Martin Scorsese doesn’t shy away on his love and passion for film history and filmmaking itself. He makes subtle homages to silent era films through-out his films (especially the shot of Joe Pesci shooting a gun at the camera in the end of GoodFellas is referencing to The Great Train Robbery (1903). So viewing this film, it doesn’t come as a surprise why Scorsese wanted to make this film. It is based on a children’s book The Invention of Hugo Cabret by Brian Selznick.
It tells of an orphan named Hugo Cabret (Asa Butterfield) who lives in a train station in Paris in 1930s, he encounters George Méliès (Ben Kingsley) at a toy shop. Whilst living in the train station, Hugo is busy fixing an automaton. A mechanical man that was found by his father (Jude Law), determined to get it fixed since his father died from a fire at the museum where he worked. Constantly avoiding the station’s inspector (Sacha Baron Cohen), he also meets George’s goddaughter, Isabelle (Chloë Grace Moretz). Hugo notices a heart shaped key on Isabelle’s necklace, being a vital piece of the puzzle on fixing the automaton.
The story is a fantastical adventure and it is as exciting and magical as Pixar would make it if this was an animated film. The production design by Dante Ferreti (previous credits; Interview With The Vampire, Gangs of New York and The Aviator) continues to make some wonderful sets, especially the clock tower that Hugo often visits from time to time. It all feels authentic but also keeping with the fantasy story. Robert Richardson’s cinematography is gorgeous, making the setting of Paris as bright and glorious (which helps with the 3D). The writing from John Logan (Gladiator, The Aviator and Sweeney Todd: The Demon Barber of Fleet Street) is very well written, brilliant direction from Scorsese on starting the film with little to no dialogue. There was no need of an opening narration, a case and point on the meaning ‘show don’t tell’. The leading child actor, Butterfield, does hold the film on his own and makes a convincing and likable hero (“we’ll get into trouble” says Isabelle as Hugo pick locks a door “that’s how you know it’s an adventure!”) Moretz has already established from Kick-Ass how talented of an actress she already is and does the English accent spot-on! Sacha Baron Cohen (well-known as Ali G, Borat and Bruno in The Ali G Show) plays the Inspector as a comical villain and does comedy very well as he doesn’t play the character with any French stereotypical traits. His only purpose to uphold the law and capture any orphans in the station (being just as heartless as any mechanical object) but slowly showing feelings for the Lisette (Emily Mortimer)Ben Kingsley as the famous George Méliès makes one of his best performances. You feel for his sadness, that time can be a gift but also a curse. A magician on-stage and behind the camera, where he tells a young boy that this is where dreams get made! Believing there is no such thing as a happy ending. Though Hugo, as he fixes his automaton, attempts to fix George’s life. Which the film asks a question; what is our purpose in life? What happens when we’re made redundant? That’s a question Hugo constantly wants to find out and believing the automaton is the key to the memory of his father.
The thing that amazes me from this film is Scorsese’s eye on historical accuracy, not just from the setting or costumes but of film history itself. Featuring classic silent films; L’arrivée d’un train en gare de La Ciotat/The Arrival of a Train at La Ciotat Station and La Sortie des usines Lumière à Lyon/Workers Leaving The Lumière Factory in Lyon by Lumière brothers (who invented the cinematograph). Seeing a reconstruction of George Méliès’ films being made honestly brought a tear to my eye, it really is a film lover’s dream. This, without a doubt, will be used as a case-study for Film Studies courses in the future.
Overall; a phenomenal piece of filmmaking! Scorsese really does delve into the fantasy of the story but also celebrating film itself. As George Méliès says at the end of the film; “let us all dream!” You have certainly delivered a wonderful dream, Mr. Scorsese!
5 out of 5!