue Moorcroft, reviewed by Morton S Gray

Classic Sue Moorcroft.

I enjoyed being back in Nelson’s Bar, Norfolk reading about Ruthie, Maddy and Raff. A Christmas novel with twists and turns in the present and the revelation of secrets from the past too as Ruthie shares her treasured love letters.

A romance between Maddy and Raff seems inevitable, as they help Ruthie heal wounds from her past, until Maddy receives a message about her own mystery and the world changes.

Sue Moorcroft has a skill of carrying you along with a story and leaving you wanting for more.

A story to tug at your heart strings.

The Recipe for Hope by Fiona Valpy, reviewed by Jane Cable

I fancied a Christmas story, and for me this one was close to perfect. For a start it’s a novella, just a touch in under two hundred pages, and for a relatively simple festive romance it doesn’t need to be any more. And the cast of characters is small, and yet still a community is created for Evie to fall into when she escapes to France to avoid Christmas.

What really made this book stand out for me was the way I almost instantly slipped inside Evie’s heart and mind, and cared about her. I finished the book hours ago, and still she’s with me. On top of that, the customs and settings of rural south west France are described so beautifully, and with love. As is the food. The icing on the cake was a proper, real world, grown up ending. Five stars from me any day of the week.

New Beginnings at Christmas Tree Cottage by Georgia Hill, reviewed by Morton S Gray

A great read that will have you thinking about Christmas and maybe buying Baileys!

I loved reading this book, which was a complete tonic in a stressful time for me. I always say that a book that can produce an emotional reaction is a good book and this one produced not one, not two, but three heart affecting scenes that had me thinking and reaching for the tissues. A cosy read, but with serious underlying themes of starting again after loss.

The characters are likeable and relatable, particularly Jago, trying to be the responsible son and brother, whilst nursing his own demons and heartaches, Honor, the primary school teacher with a big venerable heart and the amazing vicar, Verity, who is mad on ABBA. Merryn is a very wise little girl beyond her years. Georgia Hill weaves her story around community of Lullbury Bay, with each person living there having a distinct role and backstory. It sounds like somewhere I would enjoy living. I’d even take part in the yarn bombing brigade!

Highly recommended to get you in the mood for Christmas.

Secrets of the Shell Sisters by Adrienne Vaughan, reviewed by Jessie Cahalin

Magical tale of secrets, second chances and sisterhood

Set on Ireland’s ancient east coast, the Morgan sisters are in crisis. Cassandra runs the family hotel and it’s struggling, as secrets from her past threaten to resurface making things worse. Greer is fleeing a failed relationship with a powerful man, but if she returns will she stay? And then there’s Orla – fey, funny and mysterious – insisting messages from the shells must heeded or what will become of them all?

Returning to Rosshaven was a delight, especially as this story, while fresh and original, is cleverly intertwined with characters from the first book, Summer of Secrets.

A beautifully written tale of relationships, lost love and second chances, laced through with a touch of Irish magic – so deftly delivered it feels as natural as the sea itself.

This is romantasy at its best and I loved it.  

WRITING CAREER CROSSROADS BY SUE MOORCROFT: PART 4

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The happy-ever-after ending

This is the fourth and final instalment in my journey from the crossroads in my career to becoming a best-selling, award-winning author. After securing Juliet Pickering of Blake Friedmann Literary Agency as my agent and Avon HarperCollins offering me a two-book contract, The Christmas Promise went into production while I finished writing Just for the Holidays.

Credit: Silvia Rosado Photography

The Christmas Promise came out. Joy of joys, my original goal was met when supermarkets took the paperback, although Tesco was a little late to the party and only took it for the last couple of weeks before Christmas after they’d seen the performance of the ebook.

The ebook was going crazy.

For five days in the run-up to Christmas 2016, it was at number one on Kindle UK.

It’s hard to describe the joy and euphoria, mixed with disbelief. I laughed and cried. Twitter went mad with big-hearted compliments from other authors, from my agent and editor jumping in with their own cries of joy. My book had outsold every other ebook on sale in the UK. I don’t know about pinching myself – I felt as if I had to punch myself in the face to make sure it wasn’t a dream.

