Do It Like A Woman by Caroline Criado-Perez

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Do It Like A Woman …and change the world by Caroline Criado-Perez

Doing anything like a woman used to mean being a bit rubbish.

No longer. Now, as the women in this book prove, it means being brave, thinking differently, speaking out, standing up, taking a risk, fighting back, dreaming big, and being more than a bit amazing.

Every day, all around the world, women are reinventing what it means to be female in cultures where power, privilege or basic freedoms are all too often acquainted with being male.

From physical strength to having a voice and being heard, women are still being overlooked and even dismissed. I still find it hard to believe that women not only have to fight to be heard but that the fight is not over. Many of the older generation will remember when things were much worse in the UK and USA and we have come a long way over the years but women in others countries are not so fortunate. FGM is one topic covered and the graphic description and potential side effects suffered by young girls made me grit my teeth as I was reading it – and sadly, women continue to be the perpetrators which I find baffling.

The book contains examples of women challenging various boundaries on a day to day basis which differs from country to country. Speaking out, not keeping silent, putting your head above the parapet can be traumatising and draining but it has to be done. Criado-Perez tells of the consequences.

We could, in the next few weeks, see leaders of both Conservative and Labour parties,  and we already have female first ministers of Scotland and Northern  Ireland. It will be interesting to notice how the general reaction differs as to when Margaret Thatcher came to power in 1979. I remember many males objecting to being told what to do by a woman. I think there will be fewer protestations now, it is much more common to have women leading companies and businesses.

One quote that stood out for me, as women continue to work harder for equal recognition was the following:

‘I am reminded of the aphorism that we will have equality when there are as many mediocre women at the top as there are mediocre men. ‘

Quite.

www.portobellobooks.com

www.carolinecriadoperez.com

Coastlines:The Story of Our Shore by Patrick Barkham

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Coastlines: The story of our shore is a portrait of the British coastline from the Giant’s Causeway to Land’s End.

Told through a series of walks beside the sea, this is the story of the most beautiful 742 miles of coastline in England, Wales and Northern Ireland – its rocks, plants and animal, its views, walks and history – and of us, the people of this island nation, shaped by our shore.

Barkham  explores land that is protected by Enterprise Neptune, the National Trust’s maritime section which was launched in 1965 to protect our national coastlines. Scotland does not feature as it has its own National Trust but it would be great to know that a second volume will follow.

This is the perfect read if you are planning a break or a day out in the UK. However,  if you are sofa bound you will still enjoy the vivid description and various anecdotes that Barkham recounts on his journey.  I laughed at tales of the formidable Mrs Christie of Brownsea Island in Dorset  and smiled at Norrie Dougan walking down the street with Elvis in Strangford Lough. His beautiful, tightly observed descriptions made me want to seek out new areas of coastline and revisit those of my childhood.

Each page is packed with tales of curious places, and curious characters.  It’s not simply a book of walks but contains stories of the people and past that shaped our country, those times of war and peace that have left their marks upon this beautiful land. The chapters cover Art, Faith, Work and Childhood among many others; looking back to the past and forward to the future, and the steps that are being taken to preserve our shores.

I enjoyed discovering the history and heritage of each location as well as the author’s own experience of it and made many notes of places to check out  and explore. There is plenty of information on relevant websites, nearest railway stations and OS map coordinates if you should care to visit yourself.

A book to dip in and out of  whenever the fancy takes you.

 

 

Lucky Us by Amy Bloom

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When Eva’s mother abandons her on Iris’s front porch, the girls don’t seem to have much in common – except, they soon discover, a father. Thrown together with no mothers to care for them and a father who could not be considered a parent, Iris and Eva become one another’s family. Iris wants to be a movie star; Eva is her sidekick. Together, they journey across 1940s America from scandal in Hollywood to the jazz clubs and golden mansions of Long Island, stumbling, cheating and loving their way through a landscape of war, betrayals and big dreams.

