Top Schools ‘Too Dominant’ In Acting

Sir Peter Bazalgette, the chairman of Arts Council England, has said that the British film and TV industries are ‘too dominated’ by actors who have gone to private schools and that state school pupils have too few opportunities to have a career in the arts.

He told the Sheffield Doc/Fest: “I personally don’t see why all the male actors getting Baftas should come from Eton, Good for them, and great actors, but why should they all come from Eton?”

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Damien Lewis went to Eton.

 

Actors who went to Eton include Damian Lewis, Dominic West, Tom Hiddleston and Eddie Redmayne. Actors who went to other private schools include Rory Kinnear, who went to St Paul’s, Benedict Cumberbatch, who went to Harrow and Hugh Bonneville, who attended Sherborne.

 

12 Years A Slave actor Chiwetel Ejiofor went to Dulwich College – where Sir Peter went to school.

 

“Seven per cent of the population go to private schools, and in those private schools they get an absolutely, crackingly good education in the performing and visual arts. Ninety-three per cent don’t go to those private schools and, in some state schools, people get a wonderful education in visual and performing arts as well. But in quite a lot of them they don’t.

 

Visual performing arts have been marginalised in some areas in the curriculum as the curriculum becomes more instrumentalist and focused on what’s known as the Stem agenda – science, technology, engineering and maths. If there is one message, we say Steam, not Stem – put the ‘a’ for arts in.”

 

Dame Helen Mirren also recently warned that acting was becoming the “prerogative only of kids who have money”.

 

Check out Frost editor, Catherine Balavage’s, new book, How To Be a Successful Actor: Becoming An Actorprenur, which tells you how to become an actor, no matter what your background.

 

What do you think?

 

Thor: The Dark World {Film Review}

With Iron Man 3 and The Wolverine out of the way, it is now the God of Thunder’s turn to shine from Marvel. Set straight after the events from The Avengers, Loki (Tom Hiddleston) is a prisoner of Asgard and Thor (Chris Hemsworth) is busy keeping order to the Nine Realms. Though this all comes after a (rather obligatory and unneeded) opening with Anthony Hopkins’ Odin providing a voice-over. We’re introduced to Malekith (Christopher Eccleston), leader of the dark elves who has been searching a dark force called the Aether. Though defeated by Odin’s father, he and his army have escape and wait while in hibernated suspension till the Aether has been recovered.

 

Thor isn’t an easy character to be taken seriously, he is also the least relatable character out of The Avengers (he is a God after all). Kenneth Branagh succeeded on bringing Thor to life in 2011 but also handling the character with such sophistication (having adapted William Shakespeare’s plays helps). Director Alan Taylor now takes rein of the sequel and it’s not surprising with his previous credits (The SopranosGame of Thrones etc.) that he was a fitting choice. Though the big question was where do you take the story after Thor and The Avengers? Quite simply, you amp up the scale!

Thor - The Dark World

 

Chris Hemsworth returns as Thor and he delivers such charismatic charm. As said before, he may not be relatable but being likeable makes a huge difference if we’re going to be rooting for him. He continues to grow valiant and noble, even taking huge risks that not only will cost lives but their loyalty to his father and to Asgard. Sif (Jaimie Alexander) and the Warriors Three (Fandral (Zachary Levi), Hogun (Tadanobu Asano) and Volstagg (Ray Stevenson)) all return to bring their support (even if they’re given little to do). Anthony Hopkins makes a commanding presence as Odin, though he also can’t help but camp it up at times. Frigga finally has more to do and say this time round, making up for her lack of presence in the first movie. Though the character of Jane Foster is the most frustrating, mainly because she’s such an uninteresting character and is, ultimately, a damsel-in-distress. As Darcy (Kat Dennings) mentions that she’s been constantly looking for Thor but also eating her feelings away with ice cream in her pyjamas. I understand you were swooned by a God and see him in New York battling aliens but she’s such a pathetic character to even remotely worry for her when she’s in peril (no wonder Natalie Portman doesn’t talk about her much because there’s not much to talk about). Stellan Skarsgård as Erik Selvig and Kat Dennings’ Darcy are the supplemental comedy reliefs, though their scenes does come across being desperate comedy.

 

Christopher Eccleston’s Malekith brings menace but he’s unfortunately another weak Marvel villain (along with Mandarin in Iron Man 3). His motive is simply to bring darkness to the universe, yet it isn’t as threatening as it should be and comes out being one-dimensional. At least with General Zod in Man of Steel, you understand the reason for his motives despite the extremes he will take to achieve them. Though the highlight is Tom Hiddleston as Loki, he absolutely takes this opportunity to go all out and have fun. The scene between Thor and Loki are very funny, exchanging witty comebacks and sarcastic remarks on each other. Though underneath this comedic bantering, there’s an emotional core and you become attached to these two. There are a few cameos that many will enjoy, though one in particular will have scratching their heads on who he is and what relevance has he to do with Marvel’s Cinematic Universe. Oh and Stan Lee makes his appearance of course.

 

This movie has certainly been given a huge make-over since the first movie. Marvel was keeping it safe by having the budget moderately low in the first movie, they now give Taylor an arsenal to expand the Thor universe. The majority of this movie takes place in Asgard or Svartalfheim and really brings the sci-fi/fantasy settings to great use. It does contain some beautiful imagery (Asgard looks alive and robust, even aerial shots of Malekith’s ship floating in space). With the mix of fantasy and sci-fi, the movie does give the audience a task to just roll with it but manages to pull it off. The final climactic battle between Thor and Malekith is short but not excessive enough to keep it from being exciting and creative (something Zack Snyder should have done with Man of Steel).