I won’t take you through every rung on my ladder, nor pretend that it has been an uninterrupted upward trajectory, but the milestones continued. Just for the Holidays was nominated for a Romantic Novel Award. A new contract was offered – three books, this time – and my editor Helen Huthwaite stated that her next goal was to make me a Sunday Times bestseller. I laughed out loud and said, ‘Well, good luck with that!’ The very next book, The Little Village Christmas, was a Sunday Times bestseller. The rights team at Blake Friedmann sold my books into translation and The Christmas Promise became a paperback bestseller in Germany. My books charted in the Top Fifty and even the Top Twenty. Avon extended the scope of my contract to include Canada and the US. A Summer to Remember won the Goldsboro Books Contemporary Romantic Novel Award and One Summer in Italy scored me my first Top 100 position in the Amazon Kindle US chart. My books have also appeared in the Kindle top 100 in Canada, Italy and Germany. Research trips have taken me to France, Italy, Malta, Sweden and Switzerland. My very first published book, Uphill all the Way, originally published in 2005, was rewritten by me, then rejacketed and relaunched by Avon as A Home in the Sun. It did well in the UK and was #1 in Malta (where much of the book is set) for most of summer 2022. That gave me particular satisfaction, as I lived in Malta as a child and part of my heart will always be there.

I won’t kid you – publishing two books a year takes hard work, not just from me but from everyone at Blake Friedmann and Avon. But it’s wonderful. Even the editing and the promo is wonderful.

I set out to earn my living from writing novels and I that is what I do. An Italian Island Summer is my fifteenth book with Avon and The Christmas Love Letters will come out later this year. A further three books are contracted.

Takeaways:

  • work hard and work with the right people
  • aim high
  • never give up

WRITING CAREER CROSSROADS BY SUE MOORCROFT: PART 3

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Working with my new agent

In my last two pieces, I explained how I’d set myself the goal of getting a publisher who could get my books into supermarkets, which had led to me finding a new agent. Telling my old publishers that I was now agented effectively changed our relationship because they didn’t work with agents. They would continue to publish my backlist but, inevitably, after the book we were working on, they’d concentrate on their front list authors.

Credit: Silvia Rosado Photography

I wrote the first few chapters of what became The Christmas Promise. I roughed out a few other things I thought would happen – more of a vision than an outline. Juliet offered to represent me! I was over the proverbial moon. I could not sign that Agreement letter fast enough. All the years of writing and running workshops and then, shazam! I was the client of a big agency.

All I had to do was:

  • write the rest of the book
  • whilst continuing to write short stories and serials, and run workshops for income to add to my royalties from my novels

An important note here: relaunching my novel-writing career eventuated in a distinct dip in income for two years. To have a spouse with a steady income and supportive attitude helped a lot. I also got the opportunity to convert my writing guide, Love Writing, into an online course. Though it felt as if I was spinning my wheels, I took it because every penny was welcome.

The novel was written. I sent it to Juliet. The editing process began – and it was rigorous. I think I did three structural edits, influenced not just by Juliet’s suggestions but by comments from other people in the agency who read the book too. For anyone who thinks of being edited as someone interfering or instructing, I should point out that a process like this is something likely to happen to any book in any publishing house. I think of editing as other people helping me write the best book I can. I listen. I negotiate. I talk through ideas.

Takeaways from the edit:

  • this deep-dive process is not for wimps
  • it feels like a lot of structural work yet, in the end, the changes are nuanced
  • the book is a lot better
  • I probably didn’t know as much as I’d thought
  • my agent is on my side (This has become so important to me)

I began the next book, which became Just for the Holidays, sparked by a friend saying to me, ‘Let me tell you about my summer holiday from hell,’ and me replying, ‘Yes, please!’

Juliet sent the first book out to editors. We got a lot of interest, only one flat ‘no’ and some meetings to attend. As an aside, just to let you know how character-building the process was, some major interest led nowhere because the editor in question was going on maternity leave and guess who was coming from another publishing house to cover? The one person who’d given the flat ‘no’. But I wouldn’t want an editor who wasn’t wowed by my writing, so I took that on the chin.

The exciting day of meetings dawned, and I turned up in London to meet Juliet who was, of course, coming with me. The first was with Avon Books UK, HarperCollins. Just as it had at that first meeting with Juliet, everything clicked. The Avon team and I got on well, we shared similar visions. They gave me chocolate cake. By a stroke of good fortune, a slot for an author writing a winter book followed by a summer book had arisen on their list, just as my agent rocked up with a winter book and a summer book! The winter book was ready and the summer book not, so that played into there being a longer dip in income than might otherwise have been the case but still, once outside I said, ‘I think it’s going to be Avon.’ Juliet got down to terms with them for a two-book contract.

WRITING CAREER CROSSROADS BY SUE MOORCROFT: PART 1

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Recognising the crossroads

In my book Summer on a Sunny Island, Rosa and Zach stand at crossroads in their lives. In one scene on a sunny roof terrace, they attempt to coach each other over a beer. Is change necessary? If so, what does that look like and how can they effect it?