Set in 1940s America, this is a thrilling and resonant novel about loyalty, ambition and the pleasures and perils of family.  Iris has grit and the determination to escape her surroundings;  she wants a different life and Eva soon becomes a part of, and important to, those new horizons. Bloom artfully covers such detail in so few words that it read like a huge sweeping novel rather than the slim volume it was. Clever and deft writing, sharp and witty by turns, the characters and their circumstances are finely observed and I cared about each one of them, willing them to overcome the obstacles that littered their paths.

Iris and Eva are full of guts and the determination to not only  survive, but thrive. The book explores what is possible when we refuse to give up and are willing to be flexible and adapt to conquer life’s twists and turns. Something that resonates with the challenges we face at the moment.

A totally satisfying and superb read. I look forward to reading more of Amy Bloom’s writing now that I’ve found her.

www.grantabooks.com

 

 

Screenwriting Workshop with BAFTA Award winning writer John Foster

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You may have had the opportunity to catch a performance of Shot At Dawn in Dorset over the last few weeks which has been earning fantastic reviews – and rightly so. Writer and Artistic Director, John Foster, kindly gave a pre-performance screenwriting  workshop for Dorset Writers Network  at Bridport Arts Centre.

John gave an overview of how to approach a project from a screenwriters’ point of view. An immense challenge to cover such a broad and detailed subject in an hour and a half but I came away with lots of useful insights that, even if I don’t use them myself, can pass on to other writers who may be in need of a few basic starting points.

The main difference I found was that, although structure, character and dialogue are as important as when writing a novel,  it pays to ‘think pictures’ and approach your idea from the visual aspect of telling your story. John provided a useful handout that presented the structure of a screenplay entirely in ‘pictures’ and it was quite easy to see from it how to build a story in this way.

For example:

                ‘Plump, juicy grapes growing up the wall.

                At the window. An elderly woman looking out.’  

And so on – I found that incredibly insightful, having zero knowledge of screenwriting.

Producers are always looking for people who can write pictures as opposed to dialogue. They are looking for unique writing ‘voice’ – basically an original way to tell a story. The main points I have taken away are:

If it is painful, write it.

If your ears are burning it’s a sign that you are writing something good.

Write about something that fires you up.

Who do I want the audience to really care about?

Can the story be told in sound and images? Do you have any sound motifs that give added depth?

Think camera. It is most important to think visually (but be careful how you put it on the page).

Invest in character and atmosphere and, as in all writing mediums – show not tell.

When you’ve finished your script make sure you are sending it out  to the right people. Do your market research.

I asked about his own writing practice and John described it as an organic process that grows and develops the more he writes. Ideas, he says, come from writing.

So there you have it. It’s no good thinking about it, get the words on the page, paint those pictures. Just do it.

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John Foster teaches screenwriting at Bournemouth University and Regent’s University, London. He has published fiction in the Guardian and Spectator and written for radio and theatre. Screen credits include many episodes for television drama series: Z-Cars, Softly Softly, Crown Court, Emmerdale, Juliet Bravo, Rockliffe, The Bill. John has written single dramas and dramadocs, including a BAFTA award-winning BBC Omnibus on Raymond Chandler. The movie of his screenplay Letters from a Killer featured Patrick Swayze in the lead role. He is contributor to the award-winning crime collection, Mean Time.  John is currently writing for the theatre, having helped found Doppelganger Productions, a theatre production company, of which he is Artistic Director.

www.dopplegangerproductions.com

 

Helen Cox – Funeral Celebrant

Historian and author Helen Cox chats to Frost about her life as a funeral celebrant.

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How long have you been a celebrant, Helen?

It’s a very new career path for me – I only started in November 2015.
What made you decided to follow that path? Pure serendipity, and two very sad losses. My godmother died last spring and I was asked to give a eulogy for her; then in October, a dear friend died and her husband asked me if I would do the whole funeral service. Both occasions went very ‘well’, if that’s the word, and so many people asked if I was a professional celebrant, or told me that I should be, that I began looking into it. I discovered that the National Federation of Funeral Directors (NFFD) is based locally and happened to be running a celebrant training course in December, so I signed up straight away. I felt I’d found an occupation which suited my skill set and temperament really well, and seemed like a natural development of my freelance writing and lecturing portfolio. I’m very glad I did decide to follow this path, because it’s a real privilege to perform this service for grieving families, and I’m finding it very rewarding.

