Mad Max: Fury Road {Film Review}

At one point, I was a little worried about this particular movie. Not only is it another entry of Mad Max, not only has it been 30 years since the last one but also being written, produced and directed by George Miller. If we learned anything, directors returning to movie series that put them on the map in the first place usually end up with underwhelming results (George Lucas with Star Wars: Episode I – The Phantom Menace, Steven Spielberg with Indiana Jones and the Kingdom of the Crystal Skull and Ridley Scott with Prometheus). Remember how the trailers would look spectacular and too good to be true but eventually being huge letdowns? However, that trend has now been broken because George Miller has made an insane action masterpiece!

The movie is a reboot of the series, with Tom Hardy replacing Mel Gibson as our troubled hero Max Rockatansky. Rather than start from the very beginning in typical reboot fashion, it already establishes Max’s wife and child were killed and he’s been surviving this mad_max_fury_road_ver13_xlgchaotic post-apocalyptic world. He gets captured early on by the War Boys, a pale skinned gang led by Immorton Joe (played by only returning Mad Max cast member, Hugh Keays-Byrne). He is in charge of a kingdom known as the Citadel, as he controls the people and major water supply. Though Furiosa (Charlize Theron) has her own agenda; taking Joe’s five brides away and taking them to the green place. This results Joe giving chase and Max (and the audience) along with the wild ride. That’s pretty much it from there; a roller-coaster ride that barely slows down. The world of Fury Road is wildly creative with the production and costume design. It all feels Max has been transported to Dante’s Inferno, as there’s even an intense escape sequence before the main title shows up. Miller never gives any exposition to who or what is going on on-screen.

Tom Hardy is a great replacement, bringing the Max we all have grown familiar but also bringing his own interpretation that doesn’t result being an imitation. He’s almost like a wild animal, just making his way through and looking out for himself. Though even he is not so far from being insane as everyone else. He often has hallucinations of his family, mostly from a little girl. Keays-Byrne is impressively threatening as Immorton Joe. Fuelled by pursuing his belongings as if he’d lose everything (including his sanity) if they ever get far from his grasp. The inventive ventilator collar adds to his bonkers costume design, including a see-through body armour. Though the ones who steal the spot-light are the women, including Theron’s Furiosa. They are far from the damsels in distress or completely written as being illogical (I’m looking at you Anastasia Steele and Bella Swan!) It’s also saying something that most of the women in this movie are the sane ones. The brides may not be warriors but they will do the damn hardest to actually do something to prevent from anything bad happening. Everyone is aiming for something, whether it’s simply to survive, gain back something or even head somewhere better. Even Nux (Nicholas Hoult) is given a bit of an arc, something he slowly but eventually realises his full potential. The movie may be an action movie on its surface but it has a bit of humanity in its core and also heart on its sleeve.

As said before, the movie is completely bonkers but it is beautifully bat-shit insane! It’s one of those situations where I would describe something from the film and it will give you an idea what kind of ride you’ll be going on. For example; there’s one character where he wears a red onsie but is standing on a bunch of towering sound-speakers and plays an electric guitar. . . . that also acts as a flamethrower. Even character names will also give you an idea what you’re walking into, such as The People Eater and The Bullet Farmer. John Seale even came out of retirement to help shoot this movie. His experience on shooting in desert settings in The English Patient may have been useful but he brings it to a whole new level. The action sequences are easy to follow but shot in a way that’s more intense and satisfying to watch than any action movie nowadays. You actually get worried when our heroes are close to death’s door (unlike Fast & Furious series where lead characters can survive anything, even ramming to an oncoming car).

Overall: 30 years waiting for the return of Mad Max and it was worth it! George Miller finally unleashes his crazy vision and never holds back. The cast is excellent and the action is breath-taking! Easily one of the best movies of the year and going to be hard to top this from being movie of the summer. J.J. Abrams, don’t let us down with The Force Awakens!

5 out of 5!

The Dark Knight Rises {Film Review}

*WARNING! MAY CONTAIN SPOILERS!*

 

Since 2005, Christopher Nolan rebooted the Caped Crusader as we all thought he was long gone with Batman Begins. No one had expectations when the director of Memento was on-board but he delivered one of the biggest surprises and created a film that many other comic book hero films will try to imitate. Then he raised the expectations even higher with the announcement of a sequel and he delivered The Dark Knight in 2008. Continuing to bring maturity and intellectual story-telling but also made an impact to many filmmakers. Now Batman has risen from the darkness and finally has a new challenge, not only from new villains but also Christopher Nolan announcing it will be the conclusion to The Dark Knight Trilogy. Many argue there hasn’t yet been a great comic book hero trilogy and the third in the series always tends to not live up to its predecessors (X-Men, Spider-Man etc.) I can safely say this isn’t that case and will say early that this is the best comic book hero trilogy to date!