Credit: Silvia Rosado Photography

A few years ago, I felt at a crossroads. I wasn’t on a Maltese roof terrace overlooking the blue Mediterranean with a handy friend, so I coached myself. It had a profound effect on my writing career.

I’d published nine novels and a raft of short stories, serials, courses and columns; I was a creative writing tutor and writing-competition judge. I had what’s politely referred to as ‘a portfolio career’. Translation: I would take on most paid tasks if they related to writing and some that were unpaid if they might prove useful to my career or meant I was ‘giving back’.

I’d suffered a bereavement and felt unhappy, over-stressed and underpaid. I couldn’t change the bereavement (no matter how much I yearned to), so I assessed everything writing-connected under three headings, subdivided into good or bad.

Things that make me happy Things that make me unhappy Things that are good for me Things that are bad for me Things that earn me money Things that don’t earn me money

 

Two things were instant candidates for all three bold columns:

  • being a committee member and vice chair of an authors’ organisation
  • writing a column for a Formula 1 website

I was shocked to see volunteering for the authors’ organisation in all the wrong columns. But I had to accept that an organisation that has brought me a lot of joy and helped me professionally, was also sucking up hundreds of hours each year and causing anxiety. I emailed the chair, who’s one of my best friends, and said, ‘I don’t think I can be vice chair anymore.’ To her huge credit, she supported my decision and had me replaced without one word of reproach, though she could have felt immensely let down. After that, it was comparatively easy to email the Formula 1 website and gracefully retire from their list of writers. I think my son encapsulated this situation perfectly when he said, ‘You’d taken two of your greatest pleasures and made them into jobs.’

I felt tonnes lighter. I could read what I chose instead of books that needed appraising for awards. I could watch Formula 1 races without making notes or worrying about the angle the column I had to write.

Spurred by this success, I began to cut other things that appeared in negative columns. They earned me some money but not much:

  • appraising manuscripts
  • tutoring creative writing students
  • judging writing competitions – especially after a writing group ‘forgot’ to pay me a fee that was only ever nominal, even after three polite reminders

What made me unhappy about tutoring was not the students, who were fulfilling to work with, but the constant flow of work that piled up if I were ill or on holiday. The workflow was not within my control and kept me from my own stuff.

Sloughing off these two items gave me significant time for my own writing without losing me much money. A win-win.

Takeaways from the self-coaching:

  • recognise when self-coaching is necessary
  • recognise the results, even when shocking
  • act on them

CARIADS’ CHOICE BOOK REVIEWS, MARCH 2023

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Nicola Cornick’s The Winter Garden, reviewed by Morton S Gray

Ten stars! I loved this book. A perfect mix of past and present. I was in love with the present day hero Finn and wanted things to work out for Lucy. The historical side was told in an intriguing way and I enjoyed the ghostly elements of the story. Best historical/timeslip I have read in a long time. Bravo Nicola Cornick.

 

Lizzie Lamb’s Dark Highland Skies, reviewed by Jessie Cahalin

Dark Highland Skies is another triumph for Lizzie Lamb. Who doesn’t love a highland hero, strong heroine and a wee dram of secrets?

‘We all have demons to confront, secrets we’d rather not share. But that’s life, isn’t it?’

The characters are like good friends who really deserve a happy ending. The deeper you delve into the Halley and Tor’s past, the more you discover about what makes them tick. I wanted to know what was behind Halley’s ‘wall of aloofness’ and why a ‘bleakness appeared to descend’ on Tor. This is a heart-warming story of two lonely people finding each other.

Halley reaches for the stars and meets her destiny. A magical romance under the dark highland skies. As a reader I fell in love with the setting, and the ending was wonderful. If only I could have met charismatic Tam, Halley’s late uncle, who touched everyone’s life in the novel. I did not want to leave Lochaber!

Lizzie Lamb is queen of highland escapes. The uplifting stories are a perfect retreat from the troubled world.

 

Daisy Wood’s The Forgotten Bookshop in Paris, reviewed by Jane Cable

This is one of the books that makes me curse review sites that force you into giving stars. For me it isn’t quite five as I give those so very rarely, but it’s far better than the four I’m going to be forced to give.

This is such a skilfully told tale of resistance in wartime Paris with a main character, Jacques, you can root for and cry for, so wonderfully brave and flawed is he. A bookseller who is slow to join the underground movement fighting the Nazis, the plight of Jewish children in particular means he has no option but to help.

Meanwhile in the present day, American Juliette walks away from her unfaithful husband during a holiday in Paris, at first because she simply does not want to go home. She has family history to research but when she finds an empty, dusty bookshop she wonders if she can bring it to life again.