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I note that you are registered with the appropriate professional associations. Did this involve any training or is it mainly for support and accreditation?

There’s no training required to join the British Humanist Association (membership is by subscription), but I did two NFFD training courses, (in celebrancy and SafeHands funeral planning). I wanted to be properly informed and prepared to carry out this very sensitive work, and to show clients that I’m an approved celebrant and registered funeral plan agent. The support and advice of my NFFD mentor is also extremely welcome to a newcomer in the field, and it’s reassuring to know that I have the backing of a professional organisation.

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I think many people are under the impression that a celebrant merely speaks at the service but it is so much more than that. Could you tell us a little about what your role involves?

Initially, arranging a meeting with the chief mourner, (usually the deceased’s spouse or nearest relative), and sometimes other family members or friends, to learn about the person who has died. I can then write a personalised eulogy to tell their life story, and help anyone else wishing to speak to prepare their memoir or reading. If necessary, I help with choosing suitable music, poems and prayers, then arrange all the elements into an order of service, precisely timed to fit into the designated time-slot (normally 40 minutes). I also design and print hard copies of the Orders of Service if required, and liaise with the funeral director and crematorium to confirm all the arrangements; altogether, these preparations take at least ten hours spread over a week or more. Then on the day of the funeral I arrive early to check the music, set out any Orders of Service, meet and greet mourners, receive the deceased and precede the coffin into the chapel. After all that, delivering the service itself is only a small part of the process!

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Any loss is such an emotional time for loved ones. You have to have great interpersonal skills to weigh up the situation and decide how best to support people. How do you think other aspects of your life have developed these skills?

Having experienced a number of close bereavements I can empathise when people lose a loved one, and understand the kind of support they might find helpful at this particularly difficult time. The training and experience I received as a volunteer counsellor at a Rape Crisis Centre and a member of my local co-counselling network (co-counselling is a form of humanistic peer-group counselling) was hugely helpful in teaching me how to listen attentively, recognise and respond to non-verbal cues, and feel comfortable in situations where people are distressed and expressing strong emotions. But overall, I think everything I’ve done during my long and varied 55 years has made me into a pretty calm, sensible person able to help grieving mourners – which is arguably more important than any formal training.

www.helencox-funeralcelebrant.co.uk

Words for the Wounded Host Their Annual LitFest Literary Festival

Words for the Wounded Host Their Annual LitFest Literary Festivallogo

Great excitement – Words for the Wounded which raises funds for wounded troops and veterans by creating  opportunities for aspiring writers and readers is holding its annual LitFest again on April 16th.

The WforW LitFest Day will be held as always at the lovely Downley Community Centre, School Close, Downley, High Wycombe HP13 5TR
10.00am to 5.00pm.

As everyone knows by now, the three grannies, Margaret Graham,  Jan Speedie (both Frost Magazine writers) and Penny Deacon absorb all the costs of the charity and therefore 100% of everything they raise goes to where it should.

Words for the Wounded Host Their Annual LitFest Literary Festival

The speakers this year are:  Sunday Times No 1 bestselling author and a patron of WforW –  Elizabeth Buchan talking about her work.

Words for the Wounded Host Their Annual LitFest Literary Festivalelizabeth buchanan

Jemima Hunt, editor and literary agent, and director of The Writers’ Practice with advice on editing your work and attracting an agent.
Tracy Baines, successful women’s magazine  short story writer with tips about getting published.

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Further excitement as Catherine Balavage, blogger and editor of Frost Magazine will be joining the day to talk about blogging, running a magazine, and her various successful books.

Paul Vates, the brilliant actor, and friend of Words for the Wounded, will be reading from the work of our speakers.

Sharon Bennett will be displaying her art.

