Tag Archives: Victoria Cornwall

MORTON S GRAY REVIEWS

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The Girls of Bomber Command by Vicki Beeby

Vicki Beeby has done it again!

I enjoyed her last two WW2 series about The Ops Room Girls and The Wrens, but I loved the first in this new series about The Girls of Bomber Command.

A poignant subject, Beeby comments in her notes that the RAF Bomber Command had one of the highest casualty rates of any Allied unit during the Second World War and yet the author manages to portray this sensitively in a very enthralling read.

I loved Pearl, who reminded me of myself as she tries to look after her younger sister and strives to find her own place in the world whilst staying true to her aspirations. Greg has to deal daily with the thought that he might not survive the next bombing mission and that colours how he lives his life.

The author’s notes on the research undertaken to inspire and also to make this story authentic were fascinating.

I can’t wait for the next book in the series.

 

Wild Hope by Donna Ashworth

I cannot speak too highly of this volume of poetry. Comfort in troubled times and wisdom for everyday living.

Having seen a social media video of the author using the volume as an oracle, I now open this book daily at random and the results have never ceased to surprise me. I have my favourite poems of course but each page has the ability to touch my heart and often to produce tears.

I don’t think I have ever read a volume of poetry so often. Wonderful.

 

The Paris Affair by Victoria Cornwall

I really enjoyed this book and felt as if I was actually Charlotte, the heroine as she negotiated the sadness, excitements and uncertainties of her life and relationship with Pierre.

The Parisian scenes, particularly the characters’ visit to The Sacre Coeur took me right back to a long ago visit to Paris.

Victoria Cornwall is a skilled storyteller who makes you care about her characters and root for them as they tackle dangers and challenges.

I have always wondered how I would have coped in times of war and hope that I would step up to the challenge of helping with the war effort just as Charlotte, Pierre and their colleagues did in the book.

A thoroughly enjoyable read that made me reflect on the war experiences of members of my family.

 

The Lost Heir by Jane Cable

Jane Cable captures the time of the Covid era lockdowns, which caused many people to re-evaluate their lives and make changes, as does the modern day character of Carla in The Lost Heir. As a family historian myself, I enjoyed the research Carla and Mani’s research adventures. I liked the present day story, even though I wasn’t sure I wanted to read about Covid times when I started reading the book, and would really like to know more about what happened to these characters after the end of this story.

Franny in the historical story, with her different way of seeing the world and her companion, Harriet, is a very complex character. I loved the secrets and risks surrounding William.

Loved the fact that Carla had inherited her grandmother’s skills for seeing auras and presences. Fascinating to read in the notes to the book about the inspiration for the story and the research done by the author.

All in all, a great read.

 

 

SISTER SCRIBES’ READING ROUND UP: NOVEMBER

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Jane:

My first read of the month was The Daughter of the River Valley by Victoria Cornwall and I enjoyed this book so much. It drew me in from the beginning – it was so refreshing to read a story set in Victorian times with a fiery female working class character, and which wasn’t unrelenting doom and gloom. Well written and meticulously researched, I absolutely loved it.

I’ve had a real historical month and also adored Tracy Rees’ Darling Blue (now republished as The Love Note). Set in Richmond in the 1920s it charts the stories of three women, during a year when each of their worlds changes beyond recognition. The cast of characters is beautifully drawn, and rather than being a predictable flapper-fest, the novel addresses some of the important issues of the day, including the way the First World War changed both people and society. But for all that it isn’t a heavy read; it’s sensitive and joyful and at times impossible to put down.

Finally, in the name of research, I read Alice Chetwynd Ley’s A Reputation Dies. It’s a detective story set in London in 1815 and her use of period language is so rich it was a joy to read. I felt completely immersed in the period and enjoyed this historical cosy crime very much indeed.

 

 

Kirsten:

I love historical fiction and I was late to the party with  Year of Wonders by Geraldine Brooks. It was published in 2002 and was recommended to me several times before I finally grabbed myself a copy. The book is set in 1666 and it’s based on a true event. The Great Plague has reaches the quiet Derbyshire village of Eyam through a contaminated piece of cloth that has been sent to a tailor from London. It’s the only place in the region that’s been affected and the villagers make the extraordinary decision to isolate themselves totally so that the plague cannot spread further – so no one allowed in or out until the plague has run its course or everyone has died. This story is told through the eyes of 18-year-old Anna Frith as she confronts ‘the loss of her family, the disintegration of her community and the lure of a dangerous and illicit love’. I loved it. It’s sad and interesting and touching and fascinating and I had no idea that anything like this had happened. I wonder how we’d have reacted in the same situation.