If you love Second World War dual timeline romances this is definitely one of the better ones I’ve read and I heartily recommend it.

 

An Italian Island Summer by Sue Moorcroft, reviewed by Morton S Gray

Get whisked away to Sicily to join Ursula Quinn, who wants to learn to paint ceramics after her life in England implodes. Add in suspicious Alfio Tringali, who returns home to fulfil family duty, helping his sister with her baby and his mother recovering from an operation run the family hotel. Ursula’s parents and family in Ireland are worried about her and her ex-husband is still possessive. There are links and complications between the families that Ursula knows nothing about and these threaten her happiness.

I soon became absorbed in this story with its twists and turns, surprises and revelations. Lovely to have characters from previous novel Under the Italian Sun make an appearance too. A classic Sue Moorcroft read that doesn’t disappoint.

 

 

SUNDAY SCENE: SUE MOORCROFT ON CREATING HER FICTIONAL MIDDLEDIP

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Imagine a tiny village in Cambridgeshire, England…

It boasts one pub, one shop, one café and a garage. Just outside the boundaries stand a performing arts college and a posh hotel, and the Carlysle Estate and home farm snuggle around the village like arms.

I say ‘imagine’ because that’s what I did.

It began on a family car journey when I had a road atlas open on my lap. I loved the place names I was reading…Crowland…Eye…Whaplode Drove. For fun, I filled the gap between them by creating Middledip village and the nearby town of Bettsbrough. As we passed through the real-life village of Eye, I spotted a garage forecourt full of classic cars and mentally transferred it to Middledip village as MAR Motors, Ratty’s garage. A short, black, peacefully grazing pony in a roadside field became Snobby, Gabe’s cantankerous equine buddy. A few miles on, a stone pub looked just right to be The Three Fishes. A shop with one of everything in its window was perfect for Middledip, too, as was the village hall and playing field I borrowed. So Middledip took shape.

As we waited at traffic lights, I watched two women chatting. One, with long, strawberry blonde hair, looked awkward until children joined the conversation, and then suddenly she relaxed, smiling and laughing. That was when Tess Riddell was born – the first character to arrive in Middledip feeling lost and looking for a new beginning. (See Starting Over.)

Ten books on, I have a spreadsheet of characters that my brother maintains for me, because, although every visit to Middledip is a standalone story, I let earlier characters pop up so readers can see how they’re doing. There’s a spreadsheet for places, too, but I rarely need to refer to it because I just know that the cottages are stone, and there are also red-brick Victorian houses, like the neglected property that became The Angel Community Café. My hand-drawn map of Middledip (pictured) is probably the one item I’d try to save if my house burned down! A version can be found on my website here and you can click on the markers to discover where characters from various books live.

This year’s winter story is A White Christmas on Winter Street. As there was a foster carer in the village, Nan Heather, I wanted to bring back one of the children she had fostered – Sky Terran. I give Sky an overwhelming wish not just to visit the village but to truly be part of it, so let her buy a house on the corner of Winter Street. The Corner House has been neglected for so long that it can scarcely be seen behind an explosion of conifers and shrubs. Sky has the task of restoring it to order as part of the process of sorting out her life.

As ‘make friends’ is written at the top of her wish list, I provide her with every opportunity to find them, not just in Winter Street but via the pub quiz or grabbing a coffee at the community café where Christmas shortbread is in the shape of angels. I’ve been told by readers that reading a Middledip novel is like being in a Christmas movie – but I think it must be more like living in a snow globe because the village certainly sees an inordinate amount of snow and frosty wintry weather!

 

 

CARIADS’ CHOICE: OCTOBER 2022 BOOK REVIEWS

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Marie Laval’s Escape to the Little Chateau reviewed by Carol Thomas

With strong elements of gothic suspense threaded throughout, the storyline of this book went to dark and mysterious places I hadn’t expected. It was, however, an enjoyable read, and I found myself reading into the night as I didn’t want to put it down. There is a good sense of place and history, and the author brings the chateau and French countryside to life wonderfully. Fabien Coste and Amy were both strong, likeable lead characters, and I loved the puppy Fabien gifted Amy. I enjoyed the unfolding of the mystery and the range of characters introduced along the way. It is a great read to suspend reality for a while and let yourself be swept along by the revelations. I definitely recommend it but with an awareness that there are elements of threat.

 

Natalie Kleinman’s The Ghost of Glendale reviewed by Jane Cable

I always turn to a Natalie Kleinman book when I fancy a Regency comfort read, or trying to get into the mood for writing in the era myself. She is a mistress of the Regency romance in the spirit of Georgette Heyer and knows her genre inside out.