Cost £35 (which includes lunch with wine, morning coffee and afternoon tea)

For Tickets, send a cheque or postal order to: (cheques payable to Words for the Wounded)
Words for the Wounded
12 Woodcote Green, Downley, High Wycombe, HP13 5UN
Please include a SAE

Trains from London are frequent, and there are taxis for the 10 minute journey.

www.wordsforthewounded.co.uk

Gigaset G-Tag Review By Tracy Baines

Gigaset G-Tag Review By Tracy Baines1

Keep track of your valuables this Christmas with the new Gigaset G-tag. Using Bluetooth technology, this clever device can track down important items such as keys, handbags or even your car, by electronically syncing to a simple smartphone app.

 

The G-tag also alerts users if they’ve left somewhere without their ‘tagged’ items. If the device moves more than a pre-set distance, they receive a notification on their phone to help find missing possessions within 10m.

 

The app was easy to install and ready to go.

I think it’s fabulous if you’re like me and can’t remember where you parked your car – especially this time of the year.

 

We were burgled recently and the thieves took my handbag and purse – and I loved that handbag. I’m thinking of sewing one of these into the lining so that if, heaven forbid, the same thing happens again I at least might get my handbag back.

 

If my children were still small I think I’d be slipping them on rucksacks, lunch boxes and PE bags. How many hours would that have saved?

 

It comes in different colours – great for putting on a key ring and makes it easy to find in the bottom of your bag.

 

Available in black, white, orange, red and green.

 

Amazon.co.uk, £17.50

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Good Food Show – Birmingham NEC Review By Tracy Baines

This was my first trip to the BBC Good Food show but it was obvious from the outset that many of the clientele had been to previous events. In they poured, armed with substantial shopper trolleys and crates on wheels to depart much later with a hoard of goodies.

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I’d accompanied my son and his wife who were working on the World Cheese Awards and was left in charge of my two year old grandson, Huxley. We arrived when it opened and were still there when it closed so I had a great overview of the general flow of the day (as well as sore feet).

Good Food Show  - Birmingham NEC                                                                      Tracy Baines2cheese

I wasn’t sure what I expected to find there, food obviously, and demonstrations, but it was so much more than that and I can see why people come back again and again. There was an entire warren of stands from the big names like Hotpoint and Stoves to small, individual family businesses launching new products.

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As well as food you could also buy anything from a dining table and chairs to a bed, a massage chair and a Lexus should you be so inclined. There really was something for everyone. Many of the stalls though offered fantastic food and drink products. I never knew there were so many brands of gin and craft beer available. It was quite an eye opener.

Good Food Show  - Birmingham NEC   Tracy Baines4

I wandered up and down the aisles watching demonstrations of garlic graters and miracle mops, and enjoyed sampling everything from sausages to ice cream. You could purchase a new set of pans and something to clean them with if you burnt them. It was a great place to buy Christmas presents and I was particularly taken with the 50s style aprons at The Sunday Girl Company. Fabulously fun aprons for mother and daughter – and Grandma!

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And of course, you could take out a subscription to Good Food magazine.

If you were to overindulge your credit card Guide Dogs for the Blind offered a shop and drop service to offload your haul to save carrying it around. They were one of many charities represented in the show.

Many of the demonstration areas were ongoing so you could drift around from one to another. Phil Vickery, Lisa Faulkner and Lorraine Pascal all took to the various stages on the first day and Mary Berry, Paul Hollywood and the Hairy Bikers were appearing over the weekend.

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The best time to go is early when it first begins or late afternoon when the crowds have gone and people are drifting away anxious to avoid the traffic. It was easier to access the stands and you had more time to chat to the exhibitors about their products – and taste them of course.

If you haven’t been to the NEC before it’s a great venue, easy to park with frequent shuttle buses to

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the exhibition centre. For those with mobility scooters and wheelchairs and yes, baby buggies, it was easy to get in and out of doors and facilities.

Various Good Food events are held around the country for most of the year so if you do go along be prepared: take a trolley and a credit card.

www.bbcgoodfoodshow.com