 

Susanna:

The first two novels in Clare Chase’s Tara Thorpe series, Murder on the Marshes and Death on the River, are set in and around Cambridge and the Fens. In the first book, Tara is an investigative reporter, while in the second, time has moved on and she is now a police officer, which makes an interesting transition that adds depth to the story. The plots are clever, with twists, atmosphere, pace, a range of well-fleshed-out characters and plenty to make you think. The settings in the books are beautifully conveyed and show Clare Chase’s skill as a writer. I enjoyed the chemistry between Tara and Garstin Blake and when I read the second book, I longed all the way through for Tara’s nasty colleague to get his comeuppance. There are two more Tara Thorpe books (Murder Comes to Call and Death in the Fens) and I’m looking forward to reading those.

 

BUSINESS OF BOOKS: FIRST, LAST, EVERYTHING – HISTORICAL NOVELIST VICTORIA CORNWALL

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The first piece of writing advice you were ever given

The summer of 2014 was an exciting time. I had submitted my manuscript to a carefully selected list of agents and was waiting to hear back. An agent requested a full manuscript and I felt I was finally going to achieve my dream of becoming a published author. By the time Christmas arrived I had been rejected by all of them and had received my first professional writing advice. “You have a gift for writing, but you need to edit it on paper.” I put down the phone confused by the advice. What did she mean? Grumbling to myself, I printed my novel on A4 paper and began to read it. This was a pivotal moment in my writing career. Multiple small errors, which were mysteriously invisible before, began to jump out at me. It was a valuable lesson and now I always edit a paper version at some point during my self-editing phase.

 

The most recent piece of writing advice you gave or received

Strangely this is linked to editing again. Two author friends, at separate times, said they were listening to their manuscripts for errors and suggested it was a good way to edit. A Daughter’s Christmas Wish was the first time I added this method of editing to my writing process. Once again, I was amazed. It is easy to read what we expect to see rather than what is truly there. Our hearing is very sensitive. A misspelt word, repetition or a sentence that is far too long, is more obvious to our ears. It is another tool to use to improve the standard and flow of your writing. All software have the option to have a voice narrating your text and it is normally free and easy to use. If you are unsure how to find the speaker option, search “How to” on the internet and there will be a step by step guide on how to activate it.

 

The piece of advice you’d most like to pass on.

Don’t let agents’ rejections stop you pursuing your dream. The reasons they reject you are varied. It might be related to your writing, but it may also be not what they are looking for at that time. Many successful writers have been rejected by agents and/or publishers at some point in their career. I was. Their rejection initially crushed me, but they also made me more determined to prove them wrong.

Four years after that summer of rejections, which I mentioned earlier, I have four traditionally published books out in the big wide world. All my books are released as ebooks and audiobooks, two have been released as paperbacks. I have been shortlisted for the New Talent Award at the Festival of Romantic Fiction, a finalist at the Joan Hessayon Award and reached number 21 in the paid kindle rank for Victorian romance. I was tempted to give up writing after I was rejected and I’m so glad I didn’t. Don’t let the rejections crush your joy for writing, just see them as part of the journey to get to where you want to be.

 

Victoria Cornwall is the author of the Cornish Tales series published by Choc Lit. Her novels are historical, Cornwall based fiction, with romance and drama at their core. She is married, with two children and is a member of the Romantic Novelists’ Association.

 

Business of Books: So Much to Give – Part 2: Jane Cable on how individual authors help charities

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Business of Books: So Much to Give – Part 2

Jane Cable on how individual authors help charities

Two weeks ago I wrote about how groups of authors help charities so now I’m going to turn my attention to the valuable input that individual writers can have, both in terms of time and money.

 

Although many authors band together to organise events others go it alone, using all their creativity to make it work. Historical novelist Victoria Cornwall helped her husband to raise funds for the local Cornish branch of Mind by running a slot car racing competition at a vintage vehicle show. To help attract families to the stand she gave away chocolates and bookmarks promoting her debut novel with Choclit. Did it help with book sales? “In truth, I have no idea,” she admits. “But we were raising money for a charity which supports adults with mental health problems so promoting my novel took a back seat.”

 

There are writers who donate all or part of their royalties to causes related to their books or close to their hearts. With the author only receiving a small slice of the price paid by the reader anyway, even amounts which sound quite small – like 10% or £1 a copy – are actually pretty generous gifts. Examples where the book fits the charity are Cassandra Grafton supporting the Jane Austen Literacy Foundation through her latest Austen inspired novel, and TV producer turned satirist Gloria Grayson donating to Mutts With Friends Dog Rescue because a dog is the star of her newly released book.