 

The story is set eight years after the events of The Dark Knight, Bruce Wayne hanging up his mantle as Batman and keeping away from the spot-light since. Until the terrorist known as Bane enters the stage and plans to bring destruction and chaos to Gotham City. Meanwhile, Bruce interacts with Selina Kyle (aka Catwoman, though never referenced by that name), a cat-burglar but an anti-hero who only helps her own (survival of the fittest). Bruce sees this as an opportunity to go back as the dark knight and come face-to-face with Bane but things go worse than expected (A LOT worse!).

There’s only so much I can reveal the story but it is better to experience it on the big screen. Wally Pfister’s cinematography and Nathan Crowely’s production design really amps the scale, you feel the anarchy Bane delivers from the many set-pieces this film delivers (if you thought the hallway fight scene in Inception was mind-blowing, Nolan really tops that from the opening sequence which could mistake it as a Bond opening). Hans Zimmer’s music is a more bombastic score, further bringing the thundering emotion of Bane’s menacing speeches and actions. Everything about the production in this film is top-notch, do you expect anything less with a Christopher Nolan film? I will say the film is bold and daring to go to places most filmmakers would not even think twice on going, all credit goes to not only Chris Nolan but co-writers David S. Goyer and Jonathan Nolan. Though people will find obvious references to Occupy Wall Street, especially Bane’s motivation on punishing the wealthy and supporting the people (even releasing the prisoners of Gotham to have the city to their own will). The story really does come to full-circle, whatever happened in Begins or Knight comes to full affect in Rises. With all the gloom and doom in this film, Nolan doesn’t forget to bring some humour into this film as he had done from his previous films. The story’s events comes from these three Batman comic book story arcs; The Dark Knight Returns, Knightfall and No Man’s Land.

 

Christian Bale really does shine as he delves deeper to his emotional struggles in this movie, you can feel the suffering and pain he has to go through. Which makes his journey to rise from the ground and come out soaring! Like his father says to him in Batman Begins “why do we fall, Bruce? So that we can learn to pick ourselves up!”, a line that runs through his motivation to save the city and its citizens. Tom Hardy brings a brute menace to Bane and finally brings justice to the character that was ruined in Batman & Robin. He may have the muscles and brawn to show but it’s his tactical thinking that makes him even more threatening. He may lack the sinister edge of Heath Ledger’s Joker but that doesn’t detract the type of villainy he delivers. You honestly worry about Batman, as Bane just brushes off everything Batman throws at him from fists to various techs from his utility belt. Anne Hathaway is terrific as Selina Kyle / Catwoman, she has her own code which is she looks for her own self and doesn’t get involved with anyone else. Though the chemistry between Bruce and Selina is quite electric, both exchanging quips and sassy comebacks but it evolves to something more intimate. Seeing the both of them work together is probably my favourite scenes from the whole film and I honestly think (controversy incoming) Hathaway does portray Catwoman more faithfully than Michelle Pfeiffer did in Batman Returns. The rest of the supporting cast continue to bring the best of their characters; Michael Caine makes an emotionally strong performance as Alfred, fearing the loss of Bruce and not wanting to go through the pain again as he lost Bruce’s parents (a powerful scene where Alfred confesses to Bruce that he wished he never came back). Gary Oldman continues to be the best Jim Gordon, growing to stand being a strong character and is actually exciting he can take care of himself despite his age. Morgan Freeman is the ever charming Lucius Fox, he too continues to grow such a strong supporting character.

 

Is it perfect? No but neither was The Avengers and I enjoyed the hell out of it. The surprise twists won’t surprise most comic book fans but I also blame the media on releasing a few images online that really should have been left offline. Bruce’s reason on exiling himself from the world for such a long time because of the death of Rachel Dawes is a bit hard to swallow but is a minor nit-pick that doesn’t affect the overall film. Zimmer’s score is great to listen to and gets your adrenaline going but it is a bit too thundering at places (and sometimes partially hard to listen when characters are talking). I think many people (including the YouTube community) will start to make fun of Bane’s voice, though I never had a problem understanding him from trailers and didn’t have a problem understanding him in the film. The ending may split opinions, as some may find it being something really bold and broad but then leads to something completely different. Also a reference towards the character of John Blake felt a bit forced and didn’t work in my opinion.

 

As much I really do enjoy this Batman series immensely, I am glad Christopher Nolan has finished with the series and will be moving forward to make more films in the same vein as Memento or Inception where his strengths as a story-teller really does show! Though for now, he’ll be producing Zack Snyder’s Man of Steel in 2013 with Henry Cavill as Kal-El / Clark Kent / Superman.