Overall: Thor’s second entry is great fun and Taylor has continued to bring sophistication but also confidence to the character. Doesn’t exceed to greatness but it does whet movie-goers appetites for Marvel’s next outing with Captain America: The Winter Soldier and Guardians of the Galaxy next year.

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Downton Abbey Star: Its Harder For Working Class Actors

Downton Abbey star Rob James-Collier has said that it is harder for working class actors to make it as they don’t have the “comfort blanket” of wealth. The actor, who plays Thomas the footman in the hit period drama, said the early years of acting are like any other profession with the middle-class and privileged the only ones who can afford to work for free.

 

He said:

“You have to work for a year with no money. How on earth are you going to finance that?” he asked and said he had found it hard to make it as a “working class lad”.

The acting industry is full of Oxbridge graduates and people who went to Public School. These include Thandie Newton, Alexander Armstrong, David Mitchell, Olivia Williams, Sophie Winkleman, Eddie Redmayne, Tom Hardy, Dominic West, Henry Cavill, Freddie Fox, Benedict Cumberbatch, Sophie Okonedo, Colin Firth, Helen Bonham-Carter, James Purefoy, Tom Hiddleston and Damien Lewis to name a few.

James-Collier, was raised in Stockport and he told the Radio Times that the acting industry favours the wealthy. He worked in manual labour jobs to fund his acting dream.

“Because you’ve done the horrible jobs it gives you an even grittier determination to succeed,” he said.

“If I had a comfort blanket, I wouldn’t have been as passionate and driven. When you get there, you really do appreciate it because you know where you have been.”

He also said that his mother had been supportive and that his father had allowed him to try his luck.

Join the debate, do you think working class actors have it worse? Do you think the acting industry favours the rich? Have your say.

The Avengers (2012) trailer

There hasn’t been a movie so massive in anticipation and scale since The Dark Knight back in 2008. Now Marvel has completed on introducing our main characters; Captain America, Iron Man and Thor, it’s time for the inevitable team-up that has been teasing us with each end-credits scene. On October 11th, we finally get an official teaser trailer of The Avengers.

The trailer shows us that Tom Hiddleston’s Loki will be the film’s main antagonist, but his motives are unclear (world domination or simply causing chaos?). We also get a glimpse of Captain America’s and Thor’s new costume change (not to mention Thor’s hair extension). Each giving witty comebacks, such as Steve Rogers saying;

Steve Rogers: Big man in a suit of armour. Take that away, what are you?
Tony Stark: Er a genius, billionaire playboy and philanthropist.

This is all to be expected from writer/director Joss Whedon, whose previous works are Angel, Buffy the Vampire Slayer and Firefly (we’ll just ignore he wrote Alien Resurrection).

From the look of this teaser, it really does show Loki to be more an intimidating villain than he was in Thor. Then we also get to see Jeremy Renner as Hawkeye in action and can’t not have shots of Scarlett Johansson as Black Widow doing what she knows best. Although we see both Captain America and Thor battling it out in a forest?

It gives a sigh of relief that Joss Whedon does know what he’s doing and does seem to deliver the spectacle but also great characterisation. Though he’s got some strong competition against Christopher Nolan and Warner Bros./DC Comics with The Dark Knight Rises. All will be revealed when the film is released on 4th May, 2012.

Official website; http://marvel.com/movies/movie/152/marvels_the_avengers?fullscreen=1

The Avengers teaser trailer on Apple iTunes; http://trailers.apple.com/trailers/marvel/avengers/

REVIEW: THE DEEP BLUE SEA

Tom Hiddleston and Rachal Weisz

 

Director: Terence Davies
Starring: Rachel Weisz, Tom Hiddleston and Simon Russell Beale
Running Time: 93mins

DEEP BLUE SINKS ON THE BIG SCREEN

There’s an exchange at the start of Terence Davies’ adaptation of Terence Rattigan’s stage play where unfaithful Rachel Weisz says to her cuckolded husband, ‘It’s a tragedy’. To which stage super-star Simon Russell Beale replies, ‘No, that’s such a big word. It’s just sad.”

And this is the film’s main problem – it’s not a tragedy, it’s just a bit sad.

The story of a young pretty wife who cheats on her Judge husband with a young pretty pilot, only to have him be a bit of a bastard might have been relevant and boundary pushing in the 1950’s but now it feels prudish, small and out of touch.

While it does have moments or genuine intimacy and insights into relationships that would not be out of place in a modern drama, it’s when the film’s stage roots show that it suffers.

Stage actors are allowed to be bold and brassy, vocalising their emotions to the back rows, but apply that to cinema and it feels melodramatic. Where things should be told with glances, looks and clenched jaws, they are often told with screaming speeches.

There are, however, a handful of stand-out beautiful moments in Deep Blue Sea. An uptight Tom Hiddleston trying to hold his anger at bay in a lively pub, a joke in an art gallery that’s taken in wrong way or a muted exchange in the back of a car – however, these scenes all are ruined by the inevitable burst of anger and melodrama.

You feel that maybe Davies was a bit in awe of the material. After all, not only was this one of Britain’s best-loved playwrights’ best-loved plays, but it’s also being released in the year of Rattigan’s 100th birthday. Maybe Davies felt a major reimagining, or reboot as its called these days, of the play would have been sacrilege.

Which is a shame, as with three such excellent lead actors, this would have made a great stage play.