 

Indie author Emily Williams is so passionate about helping horse charities she is actually writing a young adult novel specifically to raise money. It’s an ambitious project and very much a work in progress, but she’s determined to succeed, even perfecting the art of making origami horses to feature on the cover.

 

Other writers give their time to mentor (psychological drama writer Amanda Reynolds volunteers for The WoMentoring Project) or give motivational talks; former soldier, police officer and crime writer Matt Johnson helps other veterans in this way and is a great example that with the right treatment PTSD can be controlled and overcome. Author and media doctor Carol Cooper will blog to support charities and waive her fees for articles to support good causes. For writers – and for many charities, time is as precious as cold, hard cash.

 

I would wager that most writers do something, however modest. Val Portelli (who writes as Voinks), typically plays down her own contributions: “The only things I’ve done are donate copies of my books as a prize for a fund raising campaign to keep a library open, send copies to a book shop struggling for stock after a devastating area flood, and donate some copies to an old people’s home where a friend worked as a carer.” That really doesn’t sound too much like ‘only’ to me.

 

But for some, the urge to help takes over their lives. Claire Louise Brown’s latest book has Inspired her to set up a charity to build a recuperation centre for veterans. “It’s early stages but hopefully one day what is in the book will be real and helping people every day,” she explains. Freelance writer and teacher Anne Hamilton made that dream real after she visited Bangladesh working for an NGO and wrote a travel memoir about it. This was the starting point for her involvement with Bhola’s Children, a charity which provides a home and school for orphaned and disabled children. She is a trustee and visits Bangladesh regularly. Find out more about the charity here: http://www.bholaschildren.org/.

 

 

 

The Business of Books: Jane Cable Gets Distracted But Finds She is Not Alone

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Jane Cable gets distracted but finds she is not alone

It’s a small miracle you are reading this article at all, to be honest – and great credit to writer friends who have rallied around to provide me with some content. The thing is, last week I moved house. Long distance and for the first time in over twenty years. Not only did time become an issue, but the mental effort turned my brain into a huge mass of Cornish clotted cream.

I am not the only author suffering from a life event at the moment. Frost’s own Margaret Graham has been in the wars but in typical fashion is seeing the positive: “Falling into a wall recently and breaking my shoulder not only put one hand out of use but a whole brain, it seems to me. I feel that actually giving it a rest is probably not a bad thing. You will find that creativity is better for a bit of a holiday.”

Writer of historical fiction, Rosemary Noble, is also good at seeing the upside of potentially distracting events. “Sometimes you can avoid the stress by burying yourself in writing. I’m thinking of trying to sell my mother’s flat to pay for her care home. The only way I got through that 12 months was writing,” she told me.

There are some everyday distractions which make the list too. Day jobs (most writers have them), family commitments, lack of sleep, paying the bills – even social media – all sap creative energy. Sometimes the good things do as well. Ghost writer and freelance wordsmith Sue Kelso Ryan cited her dog as the biggest culprit – and it was a great excuse to use her lovely picture as well.

Which just goes to show that good things interrupt our writing too. “Having twins,” says media medic and women’s fiction author Carol Cooper. “That knocked writing on the head for a few months. And illness/surgery. You resent having to rest or slow down because it stops you writing.” Although she did manage to create a top-selling practical parenting guide about her experiences once she was able to find the time.

Crises involving other family members which hit without warning seem to have the biggest effect, as fantasy & romance writer and brand strategist Amy Tipper-Hale has just found out: “My boyfriend breaking his leg in Milan after being run over by a motorcyclist, and me having to fly over to be with him so he wasn’t entirely stranded…I thought I’d have plenty of time to write, but it ended up being stressful and exhausting – my mind all over the place, and not a single word written…except this.” Luckily the patient is now at home – and hopefully Amy will get back to writing again soon too.

As for me, now I have unpacked my desk and settled it into its new location, I need to have a plan. I’ve been sitting on the edit notes for my current manuscript for a month or so and my brain is just starting to tick over them. And one thing this house move is meant to achieve is more time to write. Fingers crossed I can make it happen.

As well as those mentioned above, my thanks also go to Barbara Copperthwaite, Victoria Cornwall, Morton S Gray, Wersha Bharadwa, Carol Thomas and Clare Ruel for their contributions.