Talking of spirits, this book has one, with its own sad story to tell. It added an interesting extra dimension to the story, and to how Phoebe and Duncan’s own love story developed. A gentle read, with happy endings for all.

 

Jenny Kane’s Frost Falls At The Potting Shed reviewed by Kitty Wilson

I loved this book so much, Jenny Kane is an absolute master at creating heart-warming, cosy romantic escapism that you can’t bear to put down. The Potting Shed is a perfect setting and I want to go and visit, wander around the polytunnels and meet Maddie, Jake and Petra myself. In fact, the whole book is packed with relatable characters, as well as a very endearing hero, all of which come together to make Frost Falls at The Potting Shed a gorgeous, warm-hearted romance that shines a light on love, friendship and is the most wonderful festive read. Cosy, romantic perfection. I cannot wait for the next in the series!
Sue Moorcroft’s A White Christmas on Winter Street reviewed by Morton S Gray

I have read all of Sue Moorcroft’s books and didn’t think she could give me another favourite, but she has!!!

Really enjoyed A White Christmas on Winter Street. It has all the Christmas touches – lights, presents, cookies, but it has so much more besides. I soon got swept up in the worlds of Sky and Daz, both of whom became so real as I was reading.

Loved being back in the village of Middledip and enjoyed the mentions of familiar characters and places. It quickly becomes evident that Sky relates to young Wilf as she recognises some of the challenges he is dealing with. Sky has many issues from the past and recent past, but has not allowed these to dampen her generosity of spirit. Daz too finds it hard to refuse a person in need even if that is at a personal cost to himself.

Loved the story, loved the journey and want to get some Christmas solar lights already!

 

 

 

 

 

PUBLICATION SPECIAL: SUMMER AT THE FRENCH CAFE BY SUE MOORCROFT

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As the saying goes, this is the first Sue Moorcroft book I have read, but it won’t be the last. On the face of it, Summer at the French Café is a happy ever after holiday read, but actually the book is far more.

So, what makes it stand out? The sense of place, certainly, and I love that. As I read I could actually see every place the author described; Parc Lemmel, the bookshop café at the story’s heart, the local villages… and without a single sentence of overblown description. All I needed to know was dropped seamlessly into the narrative in an exceptionally skilful way.

But more than the quality of the writing, I love the fact there is a very serious issue at the heart of the book, one that isn’t squashed or skimmed over in the search for a happy ending, one that is dealt with in a sensitive and realistic manner. That issue is emotional control; how it can be used in relationships, the reasons people accept it, and the dangerous patterns that mean it can echo across generations and years.

I asked Sue Moorcroft why she decided to tackle this insidious form of coercion…

“I’m interested in human behaviour, so when I read about control within relationships, I wanted to write about it. It provided the perfect secret behind central character Noah giving up his life in Dordogne and moving across France to Alsace. I write love stories, so the mystery had to be nuanced rather than a simple jeopardy.

I remembered someone who, when she lost her husband, refurnished and redecorated her home. I’d never come across that reaction to widowhood. She explained, ‘He liked to be the one to choose. But now I can.’ To me, this put their relationship in a whole new light. When we’d invited her out and she’d said, ‘I’ll have to check,’ had she meant with her diary? Or with her husband? When we’d picked her up, he escorted her to the car and looked inside to say, ‘Good evening’. How old-fashioned and courtly, I’d thought. But was he checking she was going out with who she’d said she was? If so, did this behaviour make her feel cherished?

Or did she resent it and feel controlled?

She also once mentioned that she’d married young and that her (by then deceased) dad had been a similar man to her husband…

I’ll never know if I jumped to conclusions, but my suspicions informed the background I gave Noah’s ex, Florine. When Florine’s controlling father died, she felt adrift. Attentive Yohan came along, telling her what she looked best in what he liked so that she could like it too, and she felt secure again. But leaving Noah for Yohan pitched her into a very different relationship.

The interesting thing about control, and which provided the nuances I was after, is that it doesn’t have to involve a traditional bully. Yohan doesn’t hit Florine or her daughter Clémence – he loves them. In fact, he almost suffocates them with his love, wanting constant knowledge of where they are or to have them with him, using his anxieties over them to cut them off from others, so he can bask in their undivided attention. His behaviour stems from his own insecurity and immaturity. Mix in a little self-importance and selfishness, and you have a controlling man. Yohan isn’t a main character, which means that Summer at the French Café is not his story – but the plot around Noah won’t work without him.”

 

Jane Cable