 

Overall; this film is fantastic, a satisfying conclusion to The Dark Knight Trilogy. Despite the minor faults this movie has, it still delivers an epic blockbuster not only just from the scale but also in emotion. Thank you Mr. Nolan, you made an honourable farewell to one of the greatest iconic heroes of our time.

 

4 out of 5

CANNES 2012 PREVIEW


The most prestigious and coveted film festival on the planet is upon us as filmmakers, stars and journalists descend on the southern French seaside resort to view and critique some of the most anticipated films of the year. Of course I cannot be going myself; the rigour of the festival is said to drive even the most dedicated of film journalists to the edge let alone a beginner. But I can definitely cast my eye over the selection and pick ten of them that have caught my and other cinefiles eyes. Some of these have confirmed UK release dates, others do not. Either way the calibre of these titles should see them generating plenty of buzz before their arrival on these shores.

MOONRISE KINGDOM

The seventh feature from the king of idiosyncratic American indie cinema Wes Anderson is a period piece set in the mid sixties following two runaway teenagers in love and the haphazard search party that sets out after them. Anderson stalwarts Bill Murray and Jason Schwartzman are joined by newcomers Bruce Willis, Edward Norton and Frances McDormand to name a few. Anderson’s exceptionally detailed, designed and witty directorial style may not be to all tastes but for fans of his work this is set to tick all the boxes.

LOVE

Austrian master of discomfort Michael Haneke returns to France for a tale of a couple who must care for the wife’s elderly parents. French acting legend Isabelle Huppert appears alongside William Shimmel of the magnificent Certified Copy in what would appear to be a more gentle approach for Haneke. Those familiar with his work however, will be prepared for terrible things to happen.

KILLING THEM SOFTLY

The Assassination of Jesse James was one of the most criminally underrated films of recent years so hopes are high for director Andrew Dominik and star Brad Pitt’s reunion in this gritty crime thriller about an underworld investigation into a card game heist co starring Sam Shepard, Richard Jenkins, James Gandolfini and Ray Liotta. Pitt appeared in last year’s big Cannes winner The Tree Of Life. Can he make it two in a row?

COSMOPOLIS

Robert Pattinson has the hearts of millions of Twilight fans and now we find out if he can win critical acclaim in Canadian maestro David Cronenberg’s twisted thriller about a young elitist yuppie travelling across New York City for a designer haircut and getting caught up in a dystopian, cultural revolution. Imagine a science-fiction take on American Psycho.

GRANDMASTERS

Wong Kar- wai has had glory at Cannes before with his visually lush and unconventional takes on traditional genre features with In The Mood For Love and Chungking Express. Now he turns his fine eye to a classic martial arts tale (based on the Ip Man series) with Asian superstar Tony Leung pulling all the moves.

RUST AND BONE

Jacques Audiard is known for his poetic yet brutal dramas such as A Prophet and The Beat My Heart Skipped. Hopes are high for this dramatic tale of a marine park worker crippled in an accident who finds solace with an immigrant bouncer. The magnificent Marion Cotillard plays the lead and after being sadly relegated in recent American roles she may have to clear space next to her first Oscar for La Vie En Rose…

LIKE SOMEONE IN LOVE

Abbas Kiarostami is a master of blurring the line between fiction and cinematic construct and recently had glory at Cannes with Certified Copy. Here he heads to Japan, focusing on the relationship between an aging academic and a student side-lining as a prostitute. Whatever the context of their relationship the director’s previous work dictates that appearances can be deceiving.

ON THE ROAD

Jack Kerouac’s seminal road journey novel has been rolling around studios for years and now Walter Salles of the excellent road movie The Motorcycle Diaries turns his attention to the tale of two young men making their way across fifties America. Sam Riley of the the brilliant Control appears alongside Kirsten Stewart, Kirsten Dunst, Viggo Mortensen, Elisabeth Moss and Steve Buscemi. For the cast alone this is a must see.

LAWLESS

Reminiscent of his gritty western The Proposition, Australian director John Hillcot’s latest is another tale of outlaw brothers (here in prohibition era America) whose familial bonds are pushed to the limit by the pursuing lawmen and each other. Again this is a stellar cast; Tom Hardy, Guy Pearce, Jessica Chastain and Gary Oldman to name just a few.

THE ANGEL’S SHARE

Britain’s poet of the people Ken Loach is another Cannes stalwart and this appears to balance the mix between gentle humour and gritty realism of his previous work and concerns a young tearaway who finds a chance at redemption and success in the surprisingly sophisticated world of whisky brewing and selling.

The Cannes Film Festival runs from 16 May to 27 May.

Downton Abbey Star: Its Harder For Working Class Actors

Downton Abbey star Rob James-Collier has said that it is harder for working class actors to make it as they don’t have the “comfort blanket” of wealth. The actor, who plays Thomas the footman in the hit period drama, said the early years of acting are like any other profession with the middle-class and privileged the only ones who can afford to work for free.

 

He said:

“You have to work for a year with no money. How on earth are you going to finance that?” he asked and said he had found it hard to make it as a “working class lad”.

The acting industry is full of Oxbridge graduates and people who went to Public School. These include Thandie Newton, Alexander Armstrong, David Mitchell, Olivia Williams, Sophie Winkleman, Eddie Redmayne, Tom Hardy, Dominic West, Henry Cavill, Freddie Fox, Benedict Cumberbatch, Sophie Okonedo, Colin Firth, Helen Bonham-Carter, James Purefoy, Tom Hiddleston and Damien Lewis to name a few.

James-Collier, was raised in Stockport and he told the Radio Times that the acting industry favours the wealthy. He worked in manual labour jobs to fund his acting dream.

“Because you’ve done the horrible jobs it gives you an even grittier determination to succeed,” he said.

“If I had a comfort blanket, I wouldn’t have been as passionate and driven. When you get there, you really do appreciate it because you know where you have been.”

He also said that his mother had been supportive and that his father had allowed him to try his luck.

Join the debate, do you think working class actors have it worse? Do you think the acting industry favours the rich? Have your say.

This Month’s Magazines, September Part 2: Sarah Jessica Parker Takes Red, Instyle Turns 10.

This Month’s Magazines, September Part 2: Sarah Jessica Parker Takes Red, Instyle Turns 10.

Keira Knightley is on the cover of Marie Claire looking gorgeous. She tells Marie Claire that ‘Jealousy is the only emotion that has no positive side to it’ and tells of her tomboy ways by saying; ‘I didn’t wear skirts until I was 14. I hated them’.

There is a lot of Autumn clothing and shoes, a fashionista dream. Natalia Vodianova gives her style list, Robert Cavalli tells the secrets of relaunching his fashion label, 18 beauty secrets supermodels swear by, Catwalk beauty section, Is your body better than you think? A good article that shows women are usually in better shape than they think they are, The history of the vibrator, Faces of addicted women, how drugs destroys looks.

Love at first site or slow burn?, Amy Winehouse remembered, How a good ‘To Do’ list can change your life, Article on teaching women how to be good mothers, Tom Hardy interview, Mentors, Jordan AKA Katie Price interview, little white lies; are they okay?, Surviving domestic abuse, Annie Lennox, Hollywood stylists, Jessica Chastain, Anna Faris, Eva Green, Adele Parks, Scarlett Johanson tells her beauty rules, 24 hours to better skin, Staying in with Alex James, Diary of an emotional eater, Breast cancer awareness month.

It is Instyle’s 10th Anniversary and Diane Kruger is on the cover. It is a beautiful cover, with Diane in gold. Diane is interviewed inside. Diane on her style: “I don’t have my own stylist. And I like to be a little different – in LA, everyone wears the same dresses. I think my background as a model helps, because I like experimenting and I’m not afraid of fashion or what other people think of me. What you wear is one of the only things about yourself you can manipulate.”

There are a lot of wonderful articles about the history of Instyle, comments from Instyle cover girls, 10 years of style crushes, when we were 10, What I have learnt about style, party people, are you too old for your moisturiser, The easy way to perfect skin, Emma Watson on beauty, top ten celebrity homes, Eliza Doolittle.

The New Power List, 100 people to watch and all under 25. Diana Vickers talks style, 15 minutes Viktor & Rolf, Georgina Chapman’s Top 10 party list, Blake Lively is Instyle’s beauty crush,

There is a High Street Style special; guest edited by Daisy Lowe, Gemma Atterton is interviewed and talks about being okay with being a size 10, she says: “I don’t have to be skinny”, Jessica Szohr interview.

Sarah Jessica Parker takes the cover of Red. She is interviewed inside and tells Red that ‘I don’t read anything about me. I’ve never googled myself. I don’t have the constitution for it”.

There is a very good article on Tamara Mellon, and she shows her wardrobe, prepare for wardrobe envy. She is on the Red fashion power list alongside Natalie Massenet amongst others.

Two writers debate whether or not it’s good to settle, Isabel Ashdown talks about her fathers alcoholism, The women behind the Outnet talks to Red, the rise of the middle class drug addictions, What I’D save in a fire, Does career plus kids mean compromise?, The denim detox, How making little differences can change your life, What I see when I look in the mirror (Includes Jane Fallon, a brilliant author), KT Tunstall tells of the soundtrack to her life, Joan Collins interview; she announces she has never had plastic surgery, How to make peace with your hair, Pie recipes, The baby recession: Red’s annual fertility survey, cooking with apples. What is your fertility sell-by date?, An end to eye bags, Boot camp for the soul, Eva Green’s best things in life.

PART ONE IS